Date with history: Life and death share a valley in Mada’in Salih

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Elephant Rock is a magnet for tourists. Madain Saleh offers a treasure trove for history buffs.
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Updated 29 February 2024
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Date with history: Life and death share a valley in Mada’in Salih

JEDDAH: Madain Saleh or Al-Hijr City, located in Al-Ula governorate, is an important Saudi tourist landmark.
The city of Al-Hijr was the capital of the Kingdom of Lihyan in the north of the Arabian Peninsula. The city dates back to the era of the Nabatean kingdom. It contains the largest southern settlement of the Nabatean kingdom after the city of Petra in Jordan, the capital of the city of Nabateans about 500 km away.
In 2008, Madain Saleh was selected as one of UNESCO’s historic heritage sites, making it the first World Heritage property to be inscribed in Saudi Arabia.
The name of Madain Saleh is attributed to Prophet Saleh and is mentioned in the Holy Qur’an as “Al-Hijr”, described as a region carved from the mountains and rocks. It contains the site of the well from which the prophet’s she-camel drank.
Arab News visited Madain Saleh and wandered among its ancient palaces and graves with a young Saudi named Abdullah Al-Zahofi. He is a tour guide who provides services to tourists coming to visit the province of Al-Ula and its monuments, whether in Madain Saleh or other archaeological sites.
We started our tour by visiting Elephant Rock, a magnet for tourists in Al-Ula.
Elephant Rock is located 7 km to the east of the province of Al-Ula. It is a massive rock about 50 meters above ground and is characterized by its unique elephant-like shape.
Its location is an ideal center for desert sports and mountaineering enthusiasts, given the panoramic richness of the place.
Al-Zahofi said this site is important for tourism in view of its uniqueness in form. Tourists and visitors of different nationalities prefer to spend time here enjoying the atmosphere and tranquility.
The landscape is filled with the smells of orange, tangerine, lemon, and palm trees, which give the place a further splendor, harmonizing with the bright colors of the mountains.
The place plays a big role in boosting desert tourism and horse racing. It attracts many families keen to hike there.
Then we went to Madain Saleh and the so-called Mount Athlab where Madain and its beautiful palaces are located.
When we arrived at the main entrance, we found a gate at which the vehicles wishing to enter the site and information about its drivers are registered. They told us that the gates would be closed at 5 p.m. and we had to leave the site before that.
We headed to the Hijaz railway station of the Ottoman Empire. Al-Zahofi said this is one of the Hijaz railway stations, which linked the Levant to the holy city of Madinah.
It is the second-largest railway station in the Hijaz area after the Madinah station. Madain Saleh was a prosperous city because of its location on the important Incense Route.
The station consists of a large workshop to repair train carriages, large castles, houses, mosques, weapon stores, water closets and a large water tank. Prophet Saleh’s well is also there.
Then we headed to the most important palace or tomb located in Madain Saleh which is called Qasr Al-Farid or the “unique palace.” It gains importance for several reasons — it is one of the largest existing tombs and its name represents its uniqueness as one rock independent of the rest of the palaces or tombs.
The tomb is unique because it was not completed and was not used as a tomb as there are no traces of burial sites inside it.
It is also distinguished from the rest of the tombs with an increase in the columns carved on the facade. Most graves have two columns, but Al-Farid has four with Nabatean crowns on the front.

The castles in Madain Saleh took the form of palaces. However, they are nothing but the graves and tombs of the people who inhabited the area.
Eid Al-Yahya, the presenter of “On the Footsteps of the Arabs” program on Al-Arabiya channel, said that Madain Saleh contains both Thamudic and Nabatean writings.
Al-Yahya, a famous media figure interested in the archaeology and human history of Saudi Arabia, who accompanied us on this trip, said the graves have many indications that confirm that they were not only designed for burial but were also used for housing.
Among these indications is Mount Athlab that has the diwan, a place for celebrations, eating and drinking next to burial places, according to Al-Yahya. “So, the place was not for just funerals, as claimed by archaeologists.”
Al-Yahya said the method behind carving the diwan has kept in consideration how the Romans ate, lay down on their sides and put food and drinks in front of them. A lot of Thamudic words found on the site and the designs carved on the ceiling of the diwan indicate that the place was used for the pleasures of life.
Al-Yahya said a lot of Nabatean writings on the site of the diwan in addition to Thamudic writings indicate that history in this region is mixed and needs further study and investigation in order to explain to the coming generations the past of this region in detail.
There are large chairs for senior people — Thamudis or Nabateans — who lived in this area in addition to a big strategic water tank with channels carved from the mountaintop to ensure a water flow during the rains.
There are also more than 60 wells, and most famous wells of the Nabatean have a depth of 15 meters. They were drilled in the middle of the mountains to receive the rainwater falling on the mountains.
In a corner of Madain Saleh, a wonderful painting was discovered by Ahmed Aboudi of the Department of Antiquities at King Saud University. It was painted with iron oxide. It is a spring flower, semi-hidden, has peculiar chemical properties and has the effects of the classical period dating back to the third and fourth century BC of the Mediterranean basin and Mesopotamia. It is believed that this painting dates back to 200 BC.
Then we went to a large palace called Qasr Al-Saneh. Although it does not create much excitement, it serves as an introduction to the main elements of the Nabatean model of the graves having a great facade. The two forms are composed of five steps. The inscriptions are at the top of the door. Inside the tomb, there are holes that were used to contain the bodies.
Al-Kraimat includes 20 graves in good condition from the best-preserved tombs in Madain Saleh. They have shapes that look like a griffin (with the body, tail, and back legs of a lion and the head of a human). Some shapes resemble roses, drawn on trays that were used in rituals associated with funerals. In Al-Kraimat, there are also houses built of bricks and a Nabatean well.
Our next stop was the Qasr Al-Farid, one of the most famous and beautiful Nabatean tombs in Al-Hijr. It is characterized by a very large northern facade, and was called Al-Farid or “the unique” because it is an independent rock mass.
The accuracy and beauty of the sculpturing are clear in the facade. Despite this beauty, the sculpture of Al-Farid is incomplete at the bottom. The palace was built for a person named Hayyan ibn Kuza, according to some researchers.
Another famous place in Madain Saleh is Qasr Al-Bint, or Palace of the Girl, around which many fictitious romantic stories revolve. They say that a girl is buried in it after her father killed her because of her romantic relationship with one of the sculptors in the era of the Nabateans who inhabited the cities in 150 BC.
Tourist guide Marzouq Al-Anzi said local residents named this landmark Qasr Al-Bint.
The eye-catching tomb highlights the highest levels of sculpturing and decorative art forms.
The Nabatean crown is located on either side of the entrance to the tomb. The triangular facade is visible above the entrance. The center is shaped like an eagle — Dushara — a deity worshipped by the Nabateans in Petra and Madain Saleh.
In the center of the triangular facade, we see a circular image of a very ugly human face surrounded by snakes. In Nabateans’ belief, it represented the tomb guard, and below it, there is pink decoration.
Most of the tombs in this area were characterized by the presence of writings at the top of the entrances bearing the name of the person buried, those entitled to bury the dead and the date of its sculpture and the name of the sculptor.
To the left of Qasr Al-Bint, there is a huge incomplete grave on the top of the mountain. Most likely, its owner or the sculptor died during its construction. Al-Anzi explained that the tomb has a single room and that its size is defined by the social and economic status of the grave owner.
At the end of the tour, we went to a landmark in the middle of Madain Saleh — the sad-face mountain, which is a large rock bearing the shape of a sad man at the top of a mountain. The destination is popular among tourists with cameras.
Madain Saleh is visited by tourists from different countries as well as media delegations. During our tour, we came across a journalist from Luxembourg and a large number of tourists from Asian countries and Saudis from outside Al-Ula.


KSrelief distributes shelter kits in Afghanistan and Somalia

The initiative is part of the Kingdom’s ongoing humanitarian and relief efforts conducted through KSrelief. (SPA)
Updated 18 November 2024
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KSrelief distributes shelter kits in Afghanistan and Somalia

RIYADH: Hundreds of shelter kits have been distributed to people in Afghanistan and Somalia by Saudi aid agency KSrelief, reported the Saudi Press Agency.

Over the weekend, 200 kits were handed out as part of a project to help Afghan returnees from Pakistan and those affected by floods.

The project will provide 4,882 in total containing tents, blankets, plastic mattresses and other essential supplies to almost 30,000 people in need across 13 Afghan provinces.

In Somalia, 1,000 shelter kits, 1,000 clothing parcels, and 80 tents were given to displaced people in the Banadir region, benefitting 6,000 people.


KSrelief distributes aid to most needy in Lebanon, Chad and Syria

The aid is part of the ongoing assistance provided by KSrelief to some of the world’s most in need. (SPA)
Updated 18 November 2024
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KSrelief distributes aid to most needy in Lebanon, Chad and Syria

RIYADH: Saudi aid agency KSrelief has delivered more aid to those most in need in Lebanon, Chad and Syria, reported the Saudi Press Agency.

In Chari-Baguirmi, Chad, the agency delivered 1,600 food parcels that benefitted 9,600 people. A further 333 food aid parcels and 333 hygiene kits were distributed in the Idlib region of Syria to help 1,998 individuals from 333 families who were affected by last year’s devastating earthquake.

And in Lebanon, winter clothing vouchers were given to 300 orphans and people with special needs in Akkar governorate. These will help them buy clothing for the forthcoming winter.


Saudi defense minister meets with Chinese envoy to Kingdom

Updated 17 November 2024
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Saudi defense minister meets with Chinese envoy to Kingdom

  • Session attended by several high-ranking officials from both sides

RIYADH: Saudi Minister of Defense Prince Khalid bin Salman met with Chinese ambassador to the Kingdom Chang Hua on Sunday.

The meeting focused on reviewing the strong relations between the two nations and discussing various issues of mutual interest, Saudi Press Agency reported.

The session was attended by several high-ranking officials from both sides, SPA added.


King Salman approves hosting of 1,000 Umrah pilgrims from 66 countries

The Kaaba can be seen at the Grand Mosque in Makkah. (@AlharamainSA)
Updated 17 November 2024
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King Salman approves hosting of 1,000 Umrah pilgrims from 66 countries

  • Pilgrims will be hosted in four groups during the current Islamic year which ends in the final week of June 2025
  • Minister said the hosting of the pilgrims is an extension of the great care that Saudi leadership takes to serve Islam and Muslims

RIYADH: Saudi Arabia’s King Salman has approved the hosting of 1,000 pilgrims from 66 countries to perform Umrah as part of the Custodian of the Two Holy Mosques Programme for Hajj, Umrah, and Visit.

The pilgrims will be hosted in four groups during the current Islamic year which ends in the final week of June 2025.

The Minister of Islamic Affairs, Call, and Guidance and general supervisor of the Hajj and Umrah program Sheikh Abdullatif bin Abdulaziz Al-Sheikh thanked the Saudi leadership for enabling Muslims from different countries of the world to perform the minor pilgrimage with ease and peace of mind.

The minister said the hosting of the pilgrims is an extension of the great care that the leadership takes to serve Islam and Muslims.

He added it would strengthen the bonds of brotherhood among Muslims in various parts of the world and develop fruitful communication between scholars and influential figures who are hosted by the program.

The program has benefitted people from more than 140 countries since it was launched, the minister said.


Old school, new love: Analog tech captures hearts in Saudi Arabia

Updated 17 November 2024
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Old school, new love: Analog tech captures hearts in Saudi Arabia

  • Community bound by love of old gadgets that help enrich the present

RIYADH: In an era marked by digital convenience, analog technology is steadily making a comeback, with everything from vinyl records to film cameras experiencing a renaissance around the Kingdom.

Driven by a blend of nostalgia, artistry, and an appreciation for the tactile, this resurgence reflects a deeper cultural shift toward mindfulness and intentionality.

Arab News spoke to enthusiasts and entrepreneurs about the beauty, challenges, and personal connections that analog offers over its digital counterparts.

The resurgence of analog formats is a reminder that technology can be more than just a tool. (AN photo by Waad Hussain)

For music lovers, vinyl offers an experience that is impossible to replicate digitally. Fawaz Al-Sulaim, owner of Bohemia Records, said: “Experiencing music through vinyl or cassette brings you closer to it, like you’re there with the artists in the studio. You go through every song on the album as intended.”

Vinyl’s allure lies not just in its sound but also in its tangible presence. Holding a vinyl record offers a sense of ownership often missing in digital music, where ownership is more of a fleeting license.

Al-Sulaim said: “Analog represents physical media coming back — not just in a technical sense but as something people can hold on to.”

HIGHLIGHTS

• As Saudi Arabia invests in art, culture, and heritage, there is hope that analog’s value will continue to be recognized and supported.

• With the rise in interest, local communities and businesses are emerging to cater to this renewed passion for analog.

This revival is not limited to vinyl. Bohemia Records has seen an increase in CD sales, suggesting that physical formats resonate with people’s desire to own and cherish music collections.

The appeal of analog does not stop at music. In photography, the return to film presents a refreshing contrast to digital’s immediacy.

Film rolls ready for development at Haitham Studio Film Lab, where each roll holds captured memories and stories from Saudi photographers. (Photo by Abdulrahman Al-Osaimi)

Haitham Al-Sharif, founder of Haitham Studio Film Lab in Riyadh, spoke to Arab News about film photography’s unique character, saying: “Film requires patience, thought, and a connection with the moment. You’re fully present, considering every exposure.”

Al-Sharif, who began his film processing journey at home, has seen a surge in Saudi interest, with his studio now serving thousands across the Gulf region.

Haitham Studio’s clients include people from seasoned photographers to students experimenting with their parents’ vintage cameras.

An eclectic display of analog nostalgia and rock memorabilia, featuring classic vinyl records, retro audio equipment, and books on music icons—capturing the spirit of vintage and punk culture. (AN photo by Waad Hussain)

He said: “People come in for graduations, weddings, and even casual shots with disposable film cameras. Each frame has meaning, and the photographer remembers every shot.”

Running a film lab, however, is not without challenges. “We rely on older machines, specialized chemicals, and skilled technicians, which aren’t always easy to source locally,” Al-Sharif explained, adding that the support of Saudi Arabia’s growing art and tourism sectors could enhance this particular industry’s growth.

For retro tech enthusiasts like Zain Al-Mansour, the appeal goes beyond functionality. He said: “Listening to music on vinyl or snapping pictures with a vintage camera offers a joy that’s similar to making espresso — you savor the process as much as the end result.”

Film negatives hang to dry at Haitham Studio, reflecting the lab’s dedication to preserving the authenticity and art of analog photography. (Photo by Abdulrahman Al-Osaimi)

With an affinity for devices that evoke memories, Al-Mansour recently acquired a first-generation Tamagotchi, to help rediscover the simplicity and wonder of childhood technology.

Analog devices engage users on a personal level, prompting a more deliberate interaction than today’s instant gratification.

Al-Mansour said: “Retro tech is fascinating because it takes you back to a simpler time. The aesthetics of these devices, the physicality, and even the sounds they make add to their charm.”

A film negative passes through the scanning machine at Haitham Studio, bridging the analog and digital worlds to bring treasured moments to life. (Photo by Abdulrahman Al-Osaimi)

For others, analog represents a form of self-expression. Bashayer Al-Bloushi sees a unique beauty in analog’s imperfections, which bring out details often missed in digital formats.

“Film photography forces you to capture moments with intention. There’s no instant review, so you’re careful about each frame,” she said.

For Al-Bloushi, analog provides a richer experience that digital cannot offer, allowing for a deeper connection to each captured moment.

A retro cassette collection at Bohemia Records, showcasing a variety of genres and rare finds that capture the essence of analog music. (Photo by Fawaz Al-Sulaim)

Saja Al-Zahrani spoke about how analog media lets people embrace a slower, more mindful approach.

Al-Zahrani said: “There’s a warmth in vinyl’s crackle or film’s grain that digital can’t match.

“With analog, people reconnect with something real, something authentic.”

This tactile experience of using film or vinyl requires more focus, turning each interaction into a rewarding moment.

The value of analog media extends beyond nostalgia for Ebtsam Al-Dossary. Having grown up with film cameras, she sees them as reliable memory-keepers.

She said: “A camera doesn’t just store images; it keeps your memories safe. Digital files can vanish, but a physical photo endures.”

For Al-Dossary, the resurgence of analog formats is not just a trend; it’s a meaningful way to capture and remember moments more authentically.

As digital convenience reigns, this analog revival may underscore a collective yearning for experiences that slow us down, engage our senses, and encourage a mindful appreciation of art, music, and memories.

Whether it is the crackle of a vinyl record, the anticipation of developing a roll of film, or the tactile joy of a retro gadget, analog’s comeback offers a refreshing alternative to the fast-paced digital world.

In today’s digital landscape, the resurgence of analog offers a bridge between past and present, inviting us to reconnect with timeless traditions and meaningful experiences.

For enthusiasts across Saudi Arabia, this revival is about more than simply reverting to older technology — it is about rediscovering a different kind of connection, one in which every sound, image, and moment is fully appreciated.

Analog’s revival is redefining how Saudi society interacts with technology, pushing back against the trend of disposability and transient media. Each record played, photo developed, or gadget cherished represents a conscious choice to engage deeply with the experience.

Analog enthusiasts find joy in the imperfections, the weight of physical media, and the permanence these formats offer — qualities that digital often lacks.

With the rise in interest, local communities and businesses are emerging to cater to this renewed passion for analog. Haitham Studio and Bohemia Records are not just stores but spaces for Saudi artists, photographers, and music lovers to connect and share their passions. These communities thrive on a shared understanding of the value in slowing down and appreciating the process, rather than just the result.

In Riyadh, Al-Sharif has seen the effect firsthand. “We see customers coming back weekly, sometimes with friends, eager to develop their latest film rolls or browse the latest records,” he said. This sense of community is not just about shared interests; it is about shared values.

While the digital world offers unprecedented convenience and accessibility, analog serves a different purpose. Al-Sharif believes that both can coexist harmoniously. “Digital is essential for instant documentation, but analog is about timeless experiences,” he said.

Al-Zahrani, too, emphasizes that analog does not negate the value of digital but rather offers an alternative that complements it. “Both formats have their place, but analog asks something of you: it asks you to be present, to commit to the moment,” she said.

As Saudi Arabia invests in art, culture, and heritage, there is hope that analog’s value will continue to be recognized and supported. Whether through dedicated spaces like Haitham Studio or local events celebrating vintage tech, these efforts help sustain a trend that is not only about looking back but also about enriching the present.

The resurgence of analog formats is a reminder that technology can be more than just a tool. It can be an experience, a memory, and a form of art.