TAIPEI: Taiwan has banned the eating of dogs and cats, lawmakers said Wednesday. as pressure grows to improve animal welfare after a spate of cruelty cases that stirred public outrage.
Parliament passed legislation to outlaw the consumption, purchase or possession of dog and cat meat, with offenders facing a fine of up to Tw$250,000 ($8,170).
The bill also hiked the penalty for killing or abusing animals to a maximum two-year jail term and a stiff fine of Tw$2 million, more than doubling that for repeat offenders.
“This shows that Taiwan is a society with advanced animal welfare,” said lawmaker Wang Yu-min who proposed the amendment.
Like some other Asian nations, dog consumption was common in Taiwan decades ago and although it is much rarer now, there have been sporadic reports of shops being caught selling dog meet in recent years.
As well, a string of much-publicized animal abuse cases triggered deep public concern, and demands for tougher protection laws.
Last year, the military was forced to apologize after a video surfaced of three soldiers torturing and strangling a stray dog to death with an iron chain, prompting several street protests.
And in 2014, a male hippo famous for regularly performing at a private zoo in central Taiwan died after breaking a leg and sustaining other injuries during transportation, sparking a public outcry.
Taiwan bans eating dogs and cats
Taiwan bans eating dogs and cats
Christian Dior retrospective opens in Riyadh
- The exhibition, at the National Museum of Saudi Arabia until April 2, explores the legacy of the fashion designer and his successors through a specially curated narrative
RIYADH: An exhibition celebrating the life and work of fashion designer Christian Dior is now open at the National Museum of Saudi Arabia as part of this year’s Riyadh Season.
“Christian Dior: Designer of Dreams,” a retrospective covering more than 75 years of his creativity and design and the work he inspired, is a collaboration between the French fashion house and Saudi Arabia’s General Entertainment Authority.
The event, which runs until April 2, explores the legacy of Dior and his successors through a fresh narrative specially curated for the show by art historian Florence Muller and scenographer Nathalie Criniere.
Highlights include tributes to some of Dior’s classic designs, such as Miss Dior and J’adore, and an homage to the Lady Dior bag in the form of the Dior Lady Art project.
Faisal Bafarat, the CEO of the General Entertainment Authority, officially opened the exhibition on Wednesday. Tickets are available from the WeBook platform.
Where We Are Going Today: Soul Bowl restaurant in Riyadh
Soul Bowl, an on-the-go healthy meal station is catching the eye of Riyadh’s foodie and wellness fiends with their nutritious bowls and sandwiches.
While most tend to order for delivery, you can enjoy a comfortable and quaint indoor dining experience in their store in As Sahafah; where the neutral colors, soft warm lighting, and pop of green offer a welcoming atmosphere for both solo and social dining.
Soul Bowl’s menu offers a wide selection of salads, bowls, flatbread sandwiches, wraps, soups, and rice meals, as well as fresh juices, desserts and acai bowls.
Their wraps and bowls are a hit, with the chicken chipotle wrap and the Mexican bowl as big standouts.
The chicken used is clearly of high quality and cooked very well, and the rest of the ingredients, such as the greens, rice, sauces, feel very fresh. The flatbread sandwiches, however, are a bit of a hit or miss.
The main courses they offer range from tandoori chicken to beef stroganoff.
Spike Lee to preside over Red Sea International Film Festival jury
DUBAI: Academy Award-winning filmmaker Spike Lee – known for films like “Malcom X” and “BlacKkKlansman” – will preside over the Red Sea Internation Film Festival’s Red Sea: Features Competition Jury this year.
The fourth edition of the festival will take place in Jeddah, Saudi Arabia, from Dec. 5 - 14, in Jeddah’s Old Town of Al Balad.
The Red Sea: Features competition will showcase the highest achievements from a diverse range of filmmakers from the Arab region, Asia and Africa. Sixteen features have been selected to showcase the most compelling, unique and impressive work from the past year, with the winners being selected by Lee and the rest of the jury to receive the coveted Yusr Awards.
In 2023, the Golden Yusr for Best Feature Film was awarded to “In Flames,” directed by Zarrar Khan.
Lee will also participate in the festival’s In Conversation strand, which welcomes industry luminaries from all over the world to share insights and have meaningful discussions about their practice, passions and stories.
Jomana Al Rashid, Chairwoman of the Red Sea Film Foundation, said in a statement: “Looking towards our fourth edition, we’re honoured to welcome the legendary Spike Lee as our President of Jury for the festival this year. Spike is a pioneering director whose iconic work has made a lasting impact on both film as a medium and culture at large. His energy, incisiveness and genuine championing of creativity and new voices makes him an ideal fit to lead our jury for this year - we look forward to him engaging with the burgeoning talent in our competition line up.”
Lee added: “Having been lucky enough to experience first-hand the incredible filmmaking, atmosphere and creativity at the Red Sea International Film Festival in 2022, it's a privilege to be returning this year as President of the Jury. Alongside creating a melting pot for cultures to come together in celebration of our important art-form, it's vital to continue to platform young and emerging filmmakers who are finding their voice in the industry, and it's exciting to see first-time directors from across the Arab region, Asia and Africa as part of the Competition lineup this year. I'm looking forward to diving in to the programme and making what I'm sure will be some very tough decisions alongside the leading luminaries on the jury.”
‘Marvels of Saudi Orchestra’ heads to Tokyo
- The Saudi National Orchestra and Choir’s global tour reaches Japan
DUBAI: The Saudi National Orchestra and Choir is on a mission to build a bridge between the Kingdom and the rest of the world, one musical collaboration at a time.
Having already performed its musical showcase “Marvels of Saudi Orchestra” in Paris, Mexico City, New York and London, the orchestra will perform at Tokyo Opera City on Nov. 22.
The evening’s performance will feature the Saudi National Orchestra and Choir performing alongside Japan’s Gagaku Orchestra Imperial Court Music and the Orchestra Academy of Tokyo College of Music. The collaborative program will showcase traditional Saudi pieces and classical Japanese music. Renowned Japanese guitarist Hotei will also deliver a special guest performance.
In an interview with Arab News, Saudi Music Commission CEO Paul Pacifico attributed the idea of taking the Saudi orchestra on a world tour to Minister of Culture Prince Badr bin Abdullah bin Farhan, and cited a dual purpose behind the program.
“The first opportunity is international. It’s about taking the best of Saudi culture to the world and showing the world what Saudi culture is about. Most people around the world haven’t heard Saudi music, so this is a new experience,” Pacifico said.
“The second part of this is about showing Saudi people how Saudi culture can be received worldwide, and how Saudi music can take its place on any of the world’s greatest stages with the world’s greatest cultural organizations. And really to take pride in seeing Saudi culture celebrated and validated in that way,” he added.
Composed and arranged by Saudi Arabian maestro Rami Bashih with the support of Japanese maestro Hirofumi Yoshida, the Tokyo performance is an ode to Japanese and Saudi musical traditions.
“I hope this performance will deepen the Tokyo audience’s understanding of different cultures through music and serve as a catalyst for building new cultural ties between Saudi Arabia and Japan. This concert brings together distinct musical cultures on a single stage, offering the audience a valuable experience to see music and culture from a fresh perspective,” Yoshida told Arab News.
“In the first and second parts of the program, the audience will enjoy a contrast between Saudi Arabia’s traditional music and the ancient Japanese court music, gagaku. In the third part, they will experience cultural harmony through a joint performance by musicians from both countries,” he continued.
Both the Japanese and Saudi orchestras have had to rehearse online ahead of the big day.
“The Saudi Music Commission and Japan’s Rising Sun Opera Foundation have held numerous remote meetings and organized advance visits from the Saudi side to prepare for this event in detail. We shared musical ideas online and made every effort to maximize our limited rehearsal time. Remote collaboration has been a new challenge, but by sharing a strong passion for music, we’ve been able to overcome the distance and foster meaningful cooperation,” said Yoshida.
Yoshida is no stranger to Saudi Arabia, either. In 2017, he led the first performance by a full Japanese orchestra in the Kingdom.
“I was deeply impressed by the enthusiastic applause, especially from young people, after each piece. Feeling the energy in the hall, I became certain that culture and the arts would flourish in Saudi Arabia in the near future. This experience showed me the potential for Saudi musical culture to continue growing and be shared with even more people around the world,” he said.
For Pacifico, the opportunity to take Saudi music to yet another cultural capital is exciting.
“There are so many rich collaborations in all of these cultures that we visited and hope to visit — whether that was the Carlos Chavez Orchestra in Mexico City, the Dizzy Gillespie All Stars in New York, or the Royal Philharmonic Orchestra in London, every time we make a stop, we look to collaborate with the best cultural ambassadors from that city. And the cities haven’t let us down,” said Pacifico. “They’ve really exceeded our expectations. And, again, in two ways: the way the musicians have blended together and the audience reaction — how welcoming people have been, how interested and culturally curious to discover Saudi music, and the feedback has been incredible.
“So much of what we do is about programs, KPIs… the technical work of government. But ‘Marvels of Saudi Orchestra’ brings it to a very human level. It’s about people connecting, and it’s that human connection that stands out to me,” he continued. “That’s what surprises and delights me each time that we’ve done this, and I’m sure will continue to do so.”
Review: ‘Cross’ is a better-than-average gritty cop drama, thanks to Aldis Hodge
- Hodge stars as James Patterson’s tortured detective in new Amazon series
LONDON: In its admirably committed bid to monopolize the ‘gritty cop drama adapted from books you might buy for your dad’ market, Amazon has turned to James Patterson’s Washington DC-based detective (and forensic psychologist) Alex Cross to follow in the footsteps of previous hits “Reacher”, “Jack Ryan” and “Bosch.”
“Cross” (there’s a pattern here…) stars Aldis Hodge as the recently bereaved eponymous homicide detective. Assigned to investigate the murder of a prominent Black Lives Matter activist, our hero is all consummate professionalism and cerebral calmness as he attempts to unpick the increasingly sinister machinations of a deranged serial killer even as his bosses try to sweep the case under the carpet.
What makes “Cross” more interesting than a lot of airport-novel adaptations is that Alex is also working a second case, obsessed as he is with hunting the murderer of his wife, who was shot in broad daylight a little over a year earlier. And when it comes to that case, he is neither a consummate professional nor cerebrally calm.
The details of the two cases are better left unpacked here — spoiling the developments of either would be a shame — but it’s safe to say the show’s MVP is Hodge (“One Night in Miami”, “Black Adam”). The detective is, at times, more like two characters — one striving to deliver justice for his city, the other bent on nothing more than revenge and a desire to keep his family safe. And Hodge deserves plaudits for his portrayals of both sides of Cross, even as the lines between the two begin to blur and overlap across the eight-episode stretch.
In fact, Hodge is so good, that it’s easy to forgive some of the show’s more cliché-riddled missteps. A couple of plot points arrive with much fanfare, only to slink out, unresolved; Alex’s supposedly masterful analytical superpowers tend to desert him when it suits the advancement of the story… There are other niggles, too. But, with a lead this charismatic — and closer to Patterson’s original Cross than the three previous film adaptations — and a supporting cast on their game, they’re all easy enough to overlook.
