Meet the woman documenting Saudi Arabia’s history though its clothes

Her love for preserving traditions is evident in her continuous studies and efforts not only to preserve but to educate the younger generation about the importance of keeping traditional clothing alive. (Shutterstock)
Updated 06 March 2018
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Meet the woman documenting Saudi Arabia’s history though its clothes

JEDDAH: We all look to our past for answers as to who we are as Arabs, as Saudis. How we came to be. Where our families originated from and what makes us significant from others around us. We seek our elders and ask questions, where they lived, how they dressed, what traditions arose in their time and what traditions were inherited from their forefathers. Many of the answers we want are no longer applicable in modern times, but it is undoubtedly what makes us who we are today.
Of our many Saudi traditions, its diversity is what is striking. Every region has its own taste and beauty all meshed into one big melting pot that is the Saudi Arabia we know now. Of the many beautiful aspects that make up the Kingdom, clothing has to be the most noteworthy.
Word of mouth was and is still one of the best ways to learn of a certain past event, tradition or social aspect, but documenting it is a much bigger task. One of the first Saudi females to do so is Dr. Laila Al-Al-Bassam.
Her love for traditional wear led her to become the first to study the heritage of traditional Arab costume and textiles in Saudi Arabia. Her love for preserving traditions is evident in her continuous studies and efforts not only to preserve but to educate the younger generation about the importance of keeping our traditional clothing alive.
I met Al-Bassam a year and a half ago through a mutual friend. I shared her love for traditional clothing and grew a mutual respect for our respected heritages. She found how much I knew of my Hijazi heritage, more specifically that of Makkah and Al-Madinah, where my family originates. Al-Bassam granted Arab News an exclusive interview about her lifelong work in preserving traditional Saudi costumes.

Her beginnings in the field started very early on. She recalls her mother folding her grandmother’s dresses in a special violet and crimson chest, taking special care in the way she placed them inside. As a young girl, she visited Unaizah in Al-Qassim region, where her family originates, and bought her first traditional costume.
“Al taly” is a tulle dress or thawb adorned by small rectangular shaped beads creating geometric designs in lavish floral and leaf motifs concentrated mostly at the bodice. It was the first dress I bought from the monthly pocket money I saved up in middle school. It’s one that became a part of my ever-growing collection thereafter,” Al-Bassam explained.
“The dress holds a special place in my heart as I inherited a similar one that my late aunt passed down to me. My admiration for the traditional ways of my region grew and I even decided to wear a traditional wedding dress on my wedding night.”
Like many Saudis of her time, she became an educator. Al-Bassam received her BA in home economics and in 1979 was teaching at the Girls’ College of Education in Riyadh. She obtained her MA in 1983 and, soon after, her PhD in 1988. Both were in clothing and textiles from the Girls’ College of Education.
In 1995 she became an associate professor in the department of home economics at the same college, where she successfully incorporated the subject of traditional Saudi clothing in the study plans of the department, in addition to methods of decorative embroidery. Neither subject is complete without the other.
Decorative embroidery well-defined each region as its own. It signified one tribe from another as well. The importance of these subjects can’t be emphasized enough. They are the means of allowing a younger generation to get a glimpse of and understand the history of our culture and heritage.

“A lot of people tend to forget that traditional clothes were mainly made, decorated and embellished by women,” Al-Bassam said. “They were the backbone to their families alongside their spouses. Though many of the garments were for versatile use due to difficult environments and living conditions in many regions, they still created something beautiful.
“Whether it was a simple embroidered sleeve or a feminine shaped design, they used their environments as their muse and canvas, resulting in the many designs we have now for men and women. There’s more to it than just a dress or miqta’a or diglah. There’s a story behind the designs.”
Al-Bassam’s work in the educational field and dedication to the many preservation projects for traditional clothing has gained her recognition. As one of the most influential and important researchers in her field, she is a member of many national and international associations such as the Committee on Heritage in Al Nahda Women’s Welfare Association, the Advisory Committee in the National Museum, the Gulf Council Committee, the Textile Museum in Washington, DC, and of the National Heritage Society and more.
She believes that it is essential to collect, record and document the traditional costumes of the Kingdom. With the discovery of oil in the past century, these styles are disappearing and she has been on the move to many regions around the country, conducted questionnaires, collected samples, managed meetings with locals and listened to the stories as well as learning the proper manner of designing these clothes in detail. They signify the Saudi culture that is moving into modernity, fast.
“Each region has its own take on their costumes. The distinct features of the Arab garments can be found in their stitching, the fabrics, their embroidery, jewelry, accessories and the choice of color. You can know a lot through these features, which culture they were influenced by, and you can differentiate between each tribe’s costume, for example, through these features,” said Al-Bassam.
“I believe that with the many efforts around the country to revive its traditions through festivals and events like Janadriyah, the younger generation will get a good glimpse of how our men and women dressed in the past.”
Al-Bassam was rewarded by the King Salman Prize of Excellence for Research and Studies on the Arabian Peninsula History, and recognized as the first Saudi woman to have studied the heritage of traditional Arab costumes and textiles in Saudi Arabia. She’s currently in the process of publishing a number of books on the subject.
“It’s important that I share my knowledge with everyone, to raise awareness of the importance of preserving our beautiful heritage.”


Fashion trailblazers honored at Riyadh awards

Updated 23 May 2025
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Fashion trailblazers honored at Riyadh awards

  • Saudi Fashion Awards spotlight innovators and local talent
  • Women’s Wear Daily collaborates to honor Saudi creatives

RIYADH: Women’s Wear Daily, in collaboration with the Saudi Fashion Commission, honored several creatives at an awards ceremony in Riyadh on Thursday.

(AN: Huda Bashatah)

Alessandro Sartori, artistic director of Zegna, was named International Designer of the Year, while Matteo Tamburini, creative director of Tod’s, received the International Brand of the Year award.

Patrick Ta, founder of Patrick Ta Beauty, was named International Beauty Innovator of the Year, and Glow Recipe was awarded International Beauty Brand of the Year.

(AN: Huda Bashatah)

Additional awards presented by the Saudi Fashion Commission celebrated the achievements of several Saudi Arabia brands and individuals.

Rawan Kattoa was named Fashion Stylist of the Year, Rayyan Nawawi received the Fashion Photographer of the Year award, and KML was recognized as Menswear Brand of the Year.

(AN: Huda Bashatah)

In addition, Abadia was named Womenswear Brand of the Year,  Charmaleena as Jewelry Brand of the Year, and the Elite Model Honorary Award for Model of the Year went to Talida Tamer.

The judging panel included industry leaders Law Roach, Amanda Smith, Burak Cakmak, Xavier Romatet, Mohammed Aldabbageh, and Mai Badr.

(AN: Huda Bashatah)

In her acceptance speech, Kattoa said: “This award means so much to me. It represents a journey that started as a freelancer ... I want to thank my husband for his support, my parents for their inspiration, and all the creatives who made this possible.”

Ahmad Hassan, co-founder of KML, said: “This is such an award for the first time ... It means the world to us. Being recognized in our home country makes this achievement even more special.”

(AN: Huda Bashatah)

“We were born and raised here, and to have our work celebrated in Riyadh is a dream come true. This award inspires us to push boundaries and innovate in our designs,” he added.

Reflecting on the evolving fashion scene, Hassan said: “Events like this showcase the incredible talent we have in Saudi Arabia. It encourages us to keep creating and to elevate our craft.”

“We are committed to telling our story through fashion and contributing to this vibrant industry,” he added.


Dubai Fashion Week set to return this autumn

Updated 20 May 2025
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Dubai Fashion Week set to return this autumn

DUBAI: Dubai Fashion Week (DFW) is set to make its return this autumn with its series of Spring/Summer 2026 shows, running from Sept. 1 to 6 at its longtime home in Dubai Design District (d3).

As the first event on the international fashion calendar — ahead of New York, London, Milan, and Paris —DFW’s upcoming edition builds on the momentum of February’s Autumn/Winter 2025/26 showcase, which drew widespread attention with headline-grabbing appearances by international models and a grand finale by iconic Indian designer Manish Malhotra.

The season also spotlighted emerging regional voices, such as Les Benjamins, a correspondent member of the Arab Fashion Council, alongside global names like Paolo Sebastian.


Saudi Fashion Awards set for May 22 in Riyadh

Updated 19 May 2025
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Saudi Fashion Awards set for May 22 in Riyadh

DUBAI: The Saudi Fashion Commission is set to host the second edition of the Saudi Fashion Awards on May 22 in Riyadh.

The ceremony will celebrate the “visionaries, creatives, and entrepreneurs shaping Saudi Arabia’s rapidly growing influence in the international fashion and beauty industries,” according to a released statement. 

Key awards this year include the Fashion Stylist of the Year  prize; the Fashion Photographer of the Year prize, presented in collaboration with Hia Magazine; the Menswear Brand of the Year trophy; the Womenswear Brand of the Year prize; the Jewelry Brand of the Year award; and the Elite Model Honorary Award for Model of the Year.

The judging panel includes Hollywood stylist Law Roach; Amanda Smith, CEO of Fairchild Media Group and WWD; Burak Çakmak, CEO of the Saudi Fashion Commission; Xavier Romatet, Dean of Institut Français de la Mode ; Mohammed Aldabbageh, KSA Managing Director of Chalhoub Group; and Mai Badr, Editor-in-Chief of Hia Magazine. 

“Riyadh is proudly emerging as the capital of fashion, beauty, and the future of the creative industries in the region. Its transformation from promise to global presence on red carpets, runways, and retail spaces reflects the ingenuity and dedication of a new generation of trailblazers redefining regional and international fashion standards,” Çakmak said in a released statement.


Rawdah Mohamed walks the red carpet at the Cannes Film Festival

Updated 18 May 2025
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Rawdah Mohamed walks the red carpet at the Cannes Film Festival

DUBAI: Somali Norwegian model Rawdah Mohamed walked the red carpet at the 78th Cannes Film Festival in France on Saturday night.

The model showed off a blush pink-toned look, complete with a drop waist, on the red carpet ahead of the premiere of “Die, My Love.”

The model showed off a blush pink-toned look, complete with a drop waist, on the red carpet ahead of the premiere of “Die, My Love.” (Getty Images)

The film is an adaptation of the 2017 novel of the same name by Ariana Harwicz about a new mother who develops postpartum depression and enters psychosis. “Die, My Love,” starring Oscar-winner Jennifer Lawrence and Robert Pattinson, earned a six-minute standing ovation from the audience at Cannes.

Directed by acclaimed Scottish filmmaker Lynne Ramsay, the film has been hailed by critics, with Deadline calling it a “brutal but beautiful portrait of a woman on the edge.”

Visibly teary eyed during the standing ovation, Ramsay addressed the crowd, saying: “Wow. I’m so overwhelmed. Thanks to these amazing actors. I’ve got to get it together — I’ll see you in a minute.”

Joining Lawrence and Pattinson in the cast are LaKeith Stanfield, Sissy Spacek, and Nick Nolte.

Mohamed watched the film one day after appearing on the red carpet for the “Eddington” on Friday.

On Friday, she wore a look by Chinese couture label Cheney Chan. The gown hailed from the label’s Fall/ Winter 2024 collection.

A self-taught fashion designer, Chan was born and raised in the Jiangsu province.

“Growing up, my parents always wanted me to be a pilot,” he previously shared with Vogue Singapore. “I had cleared all the flying tests effortlessly back in high school, but it was unfortunately not where my heart lay.” Eventually, he gained a fashion media degree at Peking University before starting his eponymous label in 2012.

The label has previously been flaunted by the likes if US singer Kelly Roland and actress Anya Taylor-Joy.

Mohamed finished off her look with a matching hijab and bejeweled brooch.

The rising star has attended the Cannes Film Festival before, in 2023 and 2024, and is fast making a name for herself as one to watch in the fashion industry.

She has worked with brands like Boss and H&M and walked the runway during Roberto Cavalli’s show in Dubai in 2024.


Amal Clooney stuns in black at Cannes Film Festival

Updated 17 May 2025
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Amal Clooney stuns in black at Cannes Film Festival

DUBAI: Lebanese British human rights lawyer Amal Clooney made a head-turning appearance at the 78th Cannes Film Festival this week, wearing a black gown by British designer John Galliano.

Clooney attended the premiere of “Bono: Stories of Surrender” in a sleek, off-the-shoulder dress featuring a fitted bodice with subtle draping and a floor-length skirt with a gentle train. She completed the look with a black clutch and Cartier statement earrings, styling her hair in soft, voluminous waves.

On the red carpet, Clooney was joined by U2 guitarist the Edge and frontman Bono, the subject of “Bono: Stories of Surrender.”

Amal Clooney made a head-turning appearance at the 78th Cannes Film Festival. (Getty Images)

The black-and-white film, directed by Andrew Dominik, adapts Bono’s 2022 memoir “Surrender: 40 Songs, One Story” and his one-man stage show of the same name.

Set to some of U2’s most iconic tracks, Bono opens up about the tragedy that marked his childhood, with his mother Iris collapsing and dying at her own father’s funeral when the singer was 14.

His father, Brendan “Bob” Hewson, already a man of few words, retreated into shock, anger and depression.

Clooney was joined by U2 guitarist the Edge (L) and frontman Bono (R) on the red carpet. (Getty Images)

The film is also a love letter to the singer’s wife, Ali Hewson, who he met when they were both 15, the same fateful day U2 was formed in a Dublin school. The film streams on Apple TV+ from May 30.

Bono, who has spent decades fighting for more aid to Africa and to lift the debt burden from poor countries, told the audience at the premiere that the world is again being threatened by fascism as it was when the festival was set up in 1939.

“Mussolini and the little man with a moustache, and his mate Goebbels had taken over the Venice Film Festival, so this festival was set up to fight fascism,” the singer said.

“It took it until 1946 (for the festival to get going) but it stands for that freedom now.”

He said that Hollywood star Sean Penn — a vocal advocate for Ukraine — had “brought us some friends from the actual trenches, from the front line in Ukraine, and they’re here tonight.

“I just want to thank you because you’re keeping us free,” Bono added to loud cheers.