DUBAI: An elderly German tourist attempted to travel home this week but upon reaching Dubai airport, he forgot where he was from.
Colonel Dr. Mubarak Saeed Salim, director of the Tourist Police Department, said Thursday that the tourist’s family e-mailed the police in a bid to find their lost relative.
“He came to Dubai with a tourist group and at the end of the last day, he was on a boat trip, after which he hailed a taxi near Port Rashid and asked to be taken to Dubai International Airport. When he reached the airport, however, he could not figure out where he was supposed to go and why he was in the airport,” Colonel Salim said.
According to Gulf News, the tourist then hailed a taxi and asked the driver to drop him at any beach. The elderly man then sat on the beachfront trying to remember where he was supposed to go.
“A police patrol spotted the man sitting on the beach looking lost and confused and an officer spoke with him. The tourist told the officer that he didn’t have a clue about what he wanted. The officer then took him to the Bur Dubai police station in order to resolve the problem,” Colonel Salim said in a statement.
It was only after the man’s family e-mailed Dubai Police with an attached picture of the tourist that the officers could help the man return home.
The family told police they had waited for the elderly tourist at an airport in Germany but he had not arrived, leading them to send the emergency e-mail.
“[Since] his family couldn’t communicate with him, they decided to send us an e-mail with his photograph,” Colonel Salim said.
“We helped the man to return to his country after identifying him in the picture,” the colonel concluded.
Dubai police intervene as elderly German tourist forgets where to fly
Dubai police intervene as elderly German tourist forgets where to fly
Tashkent: An underrated gem of the Silk Road
- Uzbekistan’s capital city boasts grand architecture and a rich cultural history
DUBAI: Tashkent may not be as famous for its architecture and culture as Paris, Rome or Barcelona, but the capital of Uzbekistan is an underrated gem for tourists.
With a population of more than three million, Tashkent is the largest city in Central Asia, which was formerly part of the Soviet Union. Tashkent — which means “city of stone” — is historically significant as one of several trading hubs (along with its neighboring cities Bukhara and Samarkand) on the Silk Road stretching from Europe to China. In the 8th century, the city was under Muslim Arab rule, and Islamic architecture, studded with stunning blue tiles that match the skies above Tashkent, remains a notable feature.
Under Soviet rule, Tashkent saw a rise in the modernist style of heavy, brutalist buildings beloved by the USSR — see, for example, the overwhelming, grid-like exterior of Hotel Uzbekistan, established in 1974. Between the 1960s and 1990s, such structures were part of a plan to rebuild the city after an earthquake in 1966.
One of the grandest buildings in Tashkent is the centrally located Alisher Navoiy Theater, an elegant opera house which opened in the 1930s, playing the timeless melodies of classical maestros Tchaikovsky, Prokofiev and Verdi. It is named after the poet and national hero dubbed “the father of Uzbek literature,” who was born in modern-day Afghanistan during the 1400s. Designed by the Soviet architect Alexey Shchusev, the 1,500-seat opera house radiates with European and Oriental stylistic elements. Its six lobbies are named after the Uzbek cities of Bukhara, Khorezm, Samarkand, Fergana, Termez and Tashkent.
A number of museums — devoted to history, art, geology and warfare — exist in the capital; one of the best is the highly ornate Museum of Applied Arts, which pays tribute to the delicate handcraftsmanship of traditional Uzbek artisans, and displays embroidery, pottery, miniature paintings, jewelry and weaponry. The building itself is a work of art too, showcasing detailed wooden ceilings rendered with floral and geometric motifs.
There are more than 2,000 mosques in Uzbekistan and one of its oldest is Kukeldash Madrasah, founded in the 1500s. The tranquil site, which has been restored and used for various purposes over the years, was originally built to host lessons in Islamic studies and the Qur’an (lessons which still happen today). It also houses an intimate calligraphy studio. The main facade features Arabic scripture and a pattern of arches, decorated by predominantly blue mosaics.
Close by is the lively and substantial Chorsu Bazaar, where locals go to shop for food, spices, crockery and trinkets. The ruby-colored pomegranate fruit is particularly popular, and also features as a motif on clothing, acting, in a way, as a symbol of the country. The bazaar sits under a blue ornamented dome, which was designed in 1980.
If you’re looking for a more peaceful location, then the Rakhimovs Ceramic Studio is the place to be. This haven of creativity, accessible by appointment only, aims to preserve the heritage of ceramic art. Full of decorated pottery pieces, the family-run space tells the story of four generations of ceramic masters, starting with one of Tashkent’s prominent 20th-century ceramicists and restorer of mosaics Mukhitdin Rakhimov down to his grandson, Alisher Akbarovich Rakhimov, who has passed along the art of pottery to his son, Shokhrukh.
And Tashkent’s attractions are not all on its surface. Be sure to visit the Tashkent Metro, which, in 1977, became the first subway system in Central Asia. Its 29 stations resemble art galleries, full of sophisticated columns, patterned domes, colorful tiles and murals with stories of national pride to tell. Perhaps the most famous station in the system is Kosmonavtlar (Cosmonauts), with its blue-and-white interior that inspired by the ‘space race,’ which occurred between the 1950s and 1970s. The walls of the station showcase large medallions depicting the Soviet Union’s leading astronauts, Yuri Gagarin and Valentina Tereshkova, respectively the first man and woman to go to space.
Tashkent is an ideal location for lovers of architecture who want to discover something atypical. It has a visually appealing landscape of old and modern buildings, demonstrating the city’s diverse cultural heritage, which is worthy of preservation and attention.
Craftsmanship of decorated wooden doors reflects Aseer’s artistic heritage
- Skills have been passed down through the generations
ASEER: Intricately designed wooden doors in the Aseer region are more than a mere means of entry for they provide a reflection of the area’s rich artistic heritage.
The doors display exceptional craftsmanship that has been passed down through generations, showcasing the unique skills and creativity of local artisans.
Researchers in architecture highlight these intricately decorated doors as essential components of the area’s architectural heritage.
In an interview with the Saudi Press Agency, Dr. Ali Marzouq, a professor of archaeology and Islamic arts at King Khalid University, spoke of the cultural significance of this art form.
He said: “People find psychological comfort in beautifying their possessions. The decorative motifs typical of Islamic architecture, including engravings and inscriptions, have become integral to building design, enhancing both functionality and aesthetic appeal.”
The artistry involved in carving and engraving wooden doors has elevated them to symbols of social status.
HIGHLIGHTS
• This tradition continues today, with many people updating their door decorations for holidays and special events.
• In the coastal Tihama region, some residents enhance their main entrances by planting aromatic plants, adding a delightful fragrance.
Marzouq said that the main door holds significant importance, serving as a reflection of the owner’s wealth and prestige. Elaborately adorned doors made from high-quality woods are typically found in the homes of the affluent, while simpler designs are more prevalent among average households.
This tradition continues today, with many people updating their door decorations for holidays and special events. In the coastal Tihama region, some residents enhance their main entrances by planting aromatic plants, adding a delightful fragrance.
Decorative elements on wooden doors and windows have been central to the architectural identity of the Arabian Peninsula since ancient times. These embellishments not only highlight the skill of the artisans but also serve as effective marketing for their craftsmanship.
Dr. Saleh Abu Arad, a researcher in the field, echoed Marzouq’s sentiments, emphasizing the significance of the “door and window industry” as a skilled trade that utilized local wood and various techniques to create doors and windows of diverse sizes. These architectural elements are often enriched with exquisite engravings and metal accents, such as handles and rings.
The choice of wood plays a crucial role in the final product’s quality. The talh tree, also known as the red acacia, which is renowned for its dense and cohesive fibers, is favored for crafting high-quality doors and intricate designs.
Carpenters have excelled in engraving beautiful decorations on both exterior and interior doors, utilizing the unique properties of the wood.
Traditionally, the decoration of internal wooden doors and windows is a task undertaken by the housewife, with assistance from female relatives and neighbors. These decorations feature a range of geometric, botanical, and symbolic motifs, contributing to a warm and inviting atmosphere for guests and visitors.
The Aseer region boasts a vibrant tradition of skilled carpenters who have mastered the craft of creating traditional architectural doors and windows. Inspired by their natural environment, these artisans incorporate a diverse array of detailed patterns and botanical designs into their work, intentionally avoiding human or animal imagery.
Researcher Maryam Al-Omari says popular designs often feature geometric shapes such as triangles and diamonds, which are intricately combined to enhance the overall aesthetic.
Acknowledging the significance of safeguarding this area of cultural heritage, the Ministry of Culture republished the works of the French professor Thierry Mouget in 2021. His comprehensive photographic records of southern Saudi Arabia from the 1980s showcase the region’s architectural styles, historical legacies, social dynamics, and customs, shedding light on the rich cultural fabric of the Aseer region.
South Korea: easy on the eye, not so easy on the wallet
- It’s deservedly popular with tourists from the Gulf, but make sure to watch your budget
DUBAI: First off, a trip to South Korea is expensive. There’s no two ways about it. A return trip from Dubai costs in excess of $2,300 unless you opt to spending two days travelling in each direction. I chose the former.
There’s a perception that if you love Japan, you’ll also love South Korea. In fact, I found that South Korea was nothing like Japan. But why should it be? The Japanese dynasty ended a long time ago. Korea feels more humble, less in-your-face.
Seoul — the capital city — is large, clean, and very Western. The Metro system is busy and frequent, but unlike the public transport networks in the West, it feels safe. People are conscious of each other’s personal space and with a population of just over 10 million they need to be. But there’s no obvious fear of crime, everyone seems to have their heads buried in their phones. (For tourists, that might be because they’re checking their Korean translation app, an absolute necessity.)
To get the real vibe of this sprawling city — which is not dissimilar to Manhattan in New York — it’s worth walking the skyscraper-lined streets.
There are coffee shops pretty much everywhere you look. And in the malls, food courts are filled with baked goods, noodles and all varieties of meat. And while the fare is OK, none of it feels especially Asian, and judging by comments made by chefs this writer knows, Korea is not a place for foodies.
There’s a wide assortment of tours on offer — including a full day at the Demilitarized Zone on the North Korean border, which costs around $100 but is worth the effort and investment just to see across to the North with the guard posts in the distance and the 100-meter-high mast carrying the North Korean flag. You can also walk along a very claustrophobic tunnel dug by the North Koreans into the south.
Back in Seoul, the Starfield Library boasts a vast collection of 50,000 books in shelves that scale two floors – a must for those seeking an Instagrammable moment. There’s also a kitsch tribute to the novelty pop hit “Gangnam Style” — if indeed that is your style.
Seoul’s Anguk area is worth spending some time in; the art galleries and cafés have a youthful buzz and the Artist Bakery offered some beautifully mellow coffee and a huge selection of moreish salted butter bread treats.
There’s much to see in South Korea outside of Seoul, of course. And a three-hour trip on the bullet train takes you to the small(ish) city of Busan in the south east of the peninsular, where things feel much less Westernized. It’s a city crammed with markets and malls, selling anything and everything.
Find a hotel overlooking the water — there’s a lot of it and the fish market offers the chance to eat pretty much anything that is found in there. Be warned though, this place might look like a budget meal awaits you, but you can easily spend in excess of $40 for some octopus and something called “spoon worm” sashimi — the latter resembling a very particular internal organ.
Gamcheon Cultural Village — an assembly of narrow lanes and small pastel-colored houses on the side of a hill — provides stunning views down the valley towards the sea; another place for Insta-moments. And the Songdo cable car is worth a ride for the equally spectacular photo-ops.
Busan also provides plenty of opportunity to sample authentic and delicious Korean street food, just don’t be put off by the aesthetics of some of the outlets.
My final stop was Jeju Island — an hour away by plane — where I spent a few days ambling about, taking in the beautiful coastline with its jagged volcanic rocks. From the many bus tours on offer, the east and south were the highlights. The Yeha Bus Tour is particularly good, with stops including Stone Park, an ancient village, and the 600-step climb up Seongsan Sunrise Peak for some stunning panoramic views of the volcanic crater and surrounding area (followed by the slow hobble back down).
South Korea is certainly a destination worth visiting, but with a necessary proviso: Make sure you have plenty of disposable income so you can create memories that don’t break the bank.
Saudi Arabia’s Heritage Commission vows to protect archeological sites against violators
- Penalties for violations, including sticking advertisements, include hefty fines and imprisonment
MAKKAH: Saudi Arabia’s Heritage Commission stressed that it will stand firmly against people who tamper with archeological sites, taking legal measures against them and preventing any transgressions that pose a threat to the safety of the Kingdom’s heritage.
In the past week, the commission observed several violations of the antiquities and urban heritage regulations in Al-Wajh governorate in the Tabuk region and referred 23 expatriates to the relevant authorities.
The Heritage Commission explained that the encroachments were observed on the Umm Qurayyat and Al-Arja sites in Al-Wajh, Tabuk.
The violators moved stones and soil from an archeological site, it noted, adding that authorities will take legal measures against them.
HIGHLIGHT
The Heritage Commission outlined the penalties for vandalism and attacks on heritage sites, as stipulated in Articles 71, 72, 73, 74, 75, 76 and 77 of the Antiquities and Urban Heritage Law.
The commission noted that it arrested numerous individuals who were involved in similar violations and investigations are underway in accordance with the applicable legal procedures.
In its statement to Arab News, it emphasized that its mission is to protect and effectively manage the Kingdom’s cultural wealth and archaeological sites, by enforcing laws and regulations that ensure the protection of these sites.
The commission also seeks to raise local communities’ awareness about the importance of preserving cultural heritage as an integral part of the nation’s historical identity.
The Heritage Commission outlined the penalties for vandalism and attacks on heritage sites, as stipulated in Articles 71, 72, 73, 74, 75, 76 and 77 of the Antiquities and Urban Heritage Law.
According to these regulations, anyone who illegally appropriates an antiquity belonging to the state faces imprisonment for a period ranging from six months to seven years, and fines of between SR50,000 ($13,300) and SR500,000.
In addition, the articles stipulate that anyone who violates a monument, archeological site or urban heritage site by destroying, altering, removing, excavating, damaging and changing its features, can be punished with imprisonment for a period ranging from three months to three years, and a fine between SR20,000 and SR300,0000.
The commission added in its statement: “Anyone who surveys or excavates antiquities without a license faces imprisonment for a period of not more than two years and a fine of not more than SR200,000 or with one of these two punishments.
“Similar penalties apply to anyone who imitates or falsifies antiquity or performs any of the total or partial demolition works within the boundaries of antiquities and urban heritage sites, or builds on them, without obtaining approval from the ministry.”
It indicated that anyone who modifies a building or an urban heritage site, makes a modification in the surrounding environment that damages it without taking the ministry's approval or moves rubble, stones, or soil from monuments and urban heritage sites without the ministry’s approval, faces imprisonment for not more than a year and a fine not exceeding SR100,000 or one of these two penalties.
Similar sanctions apply to anyone who throws rubble or waste, defaces a monument or urban heritage by writing, painting, engraving, sticking advertisements on it, or committing arson in monuments and urban heritage sites.
World Halal Food Festival returns to London for ninth year
LONDON: The world’s largest halal food festival returns to London for its ninth year, with organizers anticipating more than 20,000 visitors.
The World Halal Food Festival will take place from Sept. 28-29 at the London Stadium, displaying a wide range of cuisines from around the globe.
The event features a carefully selected lineup of vendors, chefs and food stalls representing countries such as Pakistan, Turkey, Morocco and Indonesia, among others.
Event director Waleed Jahangir spoke to Arab News, noting the growing demand for halal-certified products as the global Muslim population continues to expand.
“The growing interest in ethical, sustainable and high-quality food sources has attracted not just Muslim consumers, but people from all backgrounds to halal food,” Jahangir said.
A new addition this year is the Celebrity Chef Cookery Theatre, hosted by Shelina Permalloo, known for her appearances on ITV’s “Cooking with the Stars.” She will be joined by other top chefs in leading interactive cooking demonstrations. Celebrities such as Nadiya Hussain and Big Zuu, as well as actors from Netflix, are expected to attend the event.
The festival has expanded its family-friendly offerings with an enlarged childrens’ zone and bazaar. It has also partnered with Our Future Health to provide a mobile health clinic on-site, giving attendees the opportunity to participate in health research and have checkups.
“We also encourage discussions and conversations at the festival through interactive panels, giving people from all walks of life a space to connect over shared values of food, culture and community,” Jahangir added.
Organizers emphasized their commitment to supporting a diverse range of businesses, offering smaller, local vendors prime spaces at the festival to ensure they have high visibility.
The “Local Flavours” will focus on artisanal food producers, giving them a platform to show their products to thousands of festival visitors eager to explore new tastes.
