Cinema chains, amusement park operators queue up to enter Saudi Arabia market

La Ronde, an amusement park in Montreal, was built as the entertainment complex for Expo 67, the 1967 world fair. Today, it is owned and operated by Six Flags.
Updated 22 March 2018
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Cinema chains, amusement park operators queue up to enter Saudi Arabia market

LONDON: So far, it has been all about meeting Donald Trump and other political bigwigs. But there is much more on the agenda for Crown Prince Mohammed bin Salman in his first official visit to the US.
In his seven-city tour of America, the prince is also meeting corporate CEOs with a view to striking deals with companies dealing in renewable energy, high tech, sport, tourism and, perhaps most importantly, entertainment.
When it comes to the entertainment industry, Saudi Arabia is virtually a blank page. There are no cinemas or concert halls or amusement parks — yet. The message from the crown prince is that Saudi Arabia is not only open for business, it is open for fun too, with a large young generation — his generation — crying out for entertainment on their own doorstep, that does not entail a drive or flight to neighboring Bahrain or the United Arab Emirates.
Six Flags, the world’s largest amusement park company, with 20 sites in the US, Canada and Mexico, is to build its first property outside the American continent in Saudi Arabia. The company announced last June that it had begun talks with the Saudi government and it was subsequently reported that the first of three initial amusement parks was set to open in 2020, with Riyadh the most likely location.
That turned out to be overstating the situation but the project is certainly not dead.
Sandra Daniels, vice president of corporate communications at Six Flags head office in Grand Prarie, Texas, told Arab News, “We do not have a formal agreement to build a park in Saudi Arabia yet; however, Six Flags is excited to be in discussions to do so and to be part of an important cultural movement, along with other western brands, in support of the Vision 2030 commitment to bring world-class entertainment experiences to Saudi Arabian families.”
Executive chairman Jim Reid-Anderson said the parks were likely — but not guaranteed — to be owned by the Saudi government, adding that there was “great support” for the project.
Saudi audiences will not have to wait that long for the Greatest Royal Rumble wrestling extravaganza, which WWE is staging on April 27 at the 70,000-capacity King Abdullah stadium in Jeddah. The entertainment conglomerate, which is based in Stamford, Connecticut, is shipping out 50 of its WWE “Superstars” and promising “a spectacle of historic proportions.”
WWE prefers a six-month lead-in time period but the agreement to stage this event was signed only at the beginning of March, leaving only six weeks of promotion time. Nonetheless, confidence is still high that tickets will sell out after they go on sale on March 31.
Saudi Arabia and its sports-mad young audiences clearly offer an unprecedented opportunity for WWE to build a new fanbase almost from scratch. WWE has already made one foray into the country, testing the waters with an event 18 months ago in Riyadh, earning a “great reaction.”
Chairman and CEO Vince McMahon said the forthcoming April event is part of a 10-year partnership with the Saudi General Sports Authority supporting Vision 2030, a clear indication that WWE sees Saudi Arabia as a long-term prospect.
According to Britain’s The Sun newspaper, there were comments on Twitter about WWE because the line-up for the Jeddah show does not include any female fighters.
WWE stresses that while its shows are “inclusive and progressive” they always “respect local values and customs.”
Cinema chains and leisure conglomerates are falling over themselves to gain a foothold in a market that is not only almost completely new but also affluent.
Saudis currently spend $22 billion a year on entertainment and tourism outside the country. The government wants at least 25 percent of that sum to be spent at home.
AMC Entertainment, based in Leawood, Kansas, have announced an agreement with the Public Investment Fund of Saudi Arabia to “explore opportunities” within the Kingdom and IPic Entertainment of Boca Raton, Florida have struck a partnership with the BAS Global Investments Company, a Saudi company, to develop cinemas and restaurants throughout the country, with the aim of opening in 30 locations within a decade.


Saudi, Japan officials discuss relations in Tokyo

Updated 19 February 2025
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Saudi, Japan officials discuss relations in Tokyo

TOKYO: Parliamentary Vice-Minister for Foreign Affairs Hisashi Matsumoto met with Saudi Arabia’s Ambassador Ghazi Faisal S. Binzagr on Wednesday to discuss various issues, including the two nations’ recently launched Strategic Partnership Council.

Matsumoto highlighted that this year marks the 70th anniversary of diplomatic ties between the two countries, and expressed hope relations would continue to develop in various fields.

Binzagr echoed Matsumoto’s sentiments and thanked him for attending the recent Japan-Saudi Vision 2030 Ministerial Roundtable in Riyadh.


KSrelief organizes training in Aden on cholera, infection controls

Updated 19 February 2025
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KSrelief organizes training in Aden on cholera, infection controls

  • 170 doctors, nurses and healthcare workers from across Yemen receive training

RIYADH: The Kingdom’s aid agency KSrelief recently held a training course in Aden governorate for healthcare personnel to treat cholera patients and institute infection controls, the Saudi Press Agency reported on Wednesday.

The course was held in partnership with the World Health Organization and the Ministry of Health, as a part of the cholera-prevention project in Yemen.

A total of 170 doctors, nurses, and healthcare workers from across Yemen received training on Feb. 12 and 13.

The course covered epidemiological definitions, transmission methods, risk factors, clinical manifestations, dehydration assessment, cholera management during pregnancy, and treatment of malnourished children.

The initiative is a part of Saudi Arabia’s efforts, through KSrelief, to enhance Yemen’s healthcare system, particularly the management of infectious diseases.


MWL hosts forum to foster dialogue, promote Islamic unity

MWL will host second edition of the Global Conference for Building Bridges Between Islamic Schools of Thought and Sects in March
Updated 19 February 2025
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MWL hosts forum to foster dialogue, promote Islamic unity

  • Makkah conference will feature senior figures from various sects, denominations
  • Guide to common Islamic principles to be launched during forum

RIYADH: The Muslim World League will host the second edition of the Global Conference for Building Bridges Between Islamic Schools of Thought and Sects on March 6-7 in Makkah, Saudi Press Agency reported on Tuesday.

The conference will bring together leading muftis, scholars, intellectuals, and representatives from senior Islamic councils, jurisprudential academies, and religious institutions across different sects and denominations.

It will serve as a unified platform for fostering constructive dialogue among diverse Islamic traditions as well as coordinating efforts and resources to strengthen Islamic unity, while ensuring mutual respect for doctrinal diversity.

The forum also aims to overcome sectarian disputes that have historically led to division and conflict, and promote fraternity and cohesion through practical initiatives.

This year’s conference marks a critical step in transforming the principles outlined in the inaugural conference into actionable programs, SPA said.

Discussions will address issues such as enhancing intra-Islamic dialogue and cooperation.

A highlight of the conference will be the launch of the encyclopedia of Islamic intellectual convergence, prepared by the Center for Safeguarding Intellect.

The encyclopedia, developed with contributions from 60 Islamic scholars and thinkers, aims to serve as a comprehensive guide to common Islamic principles.


Arab countries welcome Saudi Arabia’s hosting of talks between US, Russia

Russian Foreign Minister Sergey Lavrov and US Secretary of State Marco Rubio shake hands in Riyadh. (SPA)
Updated 18 February 2025
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Arab countries welcome Saudi Arabia’s hosting of talks between US, Russia

  • Russia, US agree to start working toward ending conflict in Ukraine

RIYADH: Arab countries on Tuesday welcomed Saudi efforts to host talks in Riyadh between the US and Russia on the Ukraine conflict.

Russia and the US agreed to start working toward ending the conflict in Ukraine and improving their diplomatic and economic ties, the two countries’ top diplomats said after the talks.

The UAE expressed “hope that the talks will serve as a significant step towards bridging differences, fostering communication and advancing dialogue to bring an end to the nearly three-year-long conflict,” the Emirates News Agency reported.

Its Ministry of Foreign Affairs commended the efforts of Saudi Arabia in hosting the talks “which reflect the Kingdom’s commitment to supporting international peace efforts, and achieving global stability and prosperity.”

The ministry reaffirmed the UAE’s commitment to supporting peaceful resolutions to conflicts and promoting international cooperation in addressing global challenges.

Majed Al-Ansari, the spokesperson for Qatar’s Ministry of Foreign Affairs, welcomed Saudi efforts to lead the talks that “will hopefully result in peace in a struggle that has gone on for a very long time.”

Al-Ansari added: “We have called from day one for both parties to engage in a peaceful resolution of this war. This war has had huge humanitarian costs and great geopolitical (and) economic impact globally.”

Kuwait’s Foreign Ministry also welcomed the talks and expressed the hope that they would “lead to achieving their desired goals in enhancing security and stability in the world.”

Sufyan Qudah, Jordan’s Foreign Ministry spokesperson, commended Saudi Arabia for its pivotal role in hosting the talks and said they highlighted the Kingdom’s continuous efforts to foster comprehensive and just peace worldwide.

The Palestinian presidency said the talks were a culmination of the wise policy pursued by Saudi Arabia’s leadership, adding that it was “a policy that fosters regional and international stability and affirms Riyadh’s commitment to its effective role in achieving peace and security.”


Manga exhibition in Jeddah explores evolution of Japanese artform

Updated 18 February 2025
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Manga exhibition in Jeddah explores evolution of Japanese artform

  • Event strengthens bonds of friendship, cooperation between Kingdom and Japan, says consul-general

JEDDAH: As Saudi Arabia and Japan celebrate 70 years of diplomatic relations, the Consulate-General of Japan in Jeddah is marking the milestone with Manga Hokusai Manga, a three-week art exhibition running until March 8.

Organized in collaboration with the Jeddah Historical Development Project and the Japan Foundation, the exhibition explores the evolution of Japanese manga from the 19th-century works of ukiyo-e master Katsushika Hokusai to the modern format that has gained widespread popularity in the Kingdom.

‘Futatasumakura,’ 1981 by Hinao Sugiura. (AN photos/Supplied)

Hosted at Bait Amir Bahar in Al-Balad, one of Jeddah’s historic homes, the exhibition highlights both the similarities and contrasts between the artistic styles while showcasing the cultural depth of Japanese storytelling.

Rather than simply focusing on how Hokusai’s work influenced manga, the exhibition invites visitors to compare both styles and understand what makes them unique. It examines themes such as visual storytelling, artistic techniques and cultural participation across different eras.

HIGHLIGHT

The exhibition in Jeddah explores the evolution of Japanese manga from the 19th-century works of ukiyo-e master Katsushika Hokusai to the modern format that has gained widespread popularity in the Kingdom.

Hokusai’s manga drawings, while sometimes resembling cartoons, encompass a wide variety of subjects, from nature to human expressions and everyday life. Unlike modern comics, his work was not centered on humor but balanced artistic instruction with entertainment — much like how manga today combines storytelling with visual artistry.

‘Portrait of Hokuai,’ 2015, by Sawa Sakura. (AN photos/Supplied)

Hokusai created his manga using woodblock printing, transferring the images onto paper in three primary colors: Black, gray and pale peach. The collection, comprising 4,000 illustrations across almost 800 pages, was published between 1814 and 1878 in 15 volumes bound with string.

The phrase denshin kaishu, which precedes the title, translates to “transmitting the spirit and learning the craft,” highlighting the collection’s educational purpose.

Hosted at Bait Amir Bahar in Al-Balad, one of Jeddah’s historic homes, the Manga Hokusai Manga exhibition showcases the cultural depth of Japanese storytelling. (AN photos/Supplied)

Hokusai Manga was originally used as a reference book for aspiring artists, much like today’s “How to Draw Manga” guides. Similar to modern fan-made manga, his work encouraged learning, copying and artistic experimentation.

In an exclusive interview with Arab News, Daisuke Yamamoto, the consul-general of Japan in Jeddah, described Hokusai as one of Japan’s greatest artists, modernizing traditional print styles through innovations in subject matter and composition.

Daisuke Yamamoto, Consul-general of Japan in Jeddah

“Hokusai transformed the ukiyo-e genre traditionally focused on images of fleeting pleasures — by shifting its emphasis from people to landscapes and the changing seasons,” Yamamoto said. “His print designs invited audiences to witness nature’s transience, capturing birds in flight, flowers in bloom and water in motion. Through his work, he blended an acute awareness of the fleeting with a deep appreciation for the timeless.”

According to an official statement, Hokusai’s work captured Japan’s diverse landscapes, portraying scenes and activities connected by shared symbols and narratives. He was among the first artists to both shape and be shaped by globalization, drawing from international influences and later inspiring European artists who adopted his decorative motifs, serialized compositions and vision of contemporary society. To this day, countless artists continue to engage with his legacy.

(This exhibition) provides an opportunity for a wide range of people to know about each other’s culture, which will be reflected in the future in their understanding of each other and facilitate all other aspects of cooperation.

Daisuke Yamamoto, Consul-general of Japan in Jeddah

Reflecting on the exhibition’s significance, Yamamoto highlighted its role in strengthening cultural ties between Saudi Arabia and Japan: “Holding this exhibition and other cultural events basically confirmed the excellent cultural cooperation between Japan and Saudi Arabia, and strengthens the bonds of friendship and cooperation, and provides an opportunity for a wide range of people to know about each other’s culture, which will be reflected in the future in their understanding of each other and facilitate all other aspects of cooperation.”

Hokusai’s manga drawings, while sometimes resembling cartoons, encompass a wide variety of subjects, from nature to human expressions and everyday life. (AN photos/Supplied)

Since the 1970s, Hokusai himself has appeared as a character in manga, reimagined by various artists in styles ranging from realistic portrayals to fantastical interpretations. This reflects manga’s evolution, blending historical figures with contemporary storytelling techniques.

Ukiyo-e, the popular art of the 18th and 19th centuries, foreshadowed comic techniques such as visualizing the invisible. However, its speech-like balloons often depicted dreams rather than dialogue, and weather lines were integrated into the scene rather than used as abstract symbols.

Hosted at Bait Amir Bahar in Al-Balad, one of Jeddah’s historic homes, the Manga Hokusai Manga exhibition showcases the cultural depth of Japanese storytelling. (AN photos/Supplied)

Hokusai’s most popular collection of printed drawings was named “manga.” While the collection is primarily known for its diverse subjects and painting style, its frequent portrayal of exaggerated expressions and acrobatic scenes has led many to associate “manga” with cartoons or humorous images.

When compared to the work of his contemporary, Utagawa Kuniyoshi, it becomes clear that Hokusai’s manga images were not necessarily intended to be funny.

In 19th-century Japan, the success of Hokusai’s manga was rooted in the balance between the mundane and the whimsical, instruction and entertainment. This blend helped secure the collection’s lasting appeal.

Today’s Japanese comics share similarities in content, particularly in their focus on capturing movement, and in their wide circulation, thanks to advancements in reproduction technology.