Why Arab fans are loving ‘House of the Dragon,’ despite ‘horrific’ ‘Game of Thrones’ finale season 

Emma D’Arcy and Matt Smith in ‘House of the Dragon.’ (Supplied)
Short Url
Updated 01 September 2022
Follow

Why Arab fans are loving ‘House of the Dragon,’ despite ‘horrific’ ‘Game of Thrones’ finale season 

DUBAI: It is the comeback no one could have predicted. Having disappointed fans with its lackluster final season only three years ago, many were skeptical about HBO’s highly publicized “Game of Thrones” prequel series “House of the Dragon,” streaming in the region now on OSN+.

But the dragons have returned and so have the fans — and with gusto.




Matt Smith as Daemon Targaryen in ‘House of the Dragon.’ (Supplied) 

Award-winning filmmaker, movie reviewer, and head of film at the SAE Institute in Dubai, Razan Takash, aka Razz Reviews, is not surprised that fans have returned despite previous disappointment, revealing that she herself tuned in despite a fair bit of cynicism.

She said: “I think people are coming back because the world that was established in the beginning (of ‘Game of Thrones’) was so fantastic. The horrific, horrific ending of GoT bothered a lot of people not just because it was bad. It was also because it was so bad compared to something that was so wonderful.

“Trying to remember the good times after a breakup is very tough. So (‘House of the Dragon’) is more like, ‘oh, this is why we were together in the first place.’ And that world is just so wonderful and immersive and even cinematic. It feels like a giant movie and is very engrossing and engaging. And I think people gravitate toward that, especially if the story is told well,” Takash added.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by OSN+ (@osn)

For some fans, the lure of discovering more back story and lore to George R.R. Martin’s immersive world was too enticing to ignore.

UAE-based comedian and social media personality, Maha Jaafar, said: “I definitely loved ‘House of the Dragon’ a lot because I have always been curious about the back story of ‘Game of Thrones’ and the original story of where everything started. So, this answers a lot of questions, and it is very satisfying to a huge GoT fan.

“What I loved is reliving the GoT feeling again and having the same feeling. The magnificent locations and scenes in the show and all the details. Also, the thrill and excitement,” she added.

Ashley Rite, vice president of marketing and growth at OSN+, noted the relief many fans felt when they sat down to watch the show, episode two of which aired on Sunday.

“As a ‘Game of Thrones’ fan myself, I am pleased to see the series exceed all expectations. ‘House of the Dragon’ is the fantasy series we’ve all been waiting for since our last excursion into Westeros nearly three years ago.

“Alongside some of the best storytelling on screen today, the series presents a strong cast, amazing sets, and incredible cinematic visual effects, making for pure anticipated viewing each week,” Rite said.




Paddy Considine in ‘House of the Dragon.’ (Supplied)

It is a narrative that runs through many of the fan comments online, with social media users breathing a sigh of relief that the new show was staying true to what made the initial seasons of “Game of Thrones” so addictive.

In a tweet, Saudi Arabia-based designer and series fan Mohanad, said: “I feel like I’m going back to the old ‘Game of Thrones’ atmosphere.”

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by OSN+ (@osn)

Series fan Saeed Arjumand told Arab News he was happy to be pulled back into the world of “Game of Thrones” despite the letdown that was the final season.

The Emirati illustrator and owner of Dubai-based comic books store Comic Stop said: “Originally, I had no hopes for the show. Most spin-offs or shows that try to follow in another’s footsteps seem to fall flat or fail. I think especially with this one, the end of ‘Game of Thrones’ left a sour taste in a lot of fans’ mouths. But I was happy to be proven wrong by the plot as it got me interested right away.

“So far, Prince Daemon is my favorite character, I love a good villain and (actor) Matt Smith is great. Matt Smith doesn’t take light roles and I feel lately he’s been branching out more to types of characters we haven’t seen him play. Everyone knows him from ‘Doctor Who’ as the good guy but it’s nice to see him play the uncle who just wants the crown,” Arjumand added.

UAE-based marketing specialist Manar Al-Harthi, said the prequel show filled a void left by “Game of Thrones.”

“Westors is filled with stories and legends yet to be told. After ‘Game of Thrones,’ I am just glad we have ‘House of the Dragon’ to fill that void. So far it did not disappoint, and I am looking forward to the seasons to come.”

Having read the book “House of the Dragon” is based on, reviewer Takash said she was excited to experience a series of “Red Weddings” in the coming episodes, referring to one of the most brutal and shocking episodes in “Game of Thrones” history.




Episode two of ‘House of the Dragon’ drew in 10.2 million viewers across HBO and HBO Max. (Supplied)

“It’s going to be very, very brutal, and very personal, more personal than it ever got on ‘Game of Thrones’ because it’s family members that are turning against each other. And it’s basically the beginning of the collapse of one of the strongest families in the mythology of ‘Game of Thrones’ and ‘A Song of Ice and Fire.’”

Episode two of “House of the Dragon,” drew in 10.2 million viewers across HBO and HBO Max, which is available in 61 countries, according to Warner Bros. Discovery. This marks a 2 percent increase from the premiere episode, which was viewed by nearly 10 million people on those platforms, not including viewers who watched both episodes on international platforms licensed to air the show – such as OSN+ in the Middle East.


Irish performer ‘cries’ after Israel reaches Eurovision final as UK venues cancel watch parties

Updated 11 May 2024
Follow

Irish performer ‘cries’ after Israel reaches Eurovision final as UK venues cancel watch parties

Bambie Thug, Ireland’s entry in the Eurovision Song Contest, claims to have cried  after Israel qualified for the final to be held on Saturday. 

“It is a complete overshadow of everything, goes against everything that Eurovision is meant to be,” Bambie Thug told journalists ahead of the event at Malmo Arena in Sweden. “I cried with my team.”

The 31-year-old singer and songwriter wore a keffiyeh and carried Irish flags while urging the European Broadcasting Union to show “conscience” and “humanity.”
 
The artist will perform “Doomsday Blue” in the final.

Israel’s performer, Eden Golan, will present her song “Hurricane” at the competition. The track underwent revisions after the initial version, “October Rain,” was deemed too political by the EBU.

Although the contest’s motto is “united by music,” this year’s event has attracted protests from Palestinians and their supporters, who say Israel should be excluded because of its conduct of the war in Gaza.

Thousands of people are expected to march for a second time this week through Sweden’s third-largest city, which has a large Muslim population, to demand a boycott of Israel and a ceasefire in the seven-month conflict. 

In Finland, a group of about 40 protesters stormed the headquarters of public broadcaster YLE on Saturday, demanding it withdraw from the song contest because of Israel’s participation.

Venues across England are canceling their gigs after Palestine protest groups instructed their followers to pressure pubs showing the contest - leading some venues to close due to staff safety concerns.

The Duke of York cinema in Brighton called off its Eurovision event this week, telling ticket holders it was doing so “due to safety concerns for our staff and customers,” the Guardian reported. The Brighton Palestinian Solidarity Campaign called the decision a “massive win.”


AlUla to have starring role in ‘Motor City’ to be filmed in Saudi Arabia

Updated 11 May 2024
Follow

AlUla to have starring role in ‘Motor City’ to be filmed in Saudi Arabia

DUBAI: Saudi Arabia’s AlUla is expected to have a starring role in director Potsy Ponciroli’s upcoming action thriller “Motor City.”

Production is due to start on July 10 in New Jersey and Saudi Arabia. The film is part of production company Stampede Ventures’ 10-picture slate deal with Film AlUla.

The cast will include Alan Ritchson, Shailene Woodley, Ben Foster and Pablo Schreiber. 

“Motor City” is centered around John Miller (Ritchson), a Detroit auto worker who loses everything, including his girlfriend (Woodley), after being framed by a local gangster (Foster) and sent to prison.

After his release, Miller seeks revenge while trying to win his former girlfriend back.


 


Louvre Abu Dhabi to exhibit Van Gogh artwork

Updated 11 May 2024
Follow

Louvre Abu Dhabi to exhibit Van Gogh artwork

DUBAI: Louvre Abu Dhabi is set to display an artwork by Dutch painter Vincent van Gogh at the “Post-Impressionism: Beyond Appearances” exhibition running from Oct. 16 to Feb. 9 next year.

The work, “Bedroom in Arles,” depicts van Gogh’s bedroom in his yellow house in Arles, where he set up his studio and lived from September 1888.

The exhibition will be curated by Jean-Remi Touzet, conservator for paintings at the Musee d’Orsay, and Jerome Farigoule, chief curator at Louvre Abu Dhabi, with the support of Aisha Alahmadi, curatorial assistant at Louvre Abu Dhabi.

It will delve into the period known as post-impressionism, focusing specifically on the years between 1886 and 1905. “These two decades were a time of immense artistic innovation and experimentation, marking the transition from impressionism to the explosive emergence of the ‘fauves’ at the Salon d’Automne,” a press release said.

Highlights from the Arab world include two masterpieces by French Egyptian artist Georges Hanna Sabbagh: “The artist and his family at La Clarte” (1920) and “The Sabbaghs in Paris” (1921).


Singer Elyanna makes her TV debut on ‘The Late Show’

Updated 11 May 2024
Follow

Singer Elyanna makes her TV debut on ‘The Late Show’

  • Chilean Palestinian star performs hits from debut ‘Woledto’
  • Proudly adorned with Palestinian keffiyeh around her head

DUBAI: Chilean Palestinian singer Elyanna made her television debut this week on “The Late Show with Stephen Colbert.”

The 22-year-old music sensation delivered a medley of hits from her debut album “Woledto,” including “Callin’ U (Tamally Maak)” and “Mama Eh,” the first song performed entirely in Arabic on the show.

Her performance featured an ensemble of oud, tabla, riq and dancers.

“I had so much fun performing on this iconic stage,” she wrote to her 1.2 million followers after her show.

The hitmaker was adorned in a white lace dress featuring two thigh-high slits. She complemented the attire with coin-belt accessories, draping them over her shoulders and fastening them around her calves to add a Middle Eastern touch to her look.

In one of the pictures she shared with her fans, she proudly wore the Palestinian keffiyeh around her head as she posed in front of “The Late Show” desk.

Elyanna dropped her album in April. It features nine songs: “Woledto,” “Ganeni,” “Calling U,” “Al Sham,” “Mama Eh,” “Kon Nafsak,” “Lel Ya Lel,” “Yabn El Eh” and “Sad in Pali.”

Before releasing the album, she wrote to her Instagram followers: “This album is the embodiment of pride to be an Arab woman, to be from Nazareth, to be from the Middle East.”

“This is the closest I’ve been to where I come from,” she added. “The only feature on my album is my grandfather.”

The Los Angeles-based singer’s music is a mix of Arabic and Western beats, which she attributes to her multicultural upbringing.

Elyanna has been normalizing Arabic lyrics in the Western world throughout her career, taking inspiration from artists including Lana Del Ray and Beyonce, as well as Middle Eastern legend Fayrouz.

In 2023, Elyanna became the first artist to perform a full set in Arabic at California’s Coachella music festival.

She embarked on a North American Tour this year, gracing stages in Dallas, Houston, Toronto, Montreal, Washington, New York, Chicago, Detroit, San Francisco and Santa Ana.


REVIEW: ‘Kingdom of the Planet of the Apes’ a worthy addition to successful franchise

Updated 11 May 2024
Follow

REVIEW: ‘Kingdom of the Planet of the Apes’ a worthy addition to successful franchise

DUBAI: When soulless, cookie-cutter franchises were but the norm, the “Planet of the Apes” reboot trilogy — starring Andy Serkis’s commanding Ceasar — cut through the noise to offer a textured, resonant story that not only did well with the critics but also broke box office records.

Coming seven years after the final instalment of that trilogy, “Kingdom of the Planet of the Apes” continues the legacy with a visually rich and emotionally layered story. It takes its inspiration from the original 1968 film, “Planet of the Apes,” which was in itself an adaptation of French author Pierre Boulle’s 1963 novel “La Planete des singes.” 

Director Wes Ball (“The Maze Runner” trilogy) continues his run of dystopian features, but this time explores it in a lush, Garden of Eden-adjacent setting.

“Kingdom of the Planet of the Apes” is set generations after Ceasar’s time, when the world has been taken over by intelligent apes. The same virus that evolved them has regressed humans into an echo of their former selves, rendering them primitive and without language.

A coming-of-age story, our protagonist is the young simian Noa (a poignant and scene-stealing Owen Teague). When his clan is murdered by a rival group of bloodthirsty apes, Noa goes on the adventure of his life as he sets out to save those he can from the tyrannical rule of Proximus Caesar (Kevin Durand). On his journey, he teams up with a human girl May (“The Witcher” star Freya Allan) and a wise orangutan named Raka (Peter Macon), who still live by the words of the original Caesar.

While the premise itself lacks the depth of the previous trilogy, Ball compensates through extensive character work. He poses thought-provoking questions about whether humanity deserves a second chance, whether the apes will continue to make the same mistakes humans did, and whether apes and humans can imagine a future of peaceful co-existence.

The action and emotions are supported by groundbreaking visuals that seamlessly blend convincing motion-capture performances with beautifully rendered CGI.

To sum up, “Kingdom of the Planet of the Apes” proves a more than worthy successor to a franchise that refuses to quit — and for good reason.