“Snow in Amman” is a collection of short stories from Jordan, translated and edited by Ibtihal Mahmood and Alexander Haddad. The collection comprises stories spanning across generations, written by both men and women from Jordan, a country enriched by its history and sustained by a deep literary tradition. The stories encompass all aspects of life, both introspective and haunting, with insightful depictions of the life in the country.
The book opens with a short note from author Samir Al-Sharif, also featured in the collection. He takes the reader through a quick overview of Jordan’s literary journey, from the beginning of the 20th century to the end. He starts with the work of Khalil Baida, Mohammad Subhi Abu Ghanimeh and Mahmoud Seife Ad-Din AlIrani, writers who dominated the 1930s. Nestled in the heart of the Middle East, Jordan’s location has much to do with its ever-changing narrative, as pointed out by Al-Sharif. By the early 1950s, there is a “significant transformation,” which comes in the form of social and political change, and the influx of Palestinians after the 1948 Arab-Israeli War. This “changed the way Jordanians conceive space, culture and identity,” as it changed much of the consciousness of the Arab world.
With the change, Jordanian authors thrived, and they did so through the 1967 war with Israel, the Lebanese civil war, Iran-Iraq war and the Gulf war. By the end of the century, women emerged onto the scene and took literature in a different, monumental direction.
Although Jordan has a long literary history, it is underrepresented in the literary world, according to editor Mahmood. As a translator and journalist, she was surprised to find so few Jordanian stories available in English today. To Mahmood, “literature in translation is one of the purest channels of intercultural communication, a thing of incredible importance to any age.” And so she, along with American poet and editor, Alexander Haddad, chose specific Jordanian short stories to feature in their anthology, representing contemporary works to translate in order to share the ever-growing narrative of Jordan.
The book begins with a short story by Samir Al-Sharif called “To Make a Living.” He writes of a man looking for work whose responsibilities weigh down on him heavily. He struggles with himself and the world around him as he is paid meager wages as a construction worker. The need for money is ever-present, as his mind shifts from thought to thought, thinking of his family, his wife who needs a new dress and his children, “who regard the lamb in your neighbor’s kitchen with heartbroken longing.”
From here, the book moves on to Basma El-Nsour and her story, “The Brass Kohl Pot.” She writes of a woman, a 40-something-year-old spinster, who is full of zeal for life. The character is shy but very conscious of herself and how she is perceived as she travels to Aqaba on a bus.
She says of herself, “I am a very pleasant spinster, certainly a burden to no one but myself,” with a career and an array of positive qualities. She has been to Aqaba once before, where she found a charming brass kohl pot and where she encountered a man who told her “your eyes are amazingly beautiful.” She now travels back to find the pot, and maybe more.
The wonderful stories of Jordanian authors in this anthology present themselves through the text, lexicon and introverted thoughts that add just another dimension to life. Such as the work of Ahmad Abu Hleiwa who writes “The Old Man and the Snow.” He describes the serene imagery of the stretches of landscape across Jordan, with mountain villages standing resilient against winter with only escaping chimney smoke as signs of life. He writes of the season as “clouds devour the warmth of the sun, the cold immobilizes everything; the land, like a corpse, is shrouded in snow.” An old man has lost his wife and his children have left him. As he visits his wife’s grave, he’s not sure he wants to continue to live without her, as the “old cypress trees, bent like beggars beneath sacks of snow, groaned, swaying precariously.” In his frozen world, the man rethinks his life, deciding whether he wants to live alone or be with his wife again.
Through the pen of Magdalene Abu El-Rub, the reader is introduced to a mistreated woman, with no future of relief, who longs to escape her family. And through Manal Hamdi, we meet a woman whose secret desires are more vivid than her reality. Through Musa Abu Rayash, the reader is made to rethink life, to reevaluate the things they hold valuable as his character, with a low-wage job, stops to help a crying child, and how the one act can change his entire outlook.
Khalid Yousef Abu Tamaa is behind “Eyes Confused,” in which a man and a woman speak opinionatedly of life, writing, happiness, wealth and philosophy, both on either sides of a line. Attempting to get to the heart of the written word, the woman asks, “What’s the point of draining your soul into a pen and your mind into an inkwell, if nobody cares for what you have to say?” To which the man replies, “My pen is the true governor of that province of life and it writes whatever it wishes…”
The anthology ends with a story by Julnar Zain called “Big Fang” in a thrilling story of a not-so-damsel-in -distress, and a disguised fanged monster.
The stories in this anthology run the spectrum of storylines, from reality to fantasy, between men and women, the focused and the wayward, embracing and entangling themselves in life, from the heart of the Middle East. It is an important addition to English language narratives, adding layers of imaginative truths and multi-faceted stories to global narratives.
As Mahmood said, “literary translation is a tough business: it is often referred to as a form of treason,” but that does not stop her from sharing what is, in her eyes, an important addition to English language narratives that, through translation, can encompass and embrace Jordanian literature.
And in the same context, Samir Al-Sharif reminds us that “the Arabian Nights are not just Scheherazade’s nights: They are everyone’s nights.”
— Manal Shakir is the author of "Magic Within," published by Harper Collins India, and a freelance writer. She lives in Chicago, Illinois.
• life.style@arabnews.com
Book Review: The hidden treasures of Jordanian literature
Book Review: The hidden treasures of Jordanian literature
350,000 chickens euthanized in South Africa after they were left starving and eating each other
- The NSPCA managed to save more than 500,000 chickens
- 'Skeletal chickens huddled together, chickens eating one another, feeding lines stripped bare,' an official said
CAPE TOWN, South Africa: Animal welfare officers faced the grisly task of euthanizing more than 350,000 chickens by hand after they were left starving and cannibalizing each other when a South African state-owned poultry company ran out of money to feed them, officials said Tuesday.
The National Council of Societies for the Prevention of Cruelty to Animals, or NSPCA, said it wasn’t able to say for certain how many other chickens had already died by the time its officers reached several neglected poultry farming sites because of the “mass cannibalism” that took place among the birds.
The NSPCA managed to save more than 500,000 chickens, it said.
“It was a harrowing scene,” the NSPCA said in a statement. “Skeletal chickens huddled together, chickens eating one another, feeding lines stripped bare.”
The chickens were owned by Daybreak Foods, a major poultry supplier owned by South Africa’s state asset management company Public Investment Corp.
NSPCA officers were first alerted to a crisis at one farm on April 30. The organization uncovered at least five other farms in northern South Africa with multiple sites on each farm where birds had been left to starve, it said.
Daybreak Foods was denied permission to take the birds to a slaughterhouse because they were too small.
There was no immediate response to an email message seeking comment from Daybreak Foods late Tuesday.
Company spokesperson Nokwazi Ngcongo told the Daily Maverick news outlet that the birds went unfed for a period of time due to financial challenges affecting feed delivery. She said efforts had been made to limit animal suffering as much as possible.
Nazareth Appalsamy, the manager of the NSPCA’s farm animal protection unit, told The Associated Press that the mass culling began last Wednesday and was only completed on Monday. Around 75 animal protection officers were tasked with euthanizing the chickens that weren’t able to recover one by one, Appalsamy said.
“Culling took a real toll on the staff, being exposed to such extreme measures,” he said.
The NSPCA said the chickens hadn’t been fed for more than a week and pledged to file a court case against Daybreak Foods under animal protection laws for abandoning its responsibilities.
The South African government said it is in talks with Daybreak Foods leadership over its financial troubles.
Socks and satire: Syrians mock ousted Assad dynasty
- Pictures of the Assad clan have gone from being ubiquitous symbols of repression to objects of derision and mockery
DAMASCUS: At Basel al-Sati's souvenir shop in a central Damascus market, socks bearing caricatures that ridicule ousted Syrian leader Bashar al-Assad and his once feared family now sell like hot cakes.
"I want to bring joy to people who've been deprived of happiness for so many days and years," said Sati, 31, displaying pairs of white ankle-length socks.
"Everyone who comes from abroad wants to buy the socks -- some to keep as a souvenir, others to wear mockingly and take pictures," he told AFP.
"There are even some who buy them just to stomp on them," he said.
Stamping on someone's image is considered deeply insulting in the Arab world, so the socks allow wearers to trample the Assads underfoot as they walk.
Pictures of the Assad clan have gone from being ubiquitous symbols of repression to objects of derision and mockery since his December 8 ouster by Islamist-led forces after nearly 14 years of devastating civil war.
Some socks showing Assad in sunglasses read "We will trample them", while others depict him with heavily exaggerated features.
Others bear a caricature of Hafez al-Assad who ruled Syria before his son, depicted in his underwear and chest puffed out.
They bear the phrase "This is what the Assads look like" -- a play on the family's last name, which means lion.
Assad's once feared younger brother Maher labelled "the captagon king" also features. Western governments accused Maher and his entourage of turning Syria into a narco state, flooding the Middle East with the illegal stimulant.
Sati's shop, brimming with other gift items, is decorated with images from Syria's revolution.
An image of Assad is on the ground at the entrance so people can walk on it.
"It's another kind of celebration, for all the Syrians who couldn't celebrate in Ummayad Square after the fall of the regime," Sati said.
The Damascus landmark filled with huge crowds from across the country and hosted days of celebrations after Assad's ouster, with people raising the now official three-starred flag symbolising the revolution.
Afaf Sbano, 40, who returned after fleeing to Germany a decade ago, said she had come to buy "Assad socks", which sell for around a dollar a pair, for friends.
There is "no better" gift for those "who can't come to Syria to celebrate the fall of the regime", she told AFP.
"I bought more than 10 extra pairs for my friends after I shared a photo on Instagram," she said.
"We had never dared to even imagine making fun of him" before, she added.
Manufacturer Zeyad Zaawit, 29, said the idea of socks to mock the Assads came to him after the former ruler was deposed and fled to Russia.
Zaawit started with a small number and then ramped up production when he saw they were selling fast.
"People hate him," Zaawit said of Assad.
"I took revenge on him this way after he fled," he said, adding that the socks were so popular that some customers even paid in advance.
Zaawit said he produced around 1,000 pairs in the first week and has since tripled production, making more than 200,000 pairs in three months.
Images of the socks have been shared widely on social media and they have even been used in satirical television programmes.
Assad's own words have also been turned against him -- including a refusal to meet Turkish President Recep Tayyip Erdogan, a foe who is close to Syria's new authorities.
Erdogan made repeated overtures to Assad in the period before his overthrow.
In August 2023, Assad famously said: "Why should I meet Erdogan? To drink refreshments?"
The pronouncement, now the subject of jokes on social media, appears on posters in food and juice stalls, sometimes accompanied by mocking images of Assad.
Sean ‘Diddy’ Combs’ says he’s ‘a little nervous’ as sex trafficking trial gets underway
NEW YORK: The federal sex trafficking trial of Sean “Diddy” Combs, whose wildly successful career has been dotted by allegations of violence, began on Monday in New York City with jury selection that was briefly paused when the hip-hop entrepreneur said he was “a little nervous” and needed a bathroom break.
Three dozen potential jurors were questioned by Judge Arun Subramanian about their answers on a questionnaire meant to help determine if they could be fair and impartial at a trial that will feature violent and sexually explicit videos. Opening statements and the start of testimony are scheduled for next week.
The judge gave the would-be jurors a brief description of the sex trafficking and racketeering conspiracy charges against Combs, telling them he’d pleaded not guilty and was presumed innocent.
By the end of the day, the jury pool was half its size as some were excluded for personal reasons such as inability to endure a trial projected to last two months or because their opinions or past experiences would make it difficult for them to remain objective.
A similar number of jurors was expected to be questioned on Tuesday. A jury was not expected to be chosen before Wednesday.
Throughout Monday, Combs, 55, sat with his lawyers in a sweater over a white collared shirt and gray slacks, which the judge had allowed rather than jail clothing. He’s been held in a grim federal lockup in Brooklyn since his arrest last September. His hair and goatee were almost fully gray because dye isn’t allowed in jail.
Unlike other recent high-profile celebrity trials, Combs’ court case won’t be broadcast live because federal courtrooms don’t allow electronic recordings inside — meaning courtroom sketch artists serve as the public’s eyes in the courtroom.
If convicted of all charges, he could face up to life in prison.
Several prospective jurors indicated they’d seen news reports featuring a key piece of evidence in the case: a video of the hip-hop mogul hitting and kicking one of his accusers in a Los Angeles hotel hallway in 2016. One prospective juror described a still image she saw from the video as “damning evidence.” That woman was rejected from consideration.
After another juror was dismissed, Combs asked for a bathroom break, telling the judge, “I’m sorry your honor I’m a little nervous today.”
One prospective juror said she had posted a “like” to a video put on social media by a comedian who included references to large amounts of baby oil found by law enforcement in one of Combs’ homes. She was not dismissed.
The 17-page indictment against Combs — which reads like a charging document filed against a Mafia leader or the head of a drug gang — alleges that Combs engaged in a two-decade racketeering pattern of abusive behavior against women and others, with the help of people in his entourage and employees from his network of businesses.
Combs and his lawyers say he’s innocent and any group sex was consensual. They say there was no effort to coerce people into things they didn’t want to do, and nothing that happened amounted to a criminal racket.
Prosecutors say women were manipulated into drug-fueled sexual performances with male sex workers that Combs called “Freak Offs.” To keep women in line, prosecutors say Combs used a mix of influence and violence: He offered to boost their entertainment careers if they did what he asked — or cut them off if they didn’t.
And when he wasn’t getting what he wanted, the indictment says Combs and his associates resorted to violent acts including beatings, kidnapping and arson. Once, the indictment alleges, he even dangled someone from a balcony.
Combs has acknowledged one episode of violence that is considered a key piece of the prosecution’s case. In 2016, a security camera recorded him beating up his former girlfriend, the R&B singer Cassie, in the hallway of a Los Angeles hotel. Cassie filed a lawsuit in late 2023 saying Combs had subjected her to years of abuse, including beatings and rape.
The Associated Press does not typically name people who say they have been sexually abused unless they come forward publicly, as Cassie, whose legal name is Casandra Ventura, did.
Combs’ attorney, Marc Agnifilo, has said Combs was “not a perfect person” and that there had been drug use and toxic relationships, but said all sexual activity between Combs, Cassie and other people was consensual.
The trial is the most serious in a long string of legal problems for Combs.
Flight club: Pinching pigeons on the India-Pakistan border
- The skill of “kabutar-baazi” pigeon flying stretches back centuries, straddling a border created at the violent end of British imperial rule in 1947
JAMMU: In the skies above the bunkers where Indian and Pakistani soldiers trade gunfire, masters of an ancient sport beloved on both sides seek to snatch prized pigeons from the other.
Indian breeder Pyara Singh spends his days trying to lure Pakistani birds from across the Himalayan valley, and guard against rivals wooing his flock.
“We get pigeons from Pakistan — we catch them,” said 33-year-old Singh, watching as some of his feathered favorites twisted like jets overhead. “We also often lose our pigeons to them.”
An attack in Indian-administered Kashmir last month that New Delhi blames on Islamabad has sparked fears of renewed conflict between the nuclear-armed arch-rivals.
Pakistan insists it was not involved in the April 22 killings of 26 mainly Hindu men but Indian Prime Minister Narendra Modi has vowed to respond.
Like every night since April 26, India’s army said Monday that its troops had exchanged gunfire with Pakistani soldiers overnight across the de facto frontier in contested Kashmir.
Pigeon fanciers across the divide can’t meet face-to-face, but share the same passion. Breeders say the top birds can be worth hundreds of dollars.
The skill of “kabutar-baazi” pigeon flying stretches back centuries, straddling a border created at the violent end of British imperial rule in 1947.
Singh, sitting with his 100-strong flock on the roof of his home in the village of Pangali, said it was “it is an old art.”
Keepers guide the flight of their flocks with whistles to provide a swirling spectacle.
Others race them, timing their flight home, or simply find peace in their graceful colorations and gentle coos.
But Indian keepers like Singh say their Pakistani counterparts rear “better and stronger” birds, explaining the buzz in catching their pigeons.
“They are a treasured possession,” said Aarav KHajjuria, from Sainth, another frontline Indian village.
He proudly showed his flock of 29 birds — three of which are from Pakistan.
“Our pigeons also fly there,” he said. “Two of my pigeons went.”
The teenager started breeding pigeons four years ago after watching another local fancier catch a bird.
“I was fascinated,” KHajjuria added. “I now spend time on the roof, both immediately before and after I return from school.”
But he is most proud of his Pakistani captives.
“I lured them after they’d strayed across,” he said, pointing to a nearby row of trees that mark the border.
Pakistani pigeons “are better because they’re bred better and fly longer durations in a competition,” KHajjuria said.
Keepers say capturing a pigeon is a skill, using water, grain and their own flock to lure the stray bird into the fold.
Once the bird lands, they immediately clip some feathers to stop them flying. While they grow back, the bird builds a bond with the new flock.
Fanciers fix leg rings with contact details to the animals.
“If we catch a bird that belongs to someone from the nearby villages, and we know them, we call them and hand it back,” Singh said, hand on his heart.
Birds from Pakistan are a different matter.
“Given the overall situation, and the risks involved, no one calls if the bird is from the other side,” he said.
“We don’t want any issues in the future, and allegations that as an Indian we were contacting Pakistanis.”
In fact, fanciers say that police are wary Pakistani pigeons might be carrying messages.
Indian police have in recent years “detained” several suspected of being enemy carrier pigeons, with some jailbirds accused of having Pakistani links, others Chinese.
“The Pakistani side often marks their pigeons with ink stamps, names, or rings — but beyond that, we haven’t seen anything suspicious yet,” Singh said.
“We inform the army if we come across such a pigeon, but so far, we haven’t caught any with a camera,” he joked.
Singh says he worries that the nightly gunfire will escalate.
“Ideally there shouldn’t be a war,” he said, but said the April 22 attack was “so wrong that it can’t be left unanswered.”
But he is confident nothing will stop his pigeons flying free.
“The border is not for the bird,” he said.
“No army or fence could stop them. How could you? Our pigeons go there, and theirs often cross into India.”
World’s tallest and smallest dogs meet up for a playdate
- Reginald, a 7-year-old Great Dane from Idaho, and Pearl, a chihuahua from Florida, are both certified winners in their respective height titles by Guinness World Records
A playdate between the world’s tallest and smallest living dogs went the way of most dog park encounters despite the 3-foot (0.91-meter) height difference — lots of tail wagging, sniffing and scampering.
Reginald, a 7-year-old Great Dane from Idaho, and Pearl, a chihuahua from Florida, are both certified winners in their respective height titles by Guinness World Records. The fact that Reginald is the size of a small horse and Pearl is as small as an apple didn’t stop them from getting along famously.
Pearl, a 4-year-old who stands at 3.59 inches (9.14 centimeters), comes from a long line of short dogs. Her aunt Millie, a previous record-holder in the same category, until she died in 2020, also was under 4 inches (10.16 centimeters) tall.
Both Millie and Pearl weighed 1 ounce (28.35 grams) at birth.
“I was not expecting to once again have the record,” said Vanesa Semler of Orlando, Florida, owner of both tiny dogs. “That would be like unbelievable.”
Guinness arranged the two-day meet up between Pearl and Reginald — who also goes by Reggie and measures in at a whopping 3-foot-3 (1 meter) — last month at his home in Idaho Falls.
Even though Pearl loves dogs, even big dogs, Semler said she was anxious because of Reginald’s size.
“For me, (it) was a huge, pleasant surprise from day one because Reggie is like Pearl, in bigger size,” she said. “He is so gentle, so friendly.”
Reggie, for his part, might have been more interested in the Guinness film crew that accompanied Pearl than the tiny dog herself.
“I would say he likes people a little bit more than he likes other dogs,” said Sam Johnson Reiss, his owner.
Pearl’s tiny size was also strange for the big boy.
“He was like very cautious, like a little anxious,” Reiss said. “He was very careful, like he didn’t step on her or anything or anything crazy. He was just very aware that she was there.”
Reggie’s super size was evident early on, especially on a dog park visit when he towered over other Great Danes despite being only 9 months old.
“They would be shorter than him, and they were like full-grown,” Reiss said.
There might have been a little jealousy shown over toys and beds, but Reggie and Pearl found common ground during their two days roaming the Idaho farm together.
“I think she found a good friend,” Semler said.
Semler said Pearl is her prima donna, with the chihuahua even picking out the clothes she wants to wear every day by placing her paw on the outfits laid out before her. That comes in handy when news crews are lining up for interviews.
“For us, she was always our diva,” Semler said. “Now she’s a diva for everyone.”
Pearl doesn’t have the top diva title quite yet, with Reiss saying Reggie — who has a new Instagram account — has his own diva moments.
“He’s pretty high maintenance,” Reiss said. “Reggie’s just cheeky, like he’s kind of mischievous and silly and definitely tells you when he wants something.”
