QERRET, Albanie: Asim Krasniqi watches anxiously as the Adriatic Sea creeps ever closer to his beach bar in Albania, a country faced with an alarming pace of coastal erosion.
“I’m nostalgic for how this place used to be,” the septuagenarian told AFP wistfully, remembering when this beach in Qerret, to the west of the capital Tirana, was bigger and “many more” foreign tourists came.
“Today everything is degraded,” he said.
Environmentalists say a dangerous mix of climate change and rampant, unregulated urban development are behind the rapid disappearance of the shoreline in the impoverished Balkan country.
“The sea has swallowed the coast. She is taking revenge on man, who has destroyed nature,” said Sherif LusHajj, an environmental specialist at Polis University in Tirana.
The initially “inconspicuous” phenomenon has become far more serious in recent years, LusHajj told AFP.
Further north along the coast, near the concrete constructions in the beach resort town of Shengjin, dozens of tree trunks are decaying in water, a reminder that there used to be a forest between the sea and Kune lagoon.
The lagoon is now threatened, less and less protected by a thin strip of land that is fast disappearing.
Once perched on sand dunes, nuclear bunkers built during the communist era of dictator Enver Hoxha also now barely emerge above the water. Others have been engulfed by the sea.
Of the 427 kilometers (265 miles) of Albania’s coast, “154 are affected by erosion,” Environment Minister Blendi Klosi told AFP.
Sometimes barely perceptible, the advance of the sea in other areas has reached a frightening pace of 20 meters a year, he said.
Near Shengjin, it has engulfed “some 400 meters of ground in the course of the last 15 years,” said the minister.
“This place will disappear if the state does not take necessary measures,” said Osman Demi, a fisherman in his sixties who remembers the “terrible night” of December 31, 2009, when sudden floods submerged his village.
“We fish bass, crab, mullet here. The destruction of this lagoon would be a catastrophe,” said his colleague Albert Pati, adding that in certain corners, once full of fish, “the water is already dead.”
Pelicans have disappeared from the lagoon. A census conducted a year ago found just 7,000 birds, down from 50,000 in the 1970s.
Soon, if nothing is done, the people living here will also leave. There are 2,000 whose homes are threatened by the water, according to Jak Gjini, in charge of environmental issues in the Lezhe municipality, which covers Shengjin.
“The situation is dramatic,” he said.
Everything is working in favor of the sea’s conquest. There is climate change, with increasingly violent winter storms driving the water further and further in.
Then there is Albania’s massive deforestation, the extraction of sand from the rivers and rampant urbanization along the coast.
Almost deserted in winter, Shengjin is home to 15,000 people in the summer as holidaymakers and seasonal staff take up residence in blocks of multi-story concrete buildings, constructed on the sandy soil of the lagoon.
Those who have invested here are “the bosses,” said a fisherman with an enigmatic smile. These “bosses” build without permits, which they get after the building is erected using bribery during election campaigns, or hard cash.
“People are afraid to take on the interests of the powerful. It’s the law of the strongest,” said Gjini.
“These constructions are the result of pressure exerted by individuals to build without regard for urban planning.”
In his bar in Qerret, Krasniqi points out the rocky piers perpendicular to the coast that are sinking into the sea.
They were built without authorization by the owners of villas or hotels on the coast who hoped to protect their own property from erosion — but in doing so, they simply shifted the problem onto neighboring constructions.
“They have changed the currents, aggravating the problem,” he said.
Minister Klosi promises that “all the illegal construction in the sea will be destroyed and those responsible will be punished.”
But even this unprecedented action would not be enough, according to Eglantina Bruci, climate change specialist for the United Nations Development Programme in Tirana.
“The only solution... would be the construction of rock structures parallel to the coast and dune replenishment.”
Gjini said the cost of such measures would be “extraordinary” for one of the poorest countries in Europe — but by doing nothing, Albania anyway gets poorer by the day, he warned.
“Albania’s land is shrinking.”
The vengeful sea devouring Albania’s coast
The vengeful sea devouring Albania’s coast
Najran: A city of living memories
- The southwestern city may be one of the Kingdom’s fastest-growing, but its appeal is timeless
JEDDAH: A dry wind carries the first sign: a curl of frankincense smoke, sharp and sweet, drifting over the desert flats. It seeps through windows, clings to clothes, lingers on skin. Najran once sat at the center of the incense trade, and the scent still clings to its streets like a memory too deep to wash away.
In Najran’s Old City, sun-drenched alleys wind between mud-brick towers etched with delicate patterns. The buildings lean into one another like elders sharing secrets, their thick walls cool to the touch, smelling faintly of clay and ash.
At the edge of town lies Al-Ukhdood — ancient ruins unfolding in silence, trenches cut through centuries, and soot-darkened stones bearing the scars of fire. There’s no ticket booth, no crowd, just wind brushing across fractured stone. This is where an infamous massacre once unfolded, a horror alluded to in the Qur’an. Now, goats graze nearby, and a boy scrolls through his phone against a wall that has seen empires rise and fall. Here, history doesn’t sleep, it hums softly beneath your feet.
Further into town, the Thursday Market erupts like a drumbeat. The solemnity of the past gives way to present-day vibrance. Silver jambiya daggers flash from stalls, sticky dates glisten under the sun, and fabric bolts in electric blues and deep saffron flutter in the breeze. A vendor hands you a tiny ceramic cup filled with qishr (ginger coffee), fiery and fragrant. Its scent coils in your nose, the first sip stings your tongue, and a strange warmth begins to gather in your chest — a jolt from another time.
Past the market, Al-Aan Palace rises above the palm groves. Its mud towers glow gold in the late light like a dream from another age. Climbing its narrow staircase, your breath shortens. At the rooftop, it stops altogether. Below, date farms stretch like green lace. Beyond, the Tuwaiq Escarpment flames red in the sinking sun. There is awe, and there is quiet.
The road south of Najran curves, shimmering, into the desert. Follow it to Bir Hima, and you’ll find 7,000-year-old carvings on basalt boulders — hunters, animals, stories too old for language — and drink thick tea under the sun, sweet and dense as syrup, and imagine those long-ago artists tracing their lives into stone.
To explore Wadi Najran, you can rent a bicycle. At first it rolls smoothly through scrub and stone, but then the asphalt ends and sand takes over. The wadi unfolds — vast, veined cliffs shimmer in the light. A shepherd leads his goats past, his voice rising briefly on the wind. The heat is heavy, the bike grows cumbersome, but the land invites you not to conquer it, only to notice.
Evening comes with a slow hush. The air smells of dust and dry leaves. In the distance, the sky purples, gold slips behind the horizon. Najran lingers not just in your memory, but in your senses. The sting of ginger, the hush of carved stone, the smoke of incense soaked into your shirt. This is not a city you visit. It’s one you carry.
And as night folds in, Najran reveals another layer. The souk’s date stalls, clay homes, and impromptu chai shops reveal not just trade but trust. You’re offered water without price, tea without expectation. A stranger gestures toward his car and home — unstaged, authentic hospitality. In one such home, beneath a full moon and garden perfumed by local incense, a conversation turns to life’s simplicity, peace, and the lies we often believe until we travel. There are no tours or tickets for this part of Najran.
Spend a few days. Let the place press gently into you. Wander the alleys, share the tea, smell the smoke, and listen. You’ll understand why Najran is not simply visited — it’s remembered.
Venice expands its day-tripper tax program in bid to combat overtourism
- A UNESCO body decided against putting Venice on its list of cultural heritage sites deemed in danger after the tax was announced
- Opponents of the day-tripper fee say it has done nothing to discourage tourists from visiting Venice even on high-traffic days
VENICE, Italy: Venice is charging day-trippers to the famed canal city an arrivals tax for the second year starting Friday, a measure aimed at combating the kind of overtourism that put the city’s UNESCO World Cultural Heritage status at risk.
A UNESCO body decided against putting Venice on its list of cultural heritage sites deemed in danger after the tax was announced. But opponents of the day-tripper fee say it has done nothing to discourage tourists from visiting Venice even on high-traffic days.
Here’s a look at Venice’s battle with overtourism by the numbers:
5-10 euros (about $6-$11)
The fee charged to visitors who are not overnighting in Venice to enter its historic center during the second year of the day-tripper tax. Visitors who download a QR code at least three days in advance will pay 5 euros ($5.69) — the same amount charged last year throughout the pilot program. But those who make last-minute plans pay double. The QR code is required from 8:30 a.m. until 4 p.m. and is checked at entry points to the city, including the Santa Lucia train station, the Piazzale Roma bus depot and the Tronchetto parking garage.
54
The number of days this year that day visitors to Venice will be charged a fee to enter the historic center. They include mostly weekends and holidays from April 18 to July 27. That is up from 29 last year. The new calendar covers entire weeks over key holidays and extends the weekend period to include Fridays.
2.4 million euros
That is the amount Venice took in during a 2024 pilot program for the tax. The city’s top budget official, Michele Zuin, said last year the running costs for the new system ran to 2.7 million euros, overshooting the total fees collected. This year, Zuin projects a surplus of about 1 million euros to 1.5 million euros, which will be used to offset the cost of trash collection and other services for residents.
450,000
The number of day-trippers who paid the tax in 2024. Officials say 8,000 day-trippers paid in advance to enter the city on Friday, among the 77,000 who have already registered so far to enter the city this year. Another 117,000 have registered for exemptions, which apply to anyone born in Venice, those paying property taxes in the city, studying or working in the historic center, or living in the wider Veneto region, among others.
75,000
The average number of daily visitors on the first 11 days of 2024 that Venice charged day-trippers. That’s about 10,000 people more than the number of tourists recorded on each of the three important holidays during the previous year. City council member Giovanni Andrea Martini, an opponent of the measure, said the figures show the project has not deterred visitors.
48,283
The number of official residents in Venice’s historic center composed of over 100 islands connected by footbridges and traversed by its famed canals. The population peaked at 174,000 in 1951, when Venice was home to thriving industries. The number shrank during Italy’s postwar economic boom as residents moved to the mainland for more modern housing — including indoor plumbing which was lacking in Venice. It has been shrinking dramatically over recent decades as local industry lost traction, families sought mainland conveniences and housing prices rose. Activists also blame the “mono-culture” of tourism, which they say has emptied the city of basic services like shops for everyday goods and medical care.
51,129
The number of beds for tourists in Venice’s historic center, including 12,627 in the less regulated short-term rental market, according to April data from the Ocio housing activist group. The number of tourist beds surpassed the number of permanent residents in 2023, according to Ocio’s monitor. Anyone staying in a hotel within the city limits, including on the mainland districts of Mestre and Marghera, pays a lodging tax and is therefore exempt from the day-tripper tax.
25 to 30 million
The number of annual arrivals of both day-trippers and overnight guests roughly confirmed by cellphone data tracked from a Smart Control Room since 2020, according to city officials.
Saudi traditional crafts on show at Jouf camel auction
- Women demonstrate art of making sameel storage pouches
RIYADH: The art of making leather containers for storing food and drinks was just one of the attractions at the recent Jouf camel auction in Dumat Al-Jandal governorate.
With 2025 designated as the Year of Handicrafts, festivals across Saudi Arabia are providing important platforms for artisans to showcase and market their traditional skills.
At the camel auction, which ends on Tuesday, craftswoman Umm Meshaal, told the Saudi Press Agency how she produced sameel, a type of pouch made from animal hide and used for storing ghee, yogurt and water.
Meshaal said that sheep skin worked best for keeping yogurt, while goat skin was better for ghee.
FASTFACTS
• At the Jouf camel auction, craftswoman Umm Meshaal told the Saudi Press Agency how she produced sameel.
• It is a traditional pouch made from animal hide and used for storing ghee, yogurt and water.
The process starts by tanning the skins using a tree extract and salt to remove the hair and any impurities. The hides are then left to dry before being cut and sewn together into the desired shape.
The ancient art of making sameel is still relevant in modern-day Jouf, particularly among Bedouin communities who use them for storing and carrying vital supplies.
Many consumers say the best ghee in the Kingdom comes from these traditional vessels, the report said.
A look at NEOM’s prehistoric masterpieces etched in stone
- Open-air museum of ancient artworks is key to decoding past civilizations
- Drawings reveal how human beings interacted with now-extinct animals in the area
MAKKAH: In the heart of NEOM’s Hisma Desert, where sandstone mountains and plateaus rise from the arid landscape, is an extraordinary collection of ancient rock art and archaeological inscriptions. These priceless treasures illuminate the cultural and economic vitality of long-lost civilizations.
Once a vital corridor for caravans travelling the ancient trade routes of the Arabian Peninsula, this region preserves an invaluable legacy etched into its geological formations.
Abdulelah Al-Fares, a photographer and expert in ancient artifacts and a member of the Saudi Heritage Preservation Society, told Arab News that the rock art is in the mountains and plateaus in NEOM, part of a mountain range in the northwestern part of Tabuk.
Hisma Desert is bordered by the Sharah Mountains to the north, by Wadi Araba to the northwest, by the Hijaz Mountains to the west, and by Harrat Al-Raha to the south.
HIGHLIGHTS
• Studying rock art in the region matters deeply because it reveals economic and cultural changes that shaped the northern Arabian Peninsula.
• The drawings show how people interacted with now-extinct animals in the area, as well as with livestock and camels.
• Among the standout examples are life-sized camels crafted with remarkable precision and aesthetic detail.
“The plateaus, part of the Hisma Desert and its geological formations, represent an open-air museum of nature, ancient rock art, and diverse historical inscriptions,” he said.
The rock drawings feature engravings of human figures, animals and various scattered scenes throughout the site.
The engravings on the plateau’s facades depict scenes of animals, including wild animals such as camels, cattle, ibexes, ostriches and wolves, as well as other predatory animals, and depictions of hunting scenes and human combat.
These drawings are notable for their precision and have remarkably withstood the elements for thousands of years.
Abdulelah Al-Fares, Saudi Heritage Preservation Society member
“These drawings are notable for their precision and have remarkably withstood the elements for thousands of years,” he said. “Most of the themes and scenes in some of the rock drawings in the region are repeated and depict, to some extent, the world of wild animals and the interactions of humans through hunting and warfare.
“The mountains embody a civilizational and cultural legacy through their distinctive rock drawings featuring human and animal forms,” Al-Fares said.
He also highlighted the value of exploring NEOM’s ancient rock art. These carvings — depicting animals, hunting scenes and human figures — are a bridge between our modern lives and the world of humans thousands of years ago. They are a source of cultural and historical knowledge.
The artworks also illuminate the journey of human civilization, revealing its cultural and social evolution in the region.
Scattered throughout the area, a wide array of rock art sites show a vast and dense collection of drawings and archaeological inscriptions from different eras etched on mountain surfaces.
Al-Fares pointed out their diversity, noting the varied artistic styles, forms, and themes that distinguish each piece.
Among the standout examples are life-sized camels crafted with remarkable precision and aesthetic detail. The careful attention to detail is thought to underscore the camel’s role as an essential sources of food and transport in ancient times.
Another façade shows a herd of cows, all facing forward, their large crescent-shaped horns curving at the tips. Encircling this herd, human figures of varying sizes are skilfully carved.
These ancient artworks are pictorial panels of human history, activity, environmental adaptation, and cultural development during ancient times. Their value shines brighter given the scarcity of insights into prehistoric life.
Studying rock art in the region matters deeply because it reveals economic and cultural changes that shaped the northern Arabian Peninsula.
The drawings show how people interacted with now-extinct animals in the area, as well as with livestock and camels.
Many carvings portray human beings astride animals, including a warrior wielding a spear and sword, rendered with finesse and skill.
Scattered throughout the region, some drawings hint at the presence of different ethnic groups that lived in the area. The provide clues to migratiosn and trace the routes of trade caravans that used these locations as settlement points.
Saudi Arabia’s Hail poppy reserve attracts thousands of tourists
- Since opening in 2022, the reserve, which covers 10,000 sq. meters, has drawn thousands of domestic and foreign visitors
HAIL: With its vibrant array of wildflowers framed by golden sand dunes and majestic mountains, the Poppy Reserve in Al-Khattah is one of the Hail region’s most captivating attractions.
Since opening in 2022, the reserve, which covers 10,000 sq. meters, has drawn thousands of domestic and foreign visitors, particularly during holidays, Eid and the spring season.
The attraction enchants guests with its sweeping fields of poppies, perfectly balanced in form and color. As the sun sets, the golden rays cast a warm glow over the landscape and create a natural wonder.
This striking beauty enhances the region’s reputation for breathtaking scenery and offers a unique experience.
