A journey from abused child to Egyptian antiquities collector

Updated 26 May 2017
Follow

A journey from abused child to Egyptian antiquities collector

Major Robert Grenville Gayer-Anderson has given his name to one of the most enjoyable cultural outings in Cairo, a visit to the Bait Al-Kretliya, which consists of two beautifully restored old Islamic houses joined together by a bridge, popularly known as the Gayer-Anderson Museum.
For the first time a biography, “Gayer-Anderson: The Life and Afterlife of the Irish Pasha” explores the fascinating life of a man who was a colonial government representative and also received the title of Pasha by King Farouk. Known also as John, and P.U.M. (a mysterious acronymic nickname that his identical twin brother Thomas gave him), Robert Grenville Gayer-Anderson studied to be a surgeon, but he was also a soldier, an adventurer, an enthusiastic collector of antiquities and a passionate Egyptologist. In this intimate portrait of a multifaceted and enigmatic figure Louise Foxcroft attempts to reveal the person behind the persona.
Gayer-Anderson is mostly remembered for acquiring a most remarkable collection of antiquities, mostly from ancient Egypt. He had always expressed his wish to visit an empty tomb. This rare privilege finally took place in 1923, a year marked by an extraordinary event, the discovery of Tutankhamun’s Tomb by Howard Carter. Gayer-Anderson was at the time posted in Egypt as assistant Oriental secretary. He was, therefore, a member of the official party invited at the private opening of the tomb of Tutankhamun.
When Gayer-Anderson entered the tomb, he immediately noticed the charming models of ships, baby chairs and chariots. The following day, he mentioned in a letter that he believed Tutankhamun was a youth about 17 or 18 years old. An X-ray examination proved that he was right: Tutankhamun was just under the age of 18 when he died. At the end of the visit, Gayer-Anderson decided that he had not seen enough and he made up his mind to return for another visit to the tomb with his mother.
Gayer-Anderson was very close to his mother, Mary. In an unpublished memoir, “Fateful Attractions,” on which this book is based, Gayer-Anderson acknowledges that he inherited from her a profound love of beauty, which he compared to the “bread of life.” His father, Henri Anderson had a violent and cruel nature. He submitted his child to a Spartan upbringing, which was deeply resented by young Pum and his siblings. Placed in a row in front of their father, the children were subjected to painful things. “He would give a sudden shout, quickly raise a threatening hand, tickle our ribs, pinch us or pull our hair… in spite of which none of us must show the slightest emotion of any sort. If we flinched, flushed, giggled, gasped, laughed or even flickered an eyelid we were shouted at and slapped,” writes Gayer-Anderson.
Henri Anderson played these mean and nasty games during their last year in North America. During their harrowing stay, Henri Anderson managed to make some money in real estate and a very young Pum developed his passion for collecting. He found some lead bullets and chipped flint arrowheads.
During his life, Gayer-Anderson had the knack to find exceptional pieces. He has a remarkable flair for discovering precious antiquities. One of his first important finds was an unusual bone, which he discovered during a walk over the Medway after the family had returned to the United Kingdom. He showed it to his form-master who suggested that he send it to the Royal Geological Society. The bone was a humerus, which turned out to be part of an unknown type of pterodactyl, or “flying dragon.” This fossil was the first in a long list of gifts that Gayer-Anderson gave to museums.
Henri Anderson decided that his son should become a doctor like his two uncles. At the age of 17, he started training at Guy’s Hospital in London and qualified five years later as Member of the Royal College of Surgeons and Licentiate of the Royal College of Physicians.
During that time, he also found a man’s portrait in oils on a broken panel that he bought for a shilling. With his usual flair, Gayer-Anderson had noticed the signature of Van Dyck at the back. It was later confirmed by experts as authentic. Gayer-Anderson had become more than ever addicted to collecting. “It became both a vice and a mania,” he wrote.
When he finished his medical studies, Gayer-Anderson was appointed assistant house surgeon to William Arbuthnot-Lane. He had been encouraged to aim for a Harley Street career but that was not the life he wished to lead. He was looking for something else, something more adventurous. He was just 23 years old, young and restless, so he decided to follow his twin brother and join the Royal Army Medical Corps. In 1907, he was posted to Egypt with the rank of major.
“Pum’s lifelong affair with Egypt, its culture, and its people had begun” writes Foxcroft.
On a trip to Khartoum where he was replacing a local surgeon who had been taken ill, Gayer-Anderson bought a beautiful bronze Horus from a wealthy dealer. In time, he realized that he should be more careful and buy only from “less known and less-knowing” dealers, men who knew little and lacked the expertise so that one could buy rare antiquities for very little money.
After two years, Gayer-Anderson returned home for a holiday. As he was sailing back to England, he realized how much he had changed. He was no longer interested in medicine, and he desperately wanted to return to Egypt. At the end of 1909, he was posted back to Egypt as inspector of recruiting for the Sa’id, the seven provinces of Upper Egypt.
As he traveled along the Nile several times a year, he got to know local traders who would run after him as soon as they spotted his boat. Gayer-Anderson was doing an astonishing amount of dealing and collecting. In fact, collecting became his main occupation to the detriment of his service ambitions. Egypt was a cradle of civilization and Cairo was a center for Middle Eastern and Far Eastern art including India, China and Persia. Gayer-Anderson was particularly fond of Fayoum. Fayoum is the largest oasis in Egypt and the closest to the Nile and Cairo. It has a host of archaeological sites from the Middle Kingdom when Fayoum was a center of political power. Gayer-Anderson wrote in his memoires that Fayoum was the “most exciting and fascinating place I know from a historical and antique-collecting point of view. Nowhere in the world can one see history and pre-history more abundantly and consecutively written.”
He could find in Fayoum a pre-dynastic vessel, an early dynasty stone-relief, Ptolemaic statues, Greek terracotta figurines or Roman glass bottles, the choice of objects was endless and the price was very low.
Gayer-Anderson was becoming an expert in ancient Egyptian and Saracen antiquities. “He bought from the shopkeepers or from the original finders, the sebakheen, who had an ancient and legal right dating from the days of the Turkish suzerainty to sift the sebakb, the dust and debris from a site. And from these families he got the rarest pieces for a fraction of their final value. In this way, he amassed large collections of all sorts. He sold some of them, making himself good money but he also bought for many of the larger museums in the United Kingdom, Sweden, and America,” writes Foxcroft.
Gayer-Anderson now in his early 30s had amassed a certain wealth and yearned to live the life that really pleased him. However, he would still have to wait a few more years. He had enjoyed “supreme happiness” during the first decade of the 20th century unaware that the world was “on the brink of a volcano.” During World War I, he was posted in Egypt and in Gallipoli on the Turkish coast. He ended his official career in Egypt with a post of senior inspector in the Ministry of Interior and was finally appointed Oriental secretary to the high commissioner where he remained for about a year. He retired from the Egyptian government in 1923. He was only 42 and he wanted to spend the rest of his life with his antiques and writing poems and articles for magazines.
In the 1930s, he was offered a job as director of the Anglo-American Nile Tourist Company, which gave him the possibility to continue searching for antiques. During that period he purchased one of his most precious pieces known as the Gayer-Anderson Cat, the first life-size bronze cat he had ever seen. He would eventually bequeath it to the British Museum. His last philanthropic action was the internal renovation of the Bait Al-Kretliya.
He was allowed to live in this old Islamic house during his lifetime in order to restore it. When he died, it was returned to the government as the “Gayer-Anderson Pasha Museum of Oriental Arts and Crafts.” The Bait Al-Kretliya has been magnificently restored. The Damascus room is stunning with its ceilings and walls covered in inlaid and gilded wood. A scene from a James Bond movie, “The Spy Who Loved Me,” was filmed in Bait Al-Kretliya. Gayer-Anderson also entertained many visitors including the King of Siam, Howard Carter and Freya Stark.
The eight years Gayer-Anderson spent at Bait Al-Kretliya were the happiest of his life. He would certainly be proud to see how his beloved home is one of the most visited museums in Cairo.
[email protected]


What We Are Reading Today: ‘A Well-Ordered Thing’ by Michael D. Gordon

Updated 22 December 2024
Follow

What We Are Reading Today: ‘A Well-Ordered Thing’ by Michael D. Gordon

Dmitrii Mendeleev (1834–1907) is a name we recognize, but perhaps only as the creator of the periodic table of elements.

Generally, little else has been known about him. “A Well-Ordered Thing” is an authoritative biography of Mendeleev that draws a multifaceted portrait of his life for the first time.

As Michael Gordin reveals, Mendeleev was not only a luminary in the history of science, he was also an astonishingly wide-ranging political and cultural figure.


What We Are Reading Today: ‘We Have Always Lived in the Castle’

Photo/Supplied
Updated 22 December 2024
Follow

What We Are Reading Today: ‘We Have Always Lived in the Castle’

Author: Shirley Jackson

“We Have Always Lived in the Castle” is a gothic novel by Shirley Jackson, first published in 1962.

This haunting masterpiece stands as Jackson’s final and perhaps most accomplished work, offering a mesmerizing exploration of isolation, family loyalty, and societal persecution.

The narrative follows Mary Katherine “Merricat” Blackwood, an 18-year-old girl who lives with her older sister Constance and ailing Uncle Julian in their family estate.

The Blackwoods exist in self-imposed isolation following a tragic incident six years prior, when arsenic-laced sugar claimed the lives of most family members during dinner.

Through Merricat’s unreliable narration, Jackson crafts a Gothic tale that masterfully blends psychological horror with social commentary.

The protagonist’s voice is both childlike and unsettling, marked by obsessive rituals and protective magic that she believes keeps their diminished family safe from the hostile outside world.

The story’s genius lies in its layered exploration of themes.

On the surface, it is about two sisters living in seclusion, but beneath runs a deeper current about societal persecution, female autonomy, and the price of being different.

The arrival of Cousin Charles, who threatens their carefully maintained isolation, sets in motion events that reveal the true nature of the sisters’ bond and their relationship with the outside world.

Jackson’s prose is precise and atmospheric, creating a claustrophobic atmosphere that mirrors the sisters’ physical and psychological isolation.

The novel’s examination of how communities treat those they deem different remains painfully relevant.

The townspeople’s treatment of the Blackwood sisters serves as a sharp critique of mob mentality and social ostracism.

“We Have Always Lived in the Castle” offers a deep dive into the human psyche’s darker corners.

It is a short tale about survival, love, and the lengths people will go to protect their own version of happiness, no matter how twisted it might appear to others.

This enduring classic continues to captivate readers with its unique blend of horror, mystery, and psychological insight, cementing Jackson’s reputation as one of American literature’s most distinctive voices.

 


What We Are Reading Today: ‘Theoretical Ecology’ by Ryan Chisholm

Updated 21 December 2024
Follow

What We Are Reading Today: ‘Theoretical Ecology’ by Ryan Chisholm

Theoretical ecology explores the mechanisms that structure ecological communities using a variety of mathematical and computational tools.

“Theoretical Ecology” shows you how to translate ecological problems into mechanistic models using both mathematics and the programming language R. The book teaches key concepts and core quantitative skills while also devoting significant attention to the reasons for building mathematical ecological models.


What We Are Reading Today: The Disappearing Act

Photo/Supplied
Updated 20 December 2024
Follow

What We Are Reading Today: The Disappearing Act

Author: Florence de Changy

Malaysia Airlines Flight 370, carrying 239 passengers, disappeared into the night, never to be seen or heard from again.
Writing for Le Monde in the days and months after the plane’s disappearance, journalist Florence de Changy closely documented the chaotic international investigation that followed, uncovering more questions than answers.
The mystery, until now, is riddled with inconsistencies, contradictions and a lack of basic communication between authorities.
De Changy draws together countless eyewitness testimonies, press releases, independent investigative reports and expert opinion, to offer an eloquent and deeply unnerving narrative of what happened to the missing aircraft.

 


REVIEW: ‘S.T.A.L.K.E.R. 2: Heart of Chornobyl’ tells a story of resilience and survival

Updated 20 December 2024
Follow

REVIEW: ‘S.T.A.L.K.E.R. 2: Heart of Chornobyl’ tells a story of resilience and survival

LONDON: “S.T.A.L.K.E.R. 2: Heart of Chornobyl,” developed by Ukrainian studio GSC Game World, stands as both a gripping survival adventure and a reflection of real-world resistance in the face of adversity.

The game’s development faced significant challenges, with the studio partially relocating to the Czech Republic due to the ongoing conflict in Ukraine. This struggle has imbued the game with poignant cultural references and an atmosphere shaped by the harsh realities of its creators’ circumstances.

Players assume the role of Skif, a Ukrainian Marine Corps veteran drawn into the “Zone,” a dystopian take on the Chernobyl exclusion zone. In this alternate universe, the infamous nuclear disaster unleashed not only radiation but also space-time anomalies and a host of mutated threats.

The Zone is merciless, and so is the gameplay. Stalkers — explorers of this treacherous area — must navigate its dangers in pursuit of adventure, profit or ideology. The game emphasizes survival, with a steep learning curve that demands careful planning. From radiation and traps to scarce resources and malfunctioning weapons, every step is fraught with danger. Deaths are frequent and the game tracks your fatalities, adding to the sense of vulnerability.

The game shines in its atmospheric design and mechanics. The 64 sq. km open-world setting is a stunning yet haunting playground for chaos. Weapon handling is top notch, and the enemy AI is intelligent and challenging. The various human factions and mutant creatures add layers of unpredictability to the experience, while side missions pile up in classic open-world fashion.

However, the game is not without its flaws. Some elements feel restrictive, limiting creativity in problem-solving. For instance, mutant dogs may attack you relentlessly while ignoring nearby enemies. Invisible anomalies that kill instantly and radiation-related deaths can feel arbitrary, especially early on when resources like health kits and food are scarce. Additionally, the dialogue leans on cliches, which may detract from the storytelling for some players.

Despite its challenges, “S.T.A.L.K.E.R. 2: Heart of Chornobyl” offers a deeply rewarding experience for those willing to persevere. The unforgiving difficulty and grounded survival mechanics create a palpable sense of tension, while the evocative setting offers a mix of chaos and beauty. Fans of open-world games, particularly those craving a grittier and more challenging experience, will find much to appreciate.

Born out of extraordinary circumstances, it is more than just a game — it’s a testament to the resilience and creativity of its developers. Stick with it, and you will discover a truly unique title forged in the most difficult of times.