Lebanon’s ‘outdated’ film censors under fire after banning Spielberg’s The Post

Actors Tom Hanks, from left, Meryl Streep and director Steven Spielberg pose for photographers upon arrival at the premiere of the film ‘The Post’ in Milan, Italy. (AP Photo)
Updated 16 January 2018
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Lebanon’s ‘outdated’ film censors under fire after banning Spielberg’s The Post

BEIRUT: Lebanon banned a second film in as many days on Monday, as the country’s censors continue a strict enforcement of boycott rules against movies with links to Israel.
The Australian film “Jungle,” a survival drama about an Israeli adventurer, was banned two weeks after its release due to the “buzz it caused on social media websites.”
Steven Spielberg’s latest film, “The Post,” was also banned a day earlier because the director is blacklisted after filming scenes for the Oscar-winning “Schindler’s List” in Israel 25 years ago.
The bans come as anti-Israel activists have started a campaign to block the release of a new film, “Beirut” starring John Hamm and Rosamund Pike, which is due to be released in Lebanon in April.
Lebanon has repeatedly banned films over the years that are linked to or filmed in Israel. This recently included the blockbuster “Wonder Woman,” because the star Gal Gadot is Israeli and once served in the military.
But it has also included films by Lebanese directors, including “The Attack” by Ziad Doueiri, who have filmed scenes in Israel.
While many support the boycott of Israel, a country with which they are still technically at war and which is widely reviled for its military aggression toward Lebanon, others say the censorship goes too far.
Former MP Fares Souaid said the decision to ban Spielberg’s film “is unacceptable, and this censorship board is following outdated laws that must be updated.”
The decision-making process on which films are banned in Lebanon is complex and involves several branches of government.
Brig. Nabil Hannoun, the head of General Security’s media office, said the final decision to ban “The Post” was made by Lebanon’s censorship board, which has submitted its recommendation to the Interior Ministry.
“Spielberg is blacklisted by the Arab League’s boycott office, which Lebanon complies with,” he said.
Hannoun said: “The General Security presents films believed to be violating the boycott rules to the censorship board, and this is what we’ve done.”
The Lebanese censorship board includes representatives from the foreign, information, education, economy and social affairs ministries. The board also includes a member of the General Security, representing the Interior Ministry.
“The board met and submitted its recommendation to the Minister of Interior that the film is banned,” Hannoun said.
Spielberg’s last two films, “The BFG” and “Bridge of Spies,” were allowed in Lebanese cinemas. When asked why they had been allowed to show but that “The Post” had been banned, Hannoun replied: “The law gave the censorship board the power to choose which films to ban or allow. This time, the decision was taken by majority.”
“Jungle,” which is directed by Greg McLean and stars Daniel Radcliffe, was banned after Lebanese campaigners against Israel called for the film to be boycotted because “it tells the story of an Israeli adventurer based on a book by Yossi Ghinsberg.”
“We were concerned that this buzz would lead to troubles and disturbances inside movie theaters, and so we decided to ban it,” Hannoun said.
Activist Samah Idriss wrote on his Facebook page: “Another victory for the advocates of boycotting the Zionist enemy in Lebanon and the Arab world, and for Palestine’s supporters.”
Idriss said Yossi Ghinsberg served three years in the Israeli Navy and that one of the film’s producers is also Israeli.
“We hope that the enemy’s soldiers do not enjoy freedom of speech in our country,” he said.
In the past couple of days, those activists have also campaigned against “Beirut,” which is supposed to be released in April.
Culture Minister Ghattas Khoury condemned the film, which follows a CIA negotiator involved in a hostage release, because it distorts Beirut’s image.
“It is common practice that when a writer or a director embarks on a new project, he documents the place, time, and location to ensure producing a film that is credible and convincing,” he said on Monday.
“Beirut,” he said rules out facts and gives an “unjust image of this great city”.
Film critic Josephine Habashi was disappointed with the decision to ban “The Post” and felt sorry for the loss of culture, openness, freedom, and art in Lebanon.
“Lebanon bans ‘The Post’ in its theaters when Saudi Arabia allows movie theaters to open,” she said, “The movie is available on copied DVDs sold on the streets.
“Starting now, any film, whether international or local, must seek the approval of Mr.Samah Idriss before it enters the theaters.”
Film critic Vicky Habib told Arab News that what’s happening in Lebanese theaters “is unfair.”
“Who can ban movies that are now available on DVDs?,” she said. “What do they mean by banning a movie in this century when movies are only a click away?”
She believes the country is being controlled by a certain party, who succeeded at banning “Wonder Woman,” and found it easy to pressure the authorities and ban whatever movies they disapproved of.


Six films that ran into trouble in Lebanon

Wonder Woman
The superhero blockbuster was banned in Lebanon last year because the lead role was played by the Israeli actress Gal Gadot, who served in the Israel Defense Forces.
The Attack
A tense drama by Lebanese director Ziad Doueiri set in the aftermath of a suicide bombing in Israel. It was banned in 2013 because it was partly filmed in the country considered an enemy of Lebanon.
Waltz with Bashir
A 2008 Israeli animated film documenting Israel’s alliance with Christian Phalangist militias, which led to the 1982 massacre of Palestinians living in the Sabra and Shatila camps in southern Beirut. Screenings have been held in Beirut in despite it being banned.
Persepolis
Banned in March 2008 after Shiite officials expressed concern that its content was offensive to Muslims and to Iran. The ban on the internationally acclaimed animation about the Iranian 1979 revolution was lifted just weeks later after complaints about over zealous censorship.
Spotlight
It may have won best picture at the Oscars in 2016 but this film about a newspaper investigation into child abuse by Catholic priests was never shown in Lebanese cinemas. While it was not banned, the distributors said it wouldn’t be worth showing because it would cause too much controversy and not draw an audience.
Personal Affairs
Directed by Palestinian filmmaker Maha Hajj, the film was banned from the Beirut International Film Festival in 2016 because it was produced by an Israeli company and filmed in Israel.


Trump says confident of TikTok deal before deadline

Updated 58 min 11 sec ago
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Trump says confident of TikTok deal before deadline

  • Chinese owner ByteDance to sell the popular short video app by April 5 or see it banned in the US
  • US in talks with four groups interested in acquiring the platform, Trump said

WASHINGTON: President Donald Trump said Sunday he was confident of reaching a deal on TikTok ahead of the April 5 deadline for its Chinese owner ByteDance to sell the popular short video app or see it banned in the United States.
“We have a lot of potential buyers. There’s tremendous interest in TikTok,” Trump told reporters onboard Air Force One.
“We have a lot of people that want to buy TikTok. We’re dealing with China also on it, because they may have something to do with it,” he said, adding “I’d like to see TikTok remain alive.”
China on Thursday had rebuffed a suggestion from Trump that he might offer to reduce tariffs to get Beijing’s approval for the sale of TikTok to a non-Chinese firm.
Trump said this month the United States was in talks with four groups interested in acquiring the platform, which has 170 million American users.
A US law has ordered TikTok to divest from ByteDance or be banned in the United States, enacted over concerns that Beijing could exploit the app to spy on Americans or covertly influence US public opinion.
The law took effect on January 19, a day before Trump’s inauguration, but he quickly announced a delay that has allowed it to continue to operate.
That delay is set to expire on April 5.
“There’ll be a deal with TikTok, I’m pretty certain,” Trump said when asked if he would extend the deadline if there was no deal.
Trump attempted to ban TikTok in the United States because of national security concerns during his first stint in the White House but has warmed up to it.
“Selfishly speaking, I won the young vote by 36 points. Republicans generally don’t do very well with the young crowd, and I think a lot of it could have been TikTok,” he said.


Turkiye confirms Swedish journalist arrested amid protests

Updated 30 March 2025
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Turkiye confirms Swedish journalist arrested amid protests

  • The jailing of Medin came just hours after the authorities released the last of 11 journalists arrested in dawn raids on Monday for covering the protests

Istanbul: A Swedish journalist who was detained on his arrival in Turkiye to cover protests over the jailing of Istanbul’s mayor has been arrested on terror-related charges and for “insulting the president,” the Turkish presidency said Sunday.
Joakim Medin, who works for the Dagens ETC newspaper, “has been arrested on charges of ‘membership in an armed terrorist organization’ and ‘insulting the president’,” the presidency said.
Medin was detained on Thursday when his plane landed in Turkiye, and sent to prison the next day.
In a bulletin published by its “Disinformation Combat Center,” the presidency said Medin was “known for anti-Turkiye news and his closeness to the terrorist organization PKK,” the banned Kurdish militant group.
“This arrest decision has no connection whatsoever to journalistic activities,” it added.
The jailing of Medin came just hours after the authorities released the last of 11 journalists arrested in dawn raids on Monday for covering the protests, among them AFP photographer Yasin Akgul.
Turkish authorities have also deported BBC journalist Mark Lowen, who had been covering the protests, after holding him for 17 hours on Wednesday, saying he posed “a threat to public order,” the broadcaster said.
Turkiye’s communications directorate said Lowen had been deported “due to a lack of accreditation.”
Turkish prosecutors had already opened an investigation into Medin in 2023 over a demonstration he joined in Stockholm in which a puppet of President Recep Tayyip Erdogan was hung from its feet, according to the presidency’s statement Sunday.
It said the Swedish journalist was among 15 suspects believed to have carried out, organized or publicized the demonstration.
The protest infuriated Turkish authorities, who alleged it was orchestrated by PKK members and summoned Sweden’s ambassador to Ankara.


Academy apologizes after stars say it ‘failed to defend’ Palestinian filmmaker

Updated 29 March 2025
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Academy apologizes after stars say it ‘failed to defend’ Palestinian filmmaker

  • Hamdan Ballal was assaulted this week by settlers and detained at gunpoint by soldiers in the Israeli-occupied West Bank
  • “No Other Land” chronicles the forced displacement of Palestinians by Israeli troops and settlers in Masafer Yatta in the West Bank

LOS ANGELES: The Academy of Motion Picture Arts and Sciences apologized Friday for failing to defend an Oscar-winning Palestinian filmmaker who said he was attacked by Israeli settlers.
The group, which hosts and awards the Oscars each year, wrote to members after movie stars including Joaquin Phoenix, Penelope Cruz and Richard Gere had slammed its initially muted response to the incident.
The Academy “condemns violence of this kind anywhere in the world” and its leaders “abhor the suppression of free speech under any circumstances,” said the letter, seen by AFP.
Hamdan Ballal co-directed “No Other Land,” which won best documentary at this year’s Academy Awards.
This week, he said he had been assaulted by settlers and detained at gunpoint by soldiers in the Israeli-occupied West Bank.
Unlike multiple other prominent filmmaker groups, the US-based Academy initially did not issue a statement.
On Wednesday, it sent a letter to members that condemned “harming or suppressing artists for their work or their viewpoints,” without naming Ballal.
By Friday morning, more than 600 Academy members had signed their own statement in response.
“It is indefensible for an organization to recognize a film with an award in the first week of March, and then fail to defend its filmmakers just a few weeks later,” the members said.
“We stand in condemnation of the brutal assault and unlawful detention of Oscar-winning Palestinian filmmaker Hamdan Ballal by settlers and Israeli forces in the West Bank,” they wrote.
The Academy leadership’s response “fell far short of the sentiments this moment calls for,” said the members.
The Los Angeles-based group’s board convened an extraordinary meeting Friday to confront the deepening crisis, according to trade outlet Deadline.
Later Friday, it issued an apology to Ballal “and all artists who felt unsupported by our previous statement.”
“We regret that we failed to directly acknowledge Mr. Ballal and the film by name,” it wrote.
“No Other Land” chronicles the forced displacement of Palestinians by Israeli troops and settlers in Masafer Yatta — an area Israel declared a restricted military zone in the 1980s.
Despite winning the coveted Oscar, the film has struggled to find a major US distributor.
Following Monday’s incident, Ballal told AFP the “brutality” of the attack “made me feel it was because I won the Oscar.”
During his detention at an Israeli military center, Ballal said he noticed soldiers mentioning his name alongside the word “Oscar” during shift changes.
He was released Tuesday, after being detained the previous day for allegedly “hurling rocks.”
Yuval Abraham, who also co-directed and appears in the documentary, has spoken out against the Academy’s response.
“After our criticism, the academy’s leaders sent out this email to members explaining their silence on Hamdan’s assault: they need to respect ‘unique viewpoints’,” he wrote on X, sharing a screenshot of the Academy’s letter.
 


Warner Bros. Discovery investment in OSN Streaming signals broader industry shift, says CEO

Updated 28 March 2025
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Warner Bros. Discovery investment in OSN Streaming signals broader industry shift, says CEO

  • Middle East ‘no longer a peripheral market’ — Joe Kawkabani

DUBAI: Warner Bros. Discovery this week announced a minority investment in OSN Streaming in a move that “reinforces its commitment to the region’s rapidly growing streaming landscape.”

The deal is reportedly valued at $57 million for a third of OSN Streaming. It will take place in phases and is subject to customary conditions, including regulatory approvals.

Joe Kawkabani, OSN’s group CEO, said the deal “signals a broader shift in the industry” as global players recognize “that substantial growth in the Middle East and North Africa region requires more than just exporting content.”

He told Arab News: “It’s about investing in local platforms, collaborating with regional talent, and tailoring content specifically to the market. That’s precisely what we’re doing here, and I believe it sets a new standard for successful partnerships in the region.”

Warner Bros. Discovery opened its first office in the region in Dubai in 2012. The investment reflects its “prioritization of working with the best creative talent, advancing technologies and forging key partnerships to fuel continued growth.”

It also serves as an opportunity for the company to “deepen their regional presence through a trusted platform that truly understands the market's nuances,” Kawkabani said.

The two companies have had a long-standing history, with OSN being the exclusive home for HBO content in the region. Just last year, OSN acquired the rights to all first-run Max Originals and the full Warner Bros. Pictures feature film library as part of a multi-year deal.

Jamie Cooke, executive vice president and managing director for Central Europe, Turkey and Middle East, at Warner Bros. Discovery said this was a “natural step” for the company, as “OSN has been a great partner and custodian of our content.”

He added: “We recognize that alongside enjoying the latest global hits, regional audiences also want stories from and about the region that reflect their own cultures and experiences.”

Kawkabani highlighted the importance of the MENA market on the global map.

He said: “It is no longer a peripheral market — it’s becoming central to the future of streaming. Our role is to drive this transformation from within the region, not just import it from the outside.”

Saudi Arabia has emerged as a key player in the region’s media and entertainment industry. In 2018, the Kingdom announced it would invest $64 billion in its entertainment sector over the coming decade. Since then, it has implemented several initiatives and investments to bolster these sectors.

Most recently, in January, Saudi Arabia’s General Entertainment Authority unveiled 29 investment opportunities aimed at expanding the entertainment landscape while fostering private sector participation and aligning with Vision 2030 objectives.

Saudi Arabia is “one of the most exciting and dynamic entertainment markets in the world right now” and the deal “aligns seamlessly with Saudi Arabia’s broader vision for its entertainment sector — one that prioritizes creativity, local talent, and global collaboration,” said Kawkabani.

“We view Saudi Arabia not just as a key market but as a creative hub that can lead the region forward,” he added.

Going forward, the deal will see the two companies invest in “high-quality, locally produced content, ensuring a richer and more diverse offering for viewers,” according to Cooke.

For OSN, Kawkabani said it wasn’t just about content licensing or capital, but rather about “two companies aligning on a vision to sustainably grow the regional streaming market in a way that resonates locally.”

He added: “We’re not here to follow trends; we’re here to shape them.”


Majority of listeners tune in to Spotify during Ramadan’s pre-dawn hours

Updated 28 March 2025
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Majority of listeners tune in to Spotify during Ramadan’s pre-dawn hours

  • Spiritual, peaceful and relaxing audio is the most popular choice during Ramadan, with listenership of such playlists increasing by more than 3,000 percent in the first two weeks.

DUBAI: Streaming and content consumption habits change as audiences adjust to different routines during Ramadan, according to new data from Spotify.

This year saw a return of the streaming platform’s Ramadan Hub, with a specially curated selection of playlists, music and podcasts.

Based on an analysis of customers’ streaming habits during the first two weeks of Ramadan, Spotify found the majority of Saudi listeners tune in at around 3 a.m. Spiritual, peaceful and relaxing audio is the most popular choice, with listenership of such playlists increasing by more than 3,000 percent.

“With the Ramadan Hub, Spotify continues to be a companion for every moment of the holy month,” Mark Abou Jaoude, the platform’s head of music for the Middle East, North Africa and Pakistan told Arab News.

The playlist with the highest increase in listeners (3,750 percent) was “Duaa,” which features prayers and supplications. Similarly, “Ramadaniyat,” which features traditional Islamic songs, saw a streaming rise of almost 1,890 percent.

Users’ love of TV dramas is reflected in their streaming habits with the “Titrat Ramadan” playlist recording a 2,900 percent increase in streams. This features songs that appear in popular shows at this time, known as “titrat” and traditionally sung by Arab pop stars.

Another playlist gaining popularity is “Cooking Time,” which saw the number of streams increase by 743 percent. This serves as a cooking companion and features songs such as Nancy Ajram’s “Aam Betaala’ Feek,” Marwan Khoury’s “Kel El Qasayed” and Amr Diab’s “El Kalam Leek.”

“Over the past two years, local podcast listening hours have increased by nearly 90 percent (on Spotify),” Abou Jaoude said.

Spotify has also seen significant increases in the popularity of local podcasts such as “Finjan with Abdul Rahman Abu Maleh” and “Sawalif Business.” Users are also listening to lighter entertainment content, such as “Kanabat al-Sabt,” “Saturday Couch” and the “Abjoorah Podcast,” as well as religious shows like the “Omam Podcast,” which puts a modern spin on the stories of prophets.

“These shifting listening habits reflect the growing trend of audio in setting the atmosphere for these shared experiences during the month,” said Abou Jade.

“It’s great to see how our Saudi listeners use Spotify to enrich their Ramadan journey and deepen their connections during this meaningful time.”