How Shakespear befriended Saudi Arabia’s founding father Ibn Saud

1 / 13
Ibn Saud near Thaj, Saudi Arabia, 1911. (Getty Images)
Updated 18 March 2019
Follow

How Shakespear befriended Saudi Arabia’s founding father Ibn Saud

  • William Shakespear (not the famous playwright) is the man behind one of the first photographs of Saudi Arabia’s founder, Ibn Saud
  • The British captain became such a trusted friend that the ruler called him ‘brother,’ and he died in battle fighting his enemies

DUBAI: Among the artefacts on show in the “Roads of Arabia” exhibition, on show for the final weekend at Louvre Abu Dhabi, is a photograph of a handsome young man.

He is an imposing figure, with chiseled features and his eyes hinting at a shrewd intelligence. His is the face of a man accustomed to command, a man who might change history — as indeed he did.

Abdul Aziz bin Abdul Rahman bin Faisal bin Turki bin Abdullah bin Mohammed Al-Saud was such a man. Known more commonly as Ibn Saud, he became the founding father and first monarch of the country which bears his name: the Kingdom of Saudi Arabia.

The photograph was taken in Kuwait in 1910, when he was about 35, and is among the first pictures taken of the future king, for he had never seen a camera before. The man who arranged the sitting — and in all likelihood took the photograph — was only the second European Ibn Saud had encountered. But Captain William Shakespear, a British explorer and diplomat, became such a trusted friend that the Arab leader called him “brother” and made him his military advisor.

And it was thanks — certainly in part — to their closeness that Britain and Saudi Arabia signed a treaty to formalize a friendship that endures to this day.

William Henry Irvine Shakespear was a son of Empire. Born in Bombay in British India in 1878, he served as an officer in the Bengal Lancers before joining the British Foreign Office in 1904 and five years later was posted to Kuwait as a political agent.

He was not a typical colonial official. A gifted linguist, he spoke Urdu, Pashto, Farsi and Arabic, and indulged his passion for photography, botany and exploration with long expeditions into territory that had never been mapped, where he met and talked with Bedu tribesmen and studied the flora and fauna of the desert.

Shakespear soon formed the view that the man to watch was Ibn Saud, son of the emir of Najd and scion of a proud ruling tribe. He was physically imposing — well over six feet tall and a proven warrior who, after a decade in exile, had recaptured Riyadh, the Al-Saud power base from the rival Al-Rashid tribe. 

The chance to meet Ibn Saud came one day in February 1910 as Shakespear returned from a journey into the eastern desert. The trip had gone drastically wrong when tribesmen overran the camp, shot dead his chief guide and almost killed Shakespear himself. But then they recognized the rest of his party as old acquaintances and joined them around the campfire for gahwa (Arabic coffee) and storytelling.

On returning to Kuwait, Shakespear found an invitation from the ruler, Sheikh Mubarak Al-Sabah, to a banquet in honor of his visitor, Ibn Saud.

It was a most lavish affair which “cannot have cost less than £20,000 ($25,600),” Shakespear noted in his report. 

In his diary he recorded that Ibn Saud was “a fair, handsome man, considerably above average Arab height with a particularly frank and open face and, after initial reserve, of genial and very courteous manner.”

The two men, who were roughly the same age, hit it off straight away and Shakespear invited Ibn Saud to dine at the British diplomatic residence the following evening. Over a classic British meal of roast lamb with mint sauce, roast potatoes and tinned asparagus, the Arab nobleman was impressed not only by his host’s fluency in Arabic but by the way he could converse knowledgeably about aspects of desert life, including hunting with falcons and saluki hounds.

It was, as authors David Holden and Richard John wrote in their book “The House of Saud,” “a cordial meeting of minds” that deepened over many lengthy conversations in Riyadh and in remote desert camps.

Britain was keen to extend its influence over the Gulf, and Shakespear urged his masters to recruit Ibn Saud as an ally. But London hesitated. Kuwait was controlled by the Ottoman Turks, who in turn were Britain’s “buffer” against other, more hostile European nations trying to carve up the region, and Turkey was allied with the Al-Rashids, enemies of the Al-Saud. Even when Ibn Saud drove an Ottoman garrison out of the coastal oasis of Al-Hasa, Britain still would not commit, to Shakespear’s immense frustration.

However, as he was coming to the end of his stint as a political agent, London consented to his request to visit Riyadh on his way back home.

After five weeks on the back of a camel, he arrived to a warm welcome from his friend. It was during this stay that Shakespear took photographs of Ibn Saud and local scenes that comprise the first pictorial record of the Arabian heartland, showing Riyadh as little more than a village with mud walls, although, as Shakespear noted: “Quite a third of the town is taken up by the homes of the Saudi family.”

The outbreak of World War I changed everything. Turkey sided with Germany. Suddenly, the British were desperate to have Ibn Saud as an ally against Turkey and dispatched Shakespear back to Riyadh to keep him away from the Turks at all costs.

Within a week of his arrival in January 1915, Shakespear had drafted the first Anglo-Saudi document, which recognised Ibn Saud as independent ruler of Najd under British protection and sent it off to Kuwait for approval.

Meanwhile, Ibn Saud rode 400 kilometers north with 6,000 men to confront the forces of his old enemy, the Al-Rashids, at a spot called Jarrab in what was both a traditional bedouin battle, with camels and plenty of hand-to-hand combat, and a proxy war between Britain’s newly signed-up ally and the Turkish-backed Al-Rashids. Shakespear made the fateful decision to tag along to photograph the event.

On Jan. 24, scouts reported that Al-Rashid forces were mustering nearby. Ibn Saud urged Shakespear to stay behind at Qassim, but the Englishman wouldn’t hear of it. Riding in on a camel, wearing his British khaki uniform and pith helmet, he set up his camera in the center of the Saudi line on a hilltop. When the Al-Rashids charged, he made an easy target.

At the end of the battle, Shakespear lay dead, but nobody was sure how he had died until his personal cook, Khalid bin Bilal, provided a first-hand account. Bilal had been captured in battle but escaped two days later and overheard Al-Rashid fighters talking about the Englishman who had been killed.

Bilal went to the elevated spot where he had last seen his master carrying his camera and found his body, which bore three bullet wounds. A digitized form of his account was released by the British Library in 2015, a century later.

Shakespear was 37 when he was killed. His diaries, notes and photographs went to the Royal Geographical Society, but historians have speculated on what other diplomatic successes he might have achieved and how different both Gulf and British history might have been had he lived.  

What is known is that on Dec. 26,  1915, Britain and Ibn Saud signed the first Anglo-Saudi Treaty — the document drafted by Shakespear — and that the great Saudi leader never forgot his English friend.

Many years later, when he was king of Saudi Arabia, he was asked who he considered to be the greatest European he had met. Without hesitating, he replied: “Captain Shakespear.”


‘At the Edge’: Art Week Riyadh signals bold new chapter in Saudi cultural renaissance, say organizers

Updated 06 April 2025
Follow

‘At the Edge’: Art Week Riyadh signals bold new chapter in Saudi cultural renaissance, say organizers

  • Event organized by Visual Arts Commission and hosted at JAX District from April 6 to 13

RIYADH: Art Week Riyadh is making waves in the Saudi capital this week, with curators and creatives hailing the event as a pivotal moment in the Kingdom’s fast-evolving cultural landscape, the Saudi Press Agency reported.

Organized by the Visual Arts Commission and hosted at the JAX District from April 6 to 13, the event is bringing together local and international artists, curators, and institutions in a celebration of contemporary creativity and cross-cultural dialogue.

The initiative reflects the growing momentum of Saudi Arabia’s cultural transformation, part of the broader Vision 2030 reform agenda that is reshaping the Kingdom’s social and artistic fabric, according to organizers.

Vittoria Matarrese, Director and Art Curator of Art Week Riyadh, described the event as a significant turning point.

“We chose the title ‘At the Edge’ because it reflects the nature of the phase Riyadh is undergoing,” Matarrese said. “It is a city positioned between the desert and urbanization, between heritage and renewal. This balance is evident in the diversity of participation and the dialogues presented by the exhibition.”

She added that Riyadh is increasingly defining itself as a space where modernity and tradition intersect, enabling a unique creative evolution.

Shumon Basar, curator of the Public Cultural Program at Art Week Riyadh, underscored the importance of the conversations taking place as part of the programme, titled “How to Create an Art World: Lessons in Value.”

He explained: “Our goal is not only to share experiences, but also to raise essential questions about the types of value that art creates in the contemporary world—whether economic, symbolic, or social—and how art can serve as a tool to understand cultural transformations, rather than merely reflect them.”

Art Week Riyadh serves as a key cultural platform that embraces diversity and encourages artistic experimentation, offering a space for critical reflection on the evolving role of art in society, SPA added. 


A look at NEOM’s prehistoric masterpieces etched in stone

Updated 06 April 2025
Follow

A look at NEOM’s prehistoric masterpieces etched in stone

  • Open-air museum of ancient artworks is key to decoding past civilizations
  • Drawings reveal how human beings interacted with now-extinct animals in the area

MAKKAH: In the heart of NEOM’s Hisma Desert, where sandstone mountains and plateaus rise from the arid landscape, is an extraordinary collection of ancient rock art and archaeological inscriptions. These priceless treasures illuminate the cultural and economic vitality of long-lost civilizations.

Once a vital corridor for caravans travelling the ancient trade routes of the Arabian Peninsula, this region preserves an invaluable legacy etched into its geological formations.

The drawings show how people interacted with now-extinct animals in the area, as well as with livestock and camels. (Supplied)

Abdulelah Al-Fares, a photographer and expert in ancient artifacts and a member of the Saudi Heritage Preservation Society, told Arab News that the rock art is in the mountains and plateaus in NEOM, part of a mountain range in the northwestern part of Tabuk.

Hisma Desert is bordered by the Sharah Mountains to the north, by Wadi Araba to the northwest, by the Hijaz Mountains to the west, and by Harrat Al-Raha to the south.

HIGHLIGHTS

• Studying rock art in the region matters deeply because it reveals economic and cultural changes that shaped the northern Arabian Peninsula.

• The drawings show how people interacted with now-extinct animals in the area, as well as with livestock and camels.

• Among the standout examples are life-sized camels crafted with remarkable precision and aesthetic detail.

“The plateaus, part of the Hisma Desert and its geological formations, represent an open-air museum of nature, ancient rock art, and diverse historical inscriptions,” he said.

The artworks illuminate the journey of human civilization, revealing its cultural and social evolution in the region. (Supplied)

The rock drawings feature engravings of human figures, animals and various scattered scenes throughout the site.

The engravings on the plateau’s facades depict scenes of animals, including wild animals such as camels, cattle, ibexes, ostriches and wolves, as well as other predatory animals, and depictions of hunting scenes and human combat.

These drawings are notable for their precision and have remarkably withstood the elements for thousands of years.

Abdulelah Al-Fares, Saudi Heritage Preservation Society member

“These drawings are notable for their precision and have remarkably withstood the elements for thousands of years,” he said. “Most of the themes and scenes in some of the rock drawings in the region are repeated and depict, to some extent, the world of wild animals and the interactions of humans through hunting and warfare.

“The mountains embody a civilizational and cultural legacy through their distinctive rock drawings featuring human and animal forms,” Al-Fares said.

The rock drawings feature engravings of human figures, animals and various scattered scenes throughout the site. (Supplied)

He also highlighted the value of exploring NEOM’s ancient rock art. These carvings — depicting animals, hunting scenes and human figures — are a bridge between our modern lives and the world of humans thousands of years ago. They are a source of cultural and historical knowledge.

The artworks also illuminate the journey of human civilization, revealing its cultural and social evolution in the region.

Scattered throughout the area, a wide array of rock art sites show a vast and dense collection of drawings and archaeological inscriptions from different eras etched on mountain surfaces.

Al-Fares pointed out their diversity, noting the varied artistic styles, forms, and themes that distinguish each piece.

Among the standout examples are life-sized camels crafted with remarkable precision and aesthetic detail. The careful attention to detail is thought to underscore the camel’s role as an essential sources of food and transport in ancient times.

Another façade shows a herd of cows, all facing forward, their large crescent-shaped horns curving at the tips. Encircling this herd, human figures of varying sizes are skilfully carved.

These ancient artworks are pictorial panels of human history, activity, environmental adaptation, and cultural development during ancient times. Their value shines brighter given the scarcity of insights into prehistoric life.

Studying rock art in the region matters deeply because it reveals economic and cultural changes that shaped the northern Arabian Peninsula.

The drawings show how people interacted with now-extinct animals in the area, as well as with livestock and camels.

Many carvings portray human beings astride animals, including a warrior wielding a spear and sword, rendered with finesse and skill.

Scattered throughout the region, some drawings hint at the presence of different ethnic groups that lived in the area. The provide clues to migratiosn and trace the routes of trade caravans that used these locations as settlement points.

 


Riyadh forum to discuss future of project management

The forum’s chairman, Badr Burshaid, speaks during an event in Riyadh. (X @BadrBurshaid)
Updated 06 April 2025
Follow

Riyadh forum to discuss future of project management

  • The event will offer a platform for exchanging strategies to improve project outcomes by enhancing skills, streamlining operations, and using modern technology

RIYADH: Riyadh will host the fourth Global Project Management Forum from May 17 to 19, focusing on advancing project management and promoting innovation and sustainability.

Held under the theme “Next-Gen Project Management: The Power of People, Processes, and Technology,” the forum will bring together professionals from more than 100 countries to explore the future of project management and share new methodologies.

The event will offer a platform for exchanging strategies to improve project outcomes by enhancing skills, streamlining operations, and using modern technology, the Saudi Press Agency reported on Sunday.

The forum’s chairman, Badr Burshaid, said the goal is to provide practical solutions to challenges while encouraging collaboration across people, processes, and technology.

The event will include sessions and workshops on artificial intelligence, digital transformation, sustainability, global value chains, and leadership development, along with an exhibition and book signings.

 


The Saudi volunteer team that carries out emergency rescues in the Northern region

Updated 06 April 2025
Follow

The Saudi volunteer team that carries out emergency rescues in the Northern region

  • Turaif Falcons Search and Rescue Association rescues stranded motorists, finds missing people and assists in medical emergencies
  • Group recently helped evacuate severely overweight man suffering medical emergency in apartment

MAKKAH: A volunteer search and rescue team recently helped to evacuate a severely overweight man suffering a medical emergency in an apartment in Saudi Arabia’s Northern Borders region.

The man, weighing around 200 kilograms, was suffering from shortness of breath and low oxygen levels.

Due to the narrow staircase in the building — around a meter wide — the specialized team had to be brought in to evacuate the patient on a stretcher.

The team worked with the Saudi Red Crescent to safely transport him to a nearby hospital where he was placed on a respirator.

It was one example of a diverse range of rescue missions that the Turaif Falcons Search and Rescue Association regularly carry out.

Their work includes rescuing people from floods, assisting motorists stuck in the sand and locating people who have gone missing in the desert.

Operating under the Ministry of Human Resources and Social Development, they thrive in a spirited volunteer environment, committing their time, skills, and energy to community service while promoting a culture of volunteerism.

In an interview with Arab News, Mohammed Bashit Al-Ruwaili, head of public relations and media, and the official spokesperson for the association, said that the team is made up of over 150 dedicated volunteers, who play essential roles in multiple areas — most notably in supporting official agencies during search and rescue operations and contributing to life-saving efforts.

He emphasized that the team operates within a well-structured institutional framework, working in direct coordination with relevant security authorities to assist in the execution of rescue missions.

Al-Ruwaili noted that the team plays a vital role in raising community awareness through training programs that teach members of the public about wilderness safety.

It also offers support via interactive community service initiatives led by experienced and skilled members.

The team is equipped with a comprehensive system that includes vehicles fitted with communication and alert devices, and personnel trained in first aid and search operations under challenging conditions.

He pointed out that the Falcons face major challenges from harsh weather conditions, including sandstorms and extreme heat, which can hinder rescue efforts, and emphasized the continuous need to strengthen and capabilities by providing volunteers with more advanced equipment.

Al-Ruwaili also underscored the importance of unified efforts between official agencies and volunteer teams to ensure rapid and effective emergency response.

The team is committed, he said, to expanding its efforts by attracting new volunteers and forging strategic partnerships with relevant authorities.

Al-Ruwaili stressed the importance of cooperating with authorities and promptly reporting any emergencies.

He reaffirmed the Turaif Falcons’ commitment to remaining on the front lines, always prepared to respond, save lives, and serve the community.


Saudi ambassador meets Maldivian minister

Updated 06 April 2025
Follow

Saudi ambassador meets Maldivian minister

  • Khaleel conveyed the government’s appreciation to the Saudi ambassador for his contributions to strengthening the brotherly relations between the Maldives and Saudi Arabia

MALE: Saudi Ambassador of Maldives Matrek Al-Dosari met with the Abdulla Khaleel, Maldivian minister of foreign affairs, in Male on Sunday.

During the meeting, Khaleel conveyed the government’s appreciation to the Saudi ambassador for his contributions to strengthening the brotherly relations between the Maldives and the Kingdom, according to an official statement from the Foreign Ministry.

Al-Dosari expressed his gratitude to the government and people of the Maldives for the warm hospitality and friendship extended to him during his tenure.

He reaffirmed the Kingdom’s commitment to further strengthening the close and brotherly ties between the two countries.