NEW YORK: Advance ticket sales to Marvel’s “Black Panther” were outpacing all superhero movies on Fandango.
The online ticket service said that “Black Panther” was outselling its previous record-holder for presale, 2016’s “Batman v Superman.”
Following gushing early reaction from Monday night’s premiere, Ryan Coogler’s film is the top daily ticket-seller on Fandango.
“Black Panther” doesn’t open until Feb. 16, but anticipation is especially strong for the first superhero movie in years starring a black lead character.
The premiere in Los Angeles was attended by the film’s cast decked in regal African-themed attire. Analysts are forecasting a President’s Day weekend debut for “Black Panther” of at least $100 million in North America.
On Tuesday, “Black Panther” star Chadwick Boseman revealed that doubters had tried to convince him not to give the superhero an African accent — and how proud he was to prove them wrong.
Boseman was speaking at a Beverly Hills news conference along with director Coogler, co-stars Michael B Jordan, Lupita Nyong’o and Danai Gurira and the rest of the cast the morning after Monday’s glittering Hollywood premiere.
The 41-year-old American stars in the titular role in the 18th movie in the Marvel Cinematic Universe — the first black superhero to get his own standalone movie.
“There was a time period where people would ask me questions about whether or not an audience could sit through a movie with a lead character that spoke with that accent,” Boseman said of the east African inflection he gives the superhero — alias King T’Challa.
“I became adamant about the fact that it’s not true,” he added, stressing that none of the naysayers had come from Marvel itself.
“The intonations and melodies inside an African accent are just as classical as a British one or a European one.”
The actor got his break after a decade as an obscure television and indie film actor when Marvel came calling in 2014 with a lucrative five-picture deal to play Black Panther.
His appearance in “Captain America: Civil War” (2016) brought Boseman his first taste of real fame and his celebrity looks set to skyrocket when “Black Panther” opens this month, followed in May by “Avengers: Infinity War.”
T’Challa, king and protector of the technologically advanced fictional African nation of Wakanda, has been characterized as the first black superhero, which is partly true.
Around 30 black characters have donned the lycra for the big screen since the early 1990s, including Marvel’s Falcon (Anthony Mackie since 2014), Wesley Snipes’s titular vampire hunter in “Blade” (1998) and Halle Berry’s Kenyan princess Storm in four “X-men” movies.
The Wakandan royal can claim to be the first black superhero to land a standalone movie in the MCU and the first in mainstream American comics, having been featured in “The Fantastic Four” in 1966.
Critical and celebrity reactions to “Black Panther” after Monday’s premiere were about as good as could be expected, with reviewers hailing the movie as “iconic” and “astonishing.”
Donald Glover, who is due to star as Lando Calrissian in the upcoming “Solo: A Star Wars Story,” called it “beautiful” while “Ant-Man” director Peyton Reed said it was “soulful, thoughtful and of the moment.”
Marvel Studios president Kevin Feige, who produces every MCU movie, agreed that the messages of the movie — which posits Wakanda taking in refugees and extending its culture and technology to poorer nations — were particularly topical, but added that most of the script was written 18 months ago.
Coogler and the producers came in for particular praise at the news conference for their decision to feature a clique of powerful female characters — dubbed “the badass women of Wakanda” front and center.
“I was so pleased that this story... that it supported that. In African culture, they feel as if there is no king without a queen and this story, it highlights the queen, the warrior, the general, the young sister,” said Angela Bassett, who plays T’Challa’s mother Ramonda.
“I was so proud to have my daughter and my son there last night, because in their faces, in their spirit, they were feeling themselves. They stood taller after last night.”
Gurira (“The Walking Dead“) spoke of her trepidation over having her head shaved to play Okoye, the head of Wakanda’s Dora Milaje special forces, but how she saw it as “subversive in the right way.”
“In theory, it sounded amazing, and then the day came... It happened. Then you walk into the restroom to wash your hands, look up like, ‘What the?’
“It took a few days... Then the pride started to grow, there’s pride around it, and the embracing of this symbol of power and these women.”
‘Black Panther’ presales outpacing previous superhero movies
‘Black Panther’ presales outpacing previous superhero movies
Blake Lively sues ‘It Ends With Us’ director Justin Baldoni alleging harassment and smear campaign
- The lawsuit was filed Tuesday, just hours after the director, Justin Baldoni, and several others tied to the film filed their own lawsuit against The New York Times
- Lively’s suit filed in federal court in New York says the director schemed with publicists to plant negative stories about her
Actor Blake Lively sued “It Ends With Us” director Justin Baldoni and several others tied to the romantic drama on Tuesday, alleging harassment and a coordinated campaign to attack her reputation for coming forward about her treatment on the set.
The federal lawsuit was filed in New York just hours after Baldoni and many of the other defendants in Lively’s suit sued The New York Times for libel for its story on her allegations, saying the newspaper and the star were the ones conducting a coordinated smear campaign.
The lawsuits are major developments in a story emerging from the surprise hit film that has already made major waves in Hollywood and led to discussions of the treatment of female actors both on sets and in media.
Lively’s suit said that Baldoni, the film’s production company Wayfarer Studios and others engaged in “a carefully crafted, coordinated, and resourced retaliatory scheme to silence her, and others, from speaking out.”
She accuses Baldoni and the studio of embarking on a “multi-tiered plan” to damage her reputation following a meeting in which she and her husband, actor Ryan Reynolds, addressed “repeated sexual harassment and other disturbing behavior” by Baldoni and a producer Jamey Heath, who is also named in both lawsuits.
The plan, the suit said, included a proposal to plant theories on online message boards, engineer a social media campaign and place news stories critical of Lively.
The alleged mistreatment on set included comments from Baldoni on the bodies of Lively and other women on the set. And the suit says Baldoni and Heath “discussed their personal sexual experiences and previous porn addiction, and tried to pressure Ms. Lively to reveal details about her intimate life.”
Baldoni’s attorney Bryan Freedman did not immediately respond to a request for comment on Lively’s lawsuit. But he previously called the same allegations “completely false, outrageous and intentionally salacious.”
Lively’s lawsuit comes the same day as the libel lawsuit filed in Los Angeles Superior Court by Baldoni and others against the Times seeking at least $250 million. The Times stood by its reporting and said it plans to “vigorously defend” against the lawsuit.
Others who are defendants in Lively’s suit and plaintiffs in the libel suit include Wayfarer and crisis communications expert Melissa Nathan, whose text message was quoted in the headline of the Dec. 21 Times story: “‘We Can Bury Anyone’: Inside a Hollywood Smear Machine.”
Written by Megan Twohey, Mike McIntire and Julie Tate, the story was published just after Lively filed a legal complaint with the California Civil Rights Department, a predecessor to her new lawsuit.
The libel lawsuit says the newspaper “relied almost entirely on Lively’s unverified and self-serving narrative, lifting it nearly verbatim while disregarding an abundance of evidence that contradicted her claims and exposed her true motives. But the Times did not care.”
A spokesperson for the Times, Danielle Rhoades, said in a statement that “our story was meticulously and responsibly reported.”
“It was based on a review of thousands of pages of original documents, including the text messages and emails that we quote accurately and at length in the article. To date, Wayfarer Studios, Mr. Baldoni, the other subjects of the article and their representatives have not pointed to a single error,” the statement said.
But Baldoni’s lawsuit says that “If the Times truly reviewed the thousands of private communications it claimed to have obtained, its reporters would have seen incontrovertible evidence that it was Lively, not Plaintiffs, who engaged in a calculated smear campaign.”
Lively is not a defendant in the libel lawsuit. Her lawyers said in a statement that “Nothing in this lawsuit changes anything about the claims advanced in Ms. Lively’s California Civil Rights Department Complaint, nor her federal complaint, filed earlier today.”
The romantic drama “It Ends With Us,” an adaptation of Colleen Hoover’s bestselling 2016 novel, was released in August, exceeding box office expectations with a $50 million debut. But the movie’s release was shrouded by speculation over discord between Lively and Baldoni. Baldoni took a backseat in promoting the film while Lively took centerstage along with Reynolds, who was on the press circuit for “Deadpool & Wolverine” at the same time.
Lively came to fame through the 2005 film “The Sisterhood of the Traveling Pants,” and bolstered her stardom on the TV series “Gossip Girl” from 2007 to 2012. She has since starred in films including “The Town” and “The Shallows.”
Baldoni starred in the TV comedy “Jane the Virgin,” directed the 2019 film “Five Feet Apart” and wrote “Man Enough,” a book pushing back against traditional notions of masculinity. He responded to concerns that “It Ends With Us” romanticized domestic violence, telling the AP at the time that critics were “absolutely entitled to that opinion.”
He was dropped by his agency, WME, immediately after Lively filed her complaint and the Times published its story. The agency represents both Lively and Reynolds.
Baldoni’s attorney, Freedman, said in a statement on the libel suit that “the New York Times cowered to the wants and whims of two powerful ‘untouchable’ Hollywood elites.”
“In doing so, they pre-determined the outcome of their story, and aided and abetted their own devastating PR smear campaign designed to revitalize Lively’s self-induced floundering public image and counter the organic groundswell of criticism among the online public,” he added. “The irony is rich.”
China’s frigid northeast thrives on ‘little potato’ tourism boom
- Animal ears and pom-poms on fuzzy hats adorn tourists’ heads on the streets of the frigid northeastern Chinese city of Harbin, which is enjoying a surge in visitors driven by social media
HARBIN: Animal ears and pom-poms on fuzzy hats adorn tourists’ heads on the streets of the frigid northeastern Chinese city of Harbin, which is enjoying a surge in visitors driven by social media.
Photos and videos taken around the city’s landmarks flood platforms such as TikTok counterpart Douyin and Instagram-esque Xiaohongshu — many featuring tourists from the warmer south.
They’re affectionately known as “southern little potatoes,” a reference to their alleged smaller stature and cutesy winter gear that contrast with the area’s stereotypically coarse character.
A search for “southern little potatoes visit the north” racked up more than 428,000 notes on Xiaohongshu.
That’s where Chen Xiting, who works in e-commerce in the southern province of Guangdong, said she was inspired to visit.
“It’s the quickest way young people get trip recommendations,” said Chen.
She said she had noticed a sizeable number of fellow southerners.
“I heard quite a bit of Cantonese, which we’re very familiar with, today at tourist sites and on the street,” said the 29-year-old, wearing a hat with dog ears and with only her face exposed to the air.
Liu Rong, a student from Sichuan, said the city’s push for more southern tourists was clear from the surge in videos about Harbin he often watched with his wife.
“These years, especially this year, Harbin’s cultural tourism has placed a lot of importance on paying attention to us southerners,” Liu said.
Harbin is the capital of Heilongjiang, one of three provinces that make up the “Dongbei” (northeast) region, where temperatures can reach -30 degrees Celsius (-22 degrees Fahrenheit) during winter.
Bordered by Russia and North Korea, it is one of China’s poorest provinces, outperforming only neighboring Jilin, Gansu, Hainan island and sparsely populated Tibet, Qinghai and Ningxia.
But the first five months of 2024 saw the operating income of Heilongjiang’s cultural, sports and entertainment industries rise nearly 60 percent year-on-year, according to official data.
Tourists spent 154 billion yuan ($21 billion) in the first half of 2024, up 171 percent from the first half of 2023.
Popular novels and dramas set in the northeast have also helped spark a travel boom to the region.
“A lot of southerners, which we call ‘little potatoes’, came over here for travel and made our Harbin very trendy,” Emily Liu, a local tour guide, told AFP.
The online fame has been good for the travel business, said 30-year-old Jiang Zhonglong, energetically gesticulating in front of his tripod just meters away from Liu.
He started working for a Harbin-based travel agency three years ago, during the Covid-19 pandemic, and said business was now much better.
“So many little friends, southern potatoes, tourists have all come here,” he said.
One night this month, the city’s commercial district of Central Street saw a steady stream of people walking on the cobblestone path under bright yellow lights.
Ling, a 38-year-old from the coastal eastern province of Zhejiang, was there with his wife to “daka,” a phrase that means “punching in” but now describes visiting popular spots to share photos on social media.
“We often scroll through (video sharing platform) Douyin and such. We often see videos promoting Harbin,” said Ling, who asked to be identified only by his surname.
Ling told AFP he’d believed negative stereotypes about Dongbei in the past.
“But we came here and found that things are pretty decent,” he said.
“I’ve been yearning for a different cultural experience compared to where I come from — the weather and style are completely different.”
Nearby, a steady stream of people ducked inside a shop selling goods from Russia — just a stone’s throw away.
Foot traffic to the shopping street has tripled since 2022, said store manager Zhangzhang, who has worked in the area for more than 10 years and asked to be identified by her nickname.
“My hometown has suddenly become popular,” she said, adding she was “extremely proud.”
She said the store last year started selling more hats and scarves for travelers who “didn’t pack enough layers” — including those printed with the region’s classic red florals.
“I think that this can help lift the economy of our Dongbei.”
‘No more fear’: Stand-up comedy returns to post-Assad Syria
DAMASCUS: In post-Assad Syria, stand-up comedians are re-emerging to challenge taboos, mocking the former president and his regime and even testing the waters with Damascus’s new rulers.
Melki Mardini, a performer in the Syrian capital’s stand-up scene, is among those embracing newfound freedoms.
“The regime has fallen,” he declares from the stage, referring to Bashar Assad’s abrupt departure earlier this month, ending more than half a century of his family’s rule.
The audience at an art gallery hosting the show remains silent.
“What’s the matter? Are you still scared?” Mardini says, triggering a mix of awkward laughter and applause.
“We’ve been doing stand-up for two years,” says the 29-year-old. “We never imagined a day would come when we could speak so freely.”
Now, his performances are “safe spaces,” he says.
“We can express our views without bothering anyone, except Bashar.”
Under the old regime, jokes about elections, the dollar or even mentioning the president’s name could mean arrest or worse.
Chatting with the audience during his set, Mardini learns one man is a psychiatrist.
“A lord in the new Syria!” he exclaims, imagining crowds rushing into therapy after five decades of dictatorship.
For two hours, 13 comedians — including one woman — from the collective Styria (a play on the words Syria and hysteria) take the stage, sharing personal stories: an arrest, how they dodged compulsory military service, how they sourced dollars on the black market.
“Syria wants freedom!” declares Rami Jabr as he takes the stage.
“This is our first show without the mukhabarat in the room,” he quips, referring to the feared intelligence agents.
He reflects on his experience in Homs, dubbed the “capital of the revolution” in March of 2011 when anti-government protests broke out in the wake of the Arab Spring, followed by brutal repression.
A commercial representative for a foreign company, Jabr recalls being detained for a month by various security services, beaten, and tortured with a taser, under the accusation that he was an “infiltrator” sent to sow chaos in Syria.
Like him, comedians from across the country share their journeys, united by the same fear that has suffocated Syrians for decades living under an iron fist.
Hussein Al-Rawi tells the audience how he never gives out his address, a vestige of the paranoia of the past.
“I’m always afraid he’ll come back,” he says, referring to Assad. “But I hope for a better Syria, one that belongs to all of us.”
Said Al-Yakhchi, attending the show, notes that free speech is flourishing.
“During the last performance before the regime fell, there were restrictions,” says the 32-year-old shopkeeper.
“Now, there are no restrictions, no one has to answer to anyone. There’s no fear of anyone.”
Not even Syria’s new rulers — a diverse mix of rebel groups, including Islamists and former jihadists, who quickly marched on Damascus and toppled Assad’s government.
“We didn’t live through a revolution for 13 or 14 years... just to have a new power tell us, ‘You can’t speak,’” Mardini says.
When not performing on stage, Mary Obaid, 23, is a dentist.
“We unload everything we’ve been holding inside — we do it for all Syrians,” she says.
“Each person shares their own experience. The audience reacts as if each story has happened to them too.”
Of the country’s new leaders, Obaid says she will wait to see “what they will do, then we’ll judge.”
“Right now, we feel freedom,” she says. “We hope we won’t be targets of harassment.”
“We’re at a pivotal moment, transitioning from one era to another,” she adds.
“Now we are the country of freedom, and we can put forward all our demands. From now on, never again fear.”
Zelensky hails Usyk victory over Fury
RIYADH: Ukrainian President Volodymyr Zelensky hailed Oleksandr Usyk’s victory over Tyson Fury in their heavyweight world championship rematch on Saturday, calling it proof that Ukraine “will not give up what’s ours.”
“Victory!” Zelensky said in a post on Telegram. “So important and so necessary for all of us now.”
Ukraine remains locked in war nearly three years after Russia invaded, but Zelensky said Usyk’s triumph was a mark of Ukrainian resiliency and determination.
“Having retained the championship belts, Oleksandr proves: we are Ukrainians and we will not give up what’s ours. And no matter how difficult it is — we will win.
“Be it the ring, battlefield or diplomatic arena — we fight and we will not give up what’s ours.
“Congrats on the victory, Cossack! Congrats on the victory Ukraine! Glory to Ukraine.”
Usyk’s victory — seven months after his first triumph over Britain’s Fury to become the first undisputed heavyweight world champion of the four-belt era — took his record to 23-0 with 14 knockouts.
Weightlifting Taiwan granny, 90, garners cheers, health benefits at gym
TAIPEI: Cheng Chen Chin-Mei beamed broadly as she hoisted a 35-kg weightlifting bar to her waist, dropped it and waved confidently to the enthusiastic crowd in a competition in Taipei. Cheng Chen, 90, has been pumping iron since last year, encouraged by her granddaughter to take up the sport after she was diagnosed with Parkinson’s disease. She credits the regimen with helping to fix her posture.
Three generations of her family were among a couple of hundred people watching Cheng Chen and 44 others aged 70 or over in a weightlifting competition on Saturday. In the three-round competition, Cheng Chen lifted as much as 45kg using a hexagonal-shaped bar that is said to allow the lifter more stability and options for gripping.
“I want to tell all the old people to join the workout,” Cheng Chen told Reuters after the competition. “You don’t need to work extremely hard, but this is to stay healthy.”
Cheng Chen was not the only nonagenarian in the competition. The oldest participant is 92.
Taiwan is projected to become a “super-aged society” next year, with 20 percent or more of its 23 million people aged 65 or older, according to National Development Council data.
The government has set up fitness centers across the island with equipment suitable for older people, to encourage them to train, according to the Health Promotion Administration, which encourages healthy lifestyles.
