Octopizzo: Rap king from Nairobi slum inspiring Kenyan kids

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Kenyan hip hop artist Henry Ohanga (aka Octopizzo), who hails from Kenya's largest slum Kibera in Nairobi, poses with a fan during a visit to Kibera on January 16, 2018. (AFP)
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Kenyan hip hop artist Henry Ohanga (aka Octopizzo), who hails from Kenya's largest slum Kibera in Nairobi, looks out from a bridge over a now sewer-polluted stream in which he used to play before it was polluted, during a visit to Kibera on January 16, 2018. (AFP)
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Kenyan hip hop artist Henry Ohanga (aka Octopizzo), who hails from Kenya's largest slum Kibera in Nairobi, stands at the spot where his family's home once stood, now a construction site for a charity-run school for disadvantaged children, during a visit to Kibera on January 16, 2018. (AFP)
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Kenyan hip hop artist Henry Ohanga (aka Octopizzo), who hails from Kenya's largest slum Kibera in Nairobi, stands at the spot where his family's home once stood, now a construction site for a charity-run school for disadvantaged children, during a visit to Kibera on January 16, 2018. (AFP)
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Kenyan hip hop artist Henry Ohanga (aka Octopizzo), who hails from Kenya's largest slum Kibera in Nairobi, speaks in a recording studio in Nairobi on January 16, 2018. Like most youngsters in Nairobi's largest slum, Henry Ohanga grew up believing he would never amount to anything. (AFP)
Updated 30 January 2018
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Octopizzo: Rap king from Nairobi slum inspiring Kenyan kids

NAIROBI, Kenya: Like most youngsters in Nairobi’s largest slum, Henry Ohanga grew up believing he would never amount to anything.
Making it big, even leaving Kibera: these weren’t things that happened to an orphan who once robbed people to buy food.
Now 29, he is Octopizzo, one of East Africa’s most recognized hip-hop stars, and is using his success to break down stigma around the slum and inspire kids in a world devoid of successful role models.
Clad in a black Adidas tracksuit, with bling in his ears, a gold-colored watch on his arm and a large dazzling pendant of Jesus around his neck, Ohanga gestures over the undulating hodge-podge of corrugated iron roofs where he grew up.
“It’s everything, everything I rap about... I feel like if I wasn’t born here I probably wouldn’t be a rapper,” he told AFP in Kibera, where most of his friends and family still live.
Kibera stretches over an area of about 2.5 square kilometers (one square mile), a poor ethnic melting pot wedged among richer areas of the Kenyan capital where its residents work, mostly as casual laborers.
The slum’s population is subject to heated debate, with the old NGO slogan of “the biggest slum in Africa” challenged in recent years by a government census and other independent studies which say between 170,000 and 250,000 people live there.
While for some a byword for misery and poverty, to Octopizzo, Kibera is the place he loves “more than anything else in the world” and it features in every one of his hits, with some of his slick, foreign-produced videos racking up more than a million views on Youtube.
In Kibera it is not the rubbish packed into dirt or debris-choked streams that strike Ohanga.
Rather he is inspired by the “uniquely beautiful vibe,” children in brightly colored uniforms making their way to school, music blaring from speakers around every corner, the whirr of sewing machines set-up in open air, the rhythm and beat of the hustle.

“I don’t blame the people. If you look at Kibera this is the definition of a failed system,” he said.
While he describes himself as more “socially conscious” than political, it has been hard to avoid tough topics in the slum, which is often the first place sparks fly when political tensions rise.
During Kenya’s 2007 post-election crisis, when he recalls having to walk everywhere with a machete for protection as the slum was torn apart by ethnic violence he blames on politicians, his anger spilled into his first recorded song: “Voices of Kibera.”
However his big commercial break only came in 2012, through an arts program at the British Council, which launched other successful artists such as afro-pop band Sauti Sol.
Ohanga has moved on to rapping about things like food and fashion from Kibera, to change the negative image of the slum that has long led those who do make it out to hide their roots.
“I feel since I started rapping we have changed the narrative, it is cool now to be from Kibera.”
But politics and Kibera remain deeply intertwined, and when post-election protests broke out last year, Ohanga came to the slum to speak to both protesters and police, and criticized police violence that left scores dead in Kenya, including residents of the slum.
“I have a voice and I have to use it, whether people like it or not,” he said.
Ohanga had never planned to become a rapper — growing up he wanted to be a horticulturalist. “I like flowers,” he said.
But the opportunity never came his way. His father died when he was 14, his mother a year later, and he ended up living with a friend and joining a gang, robbing shops and people.
“I never regret being part of that, I never killed anybody,” said Ohanga, who has an entire song dedicated to gangsters and drug dealers — the only ones to help him when he was down and out.
Through his own foundation, and work with the UN refugee agency, he wants to help youths realize their potential through the arts.
In 2016, artists from the Kakuma and Dadaab refugee camps who were trained and mentored by Ohanga released an album called “Refugeenius.”
“I want to be the face of possibility. When we grew up we didn’t know anyone who was successful. Kids are told by their teachers, their parents that they will never be anything, it is not our destiny,” said Ohanga.
One young man he has inspired is 22-year-old Daniel Owino, who Ohanga described as a “bad kid” in trouble with everyone in the neighborhood.
“I told him: ‘Even me I used to be there, we’ve robbed guys it’s not a big deal but we change’,” said Ohanga.
Owino, now known as Futwax, turned his life around, and is working as a motorbike taxi driver as he pursues his passion for music, with 13 songs recorded so far. He was also recently crowned Mr.Kibera.
“He is a role model to me. I used to go to his house here in the slum, Octopizzo was so hardworking. I felt that even I would make it one day,” Owino told AFP.


Elyanna draws the curtain on ‘Woledto’ tour, looks forward to ‘next chapter of 2025’

Updated 24 December 2024
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Elyanna draws the curtain on ‘Woledto’ tour, looks forward to ‘next chapter of 2025’

DUBAI: Chilean Palestinian singer Elyanna concluded her “Woledto” (“I Am Born”) tour with a heartfelt message on Instagram, just weeks after winning Best Arab Indie Artist and Best New Artist at the inaugural Billboard Arabia Music Awards in Riyadh in December.

Elyanna launched her “Woledto” album in April and kicked off the tour in October, performing across North America and Europe. She graced stages in 30 cities, including Barcelona, Paris, London, Brussels, Berlin, Stockholm, Montreal, Toronto, Washington, Houston, and more.

“Feeling emotional and grateful of what this album and the tour has given me and given my fans,” she wrote. “It was a gathering of community to spread light and preach across each city and theater.”

She also hinted at upcoming projects, stating: “The sunrise and the rebirth of the ‘Woledto’ project is just (the) start for the next chapter of 2025. Arabic is the music of the soul and the sun. Grateful for all the talented people that believed in this project and helped with the vision to come to life this tour (sic).”

Elyanna’s debut album featured nine songs: “Woledto,” “Ganeni,” “Calling U,” “Al Sham,” “Mama Eh,” “Kon Nafsak,” “Lel Ya Lel,” “Yabn El Eh” and “Sad in Pali.”

Before releasing the album, she wrote to her Instagram followers: “This album is the embodiment of pride to be an Arab woman, to be from Nazareth, to be from the Middle East.

“This is the closest I’ve been to where I come from,” she added. “The only feature on my album is my grandfather.”

The Los Angeles-based singer’s music is a mix of Arabic and Western beats, which she attributes to her multicultural upbringing.

Elyanna has been normalizing Arabic lyrics in the Western world throughout her career, taking inspiration from artists including Lana Del Ray and Beyonce, as well as Middle Eastern legend Fayrouz.

She recently lit up New York’s Times Square when she was featured on a Spotify Arabia billboard, highlighting the streaming platform’s “Equal Arabia” playlist.

Elyanna is set to perform live with British hitmakers Coldplay when the band heads to Abu Dhabi for four shows in the UAE capital in January 2025.


Artist William Brooks seeks fresh inspiration in Saudi Arabia’s Diriyah Art Futures program

Updated 23 December 2024
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Artist William Brooks seeks fresh inspiration in Saudi Arabia’s Diriyah Art Futures program

  • Hub picks 12 artists for inaugural scheme 

DUBAI: Saudi creative hub Diriyah Art Futures has handpicked 12 artists for its inaugural Emerging New Media Artists Program this winter, with Welsh talent William Brooks making the cut.

Set to run for one year, the newly launched program offers access to professional equipment and facilities, a production budget, learning experiences with international guest professors specializing in new media art, and mentorships.

Brooks spoke to Arab News about his artistic process and what he hopes to gain from the opportunity.

Cellular Impressions, 2020, Digital Image Series. (Supplied)

“The prospect of working in a place that is culturally and geographically far removed from my homeland offers a unique experience,” he explained.

“I anticipate that the historical significance of Diriyah, combined with the vibrant contemporary discourse on art, technology, and culture in the region, will inform new directions in my work and deepen my engagement with the concepts I explore.”

To work with a global cohort of artists, researchers and mentors is something Brooks is particularly looking forward to, and he added: “I believe a crucial aspect of being an artist is being inquisitive. This opportunity affords me the means to draw from a diverse and far-reaching wealth of knowledge.”

When it comes to his work, the multi-disciplinary artist has most recently been experimenting with the medium of installation in a bid to merge historical processes with new technologies. His most recent work, for example, “(conflates) the use of traditional etching processes on metal with digital imaging of the often overlooked but pervasive presence of digital communication.”

Macro Impressions, 2023, Photographic Series. (Supplied)

Brooks’ interest in digital signals and their vital role in daily modern life aims to explore and highlight how “these connections shape our interactions and identities in ways we often overlook.”

He added: “By making these digital elements visible, I aim to spark reflection on the implications of living in a world increasingly mediated by technology.”

Despite the seemingly futuristic nature of his work, the artist is keen to look back at history to inform his process.

He said: “When approaching a project, I start by immersing myself in archival materials, historical documents, or artifacts, aiming to uncover the ways in which older technologies or media forms were once used, understood, and experienced.

“This historical research is an attempt to see how these past media forms can recontextualize and critique present-day technological advancements.”

Brooks recognizes that it is no mean feat to translate such abstract concepts into physical artworks and pointed to his 2022 work “Radio Tapestry” as a piece he is particularly proud of.

He said: “This work involved translating data from wireless networks and digital devices into a visual and sonic installation of etched plates, allowing the audience to experience the otherwise invisible electromagnetic signals that we rely upon and surround us every day.

“The challenge lay in not only making the technology function smoothly, but also in creating an installation that communicated the conceptual depth of the work — highlighting how these intangible signals shape our environment.”


Shattering expectations: Saudi artist’s journey into glass art

The intricate details that appear when glass breaks inspired Saudi artist Aseel Al-Maghlouth to create shapes and visuals.
Updated 22 December 2024
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Shattering expectations: Saudi artist’s journey into glass art

  • Aseel Al-Maghlouth breaks glass to break through in the local art scene

RIYADH: Saudi artist Aseel Al-Maghlouth is hammering a niche for himself by using glass as his canvas.

He stumbled upon the technique while working on his graduation project in mechanical engineering. “I discovered the potential to employ broken glass to create distinctive artistic designs,” he told Arab News.  

The intricate details that appear when glass breaks inspired him to create shapes and visuals and developed a technique that reflected his artistic vision.

Al-Maghlouth turns broken glass into stunning art, showcasing the beauty in fragility and redefining artistic norms. (Supplied)

Al-Maghlouth had a love for drawing from a young age, but it was not until he discovered his ability to express ideas in unconventional ways that his true passion for art crystallized.

“I have always drawn inspiration from the surrounding nature and the intricate details of daily life,” he said. This connection to his environment, combined with his experiences in exploring artworks, helped shape his unique style.  

He finds beauty in the mundane and translates that into his creations, often using glass to convey emotions and narratives that might resonate with viewers.

HIGHLIGHT

By embracing the fragility of glass and transforming it into something beautiful, Saudi artist Aseel Al-Maghlouth challenges perceptions of what art can be.

Al-Maghlouth has gained significant recognition on social media, where his works are widely admired.

This newfound fame has allowed him to sell his works and create custom pieces for clients, including various artists and celebrities. “Creating for such esteemed individuals is an honor, and it motivates me to push my artistic boundaries,” he said.

"Each painting has its own place and story that distinguishes it.” (Supplied)

“The best work I own is the painting of Crown Prince Mohammed bin Salman. Frankly, I consider it the most valuable painting I have ever owned, but I refuse to sell it because it was a special gift from me to the crown prince,” he said.

“I have received many offers but I refuse to sell it. As for the rest of my paintings, I prefer not to mention the prices because the value of art for me is not limited to a number. Each painting has its own place and story that distinguishes it.”

One of the greatest challenges Al-Maghlouth faced as an artist was transforming his creations into messages that resonated with his audience. “The biggest challenge was ensuring that my art conveyed a clear idea,” he said.

I want to highlight the beauty of arts in our Saudi culture and connect it with Saudi Vision 2030.

Aseel Al-Maghlouth, Saudi artist

Through experimentation with the nature of glass fractures and the control of his technique, he minimized errors and created pieces that told meaningful stories.

Each strike of the hammer is deliberate, aimed at producing not just a fragment but a narrative that can be interpreted and appreciated by those who view it.

“I want to highlight the beauty of arts in our Saudi culture and connect it with Saudi Vision 2030,” he added, emphasizing the importance of cultural representation in his work.

Al-Maghlouth’s vision for the future is ambitious. He aspires to participate in international exhibitions, representing Saudi Arabia on a global stage. “I dream of organizing a personal exhibition in Riyadh to showcase my works and exchange inspiration with other artists,” he said.

For emerging artists, Al-Maghlouth has simple yet profound advice: “Don’t be afraid of trial and error. Each piece of art reflects a part of you.”

He encourages newcomers to continue developing and learning from every experience, and emphasizes the importance of perseverance in the face of challenges.

His journey is testament to the idea that creativity flourishes in an environment where risks are taken and failures viewed as stepping stones rather than obstacles.

Al-Maghlouth’s work serves as a reminder that art can emerge from the most unexpected materials and methods, encouraging others to explore their creativity without constraints.

By embracing the fragility of glass and transforming it into something beautiful, he challenges perceptions of what art can be.

Al-Maghlouth remains committed to honoring the stories behind each piece, proving that even the most broken fragments can come together to create something truly extraordinary.

 


Alkhobar offers a visual feast with 56 works exploring new realities

Updated 20 December 2024
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Alkhobar offers a visual feast with 56 works exploring new realities

  • Artists from Saudi Arabia and the world are screening creations
  • Kingdom’s Lina Saeed Qattan showing ‘Lena and the Magic Carpet’

ALKHOBAR: The sixth International Video Art Forum launched this week at the Cinema Society headquarters in Alkhobar, offering a visual feast for afficionados.

Organized by the Saudi Society for Culture and Arts, in collaboration with the Cinema Society, the event runs for 10 days and will feature groundbreaking video art from around the globe.

A jury of experts selected 56 artworks, narrowed down from 127. And the space showcases work from 29 countries, narrowed down from 41.

The forum has become one of the region’s top international platforms for video art, having featured more than 823 artworks from over 70 countries. (Supplied)

“There is no particular theme this year — aside from it being within the realm of ‘imagination embodied, reality transformed,’” Yousif Al-Harbi, director of SASCA’s Dammam branch and general supervisor of the forum, told Arab News.

“This year’s works continue to express the transformation of imaginative ideas and perceptions into tangible works of art that can have an impact on the reality that we live in.”

The videos can be watched in the upstairs space, which is covered with a black cloth door. Only three people can watch the short films as they play on a loop.

This year’s works continue to express the transformation of imaginative ideas and perceptions into tangible works of art that can have an impact on the reality that we live in.

Yousif Al-Harbi, Saudi Society for Culture and Arts director

The longest video is 7 minutes and the shortest under a minute.

A notable video is the 3-minute “Choreography of Space and Time” by German-based Egyptian artist Ehab Aziz that blends abstract imagery and dynamic movement.

In addition, Saudi Arabia’s Lina Saeed Qattan’s minute-long “Lena and the Magic Carpet,” uses artificial intelligence to showcase vibrant colors as Lena travels through the desert.

Organized by the Saudi Society for Culture and Arts, in collaboration with the Cinema Association, the Video Art Forum will feature video art from around the globe. (Supplied)

Arab News spoke with the 21-year-old Yemeni director, Yousef Ahmed, who has lived his entire life in the Eastern Province, about his short film, “Dose.”

“The film is about a depressed person who replaces his medication with sweets after reading a newspaper article,” he explained.

“It explores his journey of shifting perspectives — rising out of his sadness, only to sometimes fall back into it. We’ve all had days like this, and that’s completely normal.”

The film, under a minute long, was shot and edited entirely on a mobile phone over a month, specifically for the forum. “The phone is always available and accessible,” he said.

He added that finding the right music and fitting it into a larger format such as a TV screen was a challenge.

Workshops dedicated to AI and painting with light, were also part of the programming, as well as panel discussions with filmmakers and artists.

The forum has become one of the region’s top international platforms for video art, having featured more than 823 artworks from over 70 countries.

It has also hosted 31 lectures and workshops, offering artists a unique opportunity to connect and share their work with a global audience.

The winners will be announced at the conclusion of the event.

 


Riyadh festival celebrates Saudi creativity, theatrical arts

Updated 14 December 2024
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Riyadh festival celebrates Saudi creativity, theatrical arts

  • The Riyadh Theater Festival reflects the commission’s commitment to supporting the performing arts and Saudi talent to achieve a strong presence on the regional and international stage

RIYADH: The Theater and Performing Arts Commission will host the second Riyadh Theater Festival at Princess Nourah bint Abdulrahman University.

The commission’s CEO Sultan Al-Bazie announced details of the event, which runs from Sunday to Dec. 26, to an audience of leading figures from the theater world and the media at the Saudi Music Hub.

The festival, he said, was a cornerstone for enhancing the theatrical movement in the Kingdom and raising public awareness of the performing arts.

HIGHLIGHT

The Riyadh Theater Festival reflects the commission’s commitment to supporting the performing arts and Saudi talent to achieve a strong presence on the regional and international stage.

This year’s event would feature 20 performances, selected by a committee of experts, to reflect the diversity of theatrical arts in the Kingdom, including its intellectual and developmental programs, Al-Bazie said.

The festival will also honor the late Ahmed Al-Sabbagh, who was a notable figure in the field.

The Riyadh Theater Festival reflects the commission’s commitment to supporting the performing arts and Saudi talent to achieve a strong presence on the regional and international stage.

It will conclude with the presentation of awards to the distinguished performers.