A journey from abused child to Egyptian antiquities collector

Updated 26 May 2017
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A journey from abused child to Egyptian antiquities collector

Major Robert Grenville Gayer-Anderson has given his name to one of the most enjoyable cultural outings in Cairo, a visit to the Bait Al-Kretliya, which consists of two beautifully restored old Islamic houses joined together by a bridge, popularly known as the Gayer-Anderson Museum.
For the first time a biography, “Gayer-Anderson: The Life and Afterlife of the Irish Pasha” explores the fascinating life of a man who was a colonial government representative and also received the title of Pasha by King Farouk. Known also as John, and P.U.M. (a mysterious acronymic nickname that his identical twin brother Thomas gave him), Robert Grenville Gayer-Anderson studied to be a surgeon, but he was also a soldier, an adventurer, an enthusiastic collector of antiquities and a passionate Egyptologist. In this intimate portrait of a multifaceted and enigmatic figure Louise Foxcroft attempts to reveal the person behind the persona.
Gayer-Anderson is mostly remembered for acquiring a most remarkable collection of antiquities, mostly from ancient Egypt. He had always expressed his wish to visit an empty tomb. This rare privilege finally took place in 1923, a year marked by an extraordinary event, the discovery of Tutankhamun’s Tomb by Howard Carter. Gayer-Anderson was at the time posted in Egypt as assistant Oriental secretary. He was, therefore, a member of the official party invited at the private opening of the tomb of Tutankhamun.
When Gayer-Anderson entered the tomb, he immediately noticed the charming models of ships, baby chairs and chariots. The following day, he mentioned in a letter that he believed Tutankhamun was a youth about 17 or 18 years old. An X-ray examination proved that he was right: Tutankhamun was just under the age of 18 when he died. At the end of the visit, Gayer-Anderson decided that he had not seen enough and he made up his mind to return for another visit to the tomb with his mother.
Gayer-Anderson was very close to his mother, Mary. In an unpublished memoir, “Fateful Attractions,” on which this book is based, Gayer-Anderson acknowledges that he inherited from her a profound love of beauty, which he compared to the “bread of life.” His father, Henri Anderson had a violent and cruel nature. He submitted his child to a Spartan upbringing, which was deeply resented by young Pum and his siblings. Placed in a row in front of their father, the children were subjected to painful things. “He would give a sudden shout, quickly raise a threatening hand, tickle our ribs, pinch us or pull our hair… in spite of which none of us must show the slightest emotion of any sort. If we flinched, flushed, giggled, gasped, laughed or even flickered an eyelid we were shouted at and slapped,” writes Gayer-Anderson.
Henri Anderson played these mean and nasty games during their last year in North America. During their harrowing stay, Henri Anderson managed to make some money in real estate and a very young Pum developed his passion for collecting. He found some lead bullets and chipped flint arrowheads.
During his life, Gayer-Anderson had the knack to find exceptional pieces. He has a remarkable flair for discovering precious antiquities. One of his first important finds was an unusual bone, which he discovered during a walk over the Medway after the family had returned to the United Kingdom. He showed it to his form-master who suggested that he send it to the Royal Geological Society. The bone was a humerus, which turned out to be part of an unknown type of pterodactyl, or “flying dragon.” This fossil was the first in a long list of gifts that Gayer-Anderson gave to museums.
Henri Anderson decided that his son should become a doctor like his two uncles. At the age of 17, he started training at Guy’s Hospital in London and qualified five years later as Member of the Royal College of Surgeons and Licentiate of the Royal College of Physicians.
During that time, he also found a man’s portrait in oils on a broken panel that he bought for a shilling. With his usual flair, Gayer-Anderson had noticed the signature of Van Dyck at the back. It was later confirmed by experts as authentic. Gayer-Anderson had become more than ever addicted to collecting. “It became both a vice and a mania,” he wrote.
When he finished his medical studies, Gayer-Anderson was appointed assistant house surgeon to William Arbuthnot-Lane. He had been encouraged to aim for a Harley Street career but that was not the life he wished to lead. He was looking for something else, something more adventurous. He was just 23 years old, young and restless, so he decided to follow his twin brother and join the Royal Army Medical Corps. In 1907, he was posted to Egypt with the rank of major.
“Pum’s lifelong affair with Egypt, its culture, and its people had begun” writes Foxcroft.
On a trip to Khartoum where he was replacing a local surgeon who had been taken ill, Gayer-Anderson bought a beautiful bronze Horus from a wealthy dealer. In time, he realized that he should be more careful and buy only from “less known and less-knowing” dealers, men who knew little and lacked the expertise so that one could buy rare antiquities for very little money.
After two years, Gayer-Anderson returned home for a holiday. As he was sailing back to England, he realized how much he had changed. He was no longer interested in medicine, and he desperately wanted to return to Egypt. At the end of 1909, he was posted back to Egypt as inspector of recruiting for the Sa’id, the seven provinces of Upper Egypt.
As he traveled along the Nile several times a year, he got to know local traders who would run after him as soon as they spotted his boat. Gayer-Anderson was doing an astonishing amount of dealing and collecting. In fact, collecting became his main occupation to the detriment of his service ambitions. Egypt was a cradle of civilization and Cairo was a center for Middle Eastern and Far Eastern art including India, China and Persia. Gayer-Anderson was particularly fond of Fayoum. Fayoum is the largest oasis in Egypt and the closest to the Nile and Cairo. It has a host of archaeological sites from the Middle Kingdom when Fayoum was a center of political power. Gayer-Anderson wrote in his memoires that Fayoum was the “most exciting and fascinating place I know from a historical and antique-collecting point of view. Nowhere in the world can one see history and pre-history more abundantly and consecutively written.”
He could find in Fayoum a pre-dynastic vessel, an early dynasty stone-relief, Ptolemaic statues, Greek terracotta figurines or Roman glass bottles, the choice of objects was endless and the price was very low.
Gayer-Anderson was becoming an expert in ancient Egyptian and Saracen antiquities. “He bought from the shopkeepers or from the original finders, the sebakheen, who had an ancient and legal right dating from the days of the Turkish suzerainty to sift the sebakb, the dust and debris from a site. And from these families he got the rarest pieces for a fraction of their final value. In this way, he amassed large collections of all sorts. He sold some of them, making himself good money but he also bought for many of the larger museums in the United Kingdom, Sweden, and America,” writes Foxcroft.
Gayer-Anderson now in his early 30s had amassed a certain wealth and yearned to live the life that really pleased him. However, he would still have to wait a few more years. He had enjoyed “supreme happiness” during the first decade of the 20th century unaware that the world was “on the brink of a volcano.” During World War I, he was posted in Egypt and in Gallipoli on the Turkish coast. He ended his official career in Egypt with a post of senior inspector in the Ministry of Interior and was finally appointed Oriental secretary to the high commissioner where he remained for about a year. He retired from the Egyptian government in 1923. He was only 42 and he wanted to spend the rest of his life with his antiques and writing poems and articles for magazines.
In the 1930s, he was offered a job as director of the Anglo-American Nile Tourist Company, which gave him the possibility to continue searching for antiques. During that period he purchased one of his most precious pieces known as the Gayer-Anderson Cat, the first life-size bronze cat he had ever seen. He would eventually bequeath it to the British Museum. His last philanthropic action was the internal renovation of the Bait Al-Kretliya.
He was allowed to live in this old Islamic house during his lifetime in order to restore it. When he died, it was returned to the government as the “Gayer-Anderson Pasha Museum of Oriental Arts and Crafts.” The Bait Al-Kretliya has been magnificently restored. The Damascus room is stunning with its ceilings and walls covered in inlaid and gilded wood. A scene from a James Bond movie, “The Spy Who Loved Me,” was filmed in Bait Al-Kretliya. Gayer-Anderson also entertained many visitors including the King of Siam, Howard Carter and Freya Stark.
The eight years Gayer-Anderson spent at Bait Al-Kretliya were the happiest of his life. He would certainly be proud to see how his beloved home is one of the most visited museums in Cairo.
life.style@arabnews.com


What We Are Reading Today: ‘Europe and the Wolf’ by Sara Nadal-Mesio

Updated 17 April 2025
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What We Are Reading Today: ‘Europe and the Wolf’ by Sara Nadal-Mesio

In this stunningly original book, Sara Nadal-Melsio explores how the work of several contemporary artists illuminates the current crisis of European universalist values amid the brutal realities of exclusion and policing of borders.  

The “wolf” is the name Baroque musicians gave to the dissonant sound produced in any attempt to temper and harmonize an instrument.

Europe and the Wolf brings this musical figure to bear on contemporary aesthetic practices that respond to Europe’s ongoing social and political contradictions.

Throughout, Nadal-Melsio understands Europe as a conceptual problem that often relies on harmonization as an organizing category.

The “wolf” as an emblem of disharmony, incarnated in the stranger, the immigrant, or the refugee, originates in the Latin proverb “man is a wolf to man.”


What We Are Reading Today: ‘The Economics of Over-the-Counter Markets’

Updated 16 April 2025
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What We Are Reading Today: ‘The Economics of Over-the-Counter Markets’

Authors: Julien Hugonnier, Benjamin Lester, And Pierre-Olivier Weill

Many of the largest financial markets in the world do not organize trade through an exchange but rather operate within a decentralized or over-the-counter structure.

Understanding how these markets work has become increasingly important in recent years, as illiquidity in certain OTC markets has appeared as the first signs of trouble—if not the cause itself—of the past two financial crises.


REVIEW: ‘Atomfall’ is a quirky apocalypse featuring retro paranoia and tea-fueled resilience

Updated 16 April 2025
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REVIEW: ‘Atomfall’ is a quirky apocalypse featuring retro paranoia and tea-fueled resilience

LONDON: “Atomfall” is a game that defies easy categorization. Set in a post-apocalyptic version of the English Lake District, this curious hybrid feels like “Fallout” wandered into a “Stalker” fever dream while binge-watching “The Wicker Man,” with just a touch of Austin Powers’ absurdity thrown in for good measure.

It’s a love letter to Britain’s eerie countryside, retro paranoia and weird tea-fueled resilience — and somehow, it works.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

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You start as a nameless survivor with no real background, no memory, and no clear purpose beyond “get out.” A short newsreel hints at some nuclear disaster, but from there, it’s up to you to piece things together through exploration and investigation. There’s no hand-holding here, but there are helpful instructions to get you going. The narrative is loose, but intriguingly so — it’s more about what you discover than what you’re told.

The open world is split into main landscape regions, each with its own aesthetic and mood. The Lake District setting is surprisingly atmospheric, with moody hills, foggy forests, and crumbling 1950s architecture.

Despite its muted palette, Atomfall encourages players to explore every inch — scavenging for materials, unlocking secrets, and finding absurd British cultural relics. Limited ammo and classic crafting mechanics add a layer of survival challenge, making every encounter feel like it matters.

Gameplay offers distinct playstyles — combat, survival, and exploration.

You can go in guns blazing, sneak around enemies, or scrounge for supplies and tea (yes, tea restores health). Combat is functional, though not always tight. Shooting and melee work well enough, but enemy AI is hit-or-miss. Sometimes they’ll charge you recklessly; other times they just stand there wondering what planet they’re on. Melee is especially satisfying, though clunky in tight spaces. Likewise, while outlaws, druids, mutants and soldiers are all nominally different challenges they are much of a muchness in terms of dealing with them.

“Atomfall” doesn’t shy away from the odd. Its dark humor and sheer Britishness give it a special charm, but the heavy use of local slang and regional accents may confuse non-UK players. Picture “Clockwork Orange” meets “Hot Fuzz” and you’re halfway there. Still, it’s part of the game’s identity — this is a very specific apocalypse, where people ask you to fetch delivery parcels and fix a fence while the world burns around them.

There is a basic but useful skill tree that lets you tailor your approach, from combat proficiency to crafting perks. Quests are often simple (“bring X to Y”), but branching conversations and trackable leads give them some depth. Your choices in dialogue can impact outcomes — sometimes subtly, sometimes with unexpected consequences.

Enemy respawns after death are a mixed blessing. On one hand, it keeps the world dangerous. On the other, it can feel like busywork when you’re simply trying to pass through.

“Atomfall” is weird, scrappy, and full of character. It doesn’t have the polish of a AAA giant, but it doesn’t try to. Instead, it offers a delightfully odd, open-ended experience that rewards curiosity and embraces chaos. For those willing to roll with its eccentricities, “Atomfall” is a radioactive romp worth taking.
 


What We Are Reading Today: ‘Turtles of the World’

Updated 15 April 2025
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What We Are Reading Today: ‘Turtles of the World’

Authors: Jeffrey E. Lovich & Whit Gibbons

“Turtles of the World” reveals the extraordinary diversity of these amazing reptiles.

Characterized by the bony shell that acts as a shield to protect the softer body within, turtles are survivors from the time of the dinosaurs and are even more ancient in evolutionary terms than snakes and crocodilians. Of more than 350 species known today, some are highly endangered. 

In this beautiful guide, turtle families, subfamilies, and genera are illustrated with hundreds of color photographs.


What We Are Reading Today: ‘Naturekind’

Updated 14 April 2025
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What We Are Reading Today: ‘Naturekind’

Authors: Melissa Leach & James Fairhead

Are language and culture uniquely human, justifying an exceptionalism that sets people apart from the rest of nature?

New discoveries in the biological sciences have challenged this assumption, finding syntax, symbolism and social learning beyond the human, and identifying culture as a second inheritance system across the phyla from whales to insects and plants.

Biologists are constrained, however, by the mechanistic ways communication is understood.