“No Road to Paradise” is a novel about one man’s search for fulfilment when he believes he is going to die. His pursuit propels him on a quiet and slow journey to learn about himself and to understand the people around him. The book was written by celebrated author Hassan Daoud. Daoud taught creative writing at the American University of Beirut and worked as a reporter during Lebanon’s civil war. Many of his works have been translated into English, including “No Road to Paradise.” The book was translated by Marilyn Booth who also translated his novel, “The Penguin’s Song.” Originally published in 2013 by Dar Al-Saqi, “No Road to Paradise” was awarded the Naguib Mahfouz Medal for Literature in 2015.
You first meet Daoud’s main character in his doctor’s office. He is preparing himself for bad news. He knows he is sick and has known it for some time, but has been unable to say the words out loud to himself as he has been bound by fear. His fear stems from his stature and position as the imam of a small village called Shfqifiyeh in Lebanon. Vaguely, the doctor tells him that he is to come back in a few days and that he will undergo an operation.
The character knows he has cancer and knows it will be the end of him.
Daoud’s book is slow and careful, detailed and brimming with discontent. We meet his character at a moment in his life when his many different paths — the path he is on, the path he desires and the path he fears — are coming together. He must make a choice and choose one path. He is a man who has always done what he was supposed to do, no matter how unhappy it has made him. He has had to fulfill his legacy as an imam, the profession of his father and grandfather and their forefathers. However, from the moment the reader first meets him, he is unsure of himself, his career and whether or not he wants to continue to be an imam.
“Although I had been putting on the abaya and turban of my… profession since I was a very young man, I still find myself reacting as though I always had to put them on in spite of myself,” the character says in the book.
His life has been dictated to him since he was young, his father’s commitment to him and to the profession was the driving force he thought he needed to love his life. However, when he is sent to school to become an imam and returns to a wife he does not know and a house his father has chosen for him, his hesitation grows. “When I started wearing the cloak and turban of the religious, I felt like I was living in someone else’s clothes,” the character says.
His disillusionment with his job is only heightened by his relationship with his wife. Chosen for him because she was the daughter of a relative, their union has been uncomfortable since the beginning. He believes that she hates him, as if she “was a person who was waiting for another life, even expecting a different life to be granted to her.”
Never able to fulfill their duties toward each other, they harbor resentment that is visible in their attitudes, words and actions. They are two people living together with nothing else to hold them but duty and children.
Daoud writes each character meticulously, revealing them through the mostly sympathetic, at times apathetic and critical, eyes of his narrator, the imam.
As the imam comes face to face with his illness, his life begins to crumble around him. He wonders why he has continued to allow himself to move forward with his unhappy life. He questions everything and distances himself from the greatness of his father and grandfather. His illness propels him into a state that changes him, both physically and mentally, and puts his faith into question. As an imam, Daoud’s main character is familiar with death and has recited Qur’anic verses for the dead and been present at many funerals. He is aware that the only known fact about death is its inevitability and that it signals the end of life on earth, but not eternal life. However, his fear takes hold of him when he faces his own death. The imam’s impression of death is powerful as he thinks of those people in the past who “still knew that a space of time separated them from death. For death was hidden. It lay in their bodies, but they didn’t know exactly where it was.” The imam does not have this luxury.
Daoud is a profound writer, his characters multi-faceted, their flaws and fears stronger than their strengths and courage, making them believable and relatable. The life he has created for his imam is anything but quaint. The imam has been unable to fill the shoes of his ancestors, unable to find the peace he has been looking for and unable to find a compatible companion or friend since leaving school in Najaf. He has no one in his village who he can talk to as “the most they expected from me was a response when they requested something,” he says in the book.
Throughout the book, the reader journeys with the imam as he searches for where he belongs in life. It is a story that is not often told, but is immensely relatable.
Book Review: A journey in the face of death
Book Review: A journey in the face of death
What We Are Reading Today: ‘The Essence of Software’
- “The Essence of Software” introduces a theory of software design that gives new answers to old questions
Author: DANIEL JACKSON
As our dependence on technology increases, the design of software matters more than ever before. Why then is so much software flawed? Why hasn’t there been a systematic and scalable way to create software that is easy to use, robust, and secure? Examining these issues in depth, “The Essence of Software” introduces a theory of software design that gives new answers to old questions.
Daniel Jackson explains that a software system should be viewed as a collection of interacting concepts, breaking the functionality into manageable parts and providing a new framework for thinking about design.
What We Are Reading Today: ‘Flows in Networks’
Authors: Lester Randolf Ford Jr. & D. R. Fulkerson
In this classic book, first published in 1962, L. R. Ford, Jr., and D. R. Fulkerson set the foundation for the study of network flow problems. The models and algorithms introduced in “Flows in Networks” are used widely today in the fields of transportation systems, manufacturing, inventory planning, image processing, and internet traffic.
The techniques presented by Ford and Fulkerson spurred the development of powerful computational tools for solving and analyzing network flow models, and also furthered the understanding of linear programming.
What We Are Reading Today: ‘Planetary Climates’ by Andrew Ingersoll
This concise, sophisticated introduction to planetary climates explains the global physical and chemical processes that determine climate on any planet or major planetary satellite— from Mercury to Neptune and even large moons such as Saturn’s Titan.
Although the climates of other worlds are extremely diverse, the chemical and physical processes that shape their dynamics are the same.
As this book makes clear, the better we can understand how various planetary climates formed and evolved, the better we can understand Earth’s climate history and future.
What We Are Reading Today: ‘Dragonflies of North America’
- “Dragonflies of North America” is the ultimate guide to these extraordinary insects
Author: ED LAM
Dragonflies are large and beautiful insects, diverse in color and pattern. This premier field guide provides all the information you need to identify every male and female dragonfly found in North America, whether in the field, in the hand, or under the microscope.
The extensive illustrations are the heart of the book. Close-up color portraits of each species, often several times life size, show the best possible specimens for close examination.
“Dragonflies of North America” is the ultimate guide to these extraordinary insects.
What We Are Reading Today: The Wind-Up Bird Chronicle
- Murakami’s prose, understated yet richly evocative, guides readers through a narrative that oscillates between the real and the surreal
Japanese novelist Haruki Murakami’s “The Wind-Up Bird Chronicle” is an intricate, mesmerizing novel that weaves together the ordinary and the surreal, creating a tapestry of existential questions, hidden truths and unexpected journeys.
First published in 1994, the novel is often regarded as one of Murakami’s masterpieces, encapsulating his signature blend of magical realism, psychological depth, and cultural introspection.
At its heart is Toru Okada, an unassuming and somewhat disaffected man whose mundane life takes a sudden and dramatic turn when his wife, Kumiko, disappears. What begins as a straightforward search evolves into a labyrinthine journey, leading Toru to confront not only the mystery of Kumiko’s absence but also the darker forces of history, memory, and his own psyche.
Along the way, he encounters an eclectic cast of characters, each with their own enigmatic role to play in the unfolding story.
Murakami’s prose, understated yet richly evocative, guides readers through a narrative that oscillates between the real and the surreal. The novel’s structure mirrors this duality, as Toru navigates his increasingly strange reality while descending into dreamlike underworlds, mysterious wells, and symbolic landscapes.
These moments are imbued with Murakami’s distinctive sense of unease, where the boundaries of the tangible and intangible blur, leaving the reader questioning the nature of reality itself.
One of the novel’s great strengths is its ability to juxtapose the deeply personal with the historically and culturally significant.
While Toru’s story is intimate and introspective, it is interwoven with threads of Japanese history, particularly the atrocities of the Second World War. These historical narratives, told through the recollections of various characters, deepen the novel’s scope, turning it into a meditation on the lingering wounds of the past and their impact on the present.
“The Wind-Up Bird Chronicle” also delves into themes of connection and alienation, power and vulnerability, and the search for meaning in a world that often feels inexplicable. Toru’s journey is not just a physical quest but a spiritual and emotional odyssey, forcing him to confront the unseen forces that shape his life and the lives of those around him.
Murakami’s use of symbolism and recurring motifs — cats, wells, and the titular wind-up bird — adds layers of mystery and interpretive richness to the novel. These elements, coupled with the novel’s nonlinear structure and surreal interludes, create a reading experience that is both immersive and disorienting, drawing readers into a world that is as unsettling as it is beautiful.
For longtime fans of Murakami, “The Wind-Up Bird Chronicle” is quintessential, showcasing the author’s ability to blend the banal with the extraordinary. For new readers, it offers an expansive introduction to his universe, though its complexity may require patience and reflection.
Ultimately, “The Wind-Up Bird Chronicle” is a profound exploration of the human condition — its mysteries, its contradictions, and its quiet beauty. It is a novel that refuses to offer easy answers, instead inviting readers to embrace its ambiguities and immerse themselves in its layered, dreamlike world. Murakami has crafted a story that is as haunting as it is enlightening, leaving an indelible mark on those who dare to journey into its depths.