LONDON: In a warehouse at London's sprawling Heathrow Airport, a border officer pulls open a cardboard box he suspects contains contraband goods. Bingo — his instincts are rewarded.
The box is packed with beige and black sneakers that to the untrained eye look identical to the limited edition Adidas Yeezy Boost, designed by rap star Kanye West, which sold out within minutes of being released last year and now have a resale value many times their original retail price.
In the past five years, the Border Force, the policing command under Britain's Home Office charged with immigration and customs controls, has seized thousands of consignments at Heathrow alone, valued at around £100 million ($125 million), said Peter Herron, senior officer for specialist operations. "Anything a counterfeiter can counterfeit, they will."
Annual trade in fake products was worth $461 billion in 2013, around 2.5 percent of total global trade, according to Piotr Stryszowski, an economist with the Paris-based Organization for Economic Cooperation and Development. The money goes to organized crime, and helps fund terrorism and the trafficking of drugs, people, sex and wildlife, as well as the lavish lifestyles of its kingpins.
"It's the globalized illicit business of the 21st century," says Stryszowski, who laments it's not taken as seriously as other contraband, such as cocaine.
Consumers may see fakes as "fun" and feel clever to buy sunglasses or sneakers that look like the real thing but cost a fraction of the price.
The reality, however, is anything but fun for the workers, many of them children, who toil in appalling, often slave-like conditions in secret factories making fake products for gang bosses who, Stryszowski says, "have no ethics and no respect for the law."
It's this human cost that makes counterfeit goods one of the most insidiously dangerous criminal activities in the world today.
London-based intellectual property lawyer Mary Bagnall describes scenes of horror — children chained to sewing machines; people locked in underground factories in remote corners of China — that characterize an industry so lucrative yet so low-risk that some crime gangs are getting out of the drugs and people-trafficking businesses and into fakes.
"This makes more money for organized crime with less risk for them," she told The Associated Press, describing counterfeiting as part of a "massive global web" of criminality. "It's difficult to communicate to consumers why it is not a victimless crime."
"Consumers are used to the idea of fake handbags and even fashion counterfeits, (which) alone amount to some 2.6 billion pounds ($3.24 billion) worth of lost sales and I think an estimated 40,000 lost jobs annually; and that's just in one industry," she said.
The total annual cost to the European Union's fashion industry is 26 billion euros ($27.5 billion), she said.
Consumers can understand the perils of fake air bags for cars, or fake toys or electrical goods that "could explode in the face of a child," Bagnall said. But the fake goods industry goes much further than that.
"What consumers are probably less aware of is the danger of counterfeits in relation to other products — I'm talking now about pharmaceuticals, I'm talking about cosmetics," she said.
Ingredients found in fake cosmetics include chemicals that can cause disfigurement or worse. Medicines made on the cheap and outside regulation can cause serious health problems.
"We have tested cosmetics and what we've found is that they will be containing ingredients such as cadmium, arsenic, lead, to very dangerous levels. The worst one we found contained cyanide," said Matthew Cridland, trading standards manager for Newport, a city 200 kilometers (125 miles) northwest of London.
The vast majority of fakes, more than 81 percent, come from China and Hong Kong. The biggest victims are in the United States, Italy, France and Switzerland, and include designers and manufacturers of everything from high-end fashion clothing, footwear, jewelry and watches, to cosmetics, perfumes and medicines.
Britain is an important destination for counterfeiters, since its purchasing power is high and its consumers enjoy buying brand-name merchandise. Also, like many markets for fakes, the internet has seen illicit profits grow for organized crime while the risk of detection shrinks.
Matt Cope, head of Digital Technology Policy with Britain's Intellectual Property Office, suggests that undetected volumes of fake merchandise are on the rise.
"With the explosion of online shopping, everybody is very used to ordering from online platforms, and you can order direct from manufacturers, from source countries like China," he said. "It is harder to track a larger number of small parcels than a smaller number of large shipping containers."
Some internet sites clearly sell fake goods at a cheap rate and are easily targeted by trademark owners and their lawyers. Others offer fake goods at close to the legitimate retail price to dupe buyers into believing they are getting the real thing at a discount. Still others, Bagnall said, offer genuine products on a "grey market" that bypasses the brand owner to produce illegal profits.
Online marketplaces strive to keep fakes off their sites to protect their own brand integrity. EBay's global corporate affairs and communications manager Ryan Moore said the company works with "brand owners, retailers and law enforcement agencies to combat bad activity."
Governments, too, are working across borders to reduce, if not eliminate, the manufacture, distribution and sale of counterfeit goods, and to better inform consumers about the crime gangs, criminal operations and human misery it supports. The British government, for instance, stations a fake trade specialist at its Beijing embassy.
Nevertheless, reality prevails.
"It's a vast market and consumers always have an appetite for a bargain," said Cope. "Until they can easily identify whether those goods are genuine or not, it will be very difficult for them to make that choice."
Cope also says some people are going to buy fakes no matter what.
"It's something that will be very difficult to wipe out in its entirety, but we can make a dent," he said.
Fake fashion fuels vast illicit profits, sea of human misery
Fake fashion fuels vast illicit profits, sea of human misery

Dubai Fashion Week set to return this autumn

DUBAI: Dubai Fashion Week (DFW) is set to make its return this autumn with its series of Spring/Summer 2026 shows, running from Sept. 1 to 6 at its longtime home in Dubai Design District (d3).
As the first event on the international fashion calendar — ahead of New York, London, Milan, and Paris —DFW’s upcoming edition builds on the momentum of February’s Autumn/Winter 2025/26 showcase, which drew widespread attention with headline-grabbing appearances by international models and a grand finale by iconic Indian designer Manish Malhotra.
The season also spotlighted emerging regional voices, such as Les Benjamins, a correspondent member of the Arab Fashion Council, alongside global names like Paolo Sebastian.
Saudi Fashion Awards set for May 22 in Riyadh

DUBAI: The Saudi Fashion Commission is set to host the second edition of the Saudi Fashion Awards on May 22 in Riyadh.
The ceremony will celebrate the “visionaries, creatives, and entrepreneurs shaping Saudi Arabia’s rapidly growing influence in the international fashion and beauty industries,” according to a released statement.
Key awards this year include the Fashion Stylist of the Year prize; the Fashion Photographer of the Year prize, presented in collaboration with Hia Magazine; the Menswear Brand of the Year trophy; the Womenswear Brand of the Year prize; the Jewelry Brand of the Year award; and the Elite Model Honorary Award for Model of the Year.
The judging panel includes Hollywood stylist Law Roach; Amanda Smith, CEO of Fairchild Media Group and WWD; Burak Çakmak, CEO of the Saudi Fashion Commission; Xavier Romatet, Dean of Institut Français de la Mode ; Mohammed Aldabbageh, KSA Managing Director of Chalhoub Group; and Mai Badr, Editor-in-Chief of Hia Magazine.
“Riyadh is proudly emerging as the capital of fashion, beauty, and the future of the creative industries in the region. Its transformation from promise to global presence on red carpets, runways, and retail spaces reflects the ingenuity and dedication of a new generation of trailblazers redefining regional and international fashion standards,” Çakmak said in a released statement.
Rawdah Mohamed walks the red carpet at the Cannes Film Festival

DUBAI: Somali Norwegian model Rawdah Mohamed walked the red carpet at the 78th Cannes Film Festival in France on Saturday night.
The model showed off a blush pink-toned look, complete with a drop waist, on the red carpet ahead of the premiere of “Die, My Love.”

The film is an adaptation of the 2017 novel of the same name by Ariana Harwicz about a new mother who develops postpartum depression and enters psychosis. “Die, My Love,” starring Oscar-winner Jennifer Lawrence and Robert Pattinson, earned a six-minute standing ovation from the audience at Cannes.
Directed by acclaimed Scottish filmmaker Lynne Ramsay, the film has been hailed by critics, with Deadline calling it a “brutal but beautiful portrait of a woman on the edge.”
Visibly teary eyed during the standing ovation, Ramsay addressed the crowd, saying: “Wow. I’m so overwhelmed. Thanks to these amazing actors. I’ve got to get it together — I’ll see you in a minute.”
Joining Lawrence and Pattinson in the cast are LaKeith Stanfield, Sissy Spacek, and Nick Nolte.
Mohamed watched the film one day after appearing on the red carpet for the “Eddington” on Friday.
On Friday, she wore a look by Chinese couture label Cheney Chan. The gown hailed from the label’s Fall/ Winter 2024 collection.
A self-taught fashion designer, Chan was born and raised in the Jiangsu province.
“Growing up, my parents always wanted me to be a pilot,” he previously shared with Vogue Singapore. “I had cleared all the flying tests effortlessly back in high school, but it was unfortunately not where my heart lay.” Eventually, he gained a fashion media degree at Peking University before starting his eponymous label in 2012.
The label has previously been flaunted by the likes if US singer Kelly Roland and actress Anya Taylor-Joy.
Mohamed finished off her look with a matching hijab and bejeweled brooch.
The rising star has attended the Cannes Film Festival before, in 2023 and 2024, and is fast making a name for herself as one to watch in the fashion industry.
She has worked with brands like Boss and H&M and walked the runway during Roberto Cavalli’s show in Dubai in 2024.
Amal Clooney stuns in black at Cannes Film Festival

DUBAI: Lebanese British human rights lawyer Amal Clooney made a head-turning appearance at the 78th Cannes Film Festival this week, wearing a black gown by British designer John Galliano.
Clooney attended the premiere of “Bono: Stories of Surrender” in a sleek, off-the-shoulder dress featuring a fitted bodice with subtle draping and a floor-length skirt with a gentle train. She completed the look with a black clutch and Cartier statement earrings, styling her hair in soft, voluminous waves.
On the red carpet, Clooney was joined by U2 guitarist the Edge and frontman Bono, the subject of “Bono: Stories of Surrender.”

The black-and-white film, directed by Andrew Dominik, adapts Bono’s 2022 memoir “Surrender: 40 Songs, One Story” and his one-man stage show of the same name.
Set to some of U2’s most iconic tracks, Bono opens up about the tragedy that marked his childhood, with his mother Iris collapsing and dying at her own father’s funeral when the singer was 14.
His father, Brendan “Bob” Hewson, already a man of few words, retreated into shock, anger and depression.

The film is also a love letter to the singer’s wife, Ali Hewson, who he met when they were both 15, the same fateful day U2 was formed in a Dublin school. The film streams on Apple TV+ from May 30.
Bono, who has spent decades fighting for more aid to Africa and to lift the debt burden from poor countries, told the audience at the premiere that the world is again being threatened by fascism as it was when the festival was set up in 1939.
“Mussolini and the little man with a moustache, and his mate Goebbels had taken over the Venice Film Festival, so this festival was set up to fight fascism,” the singer said.
“It took it until 1946 (for the festival to get going) but it stands for that freedom now.”
He said that Hollywood star Sean Penn — a vocal advocate for Ukraine — had “brought us some friends from the actual trenches, from the front line in Ukraine, and they’re here tonight.
“I just want to thank you because you’re keeping us free,” Bono added to loud cheers.
Princess Reema chooses Honayda design for Trump’s departure from Riyadh

DUBAI: As US President Donald Trump concluded his visit to Saudi Arabia and departed for Qatar, Princess Reema bint Bandar, Saudi Arabia’s ambassador to the United States, again wore a creation by Saudi designer Honayda Serafi.
For the occasion, Princess Reema chose a light pink ensemble consisting of a long, flowing dress paired with a structured overcoat. The overcoat featured a soft floral pattern, with delicate embroidery scattered across its surface. The look was completed with a matching light pink headscarf.
The outfit followed her look from the day before, when she wore a bespoke royal blue abaya by Serafi during Trump’s official welcome in Riyadh.
The floor-length abaya featured detailed gold embroidery. The symmetrical patterns extended across the bodice and sleeves, while smaller gold motifs were scattered throughout the lower part of the garment. The look was completed with a matching blue headscarf.
Honayda Serafi, founder of Honayda, posted a statement about Princess Reema’s appearance on Instagram, saying: “I am so pleased and deeply proud to see HRH Princess Reema bint Bandar, our remarkable Saudi Ambassador to the United States, standing as a symbol of strength, progress and leadership, as one of the first women to break barriers and champion women’s empowerment.
“It is a special moment to see her shine as she welcomes President Trump on his historic visit to Riyadh, wearing a bespoke piece by Honayda for this significant occasion. I look forward to sharing more about the inspiration behind this design,” she added.
Serafi is known for dressing prominent figures in the Middle East and the rest of the world. Celebrities who have worn her designs include Priyanka Chopra, Lupita Nyong’o and Princess Rajwa Al-Hussein of Jordan.
She is a favorite of Saudi-born Princess Rajwa and dressed the royal for her henna night festivities in 2023 and for Jordanian King Abdullah II’s silver jubilee celebrations in Amman in 2024.
After leaving Riyadh, Trump is visiting Doha, Qatar, for meetings with Qatari leadership. After this stop, he is scheduled to travel to the UAE, where discussions will continue on economic cooperation, defense partnerships and regional security.