“Gibran Khalil Gibran: Alive” is unlike any book ever written about the Lebanese-American poet, writer and artist. This labor of love was carried out by Joumana Bou Fakhreddine and saw the author painstakingly gather paintings, photographs, drawings and manuscripts as well as objects and memorabilia owned by Gibran, his family and friends. The process took two-and-a-half years and required the help of 200 volunteers.
The visual aids are set in chronological order and classified under 19 themes in two massive books. All the visuals included in this mini encyclopedia are accompanied by quotations and excerpts from no less than 220 publications.
“I am alive like you and I am standing beside you. Close your eyes and look around, you will see me in front of you,” one excerpt reads.
The book opens up Gibran’s life and offers the reader a rainbow of words and sounds, colors and ideas to devour while exploring the beauty of his writing and his paintings.
Gibran was born on Jan. 6, 1883, during a violent snowstorm in the town of Bsharri in the Mount Lebanon Mutasarrifate of the Ottoman Empire
When his father was informed about the birth of his first son, he answered: “I don’t want him, throw him out to the snows.” At the age of three, he ran out during a storm and refused to go back into the house and supposedly kept repeating: “I love storms, I love them.”
Years later, Gibran wrote about the beauty of snow storms.
“I am home sick and my heart longs for those hills and valley. But it is better that I should stay here and work/ Today we are expecting a mighty snow storm/ You know how much I love all storms, especially snow storms/ I love snow, I love its whiteness/ I love the fall of snow and its deep silence/ I love snow in the heart of the distant unknown valley, where the snowflakes flicker in the light of the sun, twinkled a while and then melting and quietly flowing away as they whisper their song/ I love snow and fire, both they come from the same source.”
Barbara Young, who worked as his secretary during the later years of his life, stated that: “There was something in the man from early childhood, a passion for storms… something in him, he said, that was released, unleashed and set gloriously free by a storm.”
Besides nature, women played a crucial role in Gibran’s life and work.
His mother was not only the source of his artistic inspiration, but she also created an atmosphere that developed her son’s precocity and nurtured his genial personality.
Many women played a role in Gibran’s life. Some, like May Ziadeh, he never met. They both exchanged passionate and intense letters that became famous when they were published. However, the woman who influenced Gibran the most was undoubtedly Mary Haskell and the author has dedicated a whole chapter to this exceptional woman. She not only helped him financially, but she also believed in him and offered advice when he needed it.
Haskell was not considered a beautiful woman and she was also 10 years older and much taller than Gibran, but he loved her heart and her noble soul.
“When I am unhappy, dear Mary, I read your letters. When the mist overwhelms the ‘I’ in me, I take two or three out of the little box and re-read them. They remind me of my true self. They make me overlook all that is high and beautiful in life. Each and every one of us, dear Mary, must have a resting place somewhere. The resting place of my soul is a beautiful grove where my knowledge of you lives,” Gibran wrote.
“Gibran Khalil Gibran: Alive” abounds in rare and wonderful paintings and drawings. Gibran, in fact, spent more time painting than writing. In “Khalil Gibran: A Nonpareil Artist,” author Joseph Habib Helou wrote that “Gibran used different colors in his writing, but not in his paintings which were words in drawing and meaning in form… He usually expressed an idea through a drawing and elaborated on it in writing.”
Gibran drew or painted most of the famous people he met, including Swiss psychiatrist Carl Jung, French sculptor Auguste Rodin and French stage actress Sarah Bernard.
Bernard sat for her portrait on Feb. 18, 1913, after which Gibran wrote a humorous letter to his confidante Haskell. “The drawing which I made of her yesterday, though it does not show her old age, is a great success. But if I am to go through the same process with the rest of the great men and women, I might as well give up art and become a diplomat! She wanted me to sit at a distance so that I may not see the details of her face. But I did see them. She made me take off some wrinkles. She even asked to change the shape of her mouth! I think I understood her yesterday and I behaved accordingly and perhaps that is the reason why she liked me a little!”
The Pen League
Gibran also played a key role in creating Al-Rabitah Al-Qalamiyah, the Pen League. It was the first-ever Arab-American literary society and its aim was to revive Arab literature. Gibran suggested drastic measures to revive Arabic-language literature, saying: “If the meaning or beauty of a thought requires the breaking of a rule, break it… If there is no known word to express your idea, borrow or invent one… If syntax stands in the way of a needed or useful expression, away with syntax.”
As we turn to the last few pages of this exceptional work, Gibran tells us: “This is my story. How can I end it, when in truth it has no ending?”
Book Review: Explore the world of Khalil Gibran
Book Review: Explore the world of Khalil Gibran
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- “The Essence of Software” introduces a theory of software design that gives new answers to old questions
Author: DANIEL JACKSON
As our dependence on technology increases, the design of software matters more than ever before. Why then is so much software flawed? Why hasn’t there been a systematic and scalable way to create software that is easy to use, robust, and secure? Examining these issues in depth, “The Essence of Software” introduces a theory of software design that gives new answers to old questions.
Daniel Jackson explains that a software system should be viewed as a collection of interacting concepts, breaking the functionality into manageable parts and providing a new framework for thinking about design.
What We Are Reading Today: ‘Flows in Networks’
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What We Are Reading Today: ‘Planetary Climates’ by Andrew Ingersoll
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Although the climates of other worlds are extremely diverse, the chemical and physical processes that shape their dynamics are the same.
As this book makes clear, the better we can understand how various planetary climates formed and evolved, the better we can understand Earth’s climate history and future.
What We Are Reading Today: ‘Dragonflies of North America’
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What We Are Reading Today: The Wind-Up Bird Chronicle
- Murakami’s prose, understated yet richly evocative, guides readers through a narrative that oscillates between the real and the surreal
Japanese novelist Haruki Murakami’s “The Wind-Up Bird Chronicle” is an intricate, mesmerizing novel that weaves together the ordinary and the surreal, creating a tapestry of existential questions, hidden truths and unexpected journeys.
First published in 1994, the novel is often regarded as one of Murakami’s masterpieces, encapsulating his signature blend of magical realism, psychological depth, and cultural introspection.
At its heart is Toru Okada, an unassuming and somewhat disaffected man whose mundane life takes a sudden and dramatic turn when his wife, Kumiko, disappears. What begins as a straightforward search evolves into a labyrinthine journey, leading Toru to confront not only the mystery of Kumiko’s absence but also the darker forces of history, memory, and his own psyche.
Along the way, he encounters an eclectic cast of characters, each with their own enigmatic role to play in the unfolding story.
Murakami’s prose, understated yet richly evocative, guides readers through a narrative that oscillates between the real and the surreal. The novel’s structure mirrors this duality, as Toru navigates his increasingly strange reality while descending into dreamlike underworlds, mysterious wells, and symbolic landscapes.
These moments are imbued with Murakami’s distinctive sense of unease, where the boundaries of the tangible and intangible blur, leaving the reader questioning the nature of reality itself.
One of the novel’s great strengths is its ability to juxtapose the deeply personal with the historically and culturally significant.
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“The Wind-Up Bird Chronicle” also delves into themes of connection and alienation, power and vulnerability, and the search for meaning in a world that often feels inexplicable. Toru’s journey is not just a physical quest but a spiritual and emotional odyssey, forcing him to confront the unseen forces that shape his life and the lives of those around him.
Murakami’s use of symbolism and recurring motifs — cats, wells, and the titular wind-up bird — adds layers of mystery and interpretive richness to the novel. These elements, coupled with the novel’s nonlinear structure and surreal interludes, create a reading experience that is both immersive and disorienting, drawing readers into a world that is as unsettling as it is beautiful.
For longtime fans of Murakami, “The Wind-Up Bird Chronicle” is quintessential, showcasing the author’s ability to blend the banal with the extraordinary. For new readers, it offers an expansive introduction to his universe, though its complexity may require patience and reflection.
Ultimately, “The Wind-Up Bird Chronicle” is a profound exploration of the human condition — its mysteries, its contradictions, and its quiet beauty. It is a novel that refuses to offer easy answers, instead inviting readers to embrace its ambiguities and immerse themselves in its layered, dreamlike world. Murakami has crafted a story that is as haunting as it is enlightening, leaving an indelible mark on those who dare to journey into its depths.
