LONDON: With the 100-year anniversary of the signing of the Balfour Declaration approaching, tensions are already rising around how the centenary of the controversial document should be marked.
The declaration — which saw the British government support a ‘national home’ for Jews in Palestine without prejudicing the rights of “non-Jewish communities” — is seen as the first step toward the creation of Israel in 1948.
Just this week, Manchester University faced criticism for allowing an event to take place later this month that is seen to ‘celebrate’ the declaration. The planned Balfour 100 event has been seen by some as offensive to students of Palestinian origin whose families lost land in the eventual creation of Israel and continue to suffer today from the fallout from the agreement.
The 1917 document is also the subject of a number of TV programs, documentaries and film screenings planned ahead of the Nov. 2 anniversary.
The BBC is planning to air a documentary presented by reporter Jane Corbin where she examines her personal connection to the story through one of her own ancestors, Leo Amery.
Amery was a British politician who played a key role in drafting the document and oversaw British rule in Palestine during the 1920s. The documentary — The Balfour Declaration: Britain’s Broken Promise — is to be aired on BBC 2 on Oct 31.
“This documentary reflects a wide range of voices, but it is also a personal story about Jane’s own connections to the Balfour Declaration and career reporting from the Middle East,” a BBC spokesperson told Arab News.
There are also a number of independently-produced documentaries to be screened in the coming weeks. A film called “From Balfour to Banksy: Divisions and Visions in Palestine” is a not-for-profit film being previewed later this month in London, with an official launch taking place in November.
The documentary has been produced by political activist, Miranda Pinch and directed by Martin Buckley, who has worked as a BBC producer. It traces the story of Palestinians following the Balfour agreement covering issues such as poverty, lack of opportunity for young Arabs and continued dispossession, according to the film’s website.
A UK-based organization Independent Jewish Voices has also released a short film called 100 Years After Balfour, which aims to challenge the notion that the centenary is a time for celebration.
‘This autumn, many in the Jewish community as well as the UK government are celebrating this centenary. This new film by Independent Jewish Voices shows that a significant minority of Jews in Britain take a different view, seeing this as a time to reflect on the profoundly negative consequences of the Balfour Declaration, especially for the Palestinians,” said the historian Avi Shlaim on the network’s website.
The film is being screened at a number of London locations in the coming weeks as well as at an event to be held by the Balfour Project in late October. The Balfour Project is an organization that aims to recognize and learn from the mistakes in British foreign policy and work to protect the rights of Palestinian people.
“Our focus is on Britain,” said John Bond, spokesperson at the Balfour Project. “Our challenge is you can’t go back over the past, you’ve got to face the situation as it is now.
“But we did make a hell of a mess of it back in the time when we were ruling through a fair amount of duplicity. The situation Britain is now in is ‘let’s see what we can do now to improve the situation’, and that is mainly strengthening the capacity of the Palestinian side, because that is what we haven’t done and there is a lot that Britain could help with,” he said.
Filmmaker Karl Sabbagh — who has previously produced documentaries for BBC and Channel 4 among others — is also in the process of completing a documentary on the fallout from the Balfour agreement.
He said the Palestinian-Israeli conflict is an area than mainstream media fail to properly address due to fears of being accused of bias, as well as being overwhelmed by too much Middle East-focused content.
“The usual reply you get (from mainstream TV channels) is that they are up to their ears in Middle East stuff and they don’t want anymore,” he said. “The other reason is that they are terrified of being accused of anti-semitism if they put on anything near to what I consider to be the ‘truth’ about the situation,” he said.
In response to such comments, the BBC spokesperson said: “The BBC has a long history of reporting from the region and is committed to covering all aspects of a very complex conflict in a fair, balanced and impartial way without fear or favor.”
Documentary makers prepare to tackle the Balfour story
Documentary makers prepare to tackle the Balfour story
Renowned Lebanese journalist quits MTV over death threats by alleged Hezbollah supporters
- ‘I decided to leave MTV because of the intimidations that reached the point of death threats,’ says Dr. Eman Shweikh on X
- Samir Kassir Eyes Center reports that since Nov. 12 Shweikh had been subjected to a campaign of threats, incitement, accusations of treason
DUBAI: A renowned Lebanese journalist has taken to social media platform X to announce her departure from MTV following alleged death threats believed to have been made by supporters of Hezbollah.
Not mentioning the Iran-backed group by name, Dr. Eman Shweikh, a TV presenter at MTV, journalist and university professor, wrote: “I decided to leave MTV because of the intimidations that reached the point of death threats and the harassment that I am exposed to, which reached the point of following me home and chasing me on the road, in addition to harassing my family.”
The Samir Kassir Eyes Center reported that since Nov. 12 Shweikh had been subjected to a campaign of threats, incitement and accusations of treason due to her political opinions that she publishes on X, and because of her work for MTV.
The purported threats and harassment prompted her to leave her job at the channel.
The TV presenter added in her tweet: “The (Lebanese) state is absent, and laws are inexistent, and I do not want to expose my life and the lives of my family to danger. I want to live in safety and peace. Thank you to the Chairman of the Board of Directors of MTV Michel Murr.”
Shweikh’s tweet received thousands of likes and hundreds of retweets and comments.
Replying to her tweet, advocate Tarek Chindeb said: “The threat to kill journalist Eman Shweikh makes us believe at every moment that we cannot build a state in Lebanon in the presence of illegal weapons and militias outside accountability.”
Expressing solidarity, Chindeb hoped that the Lebanese security and judicial authorities would do their duty to protect her, and arrest the culprits.
Political analyst Magdi Khalil also replied to Shweikh’s tweet, saying: “Ideological militias do not know participation, but rather overpowering. They do not know dialogue, but rather the threat of violence.”
MTV journalist Nawal Berry and cameraman Dany Tanios were attacked in July while attempting to cover the aftermath of an Israeli airstrike on Beirut’s southern suburb, a Hezbollah stronghold.
It was not the first time Berry and her team had been assaulted by Hezbollah loyalists. During the early days of the Oct. 17 revolution in 2019, she and her team faced a violent attack and had their camera smashed.
Supporters of Hezbollah have a history of assaulting and threatening journalists. Targets have included Layal Alekhtiar, who received death threats in 2021 and faced legal action last year for interviewing an Israeli spokesperson; Dima Sadek; Ali Al-Amin; and others.
At the time of publishing, Shweikh could not be reached for comment.
What is Bluesky, the fast-growing social platform welcoming fleeing X users?
- Bluesky said in mid-November that its total users surged to 15 million, up from roughly 13 million at the end of October, as some X users look for an alternative platform to post their thoughts and talk to others online
SAN FRANCISCO: Disgruntled X users are again flocking to Bluesky, a newer social media platform that grew out of the former Twitter before billionaire Elon Musk took it over in 2022. While it remains small compared to established online spaces such as X, it has emerged as an alternative for those looking for a different mood, lighter and friendlier and less influenced by Musk.
What is Bluesky?
Championed by former Twitter CEO Jack Dorsey, Bluesky was an invitation-only space until it opened to the public in February. That invite-only period gave the site time to build out moderation tools and other features. The platform resembles Musk’s X, with a “discover” feed and a chronological feed for accounts that users follow. Users can send direct messages and pin posts, as well as find “starter packs” that provide a curated list of people and custom feeds to follow.
Why is Bluesky growing?
Bluesky said in mid-November that its total users surged to 15 million, up from roughly 13 million at the end of October, as some X users look for an alternative platform to post their thoughts and talk to others online. The post-election uptick in users isn’t the first time Bluesky has benefited from people leaving X. The platform gained 2.6 million users in the week after X was banned in Brazil in August — 85 percent of them from Brazil, the company said. About 500,000 new users signed up in one day in October, when X signaled that blocked accounts would be able to see a user’s public posts.
Across the platform, new users — among them journalists, left-leaning politicians and celebrities — have posted memes and shared that they were looking forward to using a space free from advertisements and hate speech. Some said it reminded them of the early days of Twitter more than a decade ago.
Despite Bluesky’s growth, X posted after the election that it had “dominated the global conversation on the US election” and had set new records.
Beyond social networking
Bluesky, though, has bigger ambitions than to supplant X. Beyond the platform itself, it is building a technical foundation — what it calls “a protocol for public conversation” — that could make social networks work across different platforms — also known as interoperability — like email, blogs or phone numbers.
Currently, you can’t cross between social platforms to leave a comment on someone’s account. Twitter users must stay on Twitter and TikTok users must stay on TikTok if they want to interact with accounts on those services. Big Tech companies have largely built moats around their online properties, which helps serve their advertising-focused business models.
Bluesky is trying to reimagine all of this and working toward interoperability.
Media group IMI and UAE Media Council sign deal to recruit and train local talent
- Collaboration is part of the Media Apprenticeship Program launched last year by the Media Council and the Emirati Talent Competitiveness Council
- It targets existing Emirati media professionals, as well as graduates and final-year students in media-related studies
DUBAI: IMI, a media group in the UAE formerly known as International Media Investments, has signed a cooperation agreement with the UAE Media Council to train and recruit local talent and develop media infrastructure in the country.
The initiative is part of the Media Apprenticeship Program, an initiative launched in May 2023 by the UAE Media Council and the Emirati Talent Competitiveness Council. It targets existing Emirati media professionals, as well as graduates and final-year students in media-related studies, with the aim of developing the next generation of talent in the nation’s media sector.
The agreement was signed at IMI’s new headquarters in Abu Dhabi by Mohammed Saeed Al-Shehhi, secretary-general of the UAE Media Council, and Rani Raad, CEO of the recently rebranded IMI Group, which owns several news outlets including Sky News Arabia, The National newspaper, Al-Ain News and CNN Business Arabic.
“We are proud to be the first global media group in the UAE to partner with the UAE Media Council on this initiative,” said Raad.
IMI Group, he added, can offer “aspiring Emirati talent unique opportunities to learn about the best media assets and standards” through its network of companies and the IMI Media Academy.
Launched in September, the IMI Media Academy employs the latest learning methodologies and offers an advanced curriculum focusing on the media industry, journalism and content creation.
Al-Shehhi highlighted the need to forge stronger partnerships with private media companies, and for cohesive country-wide efforts to develop the sector.
He said the partnership with IMI demonstrates the Media Council’s “commitment to empowering the media sector to attain global leadership by investing in the development of national skills and talents and equipping them with the latest media tools and technologies.”
It also aligns with the council’s desire “to nurture a new generation of talents capable of spearheading the sector and achieving significant accomplishments in the future,” he added.
Spotify introduces ‘Fresh Finds Saudi: Class 2k24’ residency program for emerging talent
- Initiative covers songwriting and music production, music marketing, music rights and industry knowledge, and touring and performing
- The Kingdom is an ‘incredibly exciting market’ for Spotify, says platform’s regional managing director
DUBAI: Spotify this month introduced Fresh Finds Saudi: Class 2k24, the first iteration of a program dedicated to the promotion and development of the emerging music scene in the Kingdom.
“We’re incredibly thrilled to launch Fresh Finds Saudi: Class 2k24 and are eager to see the impact it will have on the career growth of the selected artists,” Akshat Harbola, managing director of Spotify in the Middle East and North Africa region, told Arab News.
The program, which ran from Nov. 6 to 11, represented “a long-term investment in nurturing up-and-coming talent, starting with a residency format this year,” he added.
It brought together four local talents who feature on Spotify’s Fresh Finds Arabia playlist, a showcase of the best new music by independent artists and labels from the region: BrownMusic, known for merging Arabic and English lyrics with contemporary experimental electronic beats; hip-hop artist Grzzlee; Kali-B, a singer, songwriter and producer; and Seera, an all-female Arabic psychedelic rock band.
They were chosen by Spotify’s local editorial team as “standout talent” that had “already made an impression on our Fresh Finds Arabia playlist,” Harbola said.
Spotify seeks to showcase different musical genres through the program, he added, and so “we took special care to prioritize a diverse range of styles that highlight the new generation of creators” from Saudi Arabia. The selected artists “have proven they can connect with listeners and are ready to elevate their careers.”
The residency program provided them with support, mentorship and a host of resources aimed at accelerating their growth as artists and expanding their presence in the Saudi music industry, Spotify said.
The program’s curriculum focused on four topics: songwriting and music production; music marketing; music rights and industry knowledge; and touring and performing.
Experts such as lyricist, writer and creative director Menna El-Kiey, and musicians and producers Ntitled, El Waili, Soufiane Az and Ismail Nosrat, offered guidance to the participants on songwriting, beat-making, mixing and mastering.
Amin Kabbani, vice president of Arabic talent at entertainment company Live Nation Middle East, provided insights into planning and executing a successful tour, managing logistics and engaging with fans.
Sony Publishing MENA led the session on music rights and industry knowledge, during which the participants learned about intellectual property, and how to protect their work and navigate the business side of their art.
Spotify also worked with the artists to record new tracks at creative hub Merwas in Riyadh, and the results will be released by the end of the year. Nada Al-Tuwaijri, the CEO of Merwas, said the studio is “committed to nurturing talent and providing artists with the tools and environment they need to unlock their creative potential.”
She added: “The Fresh Finds Saudi: Class 2k24 initiative aligns perfectly with our vision of supporting emerging talent in the Kingdom, the region and beyond.”
Harbola said that the Kingdom is “an incredibly exciting market” for Spotify and although he was “unable to share specific listenership rankings, the level of engagement in Saudi Arabia is truly remarkable.”
The company is seeing a “strong surge” in the popularity of pop music, especially Egyptian pop, and Khaleeji music, “which remains central to Saudi listeners,” he added.
The platform’s focus on the Kingdom has grown in recent months through initiatives such as “Tarab,” a campaign that celebrated Khaleeji music and spotlighted Saudi-based RADAR Arabia artist Sultan Al-Murshed in New York’s Times Square.
Harbola said that the burgeoning local music scene and audience engagement on Spotify is driving the company’s efforts to introduce initiatives such as Fresh Finds Saudi: Class 2k24 and commit to them on a long-term basis
“While we don’t have set dates for future iterations (of the residency), our focus remains on curating unique experiences tailored to artists’ needs in different markets, whether through this initiative or other Spotify Music Programs across MENA,” he added.
Lebanese journalist Soukaina Mansour Kawtharani killed in Israeli strike on Joun
- Her death brings the toll of Lebanese media workers killed to 12
LONDON: Lebanese journalist Soukaina Mansour Kawtharani was killed alongside her two children and other family members in an Israeli airstrike on a three-story residential building in Joun, near Sidon in southern Lebanon.
Kawtharani, who worked as a correspondent for Radio Al-Nour, a station seen as close to Hezbollah, was reported dead on Wednesday by the radio station.
The airstrike targeted the building, which was housing displaced families, on Tuesday.
Joseph Qosseifi, president of the Lebanese Press Editors’ Association, condemned the attack, calling it a “crime” and urging international human rights organizations, the International Criminal Court, the General Federation of Arab Journalists and UNESCO to take action.
In a statement issued through the official National News Agency, he said: “The Israeli enemy makes no distinction between civilians and combatants in its bombardments, violates every law, charter and pact, and speaks only the language of fire and blood.”
The building, reportedly owned by the Ghosn family — relatives of Carlos Ghosn, the Brazil-born French Lebanese businessman and former automotive executive — was completely destroyed in the strike, which killed 15 people, including eight women and four children, and injured 12, according to the Health Ministry.
Kawtharani’s death brings the number of Lebanese journalists and media workers killed since the beginning of the Israeli-Hamas conflict to 12, according to the Lebanese Press Editors’ Association.
