The mysterious, ancient Nine Domes Mosque of northern Afghanistan

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In this photo taken on November 8, 2017 shows the gate of the ninth-century mosque Masjid-e Haji Piyada (mosque of the walking pilgrim) in Balkh Province. (AFP)
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In this photo taken on November 8, 2017 shows scaffolding for the ongoing conservation work at the ninth-century mosque Masjid-e Haji Piyada (mosque of the walking pilgrim) in Balkh Province. (AFP)
Updated 06 January 2018
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The mysterious, ancient Nine Domes Mosque of northern Afghanistan

BALKH, Afghanistan: In the white dusty plains of northern Afghanistan, archaeologists are seeking to unravel the secrets of one of the oldest mosques in the world, whose structure is still standing after a thousand years of solitude.
The Nine Domes Mosque, named for the cupolas that once crowned its intricately decorated columns, glimmers with remnants of the blue lapis lazuli stones that encrusted it.
Carbon dating in early 2017 suggests the ancient structure in Balkh province was built in the eighth century, soon after Islam swept into Central Asia — but exactly when, and who by, remains a mystery.
The very survival of this modest square of just 20 by 20 meters (65 foot by 65 feet) has beguiled experts.
“It’s a miracle it’s still standing despite time and erosion,” said Italian architect Ugo Tonietti, from the University of Florence, who specializes in heritage conservation.
The mosque, which has weathered the centuries partly due to the arid climate of the region, is one of the best preserved Islamic buildings of its age in the world and is “highly valuable and highly vulnerable,” he said.
Time has washed most of the color from its columns, but the mosque was once a dazzling spectacle.
“This is a masterpiece. You have to imagine how it looked like, fully decorated with lapis, some parts in red, it was all covered and painted: it was like a garden of paradise inside, with a sky above, the domes with white and blue decoration,” he said.
The delicate vine leaves etched onto the pillars resemble those seen at Samarra, Tonietti said, referring to the powerful ninth century Islamic capital city that ruled the Abbasid Empire extending from present day Tunisia to Pakistan.
But the mosque at Balkh could be even older, with the carbon dating and historical sources suggesting it could have been built as early as the year 794.
“This means that the mosque of the Abassid Empire has been influenced by Afghanistan, not the other way around,” said Julio Sarmiento-Bendezu, director of the French Archaeological Delegation in Afghanistan, who is leading excavations at the site.

“This mosque is exceptional in its beauty, conservation, decoration and the knowledge it holds,” he said.
But Noh Gonbad, its Persian name, was only rediscovered by chance.
In the late 1960s, an American archaeologist traveling in the region asked local people to take her to a mosque destroyed by Genghis Khan, the Mongol emperor who rampaged across the region in the early 13th century.
Villagers led her to this lonely, half-buried temple some 20 kilometers (12 miles) west of Mazar-i-Sharif.
Once found, however, the building languished once again as war was unleashed on Afghanistan, enveloping the country in decades of bloodshed, and it was not until 2006 that excavations began on the site.
“We thought at first that it was an isolated monument, but as we went on we saw that it was stuck to other older structures,” said Sarmiento-Bendezu.
“At the end of the 8th century, the Buddhist world was in torment in the region. No doubt it was built on the remains of a monastery.”
In July archaeologists unearthed the base of the pillars, at a depth of 1.5 meters (five feet), but surveys suggest even deeper remnants.
“This is a window open to the ancient period, here we can find the base of the next culture to come,” said Arash Boostani, an Iranian architect and engineer from the University of Tehran, who was commissioned by the Aga Khan Trust for Culture (AKTC) to work on the site.
A specialist in conserving historical monuments, he said that some of the flower designs on the mosque are pre-Islamic and have been absorbed from local culture.
The building, which has been protected from the elements by a metal roof, remains vulnerable because its brick and patchwork structure is susceptible to erosion.
Noh Gonbad’s domes were toppled soon after the mosque was built and have lain at the site during the centuries since.
“With the earthquake in 819 most of the mosque collapsed,” Boostani said.
Another earthquake a hundred years later hit the outer walls and most of the 15 arches.
The experts stretched fiberglass nets to support the two main, deeply cracked arches, and injected cement — without altering the gypsum decorations.
“The place has always been occupied,” Sarmiento-Bendezu said. “Monastery and then mosque, abandoned and squatted in — we found fireplaces.
“Pieces of the domes, however heavy, were transported and used to cover nearby tombs: why give yourself this burden if the building did not have strong symbolic value?“
Noh Gonbad remains a place of pilgrimage: the women come to gather on Friday and weep over the tomb of an obscure saint, Hadji Pyada, the walking pilgrim, buried there in the 15th century.
“Like all excavations, those of the Nine Domes Mosque pose more questions than they answer,” says the archaeologist.


Gwen Stefani to perform in the UAE in February

Updated 1 min 33 sec ago
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Gwen Stefani to perform in the UAE in February

DUBAI: US pop star Gwen Stefani is set to perform in Abu Dhabi on Feb. 21 as part of the city’s Saadiyat Nights, marking her first-ever performance in the UAE capital.

The triple Grammy Award winner will take the stage just 24 hours before legendary US singer Lionel Richie closes the event on Feb. 22.

The three-month open-air music series will also feature performances by Egyptian composer Omar Khairat on Feb. 1, British musician Sting on Feb. 3, Lebanese music icon Magida El-Roumi on Feb. 10 and US pop star Christina Aguilera on Feb. 15.

Artists who have already performed include Grammy-winning Michael Buble, Russian band Leningrad, US R&B group Boyz II Men, British singer Robbie Williams and Iranian singer Ebi.

Stefani has achieved global recognition as a songwriter, performer, and frontwoman of the US rock band No Doubt, and as a multi-platinum solo artist. Over the course of her career, she has received numerous awards, including four MTV Video Music Awards, two Billboard Awards, an American Music Award and a Brit Award.

Stefani has sold over 60 million records worldwide, combining her success with No Doubt and her solo career. Her 2004 debut solo album, “Love. Angel. Music. Baby.,” achieved multi-platinum status and included chart-topping hits like “Hollaback Girl,” which became the first digital download to sell over 1 million copies in the US.

Stefani is no stranger to Emirati culture. In 2019, she performed in Dubai at the Dubai World Cup. During her visit, the singer immersed herself in Emirati culture, embracing the quintessential tourist experience by taking a desert safari, dining in a desert tent, watching a falcon show, riding a camel, covering her face and hair with a headscarf, shopping at the perfume souk, and visiting the iconic Burj Khalifa, the world’s tallest building.

Saadiyat Nights is part of the Abu Dhabi Calendar’s year-round schedule of events, which includes music, sports, comedy, family-friendly shows, cultural festivals and art exhibitions.

Held on Saadiyat Island, the concert series is set against the backdrop of the Saadiyat Cultural District, pristine beaches, and luxurious resorts.

The inaugural edition of Saadiyat Nights, which ran from January to March 2024, featured a lineup of artists, including American stars Mariah Carey, John Legend, and Alicia Keys, Iranian singer Googoosh, and Italian tenor Andrea Bocelli.


Princess Iman of Jordan is expecting her first child 

Updated 24 January 2025
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Princess Iman of Jordan is expecting her first child 

DUBAI: Jordan’s Princess Iman bint Abdullah II and her husband, Jameel Alexander Thermiotis, are expecting their first child.

Queen Rania, the princess’s mother, shared the news on Instagram with a photo of the couple at sunset by the beach, highlighting the mother-to-be’s baby bump. “Two is a couple, three is a blessing,” the Queen captioned the image.

This will be the second grandchild for Queen Rania and King Abdullah II. Their first grandchild, born in August, is the daughter of Crown Prince Hussein bin Abdullah and Princess Rajwa Al-Hussein. She was named Iman in honor of her aunt.


Oscar nomination for Palestinian documentary ‘No Other Land’

Updated 24 January 2025
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Oscar nomination for Palestinian documentary ‘No Other Land’

DUBAI: The Palestinian documentary “No Other Land” has been nominated for the Best Documentary at this year’s Oscars.

The film was directed by a collective of four Israeli and Palestinian filmmakers — activists Basel Adra, Hamdan Ballal, Yuval Abraham and Rachel Szor — and marks their directorial debut.

“No Other Land” follows the story of Adra, a young Palestinian activist from Masafer Yatta in the West Bank, as he fights against the mass expulsion of his community by Israeli forces. Since childhood, Adra has documented the demolition of homes and displacement of residents in his region under military occupation.

The film also explores his unlikely partnership with Abraham, an Israeli journalist who supports his efforts. However, their alliance is tested by the stark inequality between them — Adra lives under constant occupation, while Abraham enjoys freedom and security.

The film has dominated the pre-Oscar awards circuit, winning major accolades such as the top honor at the Cinema Eye Honors, Best Documentary and Best Director at the IDA Awards, Best European Documentary at the European Film Awards, and Best Documentary at the Berlin Film Festival, where it premiered last February.

This year’s Academy Awards ceremony will take place on March 3.


Who’s who at the Diriyah Islamic Arts Biennale 

Updated 24 January 2025
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Who’s who at the Diriyah Islamic Arts Biennale 

  • A rundown of the artists whose work will be displayed at this year’s event, which runs until May 25 

JEDDAH: The second edition of the Diriyah Islamic Arts Biennale begins today, showcasing more than 500 “historical objects and contemporary artworks” across five exhibition halls and outdoor spaces.  

This year’s theme is “And All That Is In Between,” a phrase the organizers say “encapsulates the vast and awe-inspiring scope of God’s creation as experienced by humankind.”  

Over the next four months, the event will, according to the website, present “a profound exploration of how faith is lived, expressed, and celebrated … inviting visitors to reflect on the divine’s wonders and humankind’s connection to it.” 

 Abdelkader Benchamma's 'Au Bord des Mondes' on display at the Pompidou Center in Paris this year. (Supplied)

The biennale will include new commissions from more than 30 artists, both local and international. The most prominent Saudi artist on the roster is Ahmed Mater, who was the subject of a mid-career retrospective — “Chronicles” — at Christie’s in London last year. Participation in a biennale such as this fits with Mater’s philosophy. In 2020, he told Arab News: “I see exploration, sharing and learning between cultures as vital. Culture is about sharing and progress. It is not static; it is dynamic.”  

Mater’s fellow Saudi artist, the printmaker and educator Fatma Abdulhadi will also be presenting works at the biennale. Her prints, she told the Berlin Art Institute in 2021, consist of “layer upon layer of deeper meanings which are expressed through the use of color. Each layer of color is a mirror that allows you to see the others clearly and accept them for what they are.” 

Saudi contemporary interpretive dancer Bilal Allaf told Arab News in 2021 why he prefers his improvisational approach to classical dance. “I feel I can express my emotions better,” he said. “I think it’s a pure art form of storytelling — a form of non-verbal communication. As a performer it’s a very profound expression.” 

Bilal Allaf. (Supplied)

Bahraini-American artist Nasser Alzayani was the winner of Louvre Abu Dhabi’s inaugural Richard Mille Art Prize in 2021. His practice, the Louvre said at the time, “is a research-driven documentation of time and place through text and image.” Alzayani told Canvas the following year: “I see the work that I’m making as a way of adding to the resources available.” 

Makkah native Ahmad Angawi is, according to art collective Edge of Arabia, “inspired by the colorful diversity of the culture of Hejaz.” He is the son of an architect, and has “adopted the concept of … the belief in the fundamental principle of balance, as a state of mind, as well as the belief in its application in the field of design.” 

Abdelkader Benchamma, born in France to Algerian parents, creates “delicately executed and dynamic drawings of states of matter,” Edge of Arabia’s website states. “His drawings take their inspiration from visual scenarios that stem from reflections on space and its physical reality.” 

Abha native Saeed Gebaan is an industrial engineer by trade, and a co-founder of PHI Studio. “Through installations, programming and movement systems, Gebaan invites viewers to consider the intersection of science and society,” according to Riyadh Art. 

Nasser Alzayan, Seeing Things. (Supplied)

Louis Guillaume uses found materials to create his sculptures and “sees his creations as living works destined to evolve over time,” the website of Paris’ Cité International Des Artes states. 

The work of Lebanese multidisciplinary artists Joana Hadjithomas and Khalil Joreige has covered film, photography, sculpture, installations, performance lectures and texts. They have written that they “question storytelling, the fabrication of images and representations, the construction of imaginaries, and the writing of history.” 

Jeddah-based visual artist Bashaer Hawsawi works with mixed media and found objects. Her practice, according to theartists.net, is centered around “notions of cultural identity, cleansing, belonging and nostalgia.” 

Libyan artist Nour Jaouda, the Venice Biennale website states, “relishes in the slow, physical, and felt processes of fabricating hand-dyed textiles. (Their) inherent connectivity begets their association with the eternal and the divine; to the artist, textiles have no beginning or end.” 

Lebanese-French interdisciplinary artist Tamara Kalo was raised in Riyadh. “She works with photography, video and sculpture to investigate narratives that shape home, history and identity,” Riyadh Art states. 

Nour Jaouda's 'The Light In Between'. (Supplied)

Raya Kassisieh is a London-based artist of Palestinian heritage who says she “explores the politics of the body in a multidisciplinary practice that presents a deeply personal interrogation of form.” Her work “proposes that the body is the ultimate tool for reimagination and creation.” 

The Japanese artist Takashi Kuribayashi creates large-scale installations. The central theme of his work, he has said, is the “invisible realm” and its boundary. “The truth resides in places that are invisible. Once you are aware that there is a different world out of sight, you will be living in a different way.” 

Saudi photographer and filmmaker Hayat Osamah “seeks to challenge conventional norms and celebrate diversity,” Riyadh Art states, while Jeddah-born multidisciplinary artist Anhar Salem also works primarily in film, often using phone-shot videos “to question self-representation and image production in communities that have been marginalized as a result of migration and economic policies,” according to Cité International Des Artes. 

This year’s roster also includes Argentinian artist Gabriel Chaile; Amman-based Kuwaiti artist and curator Ala Younis; Asim Waqif, an Indian artist based in New Delhi; Taiwanese multidisciplinary artist Charwei Tsai; Lahore-based duo Ehsan ul Haq and Iqra Tanveer; Eurasian art collective Slavs and Tatars; Italian visual artist Arcangelo Sassolino; British architect and multidisciplinary artist Asif Khan; French-Iraqi artist Mehdi Moutashar; German-Iranian photographer and sculptor Timo Nasseri; Multimedia poet-musician duo Hylozic/Desires (Himali Singh Soin and David Soin Tappeser); Colombian multidisciplinary artist Nohemi Pérez; Pakistani artist Imran Qureshi, whose work is inspired by the miniature paintings of Mughal courts; Brazilian artist Lucia Koch; and the British interdisciplinary artist Osman Yousefzada. 


REVIEW: Netflix’s French thriller ‘Ad Vitam’ fails to pick a lane

Updated 24 January 2025
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REVIEW: Netflix’s French thriller ‘Ad Vitam’ fails to pick a lane

JEDDAH: It’s hard to know quite what to make of “Ad Vitam.” Maybe because its creators don’t seem to have decided quite what they were making.

Co-writer Guillaume Canet stars as Franck Lazarev, whose wife Leo is just days away from giving birth to their first child. Franck is working a civilian job checking historical buildings for structural cracks (which makes for some stunning opening shots of Paris). A few days after finding their apartment has been ransacked, they are attacked by masked intruders, who kidnap Leo and tell Franck that unless he hands over “the key,” she will die and he will be framed for her murder. It all makes for a gripping 30 minutes.

Then the story goes back a full decade. Leo and Franck are trainees for the GIGN (essentially the French police’s anti-terrorist unit). They become ace agents, bond with certain colleagues, fall in love… you get the picture. It’s a montage — but one that takes around 20 minutes when it could have taken two. It throws off the momentum considerably.

Next, we jump ahead nine years to find Franck leading a team of agents who are called to a hotel where gunshots have been heard. Things escalate rapidly. Two perpetrators are killed, but so is Franck’s best friend, and his protégé is seriously wounded. Franck is fired.

But he can’t let it go. He gets his friend’s badge tested for DNA (explaining a notable focus on badges in the earlier flashback sequence) and discovers that one of the two perps was actually a government agent. A conspiracy begins to unravel. The key demanded by the kidnappers opens the locker where Franck has stashed the evidence.

Back to the present: Franck rushes to save Leo, and we’re back to frantic action, this time with mediocre parkour scenes and a paragliding sequence that is hilarious (unintentionally). Canet clearly fancies himself an all-action hero in the Tom Cruise mold. He doesn’t pull it off. Like the film itself, Canet is best when playing it small and gritty.

Credit to the makers for taking some big swings, but they don’t come off. And while “Ad Vitam” is entertaining enough, it’s also instantly forgettable.