LONDON: The rising stars of Saudi fashion may soon have more reasons to strut their stuff at home as much as abroad.
The Arab Fashion Council’s plans to open a regional office in Riyadh, which is set to stem the exodus of design talent and spur the growth of creative industries in the Kingdom.
With few platforms for fashion at home, aspiring Saudi designers have typically gone to Dubai, or further afield to Europe and the US to achieve their ambitions.
Now, more will be encouraged to pursue their ambitions locally, opening up opportunities previously confined to a select few who could afford to launch their careers abroad.
“It’s a very positive and a very bright step and I’m excited to see further developments in the region,” said Alia Khan, chairwoman of the Islamic Fashion and Design Council, which is also planning to open an office in the Kingdom.
“There’s a wonderful appetite for style and elegance in the Saudi market and we’d love to be a part of that,” Khan added.
Heading up the new Riyadh office as country director Layla Issa Abuzaid said the “council would open the doors to the foreign investment flow into the country.”
The move feeds into Vision 2030 ambitions to diversify its economy and nurture new industries while harnessing the energy and aspirations of a young population.
“Fashion has always been important to Arabs and our designers are definitely benefiting from the beginning of a proper fashion infrastructure,” said Marriam Mossalli, a well-known Saudi fashion editor and founder of luxury consulting firm Niche Arabia.
“We are seeing the creative sector in Saudi grow exponentially.”
“With a population that has 70 percent under the age of thirty, we are about to see an influx of of new careers, and most importantly new creative industries.”
Saudi Fashion designer Arwa Al-Banawi, who regularly exhibits at Paris Fashion Week, said the council’s presence will mean that young Saudi designers no longer have to put their dreams on hold.
“I’m seeing a lot of designers coming out of Saudi Arabia and it’s about time we had this platform to showcase our work.”
Until now, fashion shows in the Kingdom have been largely private, women-only events, with few opportunities for designers to mingle with buyers or display their work to international brands.
Last year marked a rare exception when high-profile members of the international fashion elite, including Naomi Campbell, Alberta Ferretti and Delfina Delettrez Fendi jetted into Jeddah for the first ever Vogue Fashion Experience, hosted by Vogue Italia.
Razan Alazzouni, a successful Saudi designer, who has dressed celebrities including Elizabeth Banks and Paris Hilton, told online fashion portal Fustany that being based in Saudi Arabia and breaking into the international market was one of the greatest hurdles she had to overcome in establishing her career.
“I felt I had to prove myself more than a European designer might have needed to.”
But Al-Banawi believes there is plenty of scope to establish a flourishing fashion industry in the Kingdom. “I’m really excited this is finally happening in my country.”
“There’s so much talent and so many buyers and beautiful boutiques in Saudi — we have the right people that can actually make this happen and make it a hub.”
The Arab Fashion Council office will encourage the development of a sustainable fashion infrastructure in Saudi Arabia by supporting local talent and partnering with international designers interested in entering the market.
“We are working on a strategy that will strengthen the creative ties between the four main fashion capitals and Riyadh, which will allow us to promote Arab designers at a global level,” said Jacob Abrian, founder and CEO of the Arab Fashion Council.
Recent reforms, including lifting the ban on female drivers, have broadened the country’s appeal on the global stage and with its strategic location at the crossroads of Asia, Europe and Africa, the council sees Saudi Arabia as uniquely placed to become a center for the fashion industry.
“The new office in Riyadh will act as a main pillar in supporting the growth of the creative economy in the entire region,” explained Princess Noura bint Faisal Al-Saud, the Arab Fashion Council’s honorary president.
“The Vision 2030 is based on three main pillars: A vibrant society promoting culture and entertainment, a thriving economy that boosts the small businesses and productive families as well as attracting the right talents and an ambitious nation that engages everyone.”
Saudi fashion goes global
Saudi fashion goes global
Saudi Interior Ministry confirms ban on transferring or publishing security surveillance camera recordings
- Anyone who violates the rule will be punished with a fine of SR20,000 ($5,327), interior ministry says
RIYADH: Saudi Arabia’s Interior Ministry confirmed that the provisions of the “Use of Security Surveillance Cameras” law prohibit the transfer or publication of security surveillance camera recordings.
Security surveillance camera recordings can only be transferred or published with the approval of the ministry or the Presidency of State Security, based on a judicial order, or at the request of an investigating authority.
The ministry explained that anyone who violates this rule will be punished with a fine of SR20,000 ($5,327).
This includes anyone who transfers or publishes recordings in violation of the law or damages or vandalizes security surveillance camera systems or recordings.
Saudi artist breaks from signature style with ‘W’ard’ exhibition
- Dammam collection running until Jan. 10 features sculpture, video and imagery
DHAHRAN: Visitors are immersing themselves in a vibrant celebration of art as Hussain Alismail unveils his compelling solo exhibition, “W’ard,” at the SASCA Art Gallery in Dammam, Saudi Arabia.
Launched on Dec. 30 last year and running until Jan. 10, the exhibition is a captivating journey through the artist’s evolving vision.
In the “W’ard” series, Alismail breaks free from his signature style, which often features bold continuous-line drawings in striking shades of black and red.
Instead, the collection showcases a rich blend of experimentation with different materials, colors and artistic techniques.
HIGHLIGHTS
• Primarily focused on drawing and painting, Hussain Alismail’s artworks delve into the intricate complexities of Saudi social dynamics.
• His works are a way to spark everyday conversations, encouraging viewers to think about the small details of human relationships and expressions.
Visitors can expect to encounter an array of fascinating works, from collages that fuse imagery, mixed media pieces with texture, three-dimensional sculptures, to dynamic video installations that spark imagination.
At the heart of Alismail’s work lies the symbol of the rose, a timeless emblem of unity that surpasses differences, inviting connection among visitors.
He said: “For this exhibition, I selected flowers to represent the unity among Saudis from different regions, reflecting the shared appreciation for Talal Maddah’s songs that gained popularity in the late 1950s and resonated with both youth and older generations.”
This cultural reference runs throughout the exhibition, highlighting the themes in Alismail’s artwork.
For this exhibition, I selected flowers to represent the unity among Saudis from different regions, reflecting the shared appreciation for Talal Maddah’s songs that gained popularity in the late 1950s and resonated with both youth and older generations.
Hussain Alismail, Saudi artist
Through his collection, Alismail creates an artistic experience that celebrates unity in the diversity of humanity.
“I see my artwork as a reflection of who I am, but once it’s out in the world, it belongs to everyone to interpret and connect with however they choose,” he told Arab News.
Alismail is not only a gifted artist, but also a committed scholar, having recently relocated to Melbourne, Australia, to pursue a master’s degree in design innovation and technology at RMIT.
His time in academia, which he describes as research-focused, has significantly influenced his art. “I’ve found these skills super useful for my art in this exhibition and they’ll definitely play a bigger role in my upcoming projects.”
Alismail holds a bachelor’s degree in fine arts in drawing and painting from OCAD University in Toronto, Canada, as well as a bachelor’s degree in creative arts in visual effects and entertainment design from Flinders University in Adelaide, Australia.
His academic background enriches his creative practice, fueling his artistic exploration.
Primarily focused on drawing and painting, Alismail delves into the intricate complexities of Saudi social dynamics.
His works are a way to spark everyday conversations, encouraging viewers to think about the small details of human relationships and expressions.
Beyond canvas and paper, Alismail’s artistic skills include photography, videography and digital graphics, allowing him to create stories that invite exploration.
“Medium serves as a platform for discovery. I constantly challenge myself to go deeper into techniques and artistic presentations,” he said.
For the exhibition, Alismail embraced a variety of innovative mediums. “I played around with 3D design, 3D printing, AI generative imagery and various other hands-on mediums,” he said.
Additionally, he aims to create a vibrant experience, expressing his desire that viewers feel “joyful and leave with a smile on their face.”
Inspired by cultural stories around him, Alismail combines personal and community tales in his art, enhancing the diverse narratives he shares.
With an eye toward revitalizing cultural connections, his work fosters an enriched understanding of our shared human experiences.
“What my audience has seen from me before is different from what I’m creating now, and I know it’ll have even more depth down the line.”
Two substations opened by Diriyah Company and Saudi Electricity Company in Riyadh
- The larger substation will support the first phase of Diriyah’s development and will be implemented through Saudi Services for Electro Mechanic Works
RIYADH: Two major electrical substations were launched at the Diriyah megaproject in Riyadh on Monday.
The substations will be operated by the Saudi Electricity Company and will speed up the development of projects in the historical area of Diriyah as well as nearby Wadi Safar.
“Today is very special to us,” Jerry Inzerillo, group CEO of Diriyah Company, told Arab News, before underlining the importance of developing infrastructure to be able to complete projects in time for Riyadh Expo 2030.
Inzerillo further elaborated on how the project requires sustainable development because it will be serving a large number of people.
The housing project “will cater to 100,000 people who will live, work, recreate, and pray with us every day,” the CEO said. “So, you need all-new, smart-city technology that the Kingdom is leading on.”
The larger substation will support the first phase of Diriyah’s development and will be implemented through Saudi Services for Electro Mechanic Works.
HIGHLIGHT
The two substations were designed in line with Diriyah’s traditional Najdi architectural style to preserve the area’s cultural identity.
The second substation, developed by the Saudi Electricity Company through Maetel contracting company, will be one of the main power sources for Wadi Safar.
This will result in a combination of the area’s natural beauty with modern infrastructure, including hospitality assets and sports facilities such as the Royal Diriyah Equestrian and Polo Club, and Wadi Safar golf course.
Also at the event, the acting CEO of SEC, Khalid Al-Ghamdi, expressed his excitement for this significant event and milestone.
“The completion of the bulk substation and the primary substation marks a new era for Diriyah, one that combines advanced infrastructure with our shared vision of creating a sustainable, world-class city,” Al-Ghamdi said.
“We are honored to work with Diriyah Company to bring power solutions that are both reliable and in harmony with Diriyah’s architectural heritage,” he added.
Diriyah is one of Saudi Arabia’s main megaprojects, supported by the Public Investment Fund. The project will eventually have homes for 100,000 people and is aiming to host millions of visits per year by 2030.
The Diriyah project alone contributes $18.6 billion directly to Saudi Arabia’s GDP and will create 178,000 job opportunities, according to the Diriyah Company.
The two substations were designed in line with Diriyah’s traditional Najdi architectural style to preserve the area’s cultural identity.
While the city is a major part of Saudi Arabia’s Vision 2030, it also has historical importance because Diryiah is the birthplace of the Kingdom of Saudi Arabia.
Saudi aid agency KSrelief sends humanitarian aid to Syria by road and air
- 60 agency trucks deliver food, shelter materials and medical supplies to meet needs of the Syrian people
- Six planes carrying aid from the Kingdom arrive at Damascus International Airport
RIYADH: Sixty trucks carrying relief supplies from Saudi Arabia crossed the Nasib Border Crossing into Syria on Monday, as part of a humanitarian effort organized by Saudi aid agency KSrelief.
The trucks contained essential supplies including food, shelter materials and medical supplies, the Saudi Press Agency reported.
Also on Monday, six planes planes carrying aid from the Kingdom arrived at Damascus International Airport.
Jordanian authorities said 600 trucks filled with aid have entered Syria through the Jordanian-Syrian Free Zone since the collapse of President Bashar Assad’s regime on Dec. 8. The director general of the zone, Irfan Khasawneh, told the Jordan News Agency that the flow of goods has remained consistent since then.
The shipments are addressing the needs of the Syrian people for essential items such as food supplies, energy equipment and spare parts for machinery, he added.
Trade is flowing smoothly, with transactions completed promptly and without delays, Khasawneh said, and staff at the zone are ready to handle larger volumes of trucks and goods in the days ahead.
Anti-extremism group Etidal helps Telegram remove 160m items of extremist content in 3 years
- Riyadh-based organization says the collaboration has had a significant effect in curbing the spread of extremist propaganda and recruitment efforts
- Platform thanks Etidal, says partnership has been instrumental in efforts to identify and remove harmful content
RIYADH: The Global Center for Combating Extremist Ideology, also known as Etidal, said on Monday that more than 31 million items of extremist content were removed from messaging service Telegram during the final quarter of 2024.
This brought the total number of such items removed from the platform since the start of their partnership in 2021 to more than 160 million, it added.
Etidal, which is based in Riyadh, said international cooperation is important in efforts to address extremist ideologies and counter the global threat posed by terrorist organizations, and that the collaboration with Telegram has had a significant effect in curbing the spread of extremist propaganda and recruitment efforts.
The platform said it has intensified its efforts to combat extremism since 2022 and expressed its appreciation for the partnership with Etidal, saying it has proved to be instrumental in efforts to identify and remove harmful content.
“There is no place for incitement to violence or terrorist propaganda on Telegram,” it added.
Etidal said it uses advanced technologies to help monitor and analyze extremist content, and detect the deceptive propaganda and tactics used by terrorist organizations in an attempt to evade content removal. It added that its efforts form part of Saudi Arabia’s broader strategy to help safeguard societies through an integrated approach, including targeted media campaigns to raise awareness of the dangers of extremism.
In addition to its partnership with Telegram, Etidal has established strategic collaborations with other international organizations. In 2021, for example, it signed a memorandum of understanding with the UN Counter-Terrorism Center.
