Pakistan’s ‘Farar,’ made for Indian OTT platform Zee5, gets Chicago world premier

This photo shows official poster of the Pakistani web series 'Farrar' featuring the main lead Sarwat Gilani, Maha Hasan, and Mariam Saleem. (Photo courtesy: Instagram/Sarwat Gillani)
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Updated 13 September 2023
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Pakistan’s ‘Farar,’ made for Indian OTT platform Zee5, gets Chicago world premier

  • The six-episode series is a joint creative endeavor between Pakistani artists and Indian production houses
  • Writer Rida Bilal says series would show a side of South Asia which is ‘usually not discussed’

KARACHI: As Pakistani web series ‘Farrar’ which was created for an Indian video-streaming platform Zee5 earned a spot at the Chicago South Asian Film Festival 2023 (CSAFF’23) earlier this week, its writer said on Wednesday that the project would shed light on rarely discussed challenges faced by contemporary working women in South Asia.
Farrar, which translates to “escape” in the Urdu language, is a six-part series that has been in development for several years and represents a collaborative effort between artists from both Pakistan and India. The series has been penned by Pakistani writer Rida Bilal and directed by acclaimed Pakistani film and TV director Mehreen Jabbar while Indian production houses Applause Entertainment and Zindagi produced the venture.
The web series will be screened on September 23 as the marquee web series of the four-day international festival. The idea for the web series is based off of a 1996 telefilm of the same name which was directed by Jabbar and featured acclaimed Pakistani actors Marina Khan, Sania Saeed and Huma Nawab in the lead roles.
“Farar shows a side of South Asia which is usually not discussed,” writer Rida Bilal told Arab News. “We tend to see a very stereotyped section of women, particularly on mainstream television.
“This [series] is about modern life, especially the life in Karachi [and] our struggles as modern, working women. The dual lives we sometimes live.”
The author stressed that the series would carry a strong emotional resonance, saying that viewers would be able to relate to it. Bilal pointed out that the 1996 telefilm, which served as inspiration for this web series, was considered remarkably “modern” for its era.
“We picked up on that idea and turned it into a series. We cannot exactly call it a sequel because the story is different,” Bilal clarified. “However, similar to that (telefilm), it is about three women who are bound together by friendship and secrets, and they have their own desires.”
The web series features prominent Pakistani actors Sarwat Gilani, Maha Hasan, and Mariam Saleem in key roles with Zahid Ahmed, Saleem Mairaj, Najaf Bilgrami, and Salma Hassan. Gilani portrays the character of a widowed salon owner, Hasan embodies an aspiring athlete, while Saleem portrays an aspiring actor who struggles with body image issues.
The news of the series making it to the four-day festival was announced by Applause Entertainment on Monday.

“Chicago not only has a thriving South Asian diaspora but also houses a festival that has consistently championed diverse genres and formats,” director Jabbar said in a press statement. “In a time marked by divisions and jingoism, it is truly heartwarming to see the convergence of two of the world’s largest South Asian nations, uniting in celebration of the art of storytelling.”
In a statement, Gilani said her heart was “brimming with happiness” upon learning that Farrar would be premiering at the CSAFF’23.
“This compelling storyline, delicately weaving the tapestry of female friendships and triumphing over obstacles, is now set to captivate and resonate with audiences worldwide,” the actress said.
Before Farar, Zindagi (a flagship Indian channel launched in 2014) produced original Pakistani shows ‘Churails,’ ‘Qatil Haseenaon Ke Naam,’ and ‘Dhoop ki Deewar’ that transcended borders and languages. The platform also introduced neighboring India to acclaimed Pakistani drama serials that featured strong narratives such as ‘Humsafar,’ Zindagi Gulzar Hai,’ and ‘Aunn Zara.’
Shailja Kejriwal, the chief creative officer (special projects) of Zee Entertainment Enterprises Ltd. said there was nothing that brought him greater joy than witnessing content from the subcontinent reaching a global stage.
“The potential for South Asian content is unmatched, and we are so thrilled to have such an amazing partner and such brilliant teams on board this journey with us,” he said in a statement.
 


Ithra celebrates ‘creative voices’ at Cannes Film Festival

According to film director Hamza Jamjoom, the present opportunities for Saudi directors have greatly improved.
Updated 28 sec ago
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Ithra celebrates ‘creative voices’ at Cannes Film Festival

  • Panel discussion was held within the Saudi pavilion of the Film Commission, with attendees from the global cinematic industry
  • Panelists discussed the 15 projects that won support from the Ithra Film Production Program

RIYADH: Ithra organized a panel discussion entitled “Creative Voices” to shed light on young Saudi cinematic talents on the sidelines of the 77th Cannes Film Festival.

It was held within the Saudi pavilion of the Film Commission, with attendees from the global cinematic industry.

The panelists discussed the 15 projects that won support from the Ithra Film Production Program, including 11 short films and four feature-length films.

According to film director Hamza Jamjoom, the present opportunities for Saudi directors have greatly improved compared to previous years, allowing them to showcase local stories through cinematic works that reflect the Saudi culture internationally. 

Raneem Al-Muhandis, the director who debuted her film “Swing” in 2022 with support from Ithra, said Saudi Arabia boasts a rich pool of narratives ripe for cinematic exploration with worldwide appeal.   

Ithra cinema coordinator Mansour Al-Badran said that this program has taken local filmmaking to a new level.

“We produced the film ‘Hajjan’ within IFPP which has so far won nine awards in local and regional film festivals and was chosen to be the opening or closing film in prestigious festivals,” he said.

Al-Badran added that “Hajjan” is a prime example of the cinematic projects Ithra is working on.

He highlighted that Ithra is interested in stories that draw inspiration from the rich Saudi culture and aims to raise the standards of filmmaking in the local community through workshops and seminars.

Additionally, he highlighted Ithra’s collaboration with the Cinema Society to host the Saudi Film Festival, which is as a major platform for showcasing up-and-coming talents in the film industry. 

The Ithra event at the Saudi pavilion featured a luncheon bringing together representatives of organizations that support filmmakers in Saudi Arabia. The aim was to strengthen relationships and promote the exchange of cinematic experiences between industry professionals and enthusiasts. 


Dubai Fashion Week announces Spring/Summer 2025 edition dates

Updated 20 May 2024
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Dubai Fashion Week announces Spring/Summer 2025 edition dates

DUBAI: Dubai Fashion Week (DFW) has announced its Spring/Summer 2025 dates, with international labels set to hit the runway from Sept. 1-5, 2024.

 “By positioning it ahead of the fashion weeks of New York, London, Milan and Paris, DFW provides an opportunity for participating designers to set the season’s trends and capture the attention of buyers,” organizing bodies the Arab Fashion council and Dubai Design District said in a released statement.  

Previous iterations of DFW saw New York-based label Carolina Herrera as the guest of honor last October with a presentation by the brand’s Creative Director Wes Gordon; supermodel Naomi Campbell closing the October edition by walking for Rizman Ruzaini; and Moroccan designer Maison Sara Chaibi making her DFW debut in February after presenting her collection at Paris Haute Couture Week.


Emirati actress Meera AlMidfa reflects on Cannes and her first feature-length film, co-starring Saudi actor Fahad Al-Butairi

Updated 20 May 2024
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Emirati actress Meera AlMidfa reflects on Cannes and her first feature-length film, co-starring Saudi actor Fahad Al-Butairi

DUBAI: Emirati actress and filmmaker Meera AlMidfa has two short films screening on the sidelines of the ongoing Cannes Film Festival — “Shame” and “Umm Salama The Matchmaker”. 

Set to entertain audiences in the French Riviera, although the films are not playing on the official calendar of the film festival, each provides sharp insight and commentary on Arab womanhood, while approaching the subject from separate viewpoints and taking a different tone.

While in “Shame” AlMidfa plays a woman whose attempt to flee from home is abruptly halted when her mother catches her and leads to an intense confrontation, in “Umm Salama The Matchmaker,” she plays the daughter of a matchmaker trying to avoid getting hitched.

Meera AlMidfa (right) in “Umm Salama The Matchmaker”. (Supplied)

“The two films were made as part of Arab Film Studio workshop by Image Nation Abu Dhabi. And I was cast by the filmmakers who were doing the filmmaking course, both female directors. And they both explore similar issues about women and marriage,” AlMidfa said in an interview with Arab News.

However, AlMidfa is most excited about her first full-length feature, “Al Eid Eiden,” Image Nation Abu Dhabi’s Saudi-Emirati family comedy. “I play an Emirati woman married to a Saudi man,” said AlMidfa.

Starring opposite AlMidfa is Saudi actor Fahad Al-Butairi (“Telfaz11,” “The Office,” “From A to B”), with the film’s worldwide release planned for July 4.

Meera AlMidfa will soon star in her first full-length feature, “Al Eid Eiden,” Image Nation Abu Dhabi’s Saudi-Emirati family comedy. (Supplied)

The production brings together an all-female Emirati creative team featuring first feature director Maitha Alawadi, producer Rawia Abdullah and writer Sara Al-Sayegh.

The film’s logline reads, “‘Al Eid Eiden’ follows a Saudi-Emirati family as they make the final preparations for an Eid getaway in Abu Dhabi. An unexpected turn of events on their day of travel changes things drastically for the parents, but not wanting to disappoint their three young children, they decide to go ahead as planned.

“What ensues is a roller-coaster ride of comedic mishaps and misunderstandings as they hurtle through uncharted parenting territory, a theme park, and Eid gatherings with relatives. Through the chaos, they discover unity as a family.”

Having been an integral part of the theatre and acting scene for more than a decade in the UAE, AlMidfa — who has a master’s degree in film directing from the American Film Institute — is also interested in working behind the camera as much as she is performing in front of it.

“I would say acting comes more naturally to me. But the more I do production work, the more it sinks in as well. But it’s like a complete personality switch. So, you need to kind of figure out how to balance yourself when you switch from one to the other based on the project. So, I don’t mix them up too much — I don’t direct something and then act like back-to-back,” she said.


Review: Cannes title ‘Everybody Loves Touda’ is a sparkling example of Nabil Ayouch’s work

Updated 20 May 2024
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Review: Cannes title ‘Everybody Loves Touda’ is a sparkling example of Nabil Ayouch’s work

CANNES: Directed by Morocco’s Nabil Ayouch, Cannes Film Festival title “Everybody Loves Touda” is a compelling look at a single mother, Touda (an excellent Nisrin Erradi), who lives by the age-old dictum “never say die.”

Living in a small town, she is a bundle of music and mirth and her dances seem to bring cheer to her audience, but she soon faces unwanted attention.

The Cannes screening ended with a standing ovation, and Ayouch’s fourth outing at the festival seemed to garner far more audience appreciation than in earlier years. In 2012, his critically acclaimed drama “Horses of God” played in the Un Certain Regard section, which is second in importance to the main competition and is widely seen as a platform for experimental cinema. But Ayouch has also played in the In Competition section for the coveted Palme d’Or — his 2021 feature “Casablanca Beats,” the first title from Morocco since 1962 to vie for this honor, proved a sensation.

 Maryam Touzani and Nabil Ayouch attend the "Everybody Loves Touda" Photocall at the 77th annual Cannes Film Festival. (Getty Images)

Like his other movies, Ayouch approaches “Everybody Loves Touda” with fascinating realism that at times may appear a little too harsh. Having written the script with Mayam Touzani (“The Blue Caftan”), Ayouch may have given us formulaic fare, but he infuses Touda with a kind of determination that is awesome. Striving to relocate to Casablanca, where her deaf son would have better schooling and she herself could find greater opportunities, Touda begins to sing in village nightclubs, bearing with a grin the lecherous gaze of men drunk with delusion.

This is not the first time that Ayouch puts women in such precarious positions. His 2008 “Whatever Lola Wants” talks about the trials of a postal worker in New York who dreams of becoming an Egyptian belly dancer, and “Much Loved” (which played at in the Director's Fortnight section) created a storm with its exploration of prostitution in Morocco.

Peppered with lively music (by Flemming Nordkrog), Touda croons folkloric songs on liberation and other forms of women’s rights. The actress’s gripping performance causes the narrative to sparkle —Erradi has a remarkable on-screen presence that makes the movie a joy to watch.


Lebanese designer Georges Chakra puts on a show at the Cannes Film Festival

Updated 20 May 2024
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Lebanese designer Georges Chakra puts on a show at the Cannes Film Festival

DUBAI: Lebanese designer Georges Chakra is making a splash at the ongoing 77th Cannes Film Festival and has so far dressed a number of stars on the red carpet.

Australian actress Claire Holt hit the red carpet before the premiere of Kevin Costner’s “Horizon: An American Saga” in an all-white gown by the designer.

The Georges Chakra Couture look was created from white satin and chiffon and featured pleated detailing across the hips and a dramatic chiffon shoulder train. The look hailed from the designer’s Spring/Summer 2024 collection.

Meanwhile, Tunisian actress Dorra Zarrouk attended the “Women in Cinema” gala dinner hosted by Saudi Arabia’s Red Sea Film Festival in a white satin bustier gown with a satin cape encrusted with hand painted gold feathers from the label’s Fall/Winter 2023-2024 line.

Dorra Zarrouk in Georges Chakra. (Getty Images)

Finally, Chinese actress and model Crystal Zhang chose a Georges Chakra Couture gold sequined gown with a draped veil from the Spring/Summer 2024 collection to attend the Marie Claire China event which took place on the sidelines of the festival.

Holt showed off her choice at the premiere of Costner’s latest film on Sunday. “Horizon: An American Saga” sees the director return to his favorite Western genre with a three-hour film that is just the first of four mooted chapters.

Costner put millions of dollars of his own fortune into the decades-long passion project.

“At a certain moment I just said OK, I'm going to do this myself. And so I mortgaged property, I raised the money,” he told AFP at the festival.

The early reviews were mixed, with The Hollywood Reporter deriding it as a “clumsy slog” while British newspaper The Telegraph said it was “earnest yet hopeful... (and) perhaps its full grandeur won't be fully realized until part two.”

Costner says he is unconcerned about risking his money.

“If they take it away from me, I still have my movie. I still have my integrity. I still listened to my heart,” he said.