Arab News at 42: Former editor Khaled Almaeena on the highs and lows of ‘The Green Truth’

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Khaled Almaeena was named as “Editor Emeritus” by current Editor in Chief Faisal J. Abbas on Nov. 10, 2016. Almaeena inaugurated the “wall of editors” during the event. (AN photo by Huda Bashatah)
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Khaled Almaeena with the late Prince Ahmed bin Salman, former chairman of Saudi Research and Marketing Group. (Picture: Khaled Almaeena)
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Khaled Almaeena with Palestinian political leader Yasser Arafat, pictured in November 1982 in a photograph taken at around 3 a.m. in Jeddah. (Picture: Khaled Almaeena)
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Khaled Almaeena was named as “Editor Emeritus” by current Editor in Chief Faisal J. Abbas on Nov. 10, 2016. Almaeena inaugurated the “wall of editors” during the event. (AN photo by Huda Bashatah)
Updated 20 April 2017
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Arab News at 42: Former editor Khaled Almaeena on the highs and lows of ‘The Green Truth’

It is not surprising that Khaled Almaeena still gets stopped in the street and asked about Arab News — even when he is abroad in places like New York or Canada.
The 62-year-old veteran Saudi journalist certainly knows the newspaper better than most. He served as its editor in chief twice — between 1982 and 1993, and again between 1998 and 2011 — and in November 2016 was given the honorary title of “editor emeritus” by current Editor in Chief Faisal J. Abbas.
Under Almaeena’s watch, the paper developed strong ties with its readers, sometimes fighting causes on their behalf — including cases where people were wrongly sent to jail.
“It was a 24-hour job,” the former editor said during an interview in Jeddah’s Amara Café.
“People would come to my house, saying that their sponsor hadn’t paid their money (or) the police had done this or that.”
The veteran Saudi journalist is not known for a shortage of colorful anecdotes, and they come especially freely as he talks through the significance of Arab News’ 42nd anniversary.
“It has succeeded, it has survived, it has grown,” Almaeena said of the newspaper. “Despite the many challenges that we went through, it has been able to make its mark.”
Over black coffee — the staple liquid sustenance of many a journalist — Almaeena explained how queues of people used to form outside the newspaper’s offices and those of its owners.
The daily was nicknamed “The Green Truth” — partly due to the green wash of its front page — and its top man was dubbed the “People’s Editor.”
Almaeena reels off several examples of why such a title was fitting. Many years ago, an Asian man contacted him in a desperate state.
“He said to me that if I didn’t see him that evening at 6 p.m. he would commit suicide,” Almaeena recounted.
That evening, the man told Almaeena how his mother-in-law used to beat him and take his monthly salary — making his life a misery.
“I said, ‘what do I have to do with it?’. And he said, ‘You are the Arab News, where do I go?’,” Almaeena explained.
The solution was human, helpful and somewhat mischievous — all qualities that the former editor himself exudes. Almaeena asked a friend to call the man’s mother-in-law, pretending he was from an official office, and told her to stop beating the man or face deportation.
The ruse worked, and the woman stopped the beatings. Some time later the man got a Green Card to move to the US — and Almaeena received Eid greeting messages from him for years afterward.
This was just one example of how Almaeena and Arab News helped members of the community, fighting for human causes and investigating social issues.
“People coming from outside had no access to the Saudi authorities, so whenever they had any problem they would write to us. So we became like an agony column for a lot of them,” said Almaeena.
“The role of the newspaper was to give hope to the people here. I used to get letters from prison, we got people out of prison… There were many people who would write to us.”
He still gets asked about Arab News in his native Saudi Arabia — and even when traveling abroad in the US or Canada.
“Still people write to me… Two days ago an Egyptian gentleman came to me and told me that his sponsor is giving him hell. And I said, ‘why did you come to me?’ And he said, ‘you were the guy at Arab News helping (people).’”

Blood, sweat and tears
Almaeena did not begin his career in journalism, but had a love of languages and reading from an early age.
He grew up reading English-language papers like The Times and The Guardian, and attended a strict school in Karachi, where he said “they instilled in us discipline and caring for others.”
Upon returning to Saudi Arabia, he landed a job at Saudi Arabian Airlines (Saudia). He started reading the Arab News, and gradually his career path moved toward journalism, starting with some radio reporting, before writing for the Saudi Gazette newspaper.
He was asked — just “by chance,” Almaeena said modestly — to become the editor in chief of Arab News in 1982, beginning the first of two stints as the newspaper’s longest-serving editor.
“It was blood, sweat and tears all the way. I remember when I joined… the circulation was about 6,000 — this was June of 1982. In September it went to 27,000.”
“Working in Arab News in those days was a passion ... all those who worked in the SRPC (Saudi Research and Publishing Company) felt they owned the company,” he said. “The founders and publishers — the legendary Hafiz brothers, Hisham and Muhammad Ali — were craftsmen. They embodied all the noble ideals and exhibited compassion and empathy. They took tough decisions and were known to encourage ideas and innovation.”
The readership was doubtless boosted by the paper’s engagement with its readers — developed, sometimes, through slightly mischievous means.
Almaeena’s early editorship coincided with the Falklands War — which, conscious of the number of Britons working in Saudi Arabia, Almaeena insisted on calling the “Malvinas War,” as it is known in Argentina.
“It was a deliberate attempt… The Brits used to get angry, and that was the start of ‘Letters to the Editor’,” Almaeena said. The practice even prompted Sir James Craig, the British ambassador at the time, to write in to the newspaper, something Almaeena said was unprecedented in the Saudi press.

The Gulf war
The Gulf war represented both the high, and low point of Almaeena’s editorship of Arab News.
When Saddam Hussein invaded Kuwait on Aug. 2, 1990, it sparked the news story of the decade for Almaeena. It was also one he was almost banned from writing.
“The minister of information called us on Aug. 2, 1990 and said not to write that Iraq had invaded Kuwait. I suffered all kinds of mini strokes in my mind,” Almaeena recalled.
“So I went to him… and I told him that ‘I will kiss your hand, Mr. Minister. The world knows that Saddam is in Kuwait... And you’re asking me not to write?’. I couldn’t do that.
“To me, I think that was the worst day of my life, even in my personal life. Because I couldn’t live with it.”
In the end, Almaeena got around the ban by carrying a headline that suggested all was not well in Kuwait — yet some of his fellow newspaper editors were not so bold.
“There were some other editors, poor people, who had to write ‘production of strawberries is on the rise’, and stuff like that,” he said. “We had to tell the truth. I could never be a toady, or curry favors with people.”
Despite that attempted interference by the government, Almaeena said that the Saudi kings — most of whom he met over the course of his career and personal life, given his family’s close historical ties with the royal family — had never interfered with the newspaper. “They never told you what you wrote, what you didn’t write,” he said.

CNN calling
While the first day of the Gulf War was the low point, the conflict also proved a highlight of Almaeena’s editorship, and helped put Arab News on the map.
Almaeena formed a team with editors of other publications to cover the invasion, moving the newspaper’s HQ to Saudi Arabia’s Eastern Province.
The newspaper ended up becoming a reference point for the international media covering the Gulf War, with famous journalists such as Christiane Amanpour, Katie Couric, Deborah Amos and the late Bob Simon seeking out information from Arab News.
“All these people came, because we were a source of news,” said Almaeena. “That put Arab News right on the map. I think that was the turning point of Arab News, in 1990, when CNN (was quoting) us.”
More than 20 years later, Almaeena was editing Arab News — for the second time — when the 9/11 terror attack hit the US. Given this was now the Internet age, many people were searching for “Arab” stories online, and the newspaper’s name naturally popped up in the results. In the space of one week, the newspaper received thousands of hate-mail messages, many using foul language. But Almaeena got a team of volunteers together to reply, at least to those using civil language, to calm them and explain the newspaper’s position.

The future
Almaeena is now managing partner of the Quartz communication company and has several other interests including social work and mentoring. Although he writes regular columns in Makkah newspaper as well as Saudi Gazette, he does not miss the daily grind of journalism.
“I don’t miss the headlines and deadlines,” he said.
That said, Almaeena sees a solid future for Arab News, of which he is editor emeritus.
“Arab News has always been a bridge between the expatriates, the Saudis and the government.
“I truly believe it can play a role, because now they are online, and the paper can really go ahead and do it.”
“But we have to be seen as an independent voice: Accurate, factual and not afraid to speak out when it needs to be done.”
And speaking out is something that Almaeena himself, over the course of his career, has certainly excelled in.


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KSrelief distributes shelter kits in Afghanistan and Somalia

RIYADH: Hundreds of shelter kits have been distributed to people in Afghanistan and Somalia by Saudi aid agency KSrelief, reported the Saudi Press Agency.

Over the weekend, 200 kits were handed out as part of a project to help Afghan returnees from Pakistan and those affected by floods.

The project will provide 4,882 in total containing tents, blankets, plastic mattresses and other essential supplies to almost 30,000 people in need across 13 Afghan provinces.

In Somalia, 1,000 shelter kits, 1,000 clothing parcels, and 80 tents were given to displaced people in the Banadir region, benefitting 6,000 people.


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KSrelief distributes aid to most needy in Lebanon, Chad and Syria

RIYADH: Saudi aid agency KSrelief has delivered more aid to those most in need in Lebanon, Chad and Syria, reported the Saudi Press Agency.

In Chari-Baguirmi, Chad, the agency delivered 1,600 food parcels that benefitted 9,600 people. A further 333 food aid parcels and 333 hygiene kits were distributed in the Idlib region of Syria to help 1,998 individuals from 333 families who were affected by last year’s devastating earthquake.

And in Lebanon, winter clothing vouchers were given to 300 orphans and people with special needs in Akkar governorate. These will help them buy clothing for the forthcoming winter.


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Saudi defense minister meets with Chinese envoy to Kingdom

  • Session attended by several high-ranking officials from both sides

RIYADH: Saudi Minister of Defense Prince Khalid bin Salman met with Chinese ambassador to the Kingdom Chang Hua on Sunday.

The meeting focused on reviewing the strong relations between the two nations and discussing various issues of mutual interest, Saudi Press Agency reported.

The session was attended by several high-ranking officials from both sides, SPA added.


King Salman approves hosting of 1,000 Umrah pilgrims from 66 countries

The Kaaba can be seen at the Grand Mosque in Makkah. (@AlharamainSA)
Updated 17 November 2024
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King Salman approves hosting of 1,000 Umrah pilgrims from 66 countries

  • Pilgrims will be hosted in four groups during the current Islamic year which ends in the final week of June 2025
  • Minister said the hosting of the pilgrims is an extension of the great care that Saudi leadership takes to serve Islam and Muslims

RIYADH: Saudi Arabia’s King Salman has approved the hosting of 1,000 pilgrims from 66 countries to perform Umrah as part of the Custodian of the Two Holy Mosques Programme for Hajj, Umrah, and Visit.

The pilgrims will be hosted in four groups during the current Islamic year which ends in the final week of June 2025.

The Minister of Islamic Affairs, Call, and Guidance and general supervisor of the Hajj and Umrah program Sheikh Abdullatif bin Abdulaziz Al-Sheikh thanked the Saudi leadership for enabling Muslims from different countries of the world to perform the minor pilgrimage with ease and peace of mind.

The minister said the hosting of the pilgrims is an extension of the great care that the leadership takes to serve Islam and Muslims.

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Old school, new love: Analog tech captures hearts in Saudi Arabia

Updated 17 November 2024
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Old school, new love: Analog tech captures hearts in Saudi Arabia

  • Community bound by love of old gadgets that help enrich the present

RIYADH: In an era marked by digital convenience, analog technology is steadily making a comeback, with everything from vinyl records to film cameras experiencing a renaissance around the Kingdom.

Driven by a blend of nostalgia, artistry, and an appreciation for the tactile, this resurgence reflects a deeper cultural shift toward mindfulness and intentionality.

Arab News spoke to enthusiasts and entrepreneurs about the beauty, challenges, and personal connections that analog offers over its digital counterparts.

The resurgence of analog formats is a reminder that technology can be more than just a tool. (AN photo by Waad Hussain)

For music lovers, vinyl offers an experience that is impossible to replicate digitally. Fawaz Al-Sulaim, owner of Bohemia Records, said: “Experiencing music through vinyl or cassette brings you closer to it, like you’re there with the artists in the studio. You go through every song on the album as intended.”

Vinyl’s allure lies not just in its sound but also in its tangible presence. Holding a vinyl record offers a sense of ownership often missing in digital music, where ownership is more of a fleeting license.

Al-Sulaim said: “Analog represents physical media coming back — not just in a technical sense but as something people can hold on to.”

HIGHLIGHTS

• As Saudi Arabia invests in art, culture, and heritage, there is hope that analog’s value will continue to be recognized and supported.

• With the rise in interest, local communities and businesses are emerging to cater to this renewed passion for analog.

This revival is not limited to vinyl. Bohemia Records has seen an increase in CD sales, suggesting that physical formats resonate with people’s desire to own and cherish music collections.

The appeal of analog does not stop at music. In photography, the return to film presents a refreshing contrast to digital’s immediacy.

Film rolls ready for development at Haitham Studio Film Lab, where each roll holds captured memories and stories from Saudi photographers. (Photo by Abdulrahman Al-Osaimi)

Haitham Al-Sharif, founder of Haitham Studio Film Lab in Riyadh, spoke to Arab News about film photography’s unique character, saying: “Film requires patience, thought, and a connection with the moment. You’re fully present, considering every exposure.”

Al-Sharif, who began his film processing journey at home, has seen a surge in Saudi interest, with his studio now serving thousands across the Gulf region.

Haitham Studio’s clients include people from seasoned photographers to students experimenting with their parents’ vintage cameras.

An eclectic display of analog nostalgia and rock memorabilia, featuring classic vinyl records, retro audio equipment, and books on music icons—capturing the spirit of vintage and punk culture. (AN photo by Waad Hussain)

He said: “People come in for graduations, weddings, and even casual shots with disposable film cameras. Each frame has meaning, and the photographer remembers every shot.”

Running a film lab, however, is not without challenges. “We rely on older machines, specialized chemicals, and skilled technicians, which aren’t always easy to source locally,” Al-Sharif explained, adding that the support of Saudi Arabia’s growing art and tourism sectors could enhance this particular industry’s growth.

For retro tech enthusiasts like Zain Al-Mansour, the appeal goes beyond functionality. He said: “Listening to music on vinyl or snapping pictures with a vintage camera offers a joy that’s similar to making espresso — you savor the process as much as the end result.”

Film negatives hang to dry at Haitham Studio, reflecting the lab’s dedication to preserving the authenticity and art of analog photography. (Photo by Abdulrahman Al-Osaimi)

With an affinity for devices that evoke memories, Al-Mansour recently acquired a first-generation Tamagotchi, to help rediscover the simplicity and wonder of childhood technology.

Analog devices engage users on a personal level, prompting a more deliberate interaction than today’s instant gratification.

Al-Mansour said: “Retro tech is fascinating because it takes you back to a simpler time. The aesthetics of these devices, the physicality, and even the sounds they make add to their charm.”

A film negative passes through the scanning machine at Haitham Studio, bridging the analog and digital worlds to bring treasured moments to life. (Photo by Abdulrahman Al-Osaimi)

For others, analog represents a form of self-expression. Bashayer Al-Bloushi sees a unique beauty in analog’s imperfections, which bring out details often missed in digital formats.

“Film photography forces you to capture moments with intention. There’s no instant review, so you’re careful about each frame,” she said.

For Al-Bloushi, analog provides a richer experience that digital cannot offer, allowing for a deeper connection to each captured moment.

A retro cassette collection at Bohemia Records, showcasing a variety of genres and rare finds that capture the essence of analog music. (Photo by Fawaz Al-Sulaim)

Saja Al-Zahrani spoke about how analog media lets people embrace a slower, more mindful approach.

Al-Zahrani said: “There’s a warmth in vinyl’s crackle or film’s grain that digital can’t match.

“With analog, people reconnect with something real, something authentic.”

This tactile experience of using film or vinyl requires more focus, turning each interaction into a rewarding moment.

The value of analog media extends beyond nostalgia for Ebtsam Al-Dossary. Having grown up with film cameras, she sees them as reliable memory-keepers.

She said: “A camera doesn’t just store images; it keeps your memories safe. Digital files can vanish, but a physical photo endures.”

For Al-Dossary, the resurgence of analog formats is not just a trend; it’s a meaningful way to capture and remember moments more authentically.

As digital convenience reigns, this analog revival may underscore a collective yearning for experiences that slow us down, engage our senses, and encourage a mindful appreciation of art, music, and memories.

Whether it is the crackle of a vinyl record, the anticipation of developing a roll of film, or the tactile joy of a retro gadget, analog’s comeback offers a refreshing alternative to the fast-paced digital world.

In today’s digital landscape, the resurgence of analog offers a bridge between past and present, inviting us to reconnect with timeless traditions and meaningful experiences.

For enthusiasts across Saudi Arabia, this revival is about more than simply reverting to older technology — it is about rediscovering a different kind of connection, one in which every sound, image, and moment is fully appreciated.

Analog’s revival is redefining how Saudi society interacts with technology, pushing back against the trend of disposability and transient media. Each record played, photo developed, or gadget cherished represents a conscious choice to engage deeply with the experience.

Analog enthusiasts find joy in the imperfections, the weight of physical media, and the permanence these formats offer — qualities that digital often lacks.

With the rise in interest, local communities and businesses are emerging to cater to this renewed passion for analog. Haitham Studio and Bohemia Records are not just stores but spaces for Saudi artists, photographers, and music lovers to connect and share their passions. These communities thrive on a shared understanding of the value in slowing down and appreciating the process, rather than just the result.

In Riyadh, Al-Sharif has seen the effect firsthand. “We see customers coming back weekly, sometimes with friends, eager to develop their latest film rolls or browse the latest records,” he said. This sense of community is not just about shared interests; it is about shared values.

While the digital world offers unprecedented convenience and accessibility, analog serves a different purpose. Al-Sharif believes that both can coexist harmoniously. “Digital is essential for instant documentation, but analog is about timeless experiences,” he said.

Al-Zahrani, too, emphasizes that analog does not negate the value of digital but rather offers an alternative that complements it. “Both formats have their place, but analog asks something of you: it asks you to be present, to commit to the moment,” she said.

As Saudi Arabia invests in art, culture, and heritage, there is hope that analog’s value will continue to be recognized and supported. Whether through dedicated spaces like Haitham Studio or local events celebrating vintage tech, these efforts help sustain a trend that is not only about looking back but also about enriching the present.

The resurgence of analog formats is a reminder that technology can be more than just a tool. It can be an experience, a memory, and a form of art.