Saudi fashion industry seen as a catalyst for economic diversification as it eyes global recognition

Brimming with diversity, Saudi Arabia’s topography offers picture-perfect backdrops for local and international fashion designers. (Photo: Saudi Style Council/NEOM)
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Updated 12 September 2023
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Saudi fashion industry seen as a catalyst for economic diversification as it eyes global recognition

  • Vision 2030 reforms have laid the ground for talented young Saudi designers to flourish in the industry
  • Acclaimed Saudi designer Yousef Akbar says the Kingdom recognizes fashion is a “serious business”

DUBAI: Move over, Milan. Not today, New York. It’s Riyadh’s turn to shine on the global catwalk as social reforms and economic diversification across the gamut of sectors propel Saudi Arabia toward the ranks of international capitals of the fashion industry.

In July, Mohammed Ashi became the first Saudi designer to show at Paris Haute Couture Week — a leading event in the global fashion calendar — by invitation of the Federation de la Haute Couture et de la Mode.




Models present creations by Ashi Studio during the Women's Haute-Couture Fall/Winter 2023/2024 Fashion Week in Paris n July 6, 2023. (AFP)

This September, a hundred Saudi brands will head to Italy’s style capital Milan to present their designs in WHITE Milano, one of the most anticipated events during Milan Fashion Week. 

The rise of Saudi fashion designers is a relatively recent development, owing in part to a host of government-sponsored initiatives, including the Ministry of Culture’s Fashion Commission, established in 2020 to lead the sector’s expansion.

Saudi fashion emerged as an important catalyst for economic growth and diversification in line with Crown Prince Mohammed bin Salman’s Vision 2030 reform agenda, launched in 2016 to help the Kingdom branch out beyond hydrocarbons.




The Since 2087 gallery in Jeddah. Since 2087 is a brand founded by Saudi creative director Abduljalil Abduljawad. (Supplied)

The Fashion Commission recently published a report, “The State of Fashion in the Kingdom of Saudi Arabia 2023,” to help local and international stakeholders understand the scale of the opportunity offered by the country’s emerging fashion industry.

“It holds the largest projected growth rate of any other large, high-income market,” Burak Cakmak, CEO of the Fashion Commission, told Arab News.

“Fashion is now very much a key economic driver of Saudi Arabia’s growth with the report showing retail demand for fashion products in the Kingdom is forecast to increase by 48 percent to $32 billion in 2025, with luxury retail set to enjoy 19 percent growth.

“We’re taking Saudi fashion from a predominantly domestic-focused market to the international stage and our home-grown brands, some established and some emerging, attend major fashion weeks and are building customer bases around the world.”




Burak Cakmak, CEO of the Saudi Fashion Commission. (Supplied)

Among the initiatives spearheaded by the Ministry of Culture through the Fashion Commission is the first-ever Riyadh Fashion Week, scheduled to take place from Oct. 20-23. The aim is “to sit among the most popular fashion weeks in the world,” Cakmak said. 

“We look forward to giving a warm welcome to visitors from across the globe and showcasing what Saudi fashion and luxury has to offer.”

While fashion shows have been held in private settings in Saudi Arabia for many years, it is only since the social reforms implemented after 2016, including the suspension of laws requiring women to wear head coverings, that such events moved into the public domain.

Dolce & Gabbana staged its first fashion show in the historic desert region of AlUla in 2022, while other prominent fashion and jewelry brands such as Chaumet and Van Cleef & Arpels, among others, have also staged events in the Kingdom. 

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Saudi Arabia’s Ministry of Culture established the Fashion Commission in 2020 to lead the sector’s expansion.

Demand for fashion products in the Kingdom is forecast to increase by 48 percent to $32 billion in 2025.

Above all, the Vision 2030 reforms have cleared the way for talented young Saudi designers to flourish in the industry, establishing their careers and showcasing their work on the domestic, regional and global stage.

“The world has its eye on Saudi Arabia — whether it’s through our participation in global sports, promoting the Kingdom as a new tourism destination, or a global player in the start-up economy,” Marriam Mossalli, a Saudi lifestyle editor, journalist and founder of communications agency Niche Arabia, told Arab News.

“There are so many sectors that utilize fashion, whether it’s the staff uniforms of a new resort by the Red Sea Development Company, or costumes for a new play produced by the General Entertainment Authority. There are so many opportunities for young Saudi talent to get involved and have their homegrown aesthetic celebrated.” 




Princess Noura bint Faisal Al-Saud, top left, wearing designs by Mona Alshebil. Alshebil, Niche Arabia founder Marriam Mossalli (top, right) and Mohammed Ashi (above, left) are among the Saudi creative talents who have entered the international fashion scene. (Photos: Mona Alshebil/Lina Qummosani/Saudi Fashion Commission/AFP)

 


In 2021, the Fashion Commission launched the “100 Saudi Brands” initiative, aimed at supporting and empowering Saudi designers by providing them with mentorship, guidance and resources to help them achieve international success in the fashion industry. 

The initiative has demonstrated the Saudi government’s commitment to promoting and developing the country’s fashion industry while supporting its designers to reach their full potential. 

“Being part of the 100 Saudi Brands for the last two years, I have greatly benefited from all the experts we worked with,” Saudi designer Mona Alshebil told Arab News. 

“Moreover, we participated in Milan Fashion Week, New York Fashion Week and Paris Fashion Week, with the support of the Fashion Commission.”

Others, such as the acclaimed designer Yousef Akbar, whose designs were featured on the cover of Vogue Arabia’s June edition celebrating new Saudi talent, say that until a few years ago there was no fashion industry to speak of in the Kingdom. Now that has all changed.




Saudi fashion designer Yousef Akbar. (Instagram)

“The fashion industry is now recognized as serious business for the government,” Akbar told Arab News. “Whereas before nothing was done about it. There was no fashion industry. Now there is the recognition that fashion is important, and it plays a key cultural and economic role. 

“Secondly, the Saudi government’s investment in establishing the industry is crucial and thirdly, which in my opinion is the most important, are the designers themselves, because there is a lot of talent in the Kingdom and without the designers, there is no industry.”

Now, people around the world “can finally see that there are talented designers in the region and they’re just as good as anyone international.”

At the end of 2023, the Fashion Commission will also launch a first-of-its-kind product development studio in Riyadh. The production space will enable designers to create prototypes and samples to hasten market entry.




Brimming with diversity, Saudi Arabia’s topography offers picture-perfect backdrops for local and international fashion designers. (Photo: Saudi Style Council/NEOM)

The studio will be outfitted with cutting-edge technology, including 3D knitting and laser-cutting machines, with a view to being on par with the best factories in the world. Still, there is a lot of work to be done to forge a prosperous future for the fashion sector.

“We need to lay the foundation for an authentic fashion ecosystem that can evolve with the country, as well as complement the global fashion industry,” Mossalli said. 

“From manufacturing and sales to marketing and media, Saudi Arabia can adopt best practices and find its niche among its international counterparts.”

This will involve continued investment in human talent.

“We will continue to be guided by the data as we build the foundations for an internationally networked value chain and invest in Saudi Arabia’s talent pipeline through educational programs to produce world-class designers, ensuring the Kingdom continues to grow as an integral part of the global fashion scene,” said Fashion Commission CEO Cakmak.




Mona Alshebil designs. Mona Alshebil is a Saudi fashion designer and part of the 100 Saudi Brands Organization. (Photo Courtesy of Mona Alshebil)

Many of the Kingdom’s up-and-coming designers are striving not only to grow their own brands but also showcase their country’s heritage and identity on the regional and international stage. 

Fashion, therefore, has the potential to contribute both economic growth and enhance a sense of national pride. 

“As an emerging designer in Saudi Arabia, my goal is to contribute to the growth and development of the fashion industry in the Kingdom,” said Saudi designer Alshebil. 

“I am passionate about showcasing the unique beauty and creativity of Saudi fashion to the world, while also creating opportunities for local talent and celebrating the cultural diversity of Saudi Arabia.”

 


Dubai Fashion Week announces Spring/Summer 2025 edition dates

Updated 59 min 51 sec ago
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Dubai Fashion Week announces Spring/Summer 2025 edition dates

DUBAI: Dubai Fashion Week (DFW) has announced its Spring/Summer 2025 dates, with international labels set to hit the runway from Sept. 1-5, 2024.

 “By positioning it ahead of the fashion weeks of New York, London, Milan and Paris, DFW provides an opportunity for participating designers to set the season’s trends and capture the attention of buyers,” organizing bodies the Arab Fashion council and Dubai Design District said in a released statement.  

Previous iterations of DFW saw New York-based label Carolina Herrera as the guest of honor last October with a presentation by the brand’s Creative Director Wes Gordon; supermodel Naomi Campbell closing the October edition by walking for Rizman Ruzaini; and Moroccan designer Maison Sara Chaibi making her DFW debut in February after presenting her collection at Paris Haute Couture Week.


Emirati actress Meera AlMidfa reflects on Cannes and her first feature-length film, co-starring Saudi actor Fahad Al-Butairi

Updated 20 May 2024
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Emirati actress Meera AlMidfa reflects on Cannes and her first feature-length film, co-starring Saudi actor Fahad Al-Butairi

DUBAI: Emirati actress and filmmaker Meera AlMidfa has two short films screening on the sidelines of the ongoing Cannes Film Festival — “Shame” and “Umm Salama The Matchmaker”. 

Set to entertain audiences in the French Riviera, although the films are not playing on the official calendar of the film festival, each provides sharp insight and commentary on Arab womanhood, while approaching the subject from separate viewpoints and taking a different tone.

While in “Shame” AlMidfa plays a woman whose attempt to flee from home is abruptly halted when her mother catches her and leads to an intense confrontation, in “Umm Salama The Matchmaker,” she plays the daughter of a matchmaker trying to avoid getting hitched.

Meera AlMidfa (right) in “Umm Salama The Matchmaker”. (Supplied)

“The two films were made as part of Arab Film Studio workshop by Image Nation Abu Dhabi. And I was cast by the filmmakers who were doing the filmmaking course, both female directors. And they both explore similar issues about women and marriage,” AlMidfa said in an interview with Arab News.

However, AlMidfa is most excited about her first full-length feature, “Al Eid Eiden,” Image Nation Abu Dhabi’s Saudi-Emirati family comedy. “I play an Emirati woman married to a Saudi man,” said AlMidfa.

Starring opposite AlMidfa is Saudi actor Fahad Al-Butairi (“Telfaz11,” “The Office,” “From A to B”), with the film’s worldwide release planned for July 4.

Meera AlMidfa will soon star in her first full-length feature, “Al Eid Eiden,” Image Nation Abu Dhabi’s Saudi-Emirati family comedy. (Supplied)

The production brings together an all-female Emirati creative team featuring first feature director Maitha Alawadi, producer Rawia Abdullah and writer Sara Al-Sayegh.

The film’s logline reads, “‘Al Eid Eiden’ follows a Saudi-Emirati family as they make the final preparations for an Eid getaway in Abu Dhabi. An unexpected turn of events on their day of travel changes things drastically for the parents, but not wanting to disappoint their three young children, they decide to go ahead as planned.

“What ensues is a roller-coaster ride of comedic mishaps and misunderstandings as they hurtle through uncharted parenting territory, a theme park, and Eid gatherings with relatives. Through the chaos, they discover unity as a family.”

Having been an integral part of the theatre and acting scene for more than a decade in the UAE, AlMidfa — who has a master’s degree in film directing from the American Film Institute — is also interested in working behind the camera as much as she is performing in front of it.

“I would say acting comes more naturally to me. But the more I do production work, the more it sinks in as well. But it’s like a complete personality switch. So, you need to kind of figure out how to balance yourself when you switch from one to the other based on the project. So, I don’t mix them up too much — I don’t direct something and then act like back-to-back,” she said.


Review: Cannes title ‘Everybody Loves Touda’ is a sparkling example of Nabil Ayouch’s work

Updated 20 May 2024
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Review: Cannes title ‘Everybody Loves Touda’ is a sparkling example of Nabil Ayouch’s work

CANNES: Directed by Morocco’s Nabil Ayouch, Cannes Film Festival title “Everybody Loves Touda” is a compelling look at a single mother, Touda (an excellent Nisrin Erradi), who lives by the age-old dictum “never say die.”

Living in a small town, she is a bundle of music and mirth and her dances seem to bring cheer to her audience, but she soon faces unwanted attention.

The Cannes screening ended with a standing ovation, and Ayouch’s fourth outing at the festival seemed to garner far more audience appreciation than in earlier years. In 2012, his critically acclaimed drama “Horses of God” played in the Un Certain Regard section, which is second in importance to the main competition and is widely seen as a platform for experimental cinema. But Ayouch has also played in the In Competition section for the coveted Palme d’Or — his 2021 feature “Casablanca Beats,” the first title from Morocco since 1962 to vie for this honor, proved a sensation.

 Maryam Touzani and Nabil Ayouch attend the "Everybody Loves Touda" Photocall at the 77th annual Cannes Film Festival. (Getty Images)

Like his other movies, Ayouch approaches “Everybody Loves Touda” with fascinating realism that at times may appear a little too harsh. Having written the script with Mayam Touzani (“The Blue Caftan”), Ayouch may have given us formulaic fare, but he infuses Touda with a kind of determination that is awesome. Striving to relocate to Casablanca, where her deaf son would have better schooling and she herself could find greater opportunities, Touda begins to sing in village nightclubs, bearing with a grin the lecherous gaze of men drunk with delusion.

This is not the first time that Ayouch puts women in such precarious positions. His 2008 “Whatever Lola Wants” talks about the trials of a postal worker in New York who dreams of becoming an Egyptian belly dancer, and “Much Loved” (which played at in the Director's Fortnight section) created a storm with its exploration of prostitution in Morocco.

Peppered with lively music (by Flemming Nordkrog), Touda croons folkloric songs on liberation and other forms of women’s rights. The actress’s gripping performance causes the narrative to sparkle —Erradi has a remarkable on-screen presence that makes the movie a joy to watch.


Lebanese designer Georges Chakra puts on a show at the Cannes Film Festival

Updated 20 May 2024
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Lebanese designer Georges Chakra puts on a show at the Cannes Film Festival

DUBAI: Lebanese designer Georges Chakra is making a splash at the ongoing 77th Cannes Film Festival and has so far dressed a number of stars on the red carpet.

Australian actress Claire Holt hit the red carpet before the premiere of Kevin Costner’s “Horizon: An American Saga” in an all-white gown by the designer.

The Georges Chakra Couture look was created from white satin and chiffon and featured pleated detailing across the hips and a dramatic chiffon shoulder train. The look hailed from the designer’s Spring/Summer 2024 collection.

Meanwhile, Tunisian actress Dorra Zarrouk attended the “Women in Cinema” gala dinner hosted by Saudi Arabia’s Red Sea Film Festival in a white satin bustier gown with a satin cape encrusted with hand painted gold feathers from the label’s Fall/Winter 2023-2024 line.

Dorra Zarrouk in Georges Chakra. (Getty Images)

Finally, Chinese actress and model Crystal Zhang chose a Georges Chakra Couture gold sequined gown with a draped veil from the Spring/Summer 2024 collection to attend the Marie Claire China event which took place on the sidelines of the festival.

Holt showed off her choice at the premiere of Costner’s latest film on Sunday. “Horizon: An American Saga” sees the director return to his favorite Western genre with a three-hour film that is just the first of four mooted chapters.

Costner put millions of dollars of his own fortune into the decades-long passion project.

“At a certain moment I just said OK, I'm going to do this myself. And so I mortgaged property, I raised the money,” he told AFP at the festival.

The early reviews were mixed, with The Hollywood Reporter deriding it as a “clumsy slog” while British newspaper The Telegraph said it was “earnest yet hopeful... (and) perhaps its full grandeur won't be fully realized until part two.”

Costner says he is unconcerned about risking his money.

“If they take it away from me, I still have my movie. I still have my integrity. I still listened to my heart,” he said.

 


US comedian Jerry Seinfeld heckled by Pro-Palestinian supporter at standup show in Virginia

Updated 20 May 2024
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US comedian Jerry Seinfeld heckled by Pro-Palestinian supporter at standup show in Virginia

DUBAI: Pro-Palestine protests disrupted US comedian-actor Jerry Seinfeld’s Saturday night comedy set in Norfolk, Virginia, resulting in one protestor being escorted out of the venue.

Seinfeld has been vocal in his support for Israel following Hamas’s Oct. 7 attack. The comedian also met with families of the hostages and visited a kibbutz during a trip to Israel in December.

In videos posted online, Seinfeld’s show can be seen being interrupted by a man who stood in the crowd and yelled toward the comedian that he was “a genocide supporter.”

Another video posted to Instagram shows the individual yelling, “Save the children of Gaza,” “No more American tax dollars for genocide” and “You should be ashamed of yourself.”

Seinfeld responded to the heckler, later joking, “This is exciting. I like this.”

Last week, several students walked out of Duke University’s commencement ceremony to protest Seinfeld speaking at the event.