RIYADH: With eloquence and grace, Princess Reema bint Bandar touched on paramount topics at the recently concluded World Economic Forum (WEF) in Davos.
Raised in the US and the daughter of an ambassador, Princess Reema is no stranger to diplomacy. An enlightened soul she has always been, but gracious with her kindness and smiles. A philanthropist, motivator, and President of the Saudi Federation for Community Sports, Princess Reema has an impressive resume.
At the WEF, her words penetrated the heart of every Saudi. She echoed their thoughts and mirrored their feelings. Princess Reema spoke distinctively and clearly but, most of all, wholeheartedly, talking about gender equality and the disparaging word “but.”
“Once we exhibit change you come to us with cynicism. I don’t know how to explain how destructive that is. We are so thrilled and excited and the article ends up: ‘This was so fabulous BUT’… why but? Do you say that to anyone else? Is it because we are in the Middle East and there is a history of what you did not feel assimilated to your values? Please understand the values we have are different. They are not right or wrong and they should be honored for what they are.”
The truth is, Saudi youth are stuck in limbo. No matter how hard Saudis have tried to progress toward the future, we are pulled back with skepticism and relentless criticism. Even before Vision 2030, we had massive amounts of youths working relentlessly to put Saudi Arabia back on the map. In every field, we find remarkable youths.
As Saudi women, we feel this especially. Princess Reema emphasized the change that Saudi Arabia is witnessing, claiming: “A woman has a choice to breathe, a woman has a choice to dream and she can take action. Why? Because of the changes the ministers were talking about.”
This year Saudi Arabia has allowed women to sit behind the wheel and take hold of their destiny. In an unprecedented royal decree announced on Dec. 27, King Salman said women will be able to drive in June 2018. It came as a shock and a joy to many. This decree is in line with the Kingdom’s vision to help women achieve their goals and excel in the workforce without hindrance and with fewer obstacles.
“That ‘but’ is so detrimental to the women I work with, and the women I try to inspire, but I will remind you what I remind them: We are not working for anyone outside this nation. We are working for this nation, for the women of our nation, for the men of our nation, for the evolution of where we need to be, and that is how we will benefit you and that is how we will be global.”
Commenting on Princess Reema’s views as expressed at the WEF, Dr. Hoda Al-Hellaisi, a member of the Shoura Council, said: “I was really impressed by her participation in the panel.”
Al-Hellaisi said anyone who gets the opportunity to meet members of the foreign media should highlight the fact that the Western media tend to focus on our shortcomings. “It is high time the Western media focused on our achievements. We are a country that is only 80 years old, and we, as a nation, have achieved much during this time.”
She said every country has different social values, which should be respected and be taken into consideration without being judgmental. Al-Hellaisi said: “It’s easy to criticize.”
The Shoura member stressed the need to allow all nations to move forward at their own pace within their respective traditional and religious framework.
Al-Helaissi said: “Our country has its own value system, and it’s unfair that we are judged through their lenses and not ours.”
The Vision 2030 has enabled many youths and encouraged them to put their feet forward and work together to make the Kingdom prosperous in all ways. From weaning Saudi Arabia’s economy off oil revenues, to supporting small- and medium-sized enterprises. Princess Reema said at the WEF: “Human capital is the new currency.”
She added that the crown prince is vocal and adamant about helping his nation, that his actions portray him saying: “This is your nation, you are my people. What do you need, how can I help you?”
This year at the WEF, Saudi participation was exceptional and made its mark through many of its speakers and attendees. The excitement and ambition of the Saudi youth have escalated for the world to see, for their achievements speak volumes.
Princess Reema’s views at WEF represent aspirations of young Saudis
Princess Reema’s views at WEF represent aspirations of young Saudis
Festival in Riyadh finds Common Ground between Iraqi and Saudi cultures
- We are ‘all one culture, one society and one message,’ says Iraqi official
RIYADH: From heritage to long-standing traditions, the deep connections between Iraq and Saudi Arabia span thousands of years to the pre-Islamic era.
The second Common Ground festival, an initiative by Saudi Arabia’s Ministry of Culture, is an immersion in the bonds of the two nations through art, cuisine and performance.
Alataf Ebrahim, the head of the festival department at the Iraqi Ministry of Culture, Tourism and Antiquities, told Arab News: “Baghdad and all the Iraqi governorates are passionate about embracing Saudi culture. While the event is called Common Ground, with pride, we say that we are all one culture, one society and one message.
“This is a big and very important event, and the project is bold for planning and drawing joint cultural events now, and in the future. As the Ministry of Culture, this venture has been initiated for two years and we plan on having Saudi cultural nights in Baghdad as well as in 2025.”
HIGHLIGHT
Common Ground festival features an exhibition dedicated to the history of traditional clothing, musical instruments, songs, and significant cultural figures of Saudi Arabia and Iraq.
One of the main festival attractions is Al-Mutanabbi Street, which is recreated based on the historical road in Baghdad along with its iconic main gate. The renowned hub for intellectual life hosts various bookstores, clothing stores, live painting and oud performances, and panel discussions around various cultural crossovers.
In the heart of the bookshop district is one of Baghdad’s oldest coffee shops, Shabandar cafe, which opened its doors over a century ago and has since become a landmark in the city. The establishment has born witness to the twists and tragedies of Iraq’s tumultuous history.
“Shabandar cafe is an open corner for poets and intellectuals, and visitors as well, as they read about the latest cultural news through physical newspapers that are always on each table. This area is where the most prominent cultural activities in the capital (take place),” Ebrahim explained.
Al-Mutanabbi’s poems are also honored through 10, 3-meter-high scrolls. The works are written in a font that has the characteristics of the 4th century in the style of Ibn Al-Bawwab, the famous calligrapher who was born about a year after Al-Mutanabbi’s death.
“We’re presenting a mini cultural week that encompasses many experiences, not just books and literature, but also extends to musical performances; and an absorption between the two cultures and deepening that relationship,” he added.
As the Ministry of Culture, this venture has been initiated for two years and we plan on having Saudi cultural nights in Baghdad as well in 2025.
Alataf Ebrahim, Iraqi Ministry of Culture, Tourism and Antiquities official
Visitors can also indulge in local delicacies from both countries while enjoying the live folk music and dance performances that take place twice daily on the main stage.
The festival’s concert series featured an iconic performance by Iraqi singer Kadim Alsahir on the opening day, and a joint oud performance by Saudi singer and songwriter Abadi Al-Johar and Iraqi artist Naseer Shamma on Dec. 21.
The last show of the series will be on Dec. 25, featuring Aseel Hameem and Nawaf Al-Jabarti.
Over 100 artworks are on display at the “Beneath the Gaze of the Palms” exhibition, which examines questions of identity and heritage in Iraq and Saudi Arabia. The showcase includes Islamic, Mesopotamian and contemporary art.
At the entrance of the exhibition is a large structure known as the Mudhif, which is a traditional reed house, particularly in the Al-Ahwar region of southern Iraq. It is a type of communal guesthouse or gathering space that plays a central role in the social and hospitality traditions of the region.
A large part of the exhibition highlights Darb Zubaida, one of the historical pilgrimage routes from the city of Kufa to Makkah that not only facilitated the movement of people, goods, and ideas but also played a crucial role in the cultural and religious life of the Islamic world.
“This road became a place for exchanging ideas with our communities in the Kingdom. Saudi poetry and handicrafts were transferred to Iraq while Iraqi literary and cultural heritage was transferred to Saudi Arabia.
“This is an important aspect of the exhibition, alongside the many artworks that spotlight the traditional, modern, and contemporary art and the traditional tales that are embodied by the contributions of the participating artists.”
The festival also features an exhibition dedicated to the history of traditional clothing, musical instruments, songs, and significant cultural figures of Saudi Arabia and Iraq.
The festival, which runs until Dec. 31, is being held at Mega Studio in Riyadh’s Boulevard City.
Creative youth collective hosts art auction in Jeddah with jazz, community spirit
- One of Nama’s key collaborators, Mohammad Aboalola, founder and writer at Mena Youth Magazine, expressed his admiration for the collective’s approach: “Nama and Menayouth struck a chord in terms of their values and vision
JEDDAH: Nama, a new collective dedicated to empowering young creatives, hosted its first event in Jeddah this week at the bustling Huna Alhabib.
The two-day Jazz Night and Silent Art Auction was a display of the power of collaboration and a cultural celebration.
Nama’s debut featured more than 30 pieces by artists from Saudi Arabia, Egypt, the UAE, Kuwait, Bahrain, Spain, Canada, and beyond. These works were donated specifically for the auction to bridge artistic communities across borders.
Jana Abdulaziz, Nama’s founder and director, told Arab News: “For the longest time, Nama was nothing more than an online group of about a dozen high schoolers that joined solely off the identity statement I wrote. No logo, no solid plans, just an idea.
“I remember a couple months in with next to no progress almost giving up the idea of having an event or Nama becoming anything. I reached out to potential sponsors and hundreds of local and international artists from my personal accounts as a last-ditch effort, expecting nothing ... and to my surprise, people did.”
With the participation of 15-plus local brands and businesses as vendors, the event was much more than an art exhibition. Visitors enjoyed an immersive experience complete with live jazz and blues performances, as well as an artist sketching portraits of guests.
The event seems to have resonated with artists and attendees alike. Yousef Zaini, a local artist and artwork donor, said: “As an artist, my work is intended to invoke emotions, raise questions, and offer perspectives. I borrow heavily from my readings in philosophy.
“I’m honored to work with Nama and showcase my works and share the philosophies they embody. The event organized by Nama was a great mix and I am eager to collaborate with them in the future. Much better is to come.”
French-Tunisian artist E. L. Seed donated one of his lithographs to Nama, describing it as a valuable opportunity. He said that participating in Nama was a chance to support the event and inspire young artists, emphasizing that no event is too big or small when it comes to reaching art enthusiasts, especially in Jeddah.
The idea for Nama came to Abdulaziz in late 2023. Despite initial setbacks, her determination and passion brought the project to life. The seamless blend of jazz music and visual art has created an atmosphere that elevated creativity and engagement, bringing people together to celebrate the cultural richness of the region.
Jwan Abdulhafeez, Nama’s head of media, said: “We wanted our launch event to be more than just an auction, we envisioned a true celebration of art, culture, and fun. The evening featured a carefully curated silent art auction that showcased emerging talent while creating an atmosphere of sophistication with live jazz performances.
“Through the silent art auction, we were able to connect talented artists with art enthusiasts, creating meaningful relationships within our community.”
The auction was a celebration of global perspectives and artistic diversity, featuring works from renowned artists while providing a platform for young creatives to share their stories and build connections in the art world.
One of Nama’s key collaborators, Mohammad Aboalola, founder and writer at Mena Youth Magazine, expressed his admiration for the collective’s approach: “Nama and Menayouth struck a chord in terms of their values and vision. When Nama approached Menayouth for us to help with managing media and activities, their approach to things proved that they have ultimate care for who they work with. They came up to us offering to deal with the event as if it was our own.”
Experts discuss transforming Saudi museums into interactive cultural spaces
- The speakers discussed the role of technology in enriching visitor experiences and designing engaging programs and exhibitions
RIYADH: As part of efforts to develop Saudi Arabia’s museum sector and enhance the cultural and social roles of museums, the Museums Commission recently hosted an open meeting titled “Museums and Community Engagement: How Can a Museum Become a Community Hub?”
Moderated by Eman Zidan, director of the Red Sea Museum, the event featured Noha Al-Kadhi, director of programs at the Museums Commission; Hassa Al-Sudairy, senior manager of cultural programs at the Jeddah Historic District Program; and Maria Alam, director of learning and research at Hayy Jameel.
The discussion explored the role of museums in fostering community engagement, with speakers emphasizing the need to continuously refresh programs and activities to attract visitors and offer enjoyable experiences for all age groups.
Drawing from the commission’s experience, Al-Kadhi underscored the importance of understanding audience and community needs to create museum narratives and programs that resonate with diverse visitors.
She highlighted the value of involving schools and students to build strong connections between younger generations and museums, suggesting that children and youth could become “museum ambassadors” if they enjoy their visits.
Al-Sudairy shared insights from the Jeddah Historic District Program on engaging the local community in heritage preservation through targeted awareness and educational initiatives.
She cited successful programs involving children and students, such as workshops where participants restored heritage houses using miniature 3D models — activities that deepen their understanding of and connection to heritage.
Alam emphasized the importance of creating interactive programs for children and families to strengthen connections between museums and the community.
She highlighted Hayy Jameel’s initiative of engaging the local community in decorating the neighborhood facade, fostering interaction between art, the museum, and the public. This, she said, enhances visitors’ experiences and encourages repeat visits.
The speakers also discussed the role of technology in enriching visitor experiences and designing engaging programs and exhibitions.
Al-Kadhi highlighted technology as a powerful tool for providing innovative experiences while underlining the importance of balancing modern technology with the preservation of authentic heritage.
Alam added that blending modern media with heritage enhances museums’ appeal and delivers educational and experiential value.
Addressing challenges and opportunities in the museum sector, Al-Sudairy drew from the program’s experience to discuss the complexities of preserving heritage buildings through meticulous restoration processes that meet UNESCO and Ministry of Culture standards. She commended the local community’s support in advancing these initiatives.
The speakers stressed the importance of transforming museums into vibrant community hubs. They highlighted the need for interactive spaces that meet societal needs and encourage active participation, moving beyond the traditional role of merely displaying artifacts and decribing their histories.
Saudi Cabinet welcomes UN request for ICJ opinion on Israel’s obligations
- UN General Assembly resolution was put forward by Norway
- Advisory opinion from ICJ will clarify Israel’s obligations under international law
RIYADH: The Saudi Cabinet welcomed on Tuesday the adoption of a UN General Assembly resolution requesting an advisory opinion from the International Court of Justice on Israel’s obligations related to the presence and activities of the UN.
Last week, UN member states requested the World Court to act urgently, with 137 countries voting in favor, 12 against and 22 abstaining.
The resolution was put forward by Norway on behalf of a core group of 13 countries, including the Kingdom.
An advisory opinion from the ICJ will clarify Israel’s obligations under international law to ensure and facilitate the work of the UN, international organizations and third states in providing life-saving humanitarian assistance and basic services to the Palestinian civilian population.
The resolution and its adoption come after Israel’s Knesset passed a law in October banning the UN Relief and Works Agency for Palestinian Refugees in the Near East from operating in Gaza, the West Bank and East Jerusalem.
The Cabinet expressed gratitude for the positive stance of the countries that supported the resolution, the Saudi Press Agency said.
The Saudi Cabinet meeting, chaired by King Salman, also discussed the recent meeting between Crown Prince Mohammed bin Salman and Iraqi Prime Minister Mohammed Shia’ Al-Sudani.
On Sudan, the Cabinet affirmed Saudi Arabia’s position to end the conflict in the country, stressing efforts to enhance humanitarian aid and seek a political future that secures Sudan’s stability, unity and sovereignty.
The Cabinet commended the hosting of the first Arab Cybersecurity Ministers Council in Riyadh this month, aimed at enhancing cooperation among Arab nations in cybersecurity and computer-related threats.
Domestically, the Cabinet recognized the progress made by government agencies in the digital transformation index for 2024 and their efforts to improve services to residents and visitors of the Kingdom.
Minister of Media Salman Al-Dossary told SPA that the Cabinet praised the success of recent economic, cultural and media conferences and events in Riyadh, strengthening the city’s position as a global hub for science, knowledge, investment and innovation.
Jeddah’s Islamic Arts Biennale to open in January
- Over 30 artists explore cultural heritage through contemporary art
JEDDAH: The second Islamic Arts Biennale is set to open on Jan. 25, 2025, at the Western Hajj Terminal of King Abdulaziz International Airport in Jeddah.
Organized by the Diriyah Biennale Foundation, the event will showcase a blend of timeless Islamic civilization treasures and contemporary artistic creations.
The biennale will offer visitors a journey through the artistic heritage of Islam, engaging the senses, intellect, and creativity, the Saudi Press Agency reported.
Featuring contributions from over 30 artists from Saudi Arabia and beyond, the artworks will be displayed in both indoor and outdoor spaces until May 25.
Saudi artist Muhannad Shono will curate contemporary art, supported by associate curators Joanna Chevalier and Amina Diab.
Shono, along with artistic directors Julian Raby, Amin Jaffer, and Abdul Rahman Azzam, has tasked the artists with creating new works that complement historical Islamic artifacts.
The biennale’s theme, “And All That Is In-Between,” captures the essence of contemporary artworks, transcending simplistic notions to foster collective understanding, imagination, and interpretation.
The artworks, inspired by themes including space, time, and light, provide insight into preserving and nurturing culture by exploring the evolving landscape of Saudi Arabia.
The new art pieces will be displayed alongside historical artifacts, including religious relics, maps, and jewelry, in five indoor halls and various outdoor spaces beneath the Hajj Terminal canopy.
The works, also inspired by the concept of the garden in Islamic civilization, blend nature and traditional design while addressing contemporary environmental and social issues.
The Islamic Arts Biennale will be organized into seven sections — Al-Bidaya (the beginning), Al-Madar (the orbit), Al-Muqtani (homage), Al-Mathala (the canopy), Makkah Al-Mukarramah, Al-Madinah Al-Munawwarah, and Al-Musalla (the prayer hall) — spread across various galleries and outdoor areas, covering 100,000 square meters of dedicated exhibition space.
