‘Malala of Sindh’ fights to regain her school

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Khanzadi Baloch and her husband Mehboob Ali Baloch speak to Arab News. (AN photo)
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Khanzadi Baloch and her husband Mehboob Ali Baloch speak to Arab News. (AN photo)
Updated 25 February 2018
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‘Malala of Sindh’ fights to regain her school

KARACHI: Almost a decade ago, Khanzadi Baloch gathered a group of young girls under a tree in her village on the border of Sindh and Balochistan and began familiarizing them with basic alphabets and numbers. Her efforts turned out to be an instant success since there were no girls’ schools in her little hamlet — or in seven nearby villages — of Tehsil Garhi Khairo in Sindh’s Jacobabad district. Still only a teenager, she managed to set up an elementary school, attracting a significant number of students.
Baloch had a passion for education and, with an intermediate degree in pre-medical, was arguably the most well-read person in town. She singlehandedly taught these girls and refused to take a penny from them since she knew they came from an impoverished background.
“Nearly a year after I set up the school, an official from the education department, Hajji Maqsood Ahmed Brohi, saw us sitting under the tree,” she recalled while talking to Arab News. “When I told him my story, he said that I was doing commendable job.”
Six months after the chance encounter, Brohi made a surprise phone call to share the exciting news. “He told me that he had got approval to build a school using World Bank money,” she said. Her family provided land for the education institute, which was later built at a cost of Rs7.6 million.
Baloch and her family were impatiently waiting for completion of construction work, but they had different plans in mind. While she was dreaming of a primary school with the best education facilities, her uncle, Mir Dil Khan, and brother, Abdul Waheed, were secretly planning to convert the building into a village courtyard for greater social prestige.
“‘Your job is done,’ my brother told me. ‘We used you since we wanted a cement building’,” Baloch quoted her brother. Her entire village was a small collection of mud houses and a cement structure was nothing short of a novelty.
“I love my students,” she said in a faint voice. “I cried my heart out. Even today, the girls call me and say they want to go back to the school. But my family robbed us of our future. And this was done in connivance with the local sardar [feudal lord].”
Baloch had no option but to put her foot down. “I called up Brohi, who likened me to Malala [Yousafzai, the activist for female education] and said that I was being punished for creating awareness among the young girls of Sindh. He then called the district police officer, who sent his representative to our village.”
That only added to her miseries. “When I came home, my brother started beating me and then forcibly sent me to my maternal aunt’s residence where I lived for a few months.”
Her maternal uncle, Nawab Ali Baloch, took her to Shikarpur, another district in Sindh. Initially, she thought it was to let things cool down, but later the arrangement turned into an illegal confinement. “My uncle locked me in a room and took my cellphone,” she said. “However, I managed to make a call to the police helpline through my younger cousin’s phone.”
The police took Baloch and her uncle to their office. Subsequently, the local judge sent her to Darul Aman, a shelter for women, in Larkana and jailed her uncle. “My uncle’s wife begged me to change my statement,” she recalled. “After a great deal of emotional blackmailing, I retracted my statement which paved the way for my uncle release.”
Her family also asked her to come with them, but Baloch feared for her life and approached the Human Rights Commission of Pakistan (HRCP). She also reached out to a trusted cousin, Mahboob Ali Baloch, a Sindh police constable.
“We verified her story through our local network,” said Asad Iqbal Butt, of the HRCP.
The rights group gave her support after she left the shelter and moved to Karachi. In view of local sensitivities, however, its officials recommended that she marry a relative. This was to avoid the dangerous allegation of hurting her family honor, an accusation frequently made in such circumstances that can lead to “honor killings” in rural Sindh and other parts of the country. As a result, Baloch decided to marry her cousin who stood by her side.
“We married on July 4, 2015, yet we were declared as kari [guilty of undermining family honor]. This was done through a jirga that was arranged by the area’s sardar,” Mahboob Ali Baloch told Arab News.
“He had also attacked my family twice and, after their escape to Karachi, grabbed their cattle, land and other possessions that they had left behind,” he said.
Despite being part of the Sindh police, he lives in fear and changes his address every few months.
Although she is hiding in Karachi, Khanzadi Baloch, now the mother of a five-month-old child, has not given up efforts to take back her school. She has knocked at every door, and regularly visits HRCP’s office for help.
“The HRCP has been writing to the Inspector General of Police and other relevant officials, demanding protection for Baloch, her husband and son,” Butt said. “At one point, they had planned to return home after police assurance,” he said, “but local sympathizers revealed that a plan had been hatched to kill the couple.”
The HRPC also sought help from influential politicians, though, as Butt recalled, they subtly communicated that “the family and the local feudal had over 5,000 votes.”
“Such acts of injustices are daily occurrences, but with the effort of the provincial administration of Sindh, especially woman parliamentarians, such crimes can be decreased,” claimed Saira Shahliani, a female lawmaker of the Pakistan Peoples Party, who was elected on women’s reserved seat from Garhi Khairo.
When asked about this case, Shahliani said she had taken a personal interest in it. “When I heard about it, I went to her village where she was not present,” she said. “But I met with her parents, other family members and several other villagers. I also held a news conference in Jacobabad and assured them that I would support Khanzadi and will help her get justice.”
“In Karachi, I contacted her and she came to my house along with her husband,” she said. “She told me that she wanted to go back to her village. I talked to her parents, but they were not taking the responsibility of her husband’s family. According to them, her husband’s brothers-in-laws [brothers of his other wife] will kill both of them since they were powerful and had the support of the sardar.
“I talked to several influential people of the area, but no one was willing to take the responsibility. This was what I could do for her,” she said.
Asked why she did not involve the state, she said: “I went to senior superintendent of police of Jacobabad, Sajid Khokhar. He said that he had visited the village. When he heard that the school had been converted into the village courtyard, he had placed several restrictions on the use of the school. He also went to the women’s shelter to look for Khanzadi Baloch, but she had left by then.”
Meanwhile, there has been a change in Baloch’s hometown. The Sardar has passed away and his son, who is said to be educated, is at the helm of affairs. Although education sometimes fails to change the feudal mindset, the development has given Baloch and her husband new belief.
“We hope that he will do justice since I do not need anything,” she said. “I need a life and my school. That was my dream, and I want it back.”


Sofia Carson flaunts Lebanese labels at New York performance with Andrea Bocelli

Updated 22 December 2024
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Sofia Carson flaunts Lebanese labels at New York performance with Andrea Bocelli

DUBAI: Singer and actress Sofia Carson continued her love affair with powerhouse Lebanese designers at two shows in New York this week, after showing off looks by Elie Saab and Zuhair Murad at promotional events on numerous occasions this year.

Carson performed at New York’s Madison Square Garden alongside legendary Italian tenor Andrea Bocelli this weekend in a scarlet gown from Elie Saab’s Autum/ Winter Couture 2022 line. One day later, she hit the stage for part two of the event in a black, off-the-shoulder taffeta dress from Zuhair Murad’s ready-to-wear pre-Fall 2024 collection.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Sofia Carson (@sofiacarson)

“As I stepped off stage, my mom, my dream maker, held my hand and asked me what I felt. . . I said ‘I feel elated,’” Carson captioned a carousel of behind-the-scenes shots on Instagram, in which she is wearing Murad’s creation.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Sofia Carson (@sofiacarson)

In October, the singer and “Purple Hearts” actress was spotted in New York in a caped Elie Saab couture look from the maison’s Spring/Summer 2024 collection, while earlier that month she hit the red carpet in Rome in another gown by the designer.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Sofia Carson (@sofiacarson)

Carson showed off a sea green gown from Elie Saab’s Fall/Winter 2023 couture collection at the “Andrea Bocelli 30 - The Celebration” premiere in Rome.

The A-symmetrical neckline and sweeping ballgown skirt brought a dose of glamor to the red carpet, with Carson opting for a sleek up-do and diamond-and-emerald earrings.

“Honored to have been by your side as we premiered your film,” the actress posted on Instagram alongside a photo in which she is seen posing with Bocelli.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Sofia Carson (@sofiacarson)

The film chronicles Bocelli's three-day July concert event in Italy honoring his 30th anniversary in the music industry.

Rewind to May and Carson was seen in the French Riviera as she walked the Cannes Film Festival red carpet in yet another look by Saab. The star opted for an olive-toned ensemble from the designer’s Spring/ Summer 2024 couture collection.

Carson is something of a fan of Lebanon’s couturiers — in 2022 the actress attended the Global Citizen Festival in New York a coordinating look from Zuhair Murad’s Resort 2023 collection, while in late 2023, the actress cut an elegant figure in a Zuhair Murad gown at the second annual Cam for a Cause event in memory of her former co-star Cameron Boyce.


Georgina Rodriguez visits Dior exhibition in Riyadh

Updated 22 December 2024
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Georgina Rodriguez visits Dior exhibition in Riyadh

DUBAI: Argentine model Georgina Rodriguez visited an exhibition celebrating the life and work of fashion designer Christian Dior at the National Museum of Saudi Arabia in Riyadh this weekend.

The Riyadh-based model, who is the long-term partner of football star Cristiano Ronaldo, took to Instagram to share insights about the exhibit, which is running as part of this year’s Riyadh Season.

“Highly recommend to immerse yourself in the ‘Christian Dior: Designer of Dreams’ exhibition in Riyadh. A magical journey through the history of haute couture, showcasing the works of art by visionary designers for 75 years (sic),” Rodriguez captioned a short clip on Instagram.

“Christian Dior: Designer of Dreams” is a collaboration between the French fashion house and Saudi Arabia’s General Entertainment Authority.

The event, which runs until April 2, explores the legacy of Dior and his successors through a fresh narrative specially curated for the show by art historian Florence Muller and scenographer Nathalie Criniere.

Highlights include tributes to some of Dior’s classic designs, such as Miss Dior and J’adore, and an homage to the Lady Dior bag in the form of the Dior Lady Art project.

British milliner Stephen Jones, one of Dior’s master creators, was heavily involved in the creation of the exhibition.

“When we were installing the hats, some of the looks I remembered, some I didn't. But many have never been shown before, so it sometimes feels like I’m seeing them for the first time,” Jones told Arab News earlier this month.


Bella Hadid promotes Orabella for festive season

Updated 21 December 2024
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Bella Hadid promotes Orabella for festive season

DUBAI: US Palestinian Dutch supermodel Bella Hadid took to Instagram to thank her team and customers for the success of her fragrance label Orabella’s festive Alchemy Library pop-up in New York City.

“The best night at our @orebella Alchemy Library pop-up in NYC! So much love and gratitude to my team & the beautiful humans who showed up to transform @thenednomad into such a warm & intimate space to celebrate the holidays, each other and my favorite sets to date: Our holiday gift boxes,” she wrote on Instagram, along with a carousel of photos from the pop-up.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Bella (@bellahadid)

In a bid to look the part, Hadid traded in her cowboy Western aesthetic to adopt a more festive look and was photographed outside the pop-up in a red and white ensemble.

The retro look featured a two-toned red cardigan, straight leg blue jeans and a luxe white wool coat. Hadid glammed up the look with strappy red Valentino Garavani Ladycrush heels and statement gold earrings.

The model finished the look with her favorite choice of eyewear, a pair of Bayonetta glasses.

The alcohol-free scents of Orabella, which launched on May 2 this year, were Hadid’s answer to traditional perfumes.

Hadid wrote on her website: “For me, fragrance has always been at the center of my life — helping me feel in charge of who I am and my surroundings,” she said. “From my home to nostalgic memories, to my own energy and connection with others, scent has been an outlet for me. It made me feel safe in my own world.

“Through my healing journey, I found that I was extremely sensitive to the alcohol in traditional perfumes — both physically and mentally — it became something that was more overwhelming than calming to me,” she added. “That is the main reason I wanted to find an alternative, so essential oils became an artistic and experimental process for me.”

She started growing lavender on her farm, walking through the garden every morning and learning about her family’s tradition of making homemade scents. “I realized I might have a calling in this. I found healing, joy and love within nature’s scents,” she said.

“This is why I am so proud of Orebella. It was truly a dream and a passion, that through the universe and authentic dedication, was able to become this brand,” Hadid wrote.


Saudi designer Honayda Serafi shares holiday greeting card from Jordan’s Crown Prince Hussein and Princess Rajwa

Updated 21 December 2024
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Saudi designer Honayda Serafi shares holiday greeting card from Jordan’s Crown Prince Hussein and Princess Rajwa

DUBAI: Saudi designer Honayda Serafi has revealed a holiday greeting card from Jordan’s Crown Prince Hussein bin Abdullah and Princess Rajwa Al-Hussein, which features a family photo of the royal couple and their newborn daughter, Princess Iman.

 “Immensely thankful for God’s many blessings. From our small family that has grown to yours, best wishes for a blessed New Year,” the card reads.

Last year, Serafi designed Saudi-born Princess Rajwa’s pre-wedding henna night gown. For the gown, Serafi took inspiration from the Al-Shaby thobe of the Najd region in Saudi Arabia, where Princess Rajwa’s family is from.  

“The thobe is known for its long sleeves. They’re so long, the sleeves become the veil of the bride’s dress,” said Serafi of the ethereal white gown.

Earlier this month, the couple visited the Seeds of Hope Center in Amman, which specializes in treating speech and language disorders in children and adults.

The royal couple, who welcomed their first child this year, toured the facility, which houses Jordan’s only space designed to provide multi-sensory experiences aimed at promoting relaxation and sensory integration. The visit also included a look at the center’s gym, which is tailored to improve therapy outcomes for patients, the Jordan News Agency reported.

Aya Al-Jazi, the center’s director, briefed the couple on the facility’s services, which include evaluation and treatment of speech, language and voice disorders, as well as support for swallowing difficulties.
 


Sister act: Saudi sibling filmmakers Raneem and Dana Almohandes talk musicals, inspiration and telepathy 

Updated 20 December 2024
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Sister act: Saudi sibling filmmakers Raneem and Dana Almohandes talk musicals, inspiration and telepathy 

JEDDAH: A trip to Saudi Arabia’s AlUla, a chance encounter with a persistent mosquito on the streets of New York and an enduring love for musicals inspired Saudi filmmaking sisters Dana and Raneem Almohandes to create their animated short film “A Mosquito,” which screened at the recently concluded Red Sea International Film Festival in Jeddah. 

“We were walking in New York, having a good time, and there was this mosquito who kept coming back to me,” explained older sister Raneem. “This is how it all started, with one question: ‘What does this mosquito want?’ We thought, ‘She wants to talk to us, but we’re not giving her the chance.’ So, that’s where the story was born.” 

Set in 1969, “A Mosquito” follows Zozo — a tiny mosquito with big dreams. While her peers are content with ordinary life in the majestic landscapes of AlUla, Zozo dares to dream of becoming a famous singer — heading to Egypt to sing before the legendary Umm Kulthum. 

“A Mosquito” began life as a two-minute short — part of Raneem’s university project. It turned into its fully realized version after they took their idea to the AlUla Creates program, a local initiative that provides funding, mentorship and networking opportunities for Saudi filmmakers and fashion designers. 

“When AlUla invited us to apply, we had this idea already, and we wanted to expand on it, because, you know, university projects are victims of time and resources. We developed the story with the AlUla Creates team,” said Raneem.  

“We went to AlUla earlier, and we captured the aesthetics from there. The frames that you see in the film are identical to the pictures we took during our trip,” added Dana. 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Raneem (@ralmohandes)

Raneem graduated from New York University in musical theater writing (Dana, the younger of the two, is studying filmmaking at Princess Nourah Bint Abdul Rahman University in Riyadh). “We grew up watching musicals, but we felt like we don’t have any that are in the Saudi dialect, so we wanted to create (them),” said Raneem. “That’s why I studied musical theater writing. 

“We’ve always loved expressing ourselves through art. For example, Dana will do a dance whenever she wants to express how she feels about someone. Like, for my birthday, she would do a choreographed dance. I used to do small videos for our family — sometimes they’re music videos, sometimes short films … this is how we started. And then I started an Instagram page for DIY videos, and we worked together on it. It was one of the first (Instagram accounts) to reach 1 million followers in the Middle East,” said Raneem. “Dana was, like, 10 years old back then.” 

Before they had received any formal training, the duo were chosen as For Change Ambassadors of Saudi Arabia. The screenplay for their first musical feature (“Dandana”) was shortlisted in the second round of Sundance’s Screenwriters Lab 2020. Their first short, “A Human,” was funded by Google and premiered in Riyadh. 

The sisters reiterate that their filmmaking career is closely tied to the history of cinema in the Kingdom. 

“We put ‘A Human’ up on YouTube in parallel with Saudi Arabia opening its cinemas again,” Raneem said. It went on to become one of the first 100 films to be shown in cinemas after they reopened in the country and, according to Raneem, the very first short film. 

In 2022, the pair wrote and directed the musical short “A Swing,” which was selected for the official competition at the Saudi Film Festival and was screened as part of the Kingdom’s participation at Cannes in 2022. 

Despite the eight-year age gap between the two sisters, the duo say they have a seamless working relationship. 

“We sometimes fight, as all sisters do, but we have telepathy most of the time,” said Raneem. “We are in sync in terms of ideas. Filmmaking is all about communication.” 

Working as two young women in the Saudi film industry is, Dana said, “magical.” Raneem agreed.  

“It’s overwhelmingly beautiful, because the support is magnificent,” she said. “Each and every project and idea that we’ve had, we knew for a fact that if we approached the right decision maker, it would happen.”