SENOIA: For seven seasons, AMC’s “The Walking Dead” has explored a world where the dead roam the earth while the living seek safety — from other humans as much as from the zombies trying to tear into their flesh.
There are characters whose faith is tested but find their grit and fierceness. There are those who are kissups and latch themselves onto leaders, their will to survive stronger than their pride. Then there are those who seize a newfound power to terrorize and bully. Through it all, it is often difficult to discern the difference between who is good and who is evil, something that evolves and can change from moment to moment.
And now, as the show approaches its 100th episode — the kickoff to Season 8 that launches on Oct. 22 — the characters are on the verge of war, a battle pitting character Rick Grimes and his band of loyalists against Negan and the Saviors, mixed in with a few other communities whose allegiances sometimes shift without warning.
For a full day this spring, AMC invited a small group of journalists to the set to talk with the actors and crew involved in the show. Everyone took pains to avoid revealing what was in store in the next season.
The main filming location is on a sprawling lot tucked behind this small south Georgia town where most of this new world has sprouted: Raleigh Studios, a constantly evolving set on 140 acres where all sorts of imaginary communities have been created from scratch.
The Heap — an actual mound of trash filled with all sorts of debris and cars no newer than 2010 (the year the world is said to have died) — was created in just three weeks to serve as the domain for Jadis (played by Pollyanna McIntosh), who speaks in an odd clipped form of English and switches allegiances as fast as character Michonne can lop off a head with her Katana.
The Hilltop, ruled over by drunkard and chauvinist Gregory (played by Xander Berkeley), took nearly four months to create, its 18th century architecture brick exterior concealing an interior that is basically a shell, devoid of any walls. Alexandria, the gated community supposedly in northern Virginia, is an actual subdivision that four real families call home and have to stay clear of the film crews that flock there six months out of the year.
The first season was shot largely in Atlanta. By the second season, Raleigh Studios in Senoia — about an hour south of Atlanta — had been created in this town of about 4,000.
Not only does it allow the show to create and keep the communities that make up “The Walking Dead,” but it can be constantly reinvented. The spot where Gabriel’s church once stood? It was torn down and became the dirt circle where Season 6 ended with Rick and his crew kneeling before Negan, the spot where beloved characters Glenn and Abraham were slain at the end of Negan’s barbed-wire covered bat.
And now? It remains vacant. “This is pretty much hallowed ground,” said Tom Luse, the show’s executive producer, as he gave a group of journalists a tour of the studio grounds. It was a tough scene to shoot, he said, and it was even tougher to lose not only two beloved characters but two actors among a crew that considers itself tight-knit.
“I do not know if we will shoot here again,” Luse said, adding later: “This is a shrine.”
Virtually everything is shot on the site. One exception: The Kingdom, which is shot at Tyler Perry’s studios at nearby Fort McPherson.
One of the biggest advantages and challenges? The grass and shrubs. “Greens help hide a million sins,” Luse said. But they also have to ensure it does not get trimmed or mowed too often. “We have to constantly recreate that dead look.”
The show is based on comics created by writer Robert Kirkman and artist Tony Moore. The comics are still going strong with more than 165 issues so far. In some cases, the TV show mirrors how it plays out in the comics; in other instances it veers off on its own course. Even a few characters not seen in the comics find their way on the screen, including Daryl Dixon (played by actor Norman Reedus), a crossbow-wielding character who has proved to be one of the show’s most popular.
Melissa McBride as Carol Peletier, left, and Norman Reedus as Daryl Dixon. (Gene Page/AMC via AP)
Gale Anne Hurd, an executive producer, attributes much of the cast’s comradery to Andrew Lincoln, who plays lead character Grimes, a sheriff who emerged from a coma to find the zombie apocalypse has turned the world upside down.
“We work and live in a bubble. And it is great that is the case because no one has changed,” Hurd said. “That is what is special about this show. Not one person from the (original) cast all of a sudden thinks they are some sort of superstar and has a big trailer or an entourage. They are still in two banger trailers.”
When did it start to dawn on them when the show would become a huge success and endure? For Hurd, it was fairly early: Season 2. The characters had escaped to a sprawling farm outside of Atlanta. There was comfort, apparent safety and places nearby to raid for weapons, food and other assorted basics.
“The second season was one in which with people arguably could say OK, it slowed down, they are at the farm, it was focused significantly on character development and the fandom grew,” Hurd said. “And in my mind knowing that there was action to come and there were bigger worlds, more worlds, more characters that if we were building viewers in Season 2 that it was the kind of trajectory that made for a show that could endure.”
Greg Nicotero, special effects guru who has not only made his mark on the show by creating the zombies who lurch and prowl the world but also is co-executive producer and occasional-director, called this season’s premier its most propulsive — a word used repeatedly by the cast and crew as they began taping Season 8.
Season 7 was known for segmented episodes that narrowly focused on one character or community. It was described as a tough season to get through, the actors missing the chance to interact with a variety of colleagues and feeling isolated. Cast and crew say the feel for Season 8 is different. The pace will be accelerated and even the way it is filmed will feel different, though no one would even come close to betraying those nuggets fans crave to divine which characters might die and how the war will play out.
But they do note that there will be moments that pay homage to all the previous seasons — and to their loyal fans.
“There is gonna be some moments that people who have watched the show from the beginning will see and be like, ‘Oh, OK, I see what they are doing here’ by paying tributes to specific moments over the last seven years,” Nicotero said.
‘The Walking Dead’ reaches 100th episode milestone
‘The Walking Dead’ reaches 100th episode milestone

Tate brothers will return to UK to face charges after Romanian legal proceedings, lawyers say

LONDON: Internet personality Andrew Tate and his brother Tristan will return to Britain to face criminal charges once separate legal proceedings in Romania have been concluded, a lawyer for the siblings said.
Britain’s Crown Prosecution Service confirmed earlier this week that it had previously authorized charges against the brothers including rape, actual bodily harm and human trafficking.
The Tates are facing a separate criminal investigation in Romania over trafficking allegations, and the courts there have already approved their extradition to the UK.
The brothers have denied all the allegations.
“Once those proceedings are concluded in their entirety then The Tates will return to face UK allegations,” Holborn Adams, the law firm representing the brothers, said in a statement on Thursday.
Andrew Tate, a self-described misogynist who has gained millions of fans by promoting an ultra-masculine lifestyle, separately faces a civil lawsuit in Britain, which has been brought by four women and is due to go to trial in 2027.
Ex-assistant testifies Sean ‘Diddy’ Combs sexually assaulted her and used violence to get his way

- “I was going to die with this. I didn’t want anyone to know ever.”
NEW YORK: Sean “Diddy” Combs ‘ former personal assistant testified Thursday that the hip-hop mogul sexually assaulted her, threw her into a swimming pool, dumped a bucket of ice on her and slammed a door against her arm during a torturous eight-year tenure.
The woman, testifying at Combs’ sex trafficking trial under the pseudonym “Mia,” said Combs put his hand up her dress and forcibly kissed her at his 40th birthday party in 2009, forced her to perform oral sex while she helped him pack for a trip and raped her in guest quarters at his Los Angeles home in 2010 after climbing into her bed.
“I couldn’t tell him ‘no’ about anything,” Mia said, telling jurors she felt “terrified and confused and ashamed and scared” when Combs raped her. The assaults, she said, were unpredictable: “always random, sporadic, so oddly spaced out where I would think they would never happen again.”
If she hadn’t been called to testify, Mia said, “I was going to die with this. I didn’t want anyone to know ever.”
Speaking slowly and haltingly, Mia portrayed Combs as a controlling taskmaster who put his desires above the wellbeing of staff and loved ones. She said Combs berated her for mistakes, even ones other employees made, and piled on so many tasks she didn’t sleep for days.
“It was chaotic. It was toxic,” said Mia, who worked for Combs from 2009 to 2017, including a stint as an executive at his film studio. “It could be exciting. The highs were really high and the lows were really low.”
Asked what determined how her days would unfold, Mia said: “Puff’s mood,” using one of his many nicknames.
Mia said employees were always on edge because Combs’ mood could change “in a split second” causing everything to go from “happy to chaotic.” She said Combs once threw a computer at her when he couldn’t get a Wi-Fi connection.
Her testimony echoed that of Combs’ other personal assistants and his longtime girlfriend Cassie, who said he was demanding, mercurial and prone to violence. She is the second of three women testifying that Combs sexually abused them.
Cassie, an R&B singer whose legal name is Casandra Ventura, testified for four days during the trial’s first week, telling jurors Combs subjected her to hundreds of “freak-offs” — drug-fueled marathons in which she said she engaged in sex acts with male sex workers while Combs watched, filmed and coached them.
A third woman, “Jane,” is expected to testify about participating in freak-offs. Judge Arun Subramanian has permitted some of Combs’ sexual abuse accusers to testify under pseudonyms for their privacy and safety.
The Associated Press does not identify people who say they’re victims of sexual abuse unless they choose to make their names public, as Cassie has done.
Combs, 55, has pleaded not guilty to sex trafficking and racketeering charges. His lawyers concede he could be violent, but he denies using threats or his clout to commit abuse.
Mia testified that she saw Combs beat Cassie numerous times, detailing a brutal assault at Cassie’s Los Angeles home in 2013 that the singer and her longtime stylist Deonte Nash also recounted in their testimony. Mia said she was terrified Combs was going to kill them all, describing the melee as “a little tornado.”
The witness recalled jumping on Combs’ back in an attempt to stop him from hurting Nash and Cassie. Mia said Combs threw her into a wall and slammed Cassie’s head into a bed corner, causing a deep, bloody gash on the singer’s forehead. Other times, she said, Combs’ abuse caused Cassie black eyes and fat lips.
Mia said Combs sometimes had her working for up to five days at a time without rest as he hopped from city to city for club appearances and other engagements, and she started relying on her ADHD medication, the stimulant Adderall, as a sleep substitute.
Combs, with residences in Miami, Los Angeles and the New York area, let Mia and other employees stay in his guest houses — but she wasn’t allowed to leave without his permission and couldn’t lock the doors, she testified.
“This is my house. No one locks my doors,” Combs said, according to Mia.
Mia didn’t appear to make eye contact with Combs, who sat back in his chair and looked forward, sometimes with his hands folded in front him, as she testified. Occasionally, he leaned over to speak with one of his lawyers or donned glasses to read exhibits. Mia kept her head down as she left the courtroom for breaks.
She testified that she remains friends with Cassie.
Rescued giant moths emerge from cocoons in Mexico’s sprawling capital

MEXICO CITY: Two moths the size of a hand, their wings patterned with brown and pink around four translucent sections, mate for hours hanging from a line alongside cocoons like the ones they emerged from just hours earlier.
“When I get here and find this, I jump with delight,” said María Eugenia Díaz Batres, who has been caring for insects at the Museum of Natural History and Environmental Culture in Mexico City for nearly six decades.
The mating pair of “four mirrors” moths as they’re popularly known in Mexico, or scientifically as Rothschildia orizaba, are evidence that the museum’s efforts to save some 2,600 cocoons rescued from an empty lot were worth the trouble.
The moths, whose numbers have fallen in Mexico City due to urbanization, have cultural relevance in Mexico.
“The Aztecs called them the ‘butterfly of obsidian knives,’ Itzpapalotl,” Díaz Batres said. “And in northern Mexico they’d fill many of these cocoons with little stones and put them on their ankles for dances.”
These cocoons arrived at the museum in late December.
“They gave them to us in a bag and in a box, all squeezed together with branches and leaves, so my first mission was to take them out, clean them,” Díaz Batres said.
Mercedes Jiménez, director of the museum in the capital’s Chapultepec park, said that’s when the real adventure began since they had never received anything like this before.
Díaz Batres had the cocoons hung in any place she thought they might do well, including her office where they hang from lines crisscrossing above her table. It has allowed her to watch each stage of their development closely.
The moths only survive for a week or two as adults, but they give Díaz Batres tremendous satisfaction, especially when she arrives at her office and new moths “are at the door, on the computer.”
So she tries to help them “complete their mission” and little by little their species recovers.
US supercomputer named after Nobel laureate Jennifer Doudna to power AI and scientific research

- Dell Technologies contracted with the energy department to build the computer
- Not clear yet how the computer will rank on the listing of the world’s fastest supercomputers
BERKELEY, California: A new supercomputer named after a winner of the Nobel Prize in chemistry will help power artificial intelligence technology and scientific discoveries from a perch in the hills above the University of California, Berkeley, federal officials said Thursday.
US Energy Secretary Chris Wright announced the project Thursday alongside executives from computer maker Dell Technologies and Nvidia CEO Jensen Huang.
The new computing system at the Lawrence Berkeley National Laboratory will be called Doudna after Berkeley professor and biochemist Jennifer Doudna, who won a Nobel in 2020 for her work on the gene-editing technology CRISPR. It’s due to switch on next year.
“One of the key use cases will be genomics research,” said Dion Harris, a product executive in Nvidia’s AI and high-performance computing division, in an interview. “It was basically just a nod to her contributions to the field.”
Dell is contracted with the energy department to build the computer, the latest to be housed at Berkeley Lab’s National Energy Research Scientific Computing Center. Previous computers there have been named after other Nobel winners: Saul Perlmutter, an astrophysicist, and Gerty Cori, a biochemist.
It’s not clear yet how the computer will rank on the TOP500 listing of the world’s fastest supercomputers. The current top-ranked computer is El Capitan, located about an hour’s drive away at the Lawrence Livermore National Laboratory. That’s followed by other supercomputers at US national labs in Tennessee and Illinois.
AI personal shoppers hunt down bargain buys

NEW YORK: Internet giants are diving deeper into e-commerce with digital aides that know shoppers’ likes, let them virtually try clothes on, hunt for deals and even place orders.
The rise of virtual personal shoppers springs from generative artificial intelligence being put to work in “agents” specializing in specific tasks and given autonomy to complete them independently.
“This is basically the next evolution of shopping experiences,” said CFRA Research analyst Angelo Zino.
Google last week unveiled shopping features built into a new “AI Mode.”
It can take a person’s own photo and meld it with that of a skirt, shirt or other piece of clothing spotted online, showing how it will look on them.
The AI adjusts the clothing size to fit, accounting for how fabrics drape, according to Google head of advertising and commerce Vidhya Srinivasan.
Shoppers can then set the price they would pay and leave the AI to relentlessly browse the Internet for a deal — alerting the shopper when it finds one, and asking if it should buy using Google’s payment platform.
“They’re taking on Amazon a little bit,” Techsponential analyst Avi Greengart said of Google.
The tool is also a way to make money from AI by increasing online traffic and opportunities to show ads, Greengart added.
The Silicon Valley tech titan did not respond to a query regarding whether it is sharing in revenue from shopping transactions.
OpenAI added a shopping feature to ChatGPT earlier this year, enabling the chatbot to respond to requests with product suggestions, consumer reviews and links to merchant websites.
Perplexity AI late last year began letting subscribers pay for online purchases without leaving its app.
Amazon in April added a “Buy for Me” mode to its Rufus digital assistant, allowing users to command it to make purchases at retailer websites off Amazon’s platform.
Walmart head of technology Hari Vasudev recently spoke about adding an AI agent to the retail behemoth’s online shopping portal, while also working with partners to make sure their digital agents keep Walmart products in mind.
Global payment networks Visa and Mastercard in April each said their technical systems were modernized to allow payment transactions by digital agents.
“As AI agents start to take over the bulk of product discovery and the decision-making process, retailers must consider how to optimize for this new layer of AI shoppers,” said Elize Watson of Clarkston Consulting.
Retailers are likely to be left groping in the dark when it comes to what makes a product attractive to AI agents, according to Watson.
Analyst Zino does not expect AI shoppers to cause an e-commerce industry upheaval, but he does see the technology benefitting Google and Meta.
Not only do the Internet rivals have massive amounts of data about their users, but they are also among frontrunners in the AI race.
“They probably have more information on the consumer than anyone else out there,” Zino said of Google and Meta.
Tech company access to data about users hits the hot-button issue of online privacy and who should control personal information.
Google plans to refine consumer profiles based on what people search for and promises that shoppers will need to authorize access to additional information such as email or app use.
Trusting a chatbot with one’s buying decisions may spook some people, and while the technology might be in place the legal and ethical framework for it is not.
“The agent economy is here,” said PSE Consulting managing director Chris Jones.
“The next phase of e-commerce will depend on whether we can trust machines to buy on our behalf.”