‘Saudi Art Days’ builds a bridge between Kingdom and the world

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"One”by Faisal Al-Malki is a diptych about the Holy Mosque and how it is a place where all labels and differences disappear. No races, classes, origins or nationalities. All dissimilarities fade out. (Supplied)
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A photography by Nasir Al-Nasir gathers modern life and old life in one shot. (Supplied)
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“The Right Path”by Rashid Al-Shashai represents the first drawing in Islam. It is believed to be first drawn on sand by Prophet Mohammed PBUH when he wanted to show his followers the right way that leads to Heavens and the wrong pathes. (Supplied)
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An old man puts his hand on a carpet. Silver rings and henna were part of the Saudi traditions – Nasir Al-Nasir. (Supplied)
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A woman walks in a street market in the estern province – Nasir Al-Nasir. (Supplied)
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Southern Waves. A series of shots show movements of dancers in a traditional dance from the southern region of Saudi Arabia. – by Faisal Al-Malki. (Supplied)
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Southern Waves. A series of shots show movements of dancers in a traditional dance from the southern region of Saudi Arabia. – by Faisal Al-Malki. (Supplied)
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“The Coyote and the Road Runner”artwork by Rashid Al-Shashai represents coexistance with others, as he explained it. (Supplied)
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Mohamed Al Salman – director. (Supplied)
Updated 03 April 2018
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‘Saudi Art Days’ builds a bridge between Kingdom and the world

  • Decision to open cinemas was an “inauguration” of the industry in the Kingdom, says photographer
  • Artist tells Arab News: The day to express “our own culture” has come.

JEDDAH: Saudi Art Days, a three-day event honoring Saudi visual arts and culture, kicked off at Linwood Dunn Theater in Los Angeles on Monday. It coincides with Crown Prince Mohammed bin Salman’s visit to the US.
The event is one of the initiatives of the King Abdul Aziz Center for World Culture (Ithra), which aims to support Saudi creative young artists and enable them to spread their work locally and internationally to achieve the Kingdom’s Vision 2030.
During a panel discussion on Monday, Saudi director Mohamed Al-Salman shed light on the Saudi film industry. Among the speakers were Film Independent President Josh Welsh and Hollywood director Andy Tennant, who is known for romantic and action comedies such as “Hitch,” “Sweet Home Alabama” and “The Bounty Hunter.”
On Tuesday’s panel, screenwriter Shauna Cross, known for the sport-comedy drama “Whip It” and the teen romantic drama “If I Stay,” will appear. And on Wednesday, Saudi directors Mohamed Al-Salman and Shahad Ameen, known for her short film “Eye and Mermaid,” will talk about their film-directing experiences.
In addition, discussions at each evening’s screening will bring Saudi filmmakers into dialogue with notable directors and writers, as well as American and Saudi film critics, to discuss storytelling and the future of filmmaking in Saudi Arabia, which is swiftly opening to diverse, innovative and uniquely Saudi visual narratives, creating a new generation of young filmmakers who are passionate about sharing their stories.
Presented in association with the Saudi Films Festival, the event program features 13 Saudi films from this new generation, some of which have already won film festival awards. Included is "Bilal: A New Breed of Hero" by renowned Saudi director and producer Ayman Jamal.

 

 
Mohamed Al-Salman, director of “Tongue,” told Arab News that the event is simply a bridge that connects the Kingdom to the whole world. “Our true culture and uniqueness can now be seen through this window to the whole world,” he said.
Al-Salman stressed the importance of such events, especially with the recent decision allowing cinema houses to open in the Kingdom. “The future of the Saudi film industry is brighter than ever and everything needed in the industry is being satisfactorily made available. The number of Saudi young men and women interested in cinema crafts is increasing,” Al Salman said.
He added that the decision to give the green light to run cinema houses was an “inauguration” of the industry in the Kingdom. “What is left is that we should not stop,” he said.
Asked by Arab News how he sees Westerners’ enthusiasm about Saudi works, Al-Salman said that cinema audiences in nearly all film festivals he has participated in would love to watch Saudi films because they tell those people stories about Saudi society they have not heard about before.
Nasir Al-Nasir, a participating photographer, valued the efforts that Crown Prince Mohammed bin Salman is making to strengthen the US and the Kingdom’s ties on various levels, particularly cultural ones.
He said his smartphone has helped him in capturing wonderful moments from Saudi daily life. “This event has attracted many American citizens and residents to come and see our culture from the perspective of Saudi artists. Many visitors have expressed their interest in visiting Saudi Arabia one day,” Al-Nasir told Arab News.
He added that he is participating with a number of photographs that mirror Saudi cultural aspects, such as nomads’ life and traditional souqs. “In the Kingdom, a photographer finds no difficulty in coming up with impressive, eye-catching shots, thanks to the diverse nature of the country and the richness of its culture,” he added.
The director of programs at Ithra, Ali Al-Mutairi, pointed out that Ithra’s culture and arts programming aims to build local capacity across all of the arts in Saudi Arabia, and one of its major focal points is the rapidly growing Saudi film industry.
“For Saudi Art Days, Ithra is producing an immersive experience in this new visual culture through both photographs by some of the top young Saudi photographers, and films by leading young Saudi filmmakers, including also interactive panel sessions with renowned American filmmakers to create dialogues and opportunities for knowledge exchange,” Al-Mutairi said.
He said that it is all part of Ithra’s vision of support for a youthful Saudi Arabia: A vision that brings cultures together and bridges east and west in ways that create opportunities for everyone from the world’s most talented film industry companies in the US to the youngest aspiring visual artists in Saudi Arabia.
“We have a new generation of Saudi tastemakers and influencers, devoted to capturing the magic and spirit of our country through film and photography,” said Al-Mutairi.
He explained that the Kingdom of Colors art exhibition and Saudi Art Days will showcase the story of Saudi Arabia and provide guests with a unique opportunity to experience a visual art journey through the lenses of Saudi artists in the heart of Hollywood.
“Influential Saudi contemporary photographers will be on hand to discuss the Kingdom of Colors exhibition, promoting shots captured through conventional photography and camera phones to illustrate the many layers, flavors and fabrics of Saudi Arabia," he said, adding that these photos represent the new way that locals see and experience the Kingdom.
Rashid Al-Shashai, an artist who recently took part in a similar event in New York, told Arab News that the day to express “our own culture” has come.
“We can now convey a true picture of young people, their aspirations, wishes, and even fears,” he said, adding that Western media have long been tackling our issues in a way that included many misrepresentations.

Decoder

Cinemas in Saudi Arabia

In 2018, cinemas will operate again in Saudi Arabia after a 35-year break. It is forecast that the Kingdom will have more than 300 cinemas by 2030.


Young Saudi rug makers weave kaleidoscope of dreams

Updated 29 December 2024
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Young Saudi rug makers weave kaleidoscope of dreams

  • Bassam Al-Khalifi, Saud Al-Rasheed master the art of tufting rugs

RIYADH: In the wake of the pandemic Bassam Al-Khalifi and Saud Al-Rasheed transformed their isolation into creativity, leading to the birth of Ghazlah Studio — a hub for unique, hand-tufted rugs.

The Saudi men’s story is not just about artistry but a testament to how challenging times can inspire innovation and passion.

Al-Khalifi’s journey began when he sought to decorate his room. Frustrated by the lack of appealing rugs in the market, he decided to create his own.

Saudi duo Bassam Al-Khalifi and Saud Al-Rasheed’s story is not just about artistry but a testament to how challenging times can inspire innovation and passion. (Supplied)

“I wanted something different, so I ordered the equipment and dedicated a year to learning how to tuft,” he told Arab News. What started as a personal project quickly evolved into a larger vision.

Initially, neither Al-Khalifi, an artist and designer, nor Al-Rasheed, an avid art collector, had any experience in weaving. They faced a steep learning curve but were undeterred.

“We took six months to learn how to conceive designs, source materials, and weave the rugs,” Al-Khalifi explained.  

HIGHLIGHTS

• The journey of Ghazlah Studio began when Bassam Al-Khalifi, frustrated by the lack of appealing rugs in the market, decided to create his own.

• Their debut collection titled ‘Color as a Scene’ evokes a range of emotions, reflecting the complex sentiments many experienced during the pandemic.

They experimented with various techniques, ultimately settling on a “cut and loop” method using 100 percent acrylic yarn. This approach stands in contrast to traditional Arabian carpet-making methods which often utilize wool and time-honored designs.

The duo’s success can also be attributed to their innovative marketing strategies. (Supplied)

Their learning process was filled with challenges, but their determination pushed them forward.

Al-Khalifi pored over tutorials, consulted with experts, and practiced tirelessly. Al-Rasheed, with his keen eye for aesthetics, contributed by curating color palettes and design concepts.  

What started as a hobby soon blossomed into a commercial venture. With their rugs gaining traction, Al-Khalifi and Al-Rasheed launched Ghazlah, featuring a debut collection titled “Color as a Scene.”

The duo’s success can also be attributed to their innovative marketing strategies. (Supplied)

The collection evokes a range of emotions, reflecting the complex sentiments many experienced during the pandemic. “I wanted to splash all these emotions on the piece itself,” Al-Khalifi said. The vibrant tapestries of feelings capture the essence of joy, nostalgia, and hope.

The vibrance of their work makes a statement piece in any room. Each piece is unique, with some featuring Saudi themes that enhance their significance and appeal. The artists also draw inspiration from their heritage, incorporating traditional motifs and modern designs, creating a fusion that resonates with a broad audience.

In Ghazlah’s Riyadh workshop, the atmosphere is filled with creativity and energy. The walls are lined with neatly organized shelves filled with spools of yarn in every imaginable color. There are some of Al-Khalifi’s paintings and rugs still in progress, showcasing their journey.

The duo’s success can also be attributed to their innovative marketing strategies. (Supplied)

Al-Rasheed gestured around the space, saying: “This place is full of rugs that we made but decided not to sell. Why? Because we love them. I’m trying to push Al-Khalifi to sell them, but he won’t.”

Ghazlah Studio has made a notable impact in Riyadh, showcasing creations in three galleries. Their work has garnered attention not just locally but also from international platforms, leading to collaborations with major brands such as Vogue and Sephora.

These partnerships have elevated their profile and allowed them to reach a wider audience with which they can share their artistry and craftsmanship.

The duo’s success can also be attributed to their innovative marketing strategies. They leverage social media to share their creative process, engage with customers, and build a community around their brand.

By showcasing behind-the-scenes footage, they invite their audience into their world, allowing them to witness the transformation of raw materials into stunning art pieces.

As they continue to grow, Al-Khalifi and Al-Rasheed are committed to exploring new design possibilities, as well as looking into creating home decor items. They plan to expand their collections, experimenting with different textures, materials, and techniques.

From a simple idea born during quarantine to a noteworthy business, Ghazlah Studio continues to make waves in the art scene, proving that even in isolation, inspiration can thrive.

As they weave their stories into every rug, Al-Khalifi and Al-Rasheed invite us all to find beauty and meaning in our own creative pursuits.

 


Hail governor inaugurates Middle East’s largest salmon production center

Updated 28 December 2024
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Hail governor inaugurates Middle East’s largest salmon production center

  • The 10,000-square-meter facility features the latest marine technology

HAIL: Prince Abdulaziz bin Saad bin Abdulaziz, the governor of Hail, inaugurated the Excellence Center for Salmon Production on Saturday, the largest facility of its kind in the Middle East.

A collaboration between the Ministry of Environment, Water, and Agriculture and King Abdulaziz University, the center aims to produce 100,000 tons of salmon annually, bolstering Saudi Arabia’s food security and aquaculture sector, the Saudi Press Agency reported.

The 10,000-square-meter facility features the latest marine technology, including recirculating aquaculture systems and aquaponics units, which integrate fish and vegetable production.

It is designed to reduce the Kingdom’s reliance on salmon imports, currently at 23,000 tons per year.

Prince Abdulaziz hailed the project as a cornerstone of Vision 2030, promoting sustainable development and economic diversification, while attending officials highlighted its potential to enhance innovation, create jobs, and serve as a model for sustainable aquaculture in the region, SPA added.


Islamic minister highlights Saudi Arabia’s role in promoting peace

The group, comprising 250 European pilgrims, participated in various cultural and entertainment activities. (SPA)
Updated 28 December 2024
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Islamic minister highlights Saudi Arabia’s role in promoting peace

  • European guests praise Saudi Arabia’s hospitality, cultural outreach efforts

JEDDAH: Saudi Arabia’s Ministry of Islamic Affairs hosted a cultural event for the second group of Guests of the Custodian of the Two Holy Mosques’ Program for Umrah and Visit, featuring various cultural and entertainment activities.

The group comprised 250 pilgrims from 14 European countries, the Saudi Press Agency reported.

Sheikh Abdullatif Al-Asheikh, Minister of Islamic Affairs

They expressed their gratitude to the leadership and the ministry for hosting them, allowing them to perform Umrah rituals and visit historic sites in Madinah and Makkah.

Minister of Islamic Affairs Sheikh Abdullatif Al-Asheikh said Saudi Arabia, under the leadership of King Salman and Crown Prince Mohammed bin Salman, was committed to being a beacon of goodness and moderation.

HIGHLIGHT

The minister also highlighted the Kingdom’s commitment to providing humanitarian aid to those in need around the world, in line with Islam’s core values of promoting compassion and support.

During a reception for the guests, he said the Kingdom would continue to serve Islam and Muslims, and promote tolerance, coexistence and understanding worldwide.

Al-Asheikh, who is also the general supervisor of the program, met the guests, conveyed the greetings of the Saudi leadership and along with members of the program’s working committees reviewed the services provided and received a briefing on their work.

Under its leadership, the Kingdom strove to offer top-tier services to the visitors of the Two Holy Mosques from around the world, he said.

The guests commended the Kingdom on its efforts to promote Islam’s message of tolerance and foster appreciation for its historical and spiritual legacy. They also praised the new projects and expansions at the holy mosques and sites, which align with Saudi Vision 2030.

Al-Khamar Al-Baqari, head of imams in the Netherlands, expressed his gratitude to Saudi Arabia, its government and its people for their hospitality.

Sheikh Ali Al-Zughaibi, the program’s executive director, said that since its launch in 2014 it had provided the opportunity for 4,500 men and women from around the world to perform Umrah and visit the Prophet’s Mosque.

Al-Asheikh also highlighted the Kingdom’s unwavering commitment to providing humanitarian aid to those in need around the world, in line with Islam’s core values of promoting compassion and support.

 


Art, animals take center stage at Riyadh camel festival

Saudi craftsman Abdulrahman Al-Zahem is best known for his depictions of camels and traditional tools. (SPA)
Updated 28 December 2024
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Art, animals take center stage at Riyadh camel festival

  • The combination of arts and animals makes the event an appealing option for visitors and supports the economic and cultural growth of the Kingdom

RIYADH: The works of a renowned local sculptor are among the creative highlights of this year’s King Abdulaziz Camel Festival, which celebrates not only ships of the desert but arts and crafts from around the Kingdom.

Abdulrahman Al-Zahem is best known for his depictions of camels and traditional tools. Each of his pieces serves as a symbol of the Kingdom’s heritage and connection to the land, the Saudi Press Agency reported.

FASTFACT

The combination of arts and animals makes the King Abdulaziz Camel Festival an appealing option for visitors and supports the economic and cultural growth of the Kingdom.

As well as creating his own works, Al-Zahem spends much of his time helping to nurture the next generation of artists, including his own daughter.

Besides providing a global hub for all things camel, the festival in Al-Sayahid, northeast of Riyadh, is an important platform for the arts, offering an opportunity for artists to showcase their work to a global audience.

The combination of arts and animals also makes the event an appealing option for visitors and supports the economic and cultural growth of the Kingdom. 

The festival ends on Tuesday.

 


Riyadh’s Souq Al-Awaleen celebrates Saudi traditions

Riyadh Season runs until March 2025, and has already been attended by more than 12 million people. (SPA)
Updated 28 December 2024
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Riyadh’s Souq Al-Awaleen celebrates Saudi traditions

  • Souq Al-Awaleen features handicrafts, folk art, and live performances reflecting the Kingdom’s cultural heritage and providing a platform for local artisans to showcase their work and revive traditional crafts

RIYADH: Souq Al-Awaleen, a part of Riyadh Season, offers a “captivating journey through Saudi traditions,” according to a recent Saudi Press Agency report.

The souq, entry to which is free, “blends traditional elements with modern touches, creating a vibrant cultural hub,” the SPA continued.

Souq Al-Awaleen features handicrafts, folk art, and live performances reflecting the Kingdom’s cultural heritage and providing a platform for local artisans to showcase their work and revive traditional crafts. Visitors can also participate in workshops focused on Sadu weaving and pottery.

Sufrat Al-Deira, meanwhile, offers “a taste of authentic Saudi cuisine,” the SPA reported, adding that the “atmosphere evokes a bygone era, with activities like cooking demonstrations and cultural performances enriching the experience.”

Riyadh Season runs until March 2025, and has already been attended by more than 12 million people, according to the SPA.