NEW YORK: The case against Harvey Weinstein took on an international dimension Thursday, with police in New York and Britain launching investigations — while a fourth woman accused the movie mogul of rape.
An avalanche of claims of sexual harassment, assault and rape by the hugely influential Hollywood producer have surfaced since the publication last week of an explosive New York Times report alleging a history of abusive behavior dating back decades.
On Thursday, American actress Rose McGowan became the fourth woman to accuse Weinstein of raping her.
A spokesman for the New York Police Department meanwhile confirmed to AFP it was investigating a 2004 case, but provided no details.
The New York Daily News reported that the case involved aspiring actress Lucia Evans, who earlier told the New Yorker magazine that Weinstein had forced her to perform oral sex on him.
And a statement from Scotland Yard said the Metropolitan Police were investigating “an allegation of sexual assault by Merseyside Police.” It did not elaborate.
The Daily Telegraph said the case involved an actress now understood to be living in the Liverpool area.
McGowan berated Amazon CEO Jeff Bezos in a blistering series of tweets on Thursday, claiming she told Amazon Studios chief Roy Price that Weinstein had raped her but was ignored.
“Over & over I said it. He said it hadn’t been proven. I said I was the proof,” she wrote.
Amazon Studios later said that Price — who has also been accused of sexual harassment by TV producer Isa Hackett — was “on leave of absence effective immediately.”
On Wednesday, Weinstein was seen in public for the first time in days when paparazzi descended upon him as he left his daughter’s home in Los Angeles.
“Guys, I’m not doing OK but I’m trying,” he said in a video obtained by ABC. “I got to get help. You know what, we all make mistakes.”
As he climbed into an oversized sports utility vehicle, he said he hoped people would give him “a second chance.”
The TMZ website reported that Weinstein later flew to Arizona to enter a rehabilitation center, possibly The Meadows, a facility northwest of Phoenix where golfer Tiger Woods and supermodel Kate Moss have been treated.
The allegations against a man who is a prominent supporter of liberal causes and a major Democratic Party fundraiser sent tremors through the party, with conservatives accusing Barack Obama and Hillary Clinton of waiting too long to disavow Weinstein.
Obama eventually said he was “disgusted” and Clinton that she was “appalled” by the alleged acts.
The allegations against one of cinema’s titans — a man whose studio has garnered more than 300 Oscar nominations — have shaken Hollywood, which has long battled a reputation for exploiting female actors, bypassing female directors and overlooking female-centered scripts.
Weinstein’s accusers include such bold-named actresses as Angelina Jolie, Gwyneth Paltrow, Mira Sorvino, Kate Beckinsale and actor/singer Ashley Judd.
Meanwhile Jane Fonda, the two-time Academy Award winning actress, Thursday told the BBC’s “Hardtalk” program she heard of the accusations against Weinstein a year ago — admitting she “should’ve been braver” in voicing the claims.
She added she did not publicly speak out to protect his accusers’ privacy.
The catalogue of allegations ranges from verbal harassment and physical intimidation to forced sexual contact. Some of the lesser complaints can no longer be prosecuted owing to statutes of limitation.
Along with McGowan and Evans, two other women have accused Weinstein of rape: Italian star Asia Argento and another woman who has remained anonymous.
In New York, there is no statute of limitations in rape cases.
Authorities there have not yet filed charges in the 2004 case, but are encouraging anyone with information to come forward, said J. Peter Donald, a New York Police Department spokesman.
California — responding to the slew of sexual assault allegations against comedian Bill Cosby — last year ended its statute of limitations for rape cases.
But the change was not retroactive, so most cases 10 years old or older could not be prosecuted.
The parallels between Weinstein’s situation and that of Cosby are striking: several presumed victims have come forth in both cases, their complaints reach back decades and both powerful men reached secret settlements with some of their accusers to keep them quiet.
Weinstein, like Cosby before him, has insisted that all the sexual contacts that have emerged were consensual. Through a spokeswoman, he has apologized for his behavior but denied specific charges and threatened to sue the Times.
But with the allegations pouring in, he was fired by the eponymous company he co-founded, and his wife, actress Georgina Chapman, said she plans to divorce him.
New York, London police investigating Weinstein amid fourth rape allegation
New York, London police investigating Weinstein amid fourth rape allegation
Elyanna draws the curtain on ‘Woledto’ tour, looks forward to ‘next chapter of 2025’
DUBAI: Chilean Palestinian singer Elyanna concluded her “Woledto” (“I Am Born”) tour with a heartfelt message on Instagram, just weeks after winning Best Arab Indie Artist and Best New Artist at the inaugural Billboard Arabia Music Awards in Riyadh in December.
Elyanna launched her “Woledto” album in April and kicked off the tour in October, performing across North America and Europe. She graced stages in 30 cities, including Barcelona, Paris, London, Brussels, Berlin, Stockholm, Montreal, Toronto, Washington, Houston, and more.
“Feeling emotional and grateful of what this album and the tour has given me and given my fans,” she wrote. “It was a gathering of community to spread light and preach across each city and theater.”
She also hinted at upcoming projects, stating: “The sunrise and the rebirth of the ‘Woledto’ project is just (the) start for the next chapter of 2025. Arabic is the music of the soul and the sun. Grateful for all the talented people that believed in this project and helped with the vision to come to life this tour (sic).”
Elyanna’s debut album featured nine songs: “Woledto,” “Ganeni,” “Calling U,” “Al Sham,” “Mama Eh,” “Kon Nafsak,” “Lel Ya Lel,” “Yabn El Eh” and “Sad in Pali.”
Before releasing the album, she wrote to her Instagram followers: “This album is the embodiment of pride to be an Arab woman, to be from Nazareth, to be from the Middle East.
“This is the closest I’ve been to where I come from,” she added. “The only feature on my album is my grandfather.”
The Los Angeles-based singer’s music is a mix of Arabic and Western beats, which she attributes to her multicultural upbringing.
Elyanna has been normalizing Arabic lyrics in the Western world throughout her career, taking inspiration from artists including Lana Del Ray and Beyonce, as well as Middle Eastern legend Fayrouz.
She recently lit up New York’s Times Square when she was featured on a Spotify Arabia billboard, highlighting the streaming platform’s “Equal Arabia” playlist.
Elyanna is set to perform live with British hitmakers Coldplay when the band heads to Abu Dhabi for four shows in the UAE capital in January 2025.
Festive season’s guide to dining in Saudi Arabia
- Roasts, sweets and music on the menu for brunch, lunch and dinner in Riyadh, Jeddah and AlUla
DUBAI: Celebrate with friends and family this festive season as hotels and bakeries in Saudi Arabia host special dining events and offerings on Christmas Day.
Riyadh’s Fairmont Ramla has four packages for its festive dinner, including the “Just the Roast” offering, which features a roast turkey with traditional stuffing for SR899 ($239).
Other turkey offerings with sides include the silver package with pomegranate or orange glaze for SR1,299; the gold package with the same glaze for SR1,499; and the diamond package for SR1,599.
Fairmont Hotel Riyadh has a festive brunch from 12:30 p.m. to 5 p.m. at 365 Restaurant, offering a buffet complemented by live entertainment for SR320. The hotel is also offering a “Turkey to Go” takeaway package that serves six to eight for SR1,200 until Dec. 31.
Four Seasons Hotel Riyadh’s Obaya Lounge is offering a festive set menu on Christmas Day from 12 p.m. until 3:30 p.m. for SR380 per person.
Also, the hotel’s Cafe Boulud by Chef Daniel Boulud has a festive menu combining traditional French ingredients with a modern twist from 12:30 p.m. until 4 p.m. on Dec. 25 for SR600 per person.
Also in Riyadh, the Mandarin Oriental Al-Faisaliah is offering a festive lunch at La Brasserie from 12:30 p.m. to 4:30 p.m. on Dec. 25 for SR245 per person.
Over in AlUla and Sass — the desert outpost of the fine-dining celebrity hotspot from Monaco — launched a new menu on Dec. 24. Diners can also enjoy a festive-themed saxophone performance on Dec. 25 and 26.
To end things on a sweet note, Rosewood Jeddah’s Soleil Cafe is offering festive treats for the season, including assorted cookies, German stollen, a traditional yule log and a Raffaello ball.
Artist William Brooks seeks fresh inspiration in Saudi Arabia’s Diriyah Art Futures program
- Hub picks 12 artists for inaugural scheme
DUBAI: Saudi creative hub Diriyah Art Futures has handpicked 12 artists for its inaugural Emerging New Media Artists Program this winter, with Welsh talent William Brooks making the cut.
Set to run for one year, the newly launched program offers access to professional equipment and facilities, a production budget, learning experiences with international guest professors specializing in new media art, and mentorships.
Brooks spoke to Arab News about his artistic process and what he hopes to gain from the opportunity.
“The prospect of working in a place that is culturally and geographically far removed from my homeland offers a unique experience,” he explained.
“I anticipate that the historical significance of Diriyah, combined with the vibrant contemporary discourse on art, technology, and culture in the region, will inform new directions in my work and deepen my engagement with the concepts I explore.”
To work with a global cohort of artists, researchers and mentors is something Brooks is particularly looking forward to, and he added: “I believe a crucial aspect of being an artist is being inquisitive. This opportunity affords me the means to draw from a diverse and far-reaching wealth of knowledge.”
When it comes to his work, the multi-disciplinary artist has most recently been experimenting with the medium of installation in a bid to merge historical processes with new technologies. His most recent work, for example, “(conflates) the use of traditional etching processes on metal with digital imaging of the often overlooked but pervasive presence of digital communication.”
Brooks’ interest in digital signals and their vital role in daily modern life aims to explore and highlight how “these connections shape our interactions and identities in ways we often overlook.”
He added: “By making these digital elements visible, I aim to spark reflection on the implications of living in a world increasingly mediated by technology.”
Despite the seemingly futuristic nature of his work, the artist is keen to look back at history to inform his process.
He said: “When approaching a project, I start by immersing myself in archival materials, historical documents, or artifacts, aiming to uncover the ways in which older technologies or media forms were once used, understood, and experienced.
“This historical research is an attempt to see how these past media forms can recontextualize and critique present-day technological advancements.”
Brooks recognizes that it is no mean feat to translate such abstract concepts into physical artworks and pointed to his 2022 work “Radio Tapestry” as a piece he is particularly proud of.
He said: “This work involved translating data from wireless networks and digital devices into a visual and sonic installation of etched plates, allowing the audience to experience the otherwise invisible electromagnetic signals that we rely upon and surround us every day.
“The challenge lay in not only making the technology function smoothly, but also in creating an installation that communicated the conceptual depth of the work — highlighting how these intangible signals shape our environment.”
‘Mufasa’ filmmaker and cast dish on ‘Lion King’ prequel
DUBAI: US filmmaker Barry Jenkins, known for his unique storytelling approach in films like the Oscar-winning “Moonlight” and “If Beale Street Could Talk,” was never in the business of making CGI-heavy blockbusters. But when Disney calls, you answer.
“Mufasa: The Lion King,” a prequel to the 2019 photorealistic telling of the 1994 classic, sees Jenkins take the directorial baton from Jon Favreau — and he says a vital piece of advice from the latter helped him see the project through.
“His advice was very simple and concrete. He said, ‘Just forget about the tech. Forget about the tech and just find whatever way you can to tell the story in your voice.’ It was really crucial,” Jenkins told Arab News.
“We still, of course, had to learn the technology, and sort of master it. But we realized very quickly we weren’t beholden to the way the technology was being presented to us, and that we could sort of mold it and meld it to fit our storytelling principles.”
Exploring the unlikely rise of the beloved king of the Pride Lands, “Mufasa” enlists Rafiki (John Kani) to relay the legend of Mufasa (Aaron Pierre) to young lion cub Kiara (Blue Ivy Carter), daughter of Simba (Donald Glover) and Nala (Beyonce), with Timon (Billy Eichner) and Pumbaa (Seth Rogen) lending their signature schtick.
Told in flashbacks, the story introduces Mufasa as an orphaned cub who meets a sympathetic lion named Taka (Kelvin Harrison Jr.) — the heir to a royal bloodline. Their chance meeting sets in motion an expansive journey for the adoptive brothers, with their bonds tested as they work together to evade a deadly foe.
The concept of found family is integral to “Mufasa,” and while there are no surprises as to Taka’s eventual identity, Jenkins says telling his story was as important as telling Mufasa’s.
“When I first read the script, I was surprised and moved by the depth of this backstory. But then I was like, why am I surprised? Because when you watch the 1994 film, Jeremy Irons is bringing so much heartache, so much woundedness, so much bitterness to this performance. And this story is really about the energy of that woundedness, of that heartbreak. And so, I shouldn't have been surprised,” said Jenkins.
“But once I read the script, I did realize that the success of the film, the emotional success of it, was going to depend on the quality of that bond and the way we detail it. So it was really important to us,” he added.
Charged with making the film’s music Lin-Manuel Miranda, creator of the pop culture phenomenon “Hamilton.” Jenkins says he couldn’t have found a more perfect collaborator.
“I just always have admired how earnest Lin is in his work. If you look at interviews of him speaking about anything he’s done, you can tell he’s so earnest and passionate about what he does. And you know, you can’t make the ‘Lion King’ in a cynical way. You have to be just earnest about it. And I thought when it came to this idea of making a musical, I’ve never done that, so let me work with someone who has and who’s done it very well,” said Jenkins.
The star-studded cast — including Mads Mikkelsen, Billy Eichner and Seth Rogen — bring fresh perspectives to the beloved “Lion King” universe.
When asked what made him say yes to the project, Mikkelsen — who plays the villainous albino lion Kiros — said that apart from the fact that he simply “loved lions,” he could see the parallels between Mufasa and his character.
“There’s not a big difference between Mufasa and Kiros. In the sense of their upbringing, except that Mufasa loses his parents in the beginning. They don’t throw him out. And that’s the opposite story with Kiros. He was abandoned. He’s an albino lion, and in the animal kingdom, it’s a no-go. So, his heart is darker than Mufasa. There’s no hope in his heart. That’s just survival. And so, he finds his own pride, and he wants a piece of the cake. He wants the entire cake,” Mikkelsen said.
Bringing the laughs in “Mufasa” are Eichner and Rogen, returning to play Timon and Pumbaa, respectively.
For Eichner, the film brings him strangely full circle.
“I saw the original in 1994 with my parents in the movie theater. I remember that. And then, strangely enough, several years later, when it went to Broadway in the very acclaimed Broadway production, I was right out of college and one of my first jobs was being a bartender at the ‘Lion King’ on Broadway. And I didn’t get to see the show. They wouldn’t let you watch the show, but they would pipe the audio from the show into the lobby so that we could hear it and know when intermission was coming. So, I’ve heard a lot of ‘Lion King’ in my life,” he said.
Rogen enjoyed collaborating closely with Eichner as they recorded their parts together, allowing them to work more organically.
“We get to record together, which is really rare in these types of movies. I think a lot of the dynamic that we have in the movies wouldn’t be possible if we were recording it two different times were, like, really interactive with one another and building off of what the other person’s saying in the moment. And it’s very fast as well. And yeah, it’s just really cool to get afforded the opportunity to carve out a little section of these giant, expensive franchise movies with our little brand of improvizational comedy. It’s cool that they let us do that,” Rogen said.
When asked if they could recall any of their improvised bits in the movie, Rogen said: “There’s some meta jokes that break the fourth wall. Billy makes some references to the Broadway show. We have a lot of jokes on how we wish we had more songs and more screen time. I mean, all that stuff that was just really making us laugh as we were doing it. And no part of me thought it would make it into the movie, honestly, but a lot of it made it into the movie.”
Eichner added: “I also like when Timon and Puma become a little bitter and resentful at Rafiki because he’s inserting himself into the story, but not giving us a part in it. At the premiere, actually, which is the first time I saw it with an audience, I had forgot about that. And that was kind of surprising that we’re allowed to do that in the movie, but it almost feels like that part is more for the adults in the crowd.”
Sofia Carson flaunts Lebanese labels at New York performance with Andrea Bocelli
DUBAI: Singer and actress Sofia Carson continued her love affair with powerhouse Lebanese designers at two shows in New York this week, after showing off looks by Elie Saab and Zuhair Murad at promotional events on numerous occasions this year.
Carson performed at New York’s Madison Square Garden alongside legendary Italian tenor Andrea Bocelli this weekend in a scarlet gown from Elie Saab’s Autum/ Winter Couture 2022 line. One day later, she hit the stage for part two of the event in a black, off-the-shoulder taffeta dress from Zuhair Murad’s ready-to-wear pre-Fall 2024 collection.
“As I stepped off stage, my mom, my dream maker, held my hand and asked me what I felt. . . I said ‘I feel elated,’” Carson captioned a carousel of behind-the-scenes shots on Instagram, in which she is wearing Murad’s creation.
In October, the singer and “Purple Hearts” actress was spotted in New York in a caped Elie Saab couture look from the maison’s Spring/Summer 2024 collection, while earlier that month she hit the red carpet in Rome in another gown by the designer.
Carson showed off a sea green gown from Elie Saab’s Fall/Winter 2023 couture collection at the “Andrea Bocelli 30 - The Celebration” premiere in Rome.
The A-symmetrical neckline and sweeping ballgown skirt brought a dose of glamor to the red carpet, with Carson opting for a sleek up-do and diamond-and-emerald earrings.
“Honored to have been by your side as we premiered your film,” the actress posted on Instagram alongside a photo in which she is seen posing with Bocelli.
The film chronicles Bocelli's three-day July concert event in Italy honoring his 30th anniversary in the music industry.
Rewind to May and Carson was seen in the French Riviera as she walked the Cannes Film Festival red carpet in yet another look by Saab. The star opted for an olive-toned ensemble from the designer’s Spring/ Summer 2024 couture collection.
Carson is something of a fan of Lebanon’s couturiers — in 2022 the actress attended the Global Citizen Festival in New York a coordinating look from Zuhair Murad’s Resort 2023 collection, while in late 2023, the actress cut an elegant figure in a Zuhair Murad gown at the second annual Cam for a Cause event in memory of her former co-star Cameron Boyce.
