News channels are vying for ever-shrinking TV audiences with powerful visuals and aggressive story lines. We can follow breaking stories as they happen on our smartphones but is this intense focus on the moment making us lose our sense of perspective? We are forgetting our priorities and are seemingly unaware that human survival is at stake. Inequality, a lack of opportunities and poverty are triggering social unrest, leading to oppression, wars, genocide and massive migration.
Climate-focused scientists agree that global warming and climate change are issues that should be addressed at the topmost levels of government and in the public forum. Yet most of us believe that the consequences of climate changes are too far off to bear any real impact. Moreover, the countries which govern the planet have been conspicuously ineffective in addressing this looming environmental crisis.
What is the problem? Why is the decision making process so slow? Why is there such an acute lack of environmental awareness? Is it that people have become too self-centered and narcissistic to care about the common good of our planet?
“The science is clear but the politics are decisive,” claims author Benjamin R. Barber in his book “Cool Cities: Urban Sovereignty and the Fix for Global Warming.” He believes that politics — the realm of human will, human interest, human power and human action — is the arena in which we make collective decisions to deal with the public consequences of our private actions.
Our planet has entered a new geological era which environmentalist Bill McKibben has coined as the Anthropocene era. This era began with the industrial revolution and it is characterized by a blatant disregard for nature in the name of private interests. The Anthropocene era refers to Earth’s most recent geologic time period, an era during which man has become the major factor causing planetary change. Chris Rapley, a scientist at University College London explains that since the planet is our life support, “we are essentially the crew of a largish spaceship and interference with its functioning at this level and on this scale is highly significant. The shift into the Anthropocene tells us that we are playing with fire, a potentially reckless mode of behavior which we are likely to come to regret unless we get a grip on the situation.”
Nation states have failed to adequately address the environmental crisis which is threatening the sustainability of Earth. The author convincingly argues that traditional politics must gave way to “a politics of participation that devolves power back to people closer to where they actually live — back to cities. Shift the focus down to municipalities and over to civil society… Hope for the future lies with the politics of the city.”
Mayors are not only pragmatic but they also have the capacity to implement a program of sustainable policies for a world that is getting warmer.
“On a hot planet, cities are cool,” claims Barber and a host of mayors, former mayors and key political figures share his thoughts. Michael Bloomberg, New York’s former mayor, has stated that “cities have played a more important role in shaping the world than empires” and also that “cities can be the engine of social equity and economic opportunity. They can help us reduce our carbon footprint and protect the global environment.”
The world is connected as it never was before. However, globalization has affected sovereign nations. They have become less effective and even dysfunctional when it comes to global governance. People not only aspire to live in sustainable cities but they are also expected to play an increasing role in safeguarding the sustainability of our planet.
Concerned citizens in Beirut have created a powerful urban political movement known as “Beirut Madinati,” which translates to mean Beirut, my city. A group of motivated residents decided to take on Lebanon’s old guard for the control of Beirut’s municipal council. They launched Beirut Madinati, a Western-style political party financed by crowd-funding. Although they did not win local elections, it has sent a powerful message which shows that cities empowered by citizens can act and achieve their goals faster than states.
“When national governments fail to act on crucial issues like climate change, cities have to do so,” Bill de Blasio, the current mayor of New York, said.
Sadiq Khan, London’s mayor, demonstrated strong resolve following Britain’s vote to exit the EU. He insisted on sticking to the country’s green commitments, saying: “Leaving the EU should not be the first step of us going back to being known as the dirty man of Europe.”
Prime examples
Oslo, the capital of Norway, is at the forefront of sustainable urban development. Almost all of Norway’s energy is currently provided by hydroelectric power. Almost all of its oil and gas revenues feed into Norway’s sovereign fund.
Oslo is also aiming to be a city of electric vehicles. Visitors coming to Oslo might be surprised to find a fleet of electric taxis ready to ferry them around the city. There are plenty of charging stations all over the city too.
It is not only big cities that deal with climate change effectively. The US town of Bridgeport, with a population of less than 150,000, set up a program of environmental policies under the leadership of former mayor, Bill Finch.
Bridgeport succeeded in removing 600 tons of contaminated soils from an industrial site, invested a million dollars to provide low-income communities with access to waterfront parks and contracted businesses to create vegetated rain gardens to control storm runoff. These measures show that when you combine imagination, resilience and strong resolve, a city can create an environmentally-friendly atmosphere
With a rising global population and states failing to secure sustainability, the world has reached a turning point. Barber argues that cities have a new role to play. They can and they must take the lead in fighting climate change. Empowered by concerned citizens, cities have the energy and the resolve to achieve sustainability. Cities have a crucial role to play in global governance and they are the key to our survival.
Book Review: Why cities, not states, must take the lead in fighting climate change
Book Review: Why cities, not states, must take the lead in fighting climate change

Saudi Film Festival returns with roster of regional films and special section for Japan

DUBAI: The Saudi Film Festival is set to return for its 11th edition from April 17 to 23, at the King Abdulaziz Center for World Culture (Ithra).
On Wednesday, the film festival announced that “SIWAR” by director Osama Al-Khurayji will be the event’s opening screening as well as the film's world premiere.
The film, which unfolds between Turkey and Saudi Arabia, was primarily shot in the AlUla region of Saudi Arabia.
The film is inspired by true events and was written by Rashed Al-Munajjim. It tells the story of two newborns, one Saudi and the other Turkish, who were mistakenly switched at birth.
“The story of ‘SIWAR’ has stayed with me since the true incident occurred in 2012, and I’ve wanted to bring it to the screen. Finally, after all these years, I’m proud to present this human story, and I’d like to thank Film AlUla for their support in making this film. I’m also proud that its launch will take place at the Saudi Film Festival, which is very dear to my heart,” said director Al-Khurayji.
This year’s theme, “Cinema of Identity,” will explore how films shape and reflect individual, national, and cultural identities.
Organized by the Cinema Association in partnership with Ithra and supported by the Film Commission, the festival will feature 68 films from Saudi Arabia, the Gulf — including Iraq and Yemen — and beyond.
The narrative features in competition include “Hobal,” “My Driver and I,” “Thuqoub,” “Fakher Al-Suwaidi,” Anaashed Adam,” “Es-aaf,” “Behind the Mountains” and “Adjourned.”
A highlight this year is the honorary tribute to Ibrahim Al-Hasawi, a veteran Saudi actor with over three decades of experience in theater, television, and cinema. His notable works include the TV series “Tash Ma Tash” and “Bayni Wa Baynak,” as well as films such as Ithra’s “Hajjan,” “Zero Distance,” and the recent “Hobal.”
This year’s lineup includes seven Saudi and Gulf feature films, 22 short fiction films, and seven documentaries, alongside 12 parallel screenings of Saudi productions. The festival will also host four panel discussions, four advanced masterclasses and three book-signing sessions for the Saudi Cinema Encyclopedia.
The plaza and library at Ithra will host ‘Meet the Expert’ one-on-one sessions and private screenings, offering filmmakers ample opportunities for personalized mentorship and feedback.
A key component of the festival is its production market, which will showcase 22 booths from various production entities, providing filmmakers with a platform to develop and present their work. And to network.
Additionally, Japanese cinema will be in focus, marking 70 years of Saudi-Japan relations, with eight Japanese films and expert discussions.
Those Japanese films include:
‘River Returns’
Hoping to save the village and his family from a flood, a young boy journeys alone to a pool deep in the mountains, following a tradition that is disappearing in post-war Japan.
‘Blue and White’
Ryusuke, who is grieving, makes salt on the day of his wife's funeral, aiming to preserve the local area’s salt making history.
‘Toma #2’
When Toma decides to place his father, who suffers from dementia, in a facility, he discovers an instant camera in his father's room that he had forgotten to develop.
‘Kaburagi’
Kaburaki, a photographer for a weekly magazine, receives a message from an unknown source tipping him off about an idol he has been chasing.
‘Extremely Short’
Based on a story by Hideo Furukawa, the short film follows a man searching for the shortest thing in Tokyo.
‘The New World’
On a sunny June day, Kaname summons old friends to the wilderness with a purpose, but only one arrives.
Jennifer Lopez set to light up Abu Dhabi on global tour stop

DUBAI: US superstar Jennifer Lopez is set to return to the UAE this summer with a performance at Etihad Arena on Yas Island, Abu Dhabi, on July 29.
The concert is part of her “Up All Night Live” world tour and will mark her second tour performance in the Middle East, following a show in Sharm El Sheikh, Egypt, on July 6.
Fans can look forward to chart-topping tracks such as “If You Had My Love,” “Jenny From The Block,” “Love Don’t Cost A Thing” and “On The Floor.”
This will not be her first performance in the UAE capital this year—Lopez previously took the stage in February as part of the Saadiyat Nights concert series.
Widely regarded as one of the world’s most influential entertainers, Lopez has made her mark across music, film and television. She remains the only female artist to simultaneously top both the US box office and music charts, with over $3 billion in global box office earnings, more than 80 million records sold and billions of streams and views across her music catalogue.
In film, her recent Netflix releases “Atlas” and “The Mother” both debuted at number one on the platform, with “The Mother” now ranking among Netflix’s top 10 most-watched films of all time.
In 2025, her latest film “Unstoppable” reached the number one spot globally on Amazon Prime Video.
Lopez’s UAE concert is organized by Ethara, a UAE-based events company.
Ethara is also organizing Katy Perry’s concert in the UAE, which is part of the Formula 1 Etihad Airways Abu Dhabi Grand Prix weekend in December.
The music star will headline the grand finale on Dec. 7 at Etihad Park.
In addition to her global tour, Lopez is set to headline the after-race concert at the Formula 1 Saudi Arabian Grand Prix 2025 in Jeddah this weekend, taking the stage on April 19.
She will join an impressive lineup of international and regional artists, including Usher, Major Lazer, Peggy Gou and PartyNextDoor, alongside Arab stars such as Marwan Pablo, Tul8te, Hisham Abbas, Mostafa Amar and Hamid El-Shaeri.
Georgina Rodriguez shows off Arabic tattoo

DUBAI: Argentine model Georgina Rodriguez gave fans a peek into her life in Saudi Arabia this week through a series of Instagram stories. One standout moment was a close-up photo highlighting her Arabic tattoo, which reads: “Keep all evil away from us, Amen.”
She included the same phrase in Arabic as a caption. In the photo, she also showed off a large emerald-cut diamond ring, a glittering watch and a crocodile-skin handbag.
Later that afternoon, Rodriguez shared more family moments when she posted videos of stepson Cristiano Ronaldo Jr’s football training with Al-Nassr’s youth team. In one clip, captioned “The best team,” the group was seen singing and cheering.

Rodriguez also gave her followers a behind-the-scenes look at her personal routine in Riyadh, sharing a short video of herself practicing salsa dancing. “Third salsa class in Riyadh,” she wrote in Spanish.
The posts are part of her continued documentation of life in Saudi Arabia, where she lives with her partner, football star Cristiano Ronaldo, and their children.
The couple recently appeared together in a new campaign for Saudi Arabia’s luxury cruise line, Aroya Cruises.
In the video, the pair exchange a lighthearted moment in Arabic. Rodriguez says “yalla” — meaning “let’s go” — after selecting the cruise on her phone, and Ronaldo replies cheerfully “yalla.”
The scene then changes into scenes of the couple exploring the cruise experience, with panoramic sea views, luxurious interiors and their private accommodation.
Both Ronaldo and Rodriguez shared the campaign on their social media profiles with the caption: “Home isn’t just a place — it’s a feeling.”
In addition to her lifestyle content and brand campaigns, Rodriguez has also taken part in humanitarian efforts in Saudi Arabia. Earlier this year, she visited the King Fahd National Centre for Children’s Cancer to support young patients.
She was joined by Monica Esteban, president of Spanish charity, the Juegaterapia Foundation, as they distributed Baby Pelones dolls featuring a scarf designed by Rodriguez. During her visit, the model hugged and spoke with the children and joined in their play with the dolls.
Women-led ‘Unbound Territories’ is Dubai art consultancy’s first exhibition

DUBAI: Dubai’s contemporary art scene welcomes a new voice this April with the launch of A+ Art Consultancy’s inaugural exhibition, “Unbound Territories,” which will run until April 30 at Foundry Downtown.
Spearheaded by Azra Aban, the show is a collaboration with London’s Gillian Jason Gallery and brings together a powerhouse roster of female artists — from icons like Louise Bourgeois and Bridget Riley to emerging talents Megan Baker and Pippa El-Kadhi Brown.

The partnership with Gillian Jason Gallery has deep roots, Aban explains.
“Our relationship with Gillian Jason Gallery goes back to my time in London, where I had the opportunity to work closely with their team and witness their thoughtful approach to bringing together artists in meaningful ways,” she told Arab News.

“When I set out to launch A+ Art Consultancy with an exhibition that would introduce a compelling mix of emerging and established international artists to Dubai, it coincided with Gillian Jason Gallery’s own interest in expanding their community in the region — particularly around their mission to champion the best female artists working today.”
The shared mission to champion female artists meant the collaboration was a natural fit.
The exhibition’s title — “Unbound Territories” — reflects the curatorial intent behind the show.
“It captures the essence of what this particular collection of artists and artworks represents,” said Aban. “The exhibition brings together a diverse group of female artists … unfolding as a compelling dialogue that transcends time, geography, and artistic medium.”

Pieces span sculpture, printmaking, painted photography, oil painting and works on paper — mediums that, in Aban’s words, “reveal the radical potential of material and form.”
The exhibition also marks the UAE debut of several artists, offering what she describes as “an important and meaningful milestone” for the regional art scene, and reflects shifting dynamics in the Middle East.
“Women across the world are increasingly stepping into the positions they have long deserved,” said Aban. “‘Unbound Territories’ stands as a testament to the powerful contributions of female artists … and to the profound impact they have had on the global creative landscape.”
She sees the UAE as uniquely positioned to amplify these voices. “The UAE’s art ecosystem is not just growing, it’s carving out a distinctive identity that merges regional heritage with a global perspective,” she said
That vision also defines the consultancy’s future direction.
“You can expect more collaborations that highlight underrepresented narratives, spark dialogue between cultures, and offer collectors access to unique and powerful work that endures,” promised Aban.
Effat Film Festival celebrates emerging Saudi filmmakers

- More than 2,200 film submissions from 90 countries
- Dr. Mohamed Ghazala: It’s not about the money; it’s about uplifting filmmakers and nurturing a vibrant community
JEDDAH: The 12th edition of a student film festival celebrating the creativity of up-and-coming Saudi filmmakers is taking place at Effat University in Jeddah.
The Effat International Student Film Festival, which ends on April 15, has attracted more than 2,200 film submissions from 90 countries, as well as entries from 10 Saudi universities.
The competition shortlisted a total of 89 films from 28 countries, with cash prizes totaling more than SR50,000 ($13,333) available to the winners.
This year’s festival, held under the theme “From Dream to Film,” recognizes notable figures in the film industry, including Saudi director Abdullah Al-Muheisen, Saudi actor Hassan Assiri, Saudi director Khalid Al-Harbi, British director Joanna Quinn, and Prof. Ghada Gabara, president of the Egyptian Academy of Arts.
Other honorees hail from Japan, the US, and China.
Dr. Mohamed Ghazala, head of the School of Cinematic Arts and festival director, told of his passion for the event by emphasizing the importance of community and creative storytelling.
He said: “Running a film festival is just like making a film. We’re fueled by passion and the incredible support of our volunteers, contributors, and arts funding.
“It’s not about the money; it’s about uplifting filmmakers and nurturing a vibrant community. While organizing a festival can be challenging, it’s an exciting journey filled with hard work and joy.
“You don’t need a massive budget, endless time, or extensive business expertise to start a small film festival, the audience will find you. What matters most is a genuine love for film, the courage to take risks, and the drive to share meaningful stories.”
Jala Jalal, the leader of the student club at the School of Cinematic Arts, reflected on the significance of the festival for students.
Jalal said: “The showreel is more than just a collection of films, it’s a celebration of our creativity and growth as filmmakers. It’s a reflection of our voices and visions.
“What I love most about this festival is the opportunity it gives us to connect with the film industry, both locally and internationally. Working on the showreel and seeing the final outcome fills us with pride, not just in ourselves, but also in being part of a university that provides us the platform to bring our visions to life.”
The festival’s jury members come from a diverse international background. Friedrich Kluetsch, president of the documentary film jury, told Arab News: “The Saudi submissions were marked by a palpable joy in discovering the filmmakers’ surroundings and their close connection to the protagonists.
“It was evident in the films’ self-reflection, with three of them exploring filmmaking itself, portraying established filmmakers and an abandoned cinema.
“We noticed slight differences between the Saudi and international entries, particularly in the use of commentary or a narrator’s voice, which was more common in the international films and helped express the filmmakers' perspectives.”
Dr. Haifa Jamal Al-Lail, president of Effat University, highlighted the festival’s broader mission to provide a unique platform for Saudi and international film students to showcase their work.
She said: “This festival plays a pivotal role in creating connections between young filmmakers worldwide. It aligns with Saudi Arabia’s Vision 2030, fostering the country’s cultural movement and global presence in the arts.”
Dr. Asmaa Ibrahim, dean of the College of Architecture and Design at Effat University, underscored the growing international recognition of the festival, saying: “The increasing number of applications each year is testament to the festival’s growing status.
“It’s now the largest festival of its kind in the Arab world in terms of both the quality of films and the specialized focus on student filmmakers.”
Alongside film screenings, the festival features a range of seminars and workshops conducted by industry leaders, including representatives from Netflix, Sony, MBC Academy, and Toon Boom Animation.
Notable academic figures, such as professors from the University of Southern California, and the Communication University of China, were also scheduled to contribute lectures and workshops on topics like cinematography, directing, sound production, and film distribution.
An open discussion hosted by media personality Suha Al-Waal with actor and producer Hassan Assiri at Hayy Jameel also took place at the event.
Assiri, who was to be honored for his significant contributions to Saudi drama and production, shared insights into the evolving Saudi film industry, highlighting the growing opportunities for local talent and the increasing global recognition of Saudi productions.