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President Macron attends Abu Dhabi Louvre’s official opening

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Chairman of Abu Dhabi’s Tourism and Culture Authority, Mohamed Khalifa Al-Mubarak, 2nd left, and French President Emmanuel Macron, center, listen to project designer French architect Jean Nouvel, 2nd right, as they visit the Louvre Abu Dhabi Museum during its inauguration in Abu Dhabi, United Arab Emirates, Wednesday, Nov. 8, 2017. (Ludovic Marin/Pool photo via AP)
Updated 09 November 2017
Arab News
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President Macron attends Abu Dhabi Louvre’s official opening

Updated 09 November 2017
Arab News

DUBAI: The Louvre Abu Dhabi saw its official opening on Wednesday, drawing French President Emmanuel Macron to the Middle East on his first official visit.

Pausing to shake hands on a red carpet lining the all-white path leading to the museum, Macron and France’s First Lady walked side by side with Abu Dhabi Crown Prince Sheikh Mohammed bin Zayed and Vice President and Prime Minister of the UAE and Ruler of Dubai Sheikh Mohammed bin Rashid.

Macron, who is also scheduled to hold talks with UAE officials, toured the 12-gallery museum – the first to carry the famed Louvre brand outside France – shortly after touching down in Abu Dhabi, along with the heads of state of Morocco and Afghanistan.

The new museum was a “bridge between civilizations,” he said at the opening. “Those who seek to say that Islam is the destruction of other religions are liars.”
Sheikh Mohammed said: “The Louvre Abu Dhabi will be a meeting point for lovers of art, culture and beauty all around the world. With the opening of this museum, Abu Dhabi has become the capital of art, architecture and mankind’s heritage.”

The opening comes a decade after France and the UAE agreed to a 30-year partnership initially reported to be worth $1.1 billion, including nearly half a billion dollars for the rights to the Louvre brand alone. It is the first to the carry the Louvre brand outside of France.

However Jean-Luc Martinez, president-director of the Louvre Museum in Paris, said at an earlier press conference that the Louvre Abu Dhabi was an Emirati museum.

“This is an Emirati project, in keeping with the UAE leaders’ vision of a knowledge movement in the 21st century, and France shares its knowledge,” he said.

The design of the building is the work of by France’s Pritzker prize-winning architect Jean Nouvel.

A silver-toned dome with perforated arabesque patterns appears to float over the white galleries, creating what Nouvel describes as a “rain of light.”
To reach the ground, each ray of light must cross eight layers of perforations, creating a constantly shifting pattern that mimics the shadows cast by palm trees or the roof of a traditional Arab market.

The Louvre Abu Dhabi is the first of three museums to open on Saadiyat Island, where the UAE plans to launch the Guggenheim Abu Dhabi, designed by Frank Gehry, and Norman Foster’s Zayed National Museum.

About five percent of the museum, which opens to the public on Saturday, Nov. 11, is dedicated to contemporary and modern art, including a piece by China’s Ai Weiwei.

His 23-foot-high “Fountain of Light” is a spiraling structure draped in crystals inspired by communist plans for a massive monument that never actually saw the light of day.

But the museum’s main focus is world history and religions. Among the exhibits are an early Qur’an, a gothic Bible and a Yemenite Torah, facing each other and open at verses carrying the same message.

Sheikh Mohammed later tweeted: “The dome of the Louvre Abu Dhabi contains a collection of astounding art collated from various cultures over thousands of years. The light it shines beckons civilizations to come together again in this cradle of humanity.”

Martinez said the new museum was designed “to open up to others, to understand diversity” in “a multipolar world.”

There are 300 pieces on loan, including an 1887 self-portrait by Vincent van Gogh and Leonardo da Vinci’s “La Belle Ferronniere.”

But the Emirates have also built its own permanent collection.

The Louvre Abu Dhabi is displaying more than 235 works of art from the Emirati collection, including Edouard Manet’s “The Gypsy” and works by Dutch abstract artist Piet Mondrian and Turkey’s Osman Hamdi Bey.

The authorities have put in place strict measures to protect the art from the heat as summer temperatures soar well above 40 degrees Celsius.

The artworks are also guarded by Emirati forces in coordination with French experts.

The museum is expecting somewhere in the region of 5,000 visitors in the first few days, according to Mohammed Al-Mubarak, chairman of the Abu Dhabi Culture and Tourism Authority.

“Because this is an international museum, we’re expecting visitors from around the world,” Mubarak had said at a media preview on Tuesday.

“So a museum visitor from China will find something that speaks to her, to her history. A visitor from India will find the same.”

(With AFP)

Topics: Louvre Abu Dhabi Abu Dhabi UAE Emmanuel Macron

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London calling: Saudi cafés and restaurants find footing in UK capital 

Updated 17 July 2025
Celine Hijazi
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London calling: Saudi cafés and restaurants find footing in UK capital 

  • A guide to finding a taste of home on your travels  
Updated 17 July 2025
Celine Hijazi

LONDON: As the number of Saudi expats and visitors in London continues to grow, it’s no surprise that Saudi-owned brands are rising in popularity in the British capital. So, if you’re planning to make the big move — or just visiting — but you’re concerned about feeling homesick, don’t worry; your favorite cafés are coming with you, making your mornings abroad feel a little more like home. 

Somewhere Café 

Somewhere Café has joint Saudi-Emirati ownership. (Supplied)

If you’ve visited Somewhere Café in the UAE or Saudi Arabia, then you’re already familiar with its unmatched ambiance, food, and décor. With its first UK outlet, the beloved café — which has joint Saudi-Emirati ownership — has brought its signature “home-away-from-home” experience, along with classic Middle Eastern flavors, to London’s premier department store: Harrods. 

“Inspired by our travels, we invite you to experience a piece of our journey. Much like finding a painting and bringing it home as a memento, Somewhere celebrates the unique from everywhere. The space is elegantly well-travelled, with an eclectic touch, showcasing Middle Eastern influences through craft and curation,” co-founder Amal AlMarri told Arab News. 

If you’re craving something beyond the ordinary, Somewhere Café delivers a fusion of flavors that reimagines nostalgic childhood dishes. Its most popular items include beef shawarma rice, kunafa croissant, and guacamole hummus. For lunch or dinner, you might try the crispy, golden shrimp kunafa or indulge in the rich truffle and cheese batata harra.  

To complement its bold menu, the café features a warm, dimly lit interior — a cozy and inviting space to relax with friends and family. Before you leave, the dessert menu — featuring a delectable farak French toast or French coffee baklava — deserves an equal amount of attention. 

Hijazi Corner 

At the helm is Chef Ayman Al-Zubaidi, who has cooked for Saudi royalty and celebrities. (Supplied)

London’s first Saudi restaurant — Hijazi Corner — is a vibrant addition to the city’s dynamic culinary scene. At the helm is Chef Ayman Al-Zubaidi, who has cooked for Saudi royalty and celebrities. The inspiration behind the restaurant? His mother’s kitchen. 

“When any chef starts to speak about food, they talk about their mum. Her chicken kabsa is a bit oily, a bit shiny, and looks amazing — even just talking about it now makes me hungry,” Al-Zubaidi told Arab News last year. “But even if I used the exact same ingredients and followed her method, hers would still taste better.” 

Rooted in tradition, the menu features dishes typically found in Saudi homes — especially Jeddah’s historic Al-Balad district, where Al-Zubaidi grew up. Highlights include chicken seelag, slow-roasted lamb haneeth, and delicate, flaky samboosek. 

In just two years, Hijazi Corner has become one of London’s most sought-after Middle Eastern restaurants — a testament to the deep longing among Saudi expats for authentic flavors from home. 

Qahwah London 

Qahwah London serves a range of traditional desserts such as baklava, kunafa, and basbousa. (Supplied)

For those pining for the traditional, rich, aromatic flavors of Arabic coffee, Qahwah London is exactly what you need, with a wide selection of authentic qahwah options, including a tangy, spiced black coffee or the café’s signature Royal Infusion — a warming blend of cinnamon, cardamom, and ginger. Feeling hungry? Qahwah London also serves a range of traditional desserts such as baklava, kunafa, and basbousa — the perfect pairing for a steaming cup of Arabic coffee. 

Guests can also book private gatherings for friends and family, or host intimate events like weddings or nikkah ceremonies. As part of its private offerings, the café provides a luxurious setting: rooms adorned with gold-plated coffee cups and an eye-catching assortment of traditional sweets — all designed to create a decadent group experience. 

Diwan Kitchen 

Diwan Kitchen captures a key element of Arab culinary culture: its deeply social nature. (Supplied)

Diwan Kitchen is perfect for Saudis in the UK who are craving not only an authentic bite from home, but the feeling of being back in the Kingdom. It captures a key element of Arab culinary culture: its deeply social nature.  

“We wanted to show people what traditional Saudi dining is like” Adem Nasraddin, co-founder of the restaurant, told Arab News on the restaurant’s opening night in May. “There’s a rhythm to Saudi life. A scent, a pace, a flavor. We bottled that feeling and served it on a plate.” 

The menu takes diners on a journey across the Kingdom, from the Hijaz region, with its rich, tangy foul medammas — served in the center of the table with bread for sharing — to Najd, with jareesh, a hearty stew-like dish topped with fresh meat and vegetables. 

Half Million 

½ M Café is on Oxford Street. (Supplied)

Grab a coffee and a quick bite at Half Million Café on Oxford Street, then stroll over to Hyde Park for the perfect London morning. 

As in its original location in Saudi Arabia, Half Million in London is committed to delivering a “premium coffee experience.” Whether you’re in the mood for a classic breakfast tea or a vibrant red berry infusion, there’s something to satisfy every craving. And when the sun is out, their iced coffees offer the perfect refreshment. The menu — from cakes and sandwiches to freshly baked pastries — is completely halal. 

If you’re after a bold, decadent brew in a sleek, stylish setting, Half Million Café is the ideal stop. With its modern cup designs and curated aesthetic, it’s a chic addition to London’s café scene. 

Topics: London Saudi cafes

Mona Khashoggi brings ‘Sinbad the Sailor’ to life on the London stage

Updated 16 July 2025
Hams Saleh and Saffiya Ansari
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Mona Khashoggi brings ‘Sinbad the Sailor’ to life on the London stage

Updated 16 July 2025
Hams Saleh and Saffiya Ansari

DUBAI: Saudi writer and producer Mona Khashoggi’s latest production, “Sinbad the Sailor,” was staged on Tuesday at London’s Sadler’s Wells Theatre, blending traditional Arab storytelling with contemporary performance. 

The family-friendly dance show was a vibrant reinterpretation of the legendary seafarer’s adventures, inspired by tales from “One Thousand and One Nights” and set in eighth-century Mesopotamia.

Khashoggi is a long-time advocate for reviving Arab arts through international collaborations. (Supplied)

The musical tells the story of Sinbad, who loses his fortune in a card game and goes on a journey to find new treasures. Along the way he faces sea monsters, wild adventures and magical caves. He meets a kind girl and together they find friendship, love and a way back home to Baghdad, where Sinbad inspires a young boy with his stories.

Khashoggi, a long-time advocate for reviving Arab arts through international collaborations, emphasized her decision to work with a global cast. “Because this is a dance show … I wanted the best ballet and contemporary dancers. My dancers are all professional from the Mathew Bourne school, English National Ballet and West End Musicals,” she told Arab News. 

Staging Sinbad in London is part of Khashoggi’s broader mission to spotlight Arab culture for international audiences. (Supplied)

“My lead Mark Samaras is in ‘Moulin Rouge.’ My creatives are from the West End with awards. I wanted to push the bar high and introduce an Arab story,” she added. “Mona Khash Productions is a British production. I always work and produce my shows in London before we tour internationally. London and the West End shows are the center and capital of theater in the world.”

Staging Sinbad in London is part of Khashoggi’s broader mission to spotlight Arab culture for international audiences. 

Traditional songs were gathered from Iraq, Lebanon, Egypt, Saudi Arabia and Syria, with the audience enjoying original compositions by Emirati composer Ihab Darwish. (Supplied)

“My work and passion is to revive our culture and bring it to a wider audience and international audience. My shows are educational and cultural. The dance and costumes are inspired by stories from ‘1001 Nights,’ set in Mesopotamia in the 8th century, during the era of Haroun El-Rashid and Queen Zubaida,” she said. 

Traditional songs were gathered from Iraq, Lebanon, Egypt, Saudi Arabia and Syria, with the audience enjoying original compositions by Emirati composer Ihab Darwish.

Director and choreographer Anjali Mehra, whose credits include “Jesus Christ Superstar” and "Lord of the Rings,” said: “The Middle East offers so many exciting social and celebratory dances.
“I was inspired by certain steps, foot rhythms, arm movements and stage patterns. With a mixed heritage cast, we were able to combine modern storytelling dance with classical technique and Arabic steps to bring ‘Sinbad the Sailor’ to life,” Mehra added.

Topics: Sinbad the Sailor Mona Khashoggi

Madinah exhibition showcases local heritage, crafts 

Updated 15 July 2025
Arab News
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Madinah exhibition showcases local heritage, crafts 

  • Three-day event, which ended on Tuesday, is among several Year of Handicrafts initiatives launched by the Ministry of Culture
  • Elements of heritage were embodied in palm-based crafts including baskets, incense burners, and decorative pieces
Updated 15 July 2025
Arab News

RIYADH: The “Arts Telling Stories” exhibition in Madinah showcased the nation’s culture and history through authentic handicrafts.

The three-day event, which ended on Tuesday, is among several “Year of Handicrafts” initiatives launched by the Ministry of Culture, the Saudi Press Agency reported.

The exhibition featured a diverse collection of handcrafted creations reflecting the identity of the local community. 

Elements of heritage were embodied in palm-based crafts including baskets, incense burners, and decorative pieces, illustrating the historical bond between people and the environment.

The event also showcased wooden artworks, including decorated boxes, vases, and household items crafted with techniques blending traditional sensibility and modern innovation.

It featured pottery pieces inspired by folk art, drawing from the colors and landscapes of the region’s geography, the SPA reported.

The exhibition reflects the ministry’s efforts to promote traditional arts, foster community awareness, and encourage young people to connect with their cultural roots.

Topics: Saudi Ministry of Culture (MoC) Madinah

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Miniature model helps bring Saudi history to life

Updated 14 July 2025
Arab News
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Miniature model helps bring Saudi history to life

  • Featuring miniature representations of Saudi cities from the past, these creations transport visitors through time
  • Artist and craft trainer Abdullah Al-Khazam, a native of Hail, presented a clay model of the ancient commercial area of Hail city at the event
Updated 14 July 2025
Arab News

RIYADH: The Beit Hail Festival, which runs until July 29, is showcasing unique works which reflect the region’s rich historic archaeological legacy, the Saudi Press Agency has reported.

Featuring miniature representations of Saudi cities from the past, these creations transport visitors through time, highlighting the details of daily life and the beauty of historic architecture.

Artist and craft trainer Abdullah Al-Khazam, a native of Hail, has presented a clay model of the ancient commercial area of Hail city at the event.

The model has attracted the attention of thousands of visitors and illustrates the techniques used to craft such works, enriching the festival’s depiction of the Kingdom’s heritage.

Al-Khazam based the model on historic sources, using precise measurements and conducting field visits. He also consulted historians, researchers, and elderly residents for accuracy.

The model features key landmarks, including Barzan Palace, a mosque, the commercial square, and various government offices, the SPA added.

Built with traditional materials such as clay and palm trunks, the model uses classic construction techniques and incorporates period ornaments and engravings, effectively recreating the city center of the past.

Topics: Beit Hail Festival Abdullah Al-Khazam

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The UK’s longest-running Arab arts festival returns 

Updated 14 July 2025
Jasmine Bager
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The UK’s longest-running Arab arts festival returns 

Updated 14 July 2025
Jasmine Bager

DHAHRAN: The Liverpool Arab Arts Festival, or LAAF, the UK’s longest-running annual celebration of Arab arts and culture, returns this month with a theme that feels both timely and timeless: “Nostalgia.”

Now two decades in, the festival has grown from grassroots beginnings into an internationally recognized celebration.

Running through to July 20, this year’s program explores how memory, heritage and longing shape artistic expression across the Arab world and its diasporas. 

The dynamic, bilingual line-up spans film, music, literature, performance, food and family activities — all underscored by deeper reflections on identity, loss and cultural continuity.

Arab News spoke with Taher Qassim, originally from Yemen, who founded LAAF in 1998 as a community-led effort to foster cultural pride and preserve Arab identity in Liverpool.

“The theme of ‘nostalgia’ is a reflection of both how far we’ve come and where we began,” Qassim said. “Twenty-three years ago, we set out on a path that was uncertain but filled with excitement and purpose. We knew we wanted to create something that represented the Yemeni and Arab presence in Liverpool, but we didn’t yet know how to express it.”

What began as a handful of cultural activations has since evolved into a platform for Arab artists. “From those humble beginnings … the festival began to blossom,” he said. “Today, we proudly offer a platform to artists from across the Arab world, Europe, the US, and beyond — something we could only have dreamed of.”

Two events stand out for him: ‘Arabs Are Not Funny’ and ‘The Book of Sanaa.’ The former, he says, “directly challenges the long-held stereotype that Arabs lack a sense of humor. It’s refreshing, bold and liberating — exactly what the festival stands for.”

The latter brings together literature, poetry, food, and a model of Yemen’s historic capital.

“The richness of this event would’ve felt like a fantasy to us two decades ago. Now, it’s a reality — something we’ve made possible through years of dedication and community.”

Qassim, who was awarded an MBE (Member of the Order of the British Empire) in 2008 for services to community cohesion, handed over the festival’s leadership to his daughter, Afrah, who now steers LAAF with the same vision and care.

Today, LAAF is no longer seen solely as a festival for the Arab community. “That perception has shifted dramatically,” Qassim said. “People from all backgrounds and ages attend and engage. The festival has become a space for dialogue, curiosity and connection.” As he put it, “Conversations happen naturally — before, during and after events.”

One event he hopes visitors will not miss is the now-iconic “Family Day” at the Palm House in Sefton Park. “It’s become the signature event of the Liverpool Arab Arts Festival — our legacy day,” he said. “Families travel from across the UK, Europe, and even further afield to be part of it. The atmosphere is joyful, welcoming, and truly inclusive … a vibrant, heartwarming celebration of Arab culture at its best.”

Some events require tickets, but “Family Day” — an afternoon of music, crafts, performances and community — is the grand finale and free to all.

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