LOS ANGELES: John Mahoney, who as the cranky, blue-collar dad in “Frasier” played counterpoint to pompous sons Frasier and Niles, has died. Mahoney was 77.
The actor died Sunday in Chicago after a brief hospitalization, Paul Martino, his manager for more than 30 years, said Monday. The cause of death was not immediately provided.
In “Frasier,” the hit “Cheers” spinoff that aired from 1993 to 2004, Mahoney played Martin Crane, a disabled ex-policeman who parked himself in a battered old armchair in Frasier’s chic Seattle living room.
Kelsey Grammer’s Frasier and David Hyde Pierce’s Niles, both psychiatrists with lofty views of their own intellect, squabbled constantly with their dad but, when needed, the family closed ranks.
Martin’s beloved dog, Eddie, also took up residence to annoy the fussy Frasier.
Mahoney, a British native who made Chicago his home town, was a two-time Emmy nominee for “Frasier,” won a 1986 Tony Award for “The House of Blue Leaves,” and worked steadily in movies.
John Cusack, who appeared with Mahoney is the 1989 film “Say Anything,” tweeted that he was a great actor and a “lovely kind human — any time you saw him you left feeling better.”
Mahoney’s recent TV credits included a recurring role as Betty White’s love interest on “Hot in Cleveland” and a 2015 guest appearance on “Foyle’s War.” On the big screen, he was in “The American President,” “Eight Men Out” and “Tin Men,” with 2007’s “Dan in Real Life” starring Steve Carell among his last movie credits.
The actor was born in 1940 in Blackpool, England, during World War II. That’s where his pregnant mother had been evacuated for safety from Nazi attacks, but the family soon returned to its home in Manchester.
In a 2015 interview with The Associated Press, Mahoney recounted memories of huddling in an air raid shelter and playing among bombed-out houses. The accounts his four older sisters shared with him, he said, included tucking him into a baby carriage outfitted with a shield against feared gas attacks.
One sister, who moved to the Midwest after marrying a US sailor, was responsible for Mahoney’s decision to make his life in America. He visited Chicago as a college student and fell in love with it.
“The lake, the skyline, the museums, the symphony, the lyric opera,” he said in extolling the city in 2015. Add in reliably friendly Midwesterners, Mahoney said, and it’s “my favorite place in the world.”
“I give up nothing (professionally) by being in Chicago,” said Mahoney, who at the time was preparing to begin rehearsal on a Steppenwolf Theatre Company production of “The Herd.”
The theater canceled Monday’s scheduled performance in honor of Mahoney, according to an outgoing phone message that said he had been an ensemble member since 1979.
“John’s impact on this institution, on Chicago theater and the world of arts and entertainment are great and will endure,” the theater said.
John Mahoney, who played cranky dad on ‘Frasier,’ dies at 77
John Mahoney, who played cranky dad on ‘Frasier,’ dies at 77
Ancient Malian city celebrates annual replastering of mosque
- The annual replastering with “banco” — a mix of earth and water — shields the mosque from harsh weather
DJÉNNÉ, Mali: Thousands of Malians have replastered the iconic earthen mosque in the historic city of Djenne during an annual ceremony that helps preserve the World Heritage site.
To the sound of drums and festive music, townsmen on Thursday coated the towering three-minaret mosque with fresh mud plaster.
The annual replastering with “banco” — a mix of earth and water — shields the mosque from harsh weather ahead of the Sahel region’s often violent rainy season.
“This mosque belongs to the whole world,” said Aboubacar Sidiki Djiteye, his face streaked with mud as he joined the “unifying” ritual.
“There’s no bigger event in Djenne than this,” he told AFP.
“Replastering the mosque is a tradition handed down from generation to generation,” said Bayini Yaro, one of the women tasked with carrying water for the plaster mix.
Locals prepared the mix themselves, combining water, earth, rice bran, shea butter and baobab powder — a hallmark of Sahel-Sudanese architecture.
Chief mason Mafoune Djenepo inspected the fresh coating.
“The importance of this mosque is immense. It’s the image on all Malian stamps,” he said.
A blessing ceremony followed the replastering, with Qur’anic verses recited in the mosque courtyard. Participants then shared dates and sweets.
First erected in the 13th century and rebuilt in 1907, the mosque is considered the world’s largest earthen structure, according to the United Nations’ cultural body, UNESCO.
Djenne, home to around 40,000 residents and known for preserving its traditional banco houses, has been on UNESCO’s World Heritage list since 1988.
The site was added to the endangered heritage list in 2016 due to its location in central Mali, where jihadist fighters linked to Al-Qaeda and the Daesh group, as well as ethnic militias and criminal gangs, have waged a violent insurgency since 2012.
‘The Arts Tower’ brings new meaning and color to Riyadh’s Sports Boulevard
- For Gharem, Saudi Arabia’s Vision 2030, like “The Arts Tower,” constantly lifts eyes upward, motivating people to leap from the familiar into the unexpected, pushing them to embrace the future with imagination
RIYADH: As you venture down the promenade of the capital’s latest attraction, Sports Boulevard, a new landmark is sure to catch your eye.
A tower at the intersection of Prince Mohammed bin Salman bin Abdulaziz Road and Prince Turki bin Abdulaziz Al-Awwal Road bursts with color and character.
The mind behind this work, named “The Arts Tower,” is renowned Saudi artist Abdulnasser Gharem, who has centered the mundane within the architectural landscape early on in his career with works like “Siraat” (The Path) and “Road to Makkah.”
Gharem told Arab News: “This piece is a witness to the transformation that’s happening here. It’s a symbol of investment into the cultural infrastructure as proof of how important that is to any society or community. I think the tower represents this transformation, especially that it, in itself, transforms one of the symbols of energy into a beacon for creative expression.”
Previously one of numerous 83.5-meter electricity pylons, the tower was meant to be removed for the sake of the Sports Boulevard project.
“I asked if I could have one,” Gharem said, explaining that, as one of the nominated artists to propose a work to beautify the boulevard, he was keen to use the existing structure.
HIGHLIGHTS
• The selected proposal features a total of 691 colored panels that were installed to bring the tower’s vibrant facade to life.
• The pieces used are all related to the grand narrative of the Kingdom, including economic diversity, cultural transformations, and social changes.
Author and curator Nato Thompson said about the work in a statement: “By repurposing a symbol of energy infrastructure and turning it into a beacon of artistic expression, Gharem highlights the evolving role of culture and art in Saudi Arabia’s development journey.
“It stands as living proof of the Kingdom’s commitment to nurturing its cultural landscape, making arts and creativity an inseparable part of its identity just as oil and energy were in the past.”
The selected proposal features a total of 691 colored panels that were installed to bring the tower’s vibrant facade to life.
It utilizes elements from Saudi architecture and patterns we recognize from our old homes, primarily the triangular shape.
“I was lucky that the tower was made up of triangles, which is a geometrical shape that brings together the different regions of the Kingdom and the historical features of our beginnings, so it’s a symbol of unity,” Gharem said.
The pieces used are all related to the grand narrative of the Kingdom, including economic diversity, cultural transformations, and social changes.
This piece is a witness to the transformation that’s happening here. It’s a symbol of investment into the cultural infrastructure as proof of how important that is to any society or community.
Abdulnasser Gharem, Saudi artist
“The colors are alluding to the connection between our history and heritage and the concepts of cheerfulness and mental hospitality. A tower always forces you to look up.”
For Gharem, Saudi Arabia’s Vision 2030, like “The Arts Tower,” constantly lifts eyes upward, motivating people to leap from the familiar into the unexpected, pushing them to embrace the future with imagination.
“The piece is based on sunlight,” he said. “The daylight gives a completely, completely different dimension to the work compared to its urban illumination during the night.
“The colors do not just appear; they shift, transform, and come alive in different ways throughout the day. Here, nature becomes a crucial element to the structure.”
Even the wind has played a part in determining the number and placement of the colored pieces used. “It taught me that there needs to be some gaps in order to allow the piece to breathe and I was forced to humble myself upon the power of nature.
“The wind became my partner in design,” he said.
“The Arts Tower” is designed to make people feel represented and connected.
While the Sports Boulevard promotes physical activity, the creative landmark serves a deeper purpose: it is a thoughtful space meant to inspire human interaction and community — and more importantly, invite them to slow down, engage, and ponder the future.
“Culture is one of the key factors for our country’s development path. At the end of the day, culture is just as important as energy. It’s worth investing in, and it’s a certificate that the Kingdom is committed to nurturing its cultural scene,” Gharem said.
Egyptian film ‘Happy Birthday’ takes top honors at Tribeca Film Festival
DUBAI: Egyptian film “Happy Birthday,” the debut feature by writer-director Sarah Goher, this week took two of the international festival’s top honors — for best international narrative feature and for best screenplay.
The film, which stars Nelly Karim, Hanan Motawie, Hanan Youssef and Doha Ramadan, tells the story of Toha, an eight-year-old girl working as a child maid for a wealthy family in Cairo. She forms a close bond with the family’s daughter, Nelly, and becomes determined to give her the perfect birthday — something Toha herself has never experienced.
As her connection with Nelly’s mother begins to blur the lines of class and duty, Toha is forced to confront the stark social hierarchies of modern Egypt.
Goher co-wrote the film with acclaimed Egyptian director Mohamed Diab, internationally recognized for Marvel’s “Moon Knight.” Diab also took on the role of executive producer.
‘Ocean’ — bleak indictment of mankind offers a glimmer of hope
- David Attenborough’s latest documentary is a vital, compelling call to action
JEDDAH: “Ocean with David Attenborough” was released regionally on Disney+ on June 8 — World Ocean Day. It hit cinemas in May, on the 99th birthday of its venerable and venerated presenter, the famed biologist and broadcaster.
Like all Attenborough-fronted nature docs, “Ocean” is gorgeously shot and an immersive viewing experience. But while the vast majority of his output leaves you speechless at the on-screen beauty, “Ocean” also strikes you dumb at the horrifying devastation wrought on the open seas by the 40,000+ super-sized fishing trawlers operating around our planet constantly.
Sweeping the seabed with their giant nets, these ships commit slaughter on an unimaginable scale, leaving little alive in their rapacious search for a few specific species that humans actually eat. In their wake they leave something akin to the dystopian portrayals of a nuclear winter in post-apocalyptic dramas. These grim, heart-breaking shots are interspersed with glorious, vibrant scenes of what a healthy seabed should look like — towering forests of kelp, sea meadows, abundant diverse communities of extraordinary marine life… A reminder of what we are destroying every minute of every day.
Attenborough lays out for us with all of his trademark passion and authority just what is at risk here. The seas, he stresses, are vital for the survival of humankind. And humankind is putting the seas in terrible jeopardy. Marine ecosystems are delicately balanced and linked in complex, subtle ways that we are only now beginning to understand. And industrial fishing is far from subtle. As Attenborough notes, if rainforests were being razed at this rate, the protests would be global and furious. But because this destruction takes place miles below the surface of the water, it goes mainly unnoticed. Incredibly, this mindless, untargeted carnage is not illegal; it is positively encouraged — and heavily subsidized — by many governments.
Thankfully, there is hope. Attenborough reveals that scientists have discovered that — if left alone through the imposition of “no-take zones” — the oceans can recover at an incredible rate, and the most barren of sea floors can once again flourish in just a few years. There is now an international pact to turn one-third of Earth’s seas into no-take zones by 2030. And if this does happen — note the if — then there’s a good chance that man-made damage can be reversed not just in the water, but on land, as sea life is, it turns out, extremely adept at reducing carbon. The sea could save the world.
As nature documentaries go, it’s hard to imagine “Ocean” being bettered (except perhaps for the distracting clichéd mishmash that serves as its soundtrack, which deserves to be classified as a man-made disaster itself). This is a compelling, vital and urgent narrative delivered by an expert scientist and broadcaster accompanied by awe-inspiring, mind-boggling cinematography showing us wonders that most of us will never come close to seeing first-hand. And it lays out a path for survival. Whether we actually take that path...
Streaming successes: What’s coming to your screens later this year
- From stressed-out cooks to foul-mouthed spymasters, the must-see shows still to come in 2025
‘Squid Game’ season 3
Starring: Lee Jung-jae, Lee Byung-hun, Wi Ha-joon
Where: Netflix
When: June 27
The final season of the South Korean survival thriller about a game show where the rewards are enormous but loss means death, Seong Gi-hun (or player 456, as you might know him) and his friends must fight for survival in ever-more fiendish challenges. The VIPs — the wealthy individuals who fund the games — return to the island once again, perhaps setting the stage for a vengeance-fueled finale and a showdown between the Front Man and his brother, police officer Jun-ho.
‘Ironheart’
Starring: Dominique Thorne, Anthony Ramos, Lyric Ross
Where: Disney+
When: June 25
This Marvel miniseries is a spinoff from the “Black Panther” movie franchise and follows MIT student and genius inventor Riri Williams, aka Ironheart, who was responsible for creating the vibranium detector that sparked the events of 2022’s “Black Panther: Wakanda Forever,” in which she also invented an exoskeleton to rival that of Tony Stark/Ironman so that she could fight alongside the Wakandans. Now Williams has returned home to Chicago, where she meets Parker Robbins, aka The Hood, who is able to access dark magic, setting Williams on a “path of danger and adventure.”
‘The Bear’ season 4
Starring: Jeremy Allen White, Ebon Moss-Bachrach, Ayo Edebiri
Where: Disney+
When: June 26
The first two seasons of the horribly tense kitchen-based drama “The Bear” were fantastic TV. The third? Not so much. (Although it should be said that even weak episodes of “The Bear” are still better than the vast majority of shows.) But hopefully season four finds super-talented chef Carmy Berzatto and his crew back on form as they try to make a success of the titular family restaurant which they’ve shifted from run-down sandwich shop to fine-dining venue. And after a wait of almost a year, we’ll finally get to find out what that all-important review said.
‘Wednesday’ season 2
Starring: Jenna Ortega, Catherine Zeta-Jones, Luis Guzman
Where: Netflix
When: August 6
Wednesday Addams is back at Nevermore Academy for another year. And this time around, the rest of her spooky, kooky family will be spending a lot more time there, too — much to Wednesday’s chagrin — and not just because her brother Pugsley has enrolled. Co-showrunners Alfred Gough and Miles Millar have promised a “darker, more complex” series. And at Netlix’s live Tudum event last month, it was announced that Lady Gaga will be guest starring as the “mysterious and enigmatic” Nevermore teacher Rosaline Rotwood.
‘Slow Horses’ season 5
Starring: Gary Oldman, Jack Lowden, Kristin Scott Thomas
Where: Apple+ TV
When: Sept. 24
Former British super-spy Jackson Lamb and his unfortunate crew of misfit spooks return for another series of this excellent, darkly humorous espionage drama. This time around, the trouble starts when Slough House’s resident tech nerd Roddy gets a glamorous new girlfriend, who everyone — or, at least, everyone except for Roddy — can see is well out of his league. The show is an adaptation of Mick Herron’s “Slough House” novels, and this season is based on “London Rules.” “Ted Lasso” star Nick Mohammed is perhaps the biggest new name to join the cast; he'll be playing an ambitious London mayoral candidate.
‘Stranger Things’ season 5
Starring: Winona Ryder, David Harbour, Millie Bobby Brown
Where: Netflix
When: November 26
The final (really?) season of the phenomenally successful Eighties-set sci-fi horror drama has a lot to live up to. Once again, psychokinetic Eleven and her pals in Hawkins, Indiana, must fight to save the Earth from the alternate dimension known as the Upside Down. Since its arrival on our screens in 2016, “Stranger Things” has been one of the world’s most talked-about and beloved series. Showrunners The Duffer Brothers have got pretty much everything right so far. Can they stick the landing?
