VENICE: Guillermo del Toro’s “The Shape of Water” is an aquatic “Beauty and the Beast,” a transgressive fairy tale about a young woman’s love for a scaly creature from the Amazonian depths.
Like the best fables, it’s also rooted in the real world: the story of a migrant from the south facing a hostile reception in a security-obsessed United States.
“I think that fantasy is a very political genre,” del Toro said Thursday at the Venice Film Festival, where “The Shape of Water” had its red-carpet world premiere. It’s one of 21 films competing for the coveted Golden Lion, the festival’s top prize.
“Fairy tales were born in times of great trouble. They were born in times of famine, pestilence and war,” he added.
Part monster movie, part noir thriller, part Hollywood musical, the film defies categorization, though Del Toro took a stab, suggesting it’s “like Douglas Sirk rewriting Pasolini’s ‘Theorem’ with a fish.”
Some critics are calling it del Toro’s best film since “Pan’s Labyrinth” in 2006. The Daily Telegraph summed it up as “an honest-to-God B-movie blood-curdler that’s also, somehow, a shimmeringly earnest and boundlessly beautiful melodrama.” Screen International called it “exquisite ... del Toro at his most poignant and sweet.”
Set in early-1960s Baltimore, the film stars Sally Hawkins as Elisa, a mute orphan who works as a cleaner at a high-security lab. She forges a bond with a captured creature who is at the center of a Cold War tug-of-war between the US and the Soviet Union.
“It’s a movie set in 1962, but it’s a movie about today,” del Toro told reporters at a Venice news conference. “It’s about the issues we have today. When America talks about America being great again, I think they are dreaming of an America that was in gestation in ‘62 — an America that was futuristic, full of promise ... but at the same time there was racism, sexism, classism.”
Del Toro said the creature — played with fittingly fluid movements by Doug Jones — is the only character in the film without a name, because he represents “many things to many people.”
For lonely Elisa, “it’s the first time somebody, something is looking at her, looking back the way you look back at the person you love.” For Michael Shannon’s ruthless US government agent Strickland, the creature is “a dark, dirty thing that comes from the south” and must be eliminated.
“I am Mexican, and I know what it is to be looked at as ‘the other’ no matter what circumstances you’re in,” the director said — and the character of the creature embodied that otherness.
The film features warm performances from Octavia Spencer and Richard Jenkins as Elisa’s friends — and a mesmerizing turn from Hawkins, who creates a character of depth, passion and compassion without saying a word.
Hawkins said that when del Toro first told her about the movie, she was working on her own project about “a woman who doesn’t know she’s a mermaid.” Some of those ideas fed into the character of Elisa.
“It was just synchronistic,” she said. “It was very odd. Those things rarely happen and when they do you know it’s something special.”
“The Shape of Water” features del Toro’s usual rich mix of ingredients: everything from Russian spies to musical interludes. Its overriding message, the director says, is “to choose love over fear.”
“We live in times where fear and cynicism are used in a way that is very pervasive and persuasive,” del Toro said. “Our first duty when we wake up is to believe in love.
“It’s the strongest force in the universe,” he said. “The Beatles and Jesus can’t be wrong — not both of them at the same time.”
Del Toro’s ‘The Shape of Water’ makes waves in Venice
Del Toro’s ‘The Shape of Water’ makes waves in Venice
Fortnite video game returns to iPhone app store in US, ending exile imposed by Apple
- The legal wrangling is all part of a bitter feud that is still boiling
The popular video game Fortnite has returned to the iPhone app store in the US, ending a prolonged exile that was triggered by a legal showdown over the lucrative fees that Apple had been collecting for years through a payment system that it has been forced to change.
Fortnite hailed its app’s long-awaited restoration to the iPhone and iPad in a Tuesday pos t, marking the first time it will be available on those devices since it was ousted in 2020 for trying to avoid the 15 percent to 30 percent commissions that Apple collects on in-app transactions.
The video game featuring a virtual fight on a digital island is coming back to the iPhone just a few days after its parent company, Epic Games, filed a motion asking a federal judge to order its return as part of a civil contempt of court finding issued against Apple late last month.
In a brief statement filed in court late Tuesday, Apple said the dispute that had been keeping Fortnite off its iOS software for the iPhone had been resolved. The Cupertino, California, company didn’t immediately respond to a request for further comment.
The legal wrangling is all part of a bitter feud that is still boiling.
Epic filed a lawsuit alleging Apple had turned its app store into an illegal monopoly — a claim that it lost under a 2021 ruling made by a federal judge after a month-long trial.
Although she decided Apple wasn’t breaking antitrust laws, US District Judge Yvonne Gonzalez Rogers ordered the company to loosen control over in-app payments and allow links to other options that might offer lower prices.
After exhausting an appeal that went all the way to the US Supreme Court, Apple last year introduced a new system that opened the door for links to alternative payment options while still imposing a 27 percent commission on in-app transactions executed outside its own system.
Epic fired back by alleging Apple was thumbing its nose at the legal system, reviving another round of court hearings that lasted nearly a year before Gonzalez Rogers delivered her stinging rebuke that included a ban on collecting any kind of commission on alternative payment options.
That appeared to clear the way for Fortnite’s return to the iPhone and iPad, but Epic last week said the video game was still being blocked by Apple. After Apple contended that keeping Fortnite was still permissible while it pursues an appeal of Gonzalez Rogers’ contempt ruling, Epic forced the issue by asking the judge for another order that would make clear the video game should be allowed back on the iPhone and iPad.
Gonzalez Rogers on Monday asked why Apple was still blocking Fortnite without an order from the appeals court authorizing that action. She scheduled a May 27 hearing in Oakland, California, to hear Epic’s latest motion while noting “Apple is fully capable of resolving this issue without further briefing or a hearing.”
Gazan twins in Cannes warn ‘nothing left’ of homeland
CANNES: Twin Gazan filmmakers Arab and Tarzan Nasser said they never thought the title of their new film “Once Upon A Time In Gaza” would have such heartbreaking resonance.
“Right now there is nothing left of Gaza,” said Tarzan when it premiered on Monday at the Cannes film festival.
Since militants from Palestinian group Hamas attacked Israel on October 7, 2023, more than 18 months of Israeli bombardment has ravaged large swathes of the Palestinian territory and killed tens of thousands of people.
Israel has vowed to “take control of all” the besieged territory of more than two million inhabitants, where United Nations agencies have warned of famine following Israel’s two-month total blockade.
Israel allowed in several aid trucks on Monday but the UN said it was only “a drop in the ocean” of needs.
The Nasser brothers, who left Gaza in 2012, said their new film set in 2007, when Hamas Islamists seized control of the strip, explains the lead-up to today’s catastrophic war.
“Once Upon A Time In Gaza,” which screened in the festival’s Un Certain Regard section, follows friends Yahia and Osama as they try to make a little extra cash by selling drugs stuffed into falafel sandwiches.
Using a manual meat grinder that does not rely on rare electricity, student Yahia blends up fava beans and fresh herbs to make the patty-shaped fritters in the back of Osama’s small run-down eatery, while dreaming of being able to leave the Israeli-blockaded coastal strip.
Charismatic hustler Osama meanwhile visits pharmacy after pharmacy to amass as many pills as he can with stolen prescriptions, pursued by a corrupt cop.
Israel first imposed a blockade on Gaza in June 2006 after militants there took one of its soldiers, and reinforced it in September 2007 several months after Hamas took power.
“The blockade was gradually tightened, tightened until reaching the genocide we see today,” said Tarzan.
“Until today they are counting the calories that enter,” he added.
An Israeli NGO said in 2012 that documents showed Israeli authorities had calculated that 2,279 calories per person per day was deemed sufficient to prevent malnutrition in Gaza.
The defense ministry however claimed it had “never counted calories” when allowing aid in.
Despite all this, Gazans have always shown a love of life and been incredibly resilient, the directors said.
“My father is until now in northern Gaza,” Tarzan said, explaining the family’s two homes had been destroyed.
But before then, “every time a missile hit, damaging a wall or window, he’d fix it up the next day,” he said.
In films, “the last thing I want to do is talk about Israel and what it’s doing,” he added.
“Human beings are more important — who they are, how they’re living and adapting to this really tough reality.”
In their previous films, the Nasser twins followed an elderly fisherman enamoured with his neighbor in the market in “Gaza Mon Amour” and filmed women trapped at the hairdresser’s in their 2015’s “Degrade.”
Like “Once Upon A Time in Gaza,” they were all shot in Jordan.
As the siege takes its toll in “Once Upon A Time In Gaza,” a desolate Yahia is recruited to star in a Hamas propaganda film.
In Gaza, “we don’t have special effects but we do have live bullets,” the producer says in one scene.
Arab said, long before Gazan tap water became salty and US President Donald Trump sparked controversy by saying he wanted to turn their land into the “Riviera of the Middle East,” the coastal strip was a happy place.
“I remember when I was little, Gaza actually was a riviera. It was the most beautiful place. I can still taste the fresh water on my tongue,” he said.
“Now Trump comes up with this great invention that he wants to turn it into a riviera after Israel completely destroyed it?“
Hamas’s October 2023 attack resulted in the deaths of 1,218 people on the Israeli side, mostly civilians, according to an AFP tally based on official figures.
Militants also took 251 hostages, 57 of whom remain in Gaza including 34 the military says are dead.
Israel’s retaliatory offensive has killed 53,486 people in Gaza, mostly civilians, according to Gaza health authorities, whose figures the United Nations deems reliable.
Gaza health authorities said at least 44 people were killed there in the early hours of Tuesday.
Rapper Werenoi, France’s biggest-selling music artist in recent years, dies at age 31
PARIS: Rapper Werenoi, France’s biggest-selling music artist in recent years, has died at the age of 31, his producer and record company said.
The artist, whose real name was Jérémy Bana Owona, was the number 1 album seller in France in 2023 and 2024 according to the ranking of the National Union of Phonographic Industry, which includes in-store and e-commerce sales as well as plays on streaming services.
“It’s with immense sadness that we’ve learned of Werenoi’s passing,” his record company Believe said on Instagram. “All our thoughts are with his family, loved ones, his team and everyone who knew him.”
“Rest in peace my brother, I love you,” his producer Babs posted on X.
French media report Werenoi died early Saturday in a Paris hospital. The cause of his death has not been made public.
Werenoi first became known to the French public in 2021 when he posted his song “Guadalajara” on YouTube and it was viewed hundreds of thousand times.
He released three albums, “Carré” in 2023, “Pyramide” the next year and “Diamant Noir” last month, making him one of the biggest names in French rap.
Several French rappers posted tributes on social media. French-Malian pop star Aya Nakamura, who featured on his second album, wrote : “Rest in peace my dude. A news that saddens me and courage to the loved ones especially.”
“He made a difference for the quality of his songs, his melodies and his punchlines,” singer Pascal Obispo, who had accompanied Werenoi on the piano at a 2023 Paris concert, told French newspaper Le Parisien.
Adidas, Puma family feud to be turned into TV series
CANNES: The bitter brotherly feud that sparked the creation of sports-shoe brands Adidas and Puma in the same small German town in the 1940s is to be turned into a television series with the help of family archives, its producers announced Sunday.
Hollywood-based film producer No Fat Ego is backing the project, which has the blessing of the family behind the Adidas empire founded by Adolf “Adi” Dassler.
It will delve into one of the most fascinating fraternal blow-ups in corporate history, which pitted Adi against his brother Rudolf (“Rudi“) who went on to create rival Puma.
The two men jointly ran a family-owned footwear company before falling out during World War II, with their post-conflict animus splitting their town of Herzogenaurach to this day.
Scriptwriter Mark Williams, behind the hit Netflix series “Ozark,” has been hired to lead the project and is currently going through Dassler family home videos and memorabilia to work on the story.
“Everybody knows the brands, but the story behind them is something we don’t really fully know,” Williams told AFP at the Cannes film festival.
One of the most sensitive areas — particularly for the reputations of the multi-billion-dollar footwear companies today — will be how the brothers are portrayed during the war period.
Both became members of the Nazi party in the 1930s, as was customary for the business elite at the time.
Rudi went to fight, however, and was arrested by Allied forces on his return to a defeated Germany.
“Adi stayed home and tried to keep the company alive,” Williams added.
Their factory was seized as part of the war effort and converted into a munitions plant.
The series promises to be a “Succession-type drama between the family” set over several generations, Williams explained, comparing it to the earlier hit HBO series.
The head of No Fat Ego, Niels Juul, who has produced Martin Scorsese’s most recent movies, said he was originally drawn to the story after learning about Adidas’s collaboration with legendary black American runner Jesse Owens.
Partly thanks to Adidas’s innovative spiked shoes, Owens became one of the stars of the 1936 Berlin Olympics which Hitler had hoped would showcase white German supremacy.
No Fat Ego intends to develop the series with full editorial independence before offering it to streaming platforms.
“We want to have the creative control, and Mark has to have absolute silence and quiet to do what he does,” Juul told AFP.
Iraq’s first filmmaker in Cannes says sanctions no piece of cake
CANNES: Hasan Hadi, the first filmmaker from Iraq to be selected for the prestigious Cannes Festival, said economic embargoes like those imposed in his childhood under Saddam Hussein did not work.
“Sanctions empower dictators,” he told AFP, as they concentrate scant resources in their hands and only make them “more brutal.”
“In the history of the world, there was no one time when they (imposed) sanctions and the president couldn’t eat.”
Hadi’s first feature film, “The President’s Cake,” has received very good reviews since premiering Friday in the Directors’ Fortnight section.
Cinema publication Deadline said it was “head and shoulders above” some of the films in the running for the festival’s Palme d’Or top prize, and “could turn out to be Iraq’s first nominee for an Oscar.”
The film follows nine-year-old Lamia after she has the misfortune of being picked by her school teacher to bake the class a cake for the president’s birthday, or be denounced for disloyalty.
It is the early 1990s, the country is under crippling UN sanctions. She and her grandmother — with whom she shares a reed home in Iraq’s southern marshlands — can barely afford to eat.
As they set off into town to hunt down unaffordable ingredients, with Lamia’s pet cockerel and their last meagre belongings to sell, the film plunges into the social reality — and everyday petty corruption — of 1990s Iraq.
The near-total trade and financial embargo imposed on Iraq after it invaded Kuwait “demolished the moral fabric of society,” Hadi said.
It sent the country “hundreds of years back.”
The filmmaker said he did not taste cake until he was in his early teens, after the US-led invasion in 2003 toppled Saddam and sanctions were lifted.
Instead, with processed sugar and eggs out of reach, there was “date cake” — whose main ingredient was squished dates, sometimes with a candle on top.
“As a kid you’re sad that you’re not getting your cake,” he said. But as you grow up, you realize what your parents must have gone through to put food on the table.
“Not only my family, but all of these people had to sell literally everything,” he said. “There were people that were even selling their door frames.”
Hadi and his team shot the film entirely in Iraq.
It beautifully captures the ancient wetlands in the south of the country, listed as a World Heritage Site since 2016 and reputedly the home of the biblical Garden of Eden.
Saddam drained them in the 1990s, trying to flush out rebels hiding in the reeds.
But after the US-led invasion, authorities opened up the valves and the wetlands flourished again — even if they are now threatened by climate change.
Hadi said he chose the location partly to make the point that “the marshes stayed and Saddam went away.”
To re-create the Iraq of his youth, Hadi and his crew paid close attention to detail, amassing vintage clothes and bringing a barber on set to trim the hair and moustaches of everyone down to the extras.
They scouted out the best locations, shooting one scene in a small eatery reputed to have been frequented by Saddam himself.
They chose non-actors to play ordinary Iraqis under the ever-present eyes of the president in posters, pictures frames and murals.
Hadi said hearing US President Donald Trump say recently that he planned to lift sanctions on Syria after Islamists toppled president Bashar Assad last year was “amazing.”
“I don’t think the sanctions helped in any way to get rid of Bashar, but definitely empowered him to kill more people, and torture more people,” he said.
