Paris’s urban rooftop hives hope to preserve honeybees

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French beekeeper Audric de Campeau as he checks beehives set on the roof of the Monnaie de Paris in Paris, with Notre-Dame Cathedral in the background. To check the beehives he has set up on the roof of the sprawling Monnaie de Paris on the banks of the River Seine, Audric de Campeau slips on a harness over tan-coloured trousers. (AFP)
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Bees fly next to beehives set up by French beekeeper Audric de Campeau on the roof the Monnaie de Paris on July 16, 2017 in Paris as the Notre-Dame Cathedral is pictured in the background. (AFP)
Updated 04 August 2017
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Paris’s urban rooftop hives hope to preserve honeybees

PARIS: To check the beehives he has set up on the roof of the sprawling Monnaie de Paris on the banks of the River Seine, Audric de Campeau slips on a harness over tan-colored trousers.
The beekeeper then hooks his leg harness to a metal cable anchored to the roof’s edge, running the length of the entire structure.
“It’s not dangerous, but my insurance insists on it,” he says.
Elegantly dressed in a tweed jacket, pink shirt and straw hat customised with a protective net, he steps carefully between the rafters to reach the three beehives he set on the flat side of the roof.
From there, the 34-year-old will head to the roof of the neighboring Institut de France, another historic building with a majestic domed center.
He will don the same leg harness on the rooftop of the Boucheron fine jewelry boutique overlooking the Place Vendome square, on the other side of the Seine, before making his way to his three beehives.
In the distance, the Eiffel Tower rises far above the slanted Parisian rooftops.
“I’m lucky, my office is in the sky,” he says, smiling, adding that he does have “to climb a lot of stairs.”
De Campeau is an urban beekeeper, and his beehives sit atop monuments and office buildings and on rooftop terraces.
The French capital boasts more than 700 beehives, according to 2015 figures, most located on rooftops such as those of the haute cuisine Tour d’Argent restaurant, the Grand Palais and the Musee d’Orsay.
More and more companies, including AFP, are also adding beehives to the tops of their office buildings.
Beehives have long sat on the roof of the Paris Opera, and the Luxembourg Gardens has had beehives since 1856.

Urban rooftops are one of the ways the city is fighting against the “worrying” decline in the bee population, a trend France recognized early on despite its elevated use of pesticides.
The country is one of Europe’s leading users of pesticides.
The more pesticides are used, the more pests develop resistance to them, which leads to even more intensive use of pesticides.
Bees around the world — especially in Europe and North America — have been decimated in recent years by a mysterious blight called “colony collapse disorder,” in which entire populations disappear or die out.
Research has pointed an accusing finger at agricultural pesticides, viruses, fungi, parasites, poor weather, malnutrition because of fewer flowers — or some combination of the above.
According to the EU economic and social advisory committee (EESC), “nearly half of wild bee species have disappeared in just 30 years.”
But more than just the survival of the bees is at stake.
Scientists have calculated that 1.4 billion jobs, and three-quarters of crops, depend on pollinators, mainly bees.
All told, there are some 20,000 bee species that fertilize more than 90 percent of the world’s 107 major crops.
At the same time, the United Nations estimates that 40 percent of invertebrate pollinators — mostly bees and butterflies — are at risk of extinction.
In an effort to defend the bee, the northern French city of Lille began providing pesticide-free environments in 2007.
The southern city of Montpellier soon followed by installing beehives on the roofs of many high schools.
Though experts say it may not solve the problem, Lille’s environmental services said 80 species of wild bees that had disappeared from the area have returned since beginning the program.

De Campeau sees his mission as two-fold: take care of the health of his bees while also producing what he calls “liquid gold” for his company, “Le Miel de Paris” (Paris Honey).
Depending on the agreement he has with building owners, either he sells the honey or they use it. At the Monnaie de Paris, chef Guy Savoy uses de Campeau’s honey in his restaurant desserts.
He sells his homemade honey in 200ml bottles for 34.90 euros ($41).
As well as honey, de Campeau also makes mead — an ancient alcoholic honey-based drink — in oak barrels once used for wine or sherry that are stored in a secret cellar 30 meters (100 feet) underground.
For a man who spent his youth illegally exploring the underground Catacombs of Paris, de Campeau feels right at home.
“Stable temperature, high humidity, perfect to prevent evaporation, and zero vibration,” de Campeau said, adding that these factors are essential for raising a blend “worthy of a great vintage.”


Elyanna hypes up Coldplay show in Abu Dhabi

Updated 08 January 2025
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Elyanna hypes up Coldplay show in Abu Dhabi

DUBAI: Palestinian Chilean singer Elyanna is excited to open for British rockers Coldplay as they get ready to take to the stage in Abu Dhabi, on Jan. 9, 11, 12 and 14 at Zayed Sports City Stadium.

“Still can’t believe I’m opening for @coldplay’s Music of The Spheres tour. Abu Dhabi,” she posted on Instagram.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Elyanna (@elyanna)

“Yanna Merch coming your way soon,” she added, crediting artists Nadine Ghannoum and Fairdose.

Elyanna’s formal introduction to Coldplay took place when she was invited to collaborate on their track, “We Pray.”

Elyanna also released her own Arabic-language version of the track on Sept. 20 last year.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Elyanna (@elyanna)

Elyanna is set to perform live with Coldplay again when the band heads to Abu Dhabi for four shows in the UAE capital. The band will perform as part of the “Music of the Spheres World Tour” on Jan. 9, 11, 12 and 14.


Georgina Rodriguez promotes collaboration with Saudi perfume label Laverne

Updated 08 January 2025
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Georgina Rodriguez promotes collaboration with Saudi perfume label Laverne

DUBAI: Argentinian model and reality TV star Georgina Rodriguez took to Instagram to announce that her debut fragrance collaboration with Saudi perfume label Laverne is back in stock.

“SENSE my new perfume with Laverne is back in stock,” she posted, alongside a photo of herself – dressed in an eye-catching red dress while holding the fragrance bottle.

On the official website, the label describes Sense as the result of a collaboration between Dalia Eisem and Rodriguez that lasted more than a year and included the creation of more than 740 samples.

“Finally, Georgina chose the perfect combination that embodies all her feelings in a perfume bottle,” it said, noting that the fragrance included notes of blackcurrant, mandarin, jasmine, cashmere and orange blossom.

In March 2023, Rodriguez – the longtime partner of legendary footballer Cristiano Ronaldo – collaborated with Laverne to become the face of their new fragrance, Blue Laverne.


Saudi star Model Roz makes guest appearance on Netflix’s ‘Dubai Bling’

Updated 08 January 2025
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Saudi star Model Roz makes guest appearance on Netflix’s ‘Dubai Bling’

DUBAI: Los Angeles-based Saudi influencer Model Roz made a surprise appearance in season three of Netflix’s gossip-filled drama show “Dubai Bling,” which premiered on Jan. 8.

The model, who boasts 15.2 million Instagram followers, shared a short clip of her cameo on social media.

In the video, Mahira Abdel Aziz, the Emirati Egyptian newcomer to the show, introduced Roz to the cast, saying” “Ladies and gentlemen, all the way from LA... Roz. We are happy to have her here in Dubai.” Roz responded by bowing gracefully and thanking the cast for their warm welcome.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Netflix MENA (@netflixmena)

“Welcome to Dubai,” added Zeina Khoury, a real estate agent and founder of the fashion brand I Am The Company.

“It’s my first time in Dubai, so all of you need to show me around,” Roz replied with a smile.

The scene then shifted to Roz sitting with Loujain Adada as they got their makeup touched up. 

Roz seized the moment to ask, “What happened the other day in the fitting? I heard your voices and sensed some stress.”

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Netflix MENA (@netflixmena)

Adada brushed off the question, saying: “Stress? Nothing happened. I don’t think it concerns you in any way, so don’t worry.”

Roz responded quickly, “Yes, I stay away from these things.” 

“I’m telling you now, don’t be a gossip. I really hate that kind of stuff,” Adada cautioned.

Roz clarified: “It’s not my thing. I just wanted to make sure everything is okay.”

The program has been praised by critics for its ability to attract a multicultural audience due to its diverse cast, as well as merging English and Arabic dialogue, often in the same sentence.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by(@model_roz)

Season three of “Dubai Bling” features a mix of returning cast members, new faces and notable departures. Familiar faces such as Adada, Khoury, Mona Kattan, Ebraheem Al-Samadi, Safa and Fahad Siddiqui, Farhana Bodi, Marwan Al-Awadhi (DJ Bliss), and Danya Mohammed return to share their glamorous lives. 

Joining the cast are media personality Abdel Aziz and Iraqi singer and actress Jwana Karim.

Saudi TV presenter Lojain Omran, along with radio host Kris Fade and his wife Brianna Fade, have exited the show.

Roz shot to fame in 2019 when she modelled for a Victoria’s Secret’s Pink campaign.

The model’s Instagram feed is littered with photographs of her various advertising campaigns, as well as visits to many a product launch party — from NYX Cosmetics events to TikTok gatherings. 


Zuma Riyadh ‘feels like a homecoming,’ says Azumi Group CEO

Updated 08 January 2025
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Zuma Riyadh ‘feels like a homecoming,’ says Azumi Group CEO

DUBAI: Born in London, coveted Japanese restaurant Zuma opened its doors in Riyadh’s King Abdullah Financial District mere weeks ago, with Azumi Group CEO Sven Koch telling Arab News that Saudi Arabia’s capital city was chosen “because of its cultural importance to the Kingdom.”

With 15 locations across the world, this marks Zuma’s first outpost in the Kingdom — but Saudi foodies are familiar with the luxury brand, Koch said.

“Since its inception in London in 2002, guests from Saudi Arabia have been one of the most loyal Zuma demographics from around the world. Bringing the Zuma experience to the Kingdom feels like a homecoming,” he said.

With interactive sushi and robata counters offering a front-row view of the artistry and precision of Zuma’s chefs, the Izakaya-style restaurant serves traditional Japanese dishes with a modern twist.

There are a few Riyadh-exclusive items on the menu. The Ajwa Date and Miso Toffee Cake dessert comes with ginger crumble, poached pears, and sweet corn mochi ice cream.

It is “a creation that combines the essence of the region’s flavors with Zuma’s renowned techniques,” Koch said.

Koch described Zuma Riyadh as a space that blends Middle Eastern influences and classic Japanese designs.

“Designed by renowned architect Noriyoshi Muramatsu, the space is a blend of Middle Eastern influences and Japanese design, creating an ambiance that is both locally inspired and globally sophisticated,” he explained.

Zuma’s launch in Riyadh was inspired by the cultural and economic transformations that the Kingdom has been undergoing over the past few years, especially in the food and beverage sector.

In 2025, Riyadh will have several new glittering international restaurants including Latin hotspot Amazonico, Japanese-Peruvian eatery Chotto Matte and Italian dessert cafe Cipriani Dolci.

“This transformation has focused on fostering a more vibrant lifestyle, creating a bigger demand for world-class dining and flavors … Zuma Riyadh’s debut in the Kingdom is a testament to the growing demand for exceptional dining experiences while also catering to a clientele that values both tradition and innovation,” said Koch.

 


International Prize for Arabic Fiction announces 2025 longlist

Updated 07 January 2025
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International Prize for Arabic Fiction announces 2025 longlist

DUBAI: The longlist for the 2025 International Prize for Arabic Fiction has been revealed, with 16 novels in the running for the $50,000 award, sponsored by the Abu Dhabi Arabic Language Centre.

While works from Bahrain and Mauritania have made the list for the first time, other nominated novels come from Egypt, Syria, Lebanon, Algeria, Iraq and the UAE.

The longlist has been chosen from a total of 124 submissions by a panel of five judges chaired by Egyptian academic Mona Baker. Joining her on the panel are Moroccan academic and critic Said Bengrad, Emirati critic and academic Maryam Al-Hashimi, Lebanese researcher and academic Bilal Orfali, and Finnish translator Sampsa Peltonen.

In a statement, Baker said, “This year’s longlist is remarkable in its diversity of both theme and literary form. Some novels address women’s struggles to achieve their dreams in a patriarchal society that prevents them from living fulfilled lives. Others offer a nuanced portrait of religious and sectarian worlds, where extremism and dogma contrast with human empathy and understanding.

“There are a number of historical novels on the list which deal with both the recent and more distant past, such as the Abbasid era, or the Inquisition and persecution of Muslims in Andalusia. There are also semi-autobiographical books, and others which read like detective stories.

“Repressive regimes and their power to crush the hopes and lives of ordinary people are also explored; some novelists paint a stark picture of this reality, while others employ sarcasm and humour, rendering these difficult topics more accessible for the reader.”

The 2025 International Prize for Arabic Fiction longlist:
Aqeel Almusawi’s “The Weepers” (Bahrain)
Inam Bioud’s “Houwariya” (Algeria)
Rashid Al-Daif’s “What Zeina Saw and What She Didn’t” (Lebanon)
Ahmed Fal Al-Din’s “Danshmand” (Mauritania)
Jan Dost’s “The French Prisoner” (Syria)
Sausan Jamil Hasan’s “Heiress of the Keys” (Syria)
Iman Humaydan’s “Songs for the Darkness” (Lebanon)
Azher Jirjees “The Valley of the Butterflies” (Iraq)
Hasan Kamal’s “The Stolen Novel” (Egypt)
Taissier Khalaf’s “The Andalusian Messiah” (Syria)
Ahmed Al-Malawany’s “Happy Dreams” (Egypt)
Mohamed Samir Nada’s “The Prayer of Anxiety” (Egypt)
Nadia Najar’s “The Touch of Light” (United Arab Emirates)
Haneen Al-Sayegh’s “The Women’s Charter” (Lebanon)
Sumar Shihada’s “My Life Has Just Begun” (Syria)
Ayman Ragab Taher’s “The Lamplighter” (Egypt)