Book Review: Exploring Van Gogh’s obsession with the great outdoors

A self-portrait by Van Gogh. (Photo courtesy: Musée d'Orsay)
Updated 29 April 2018
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Book Review: Exploring Van Gogh’s obsession with the great outdoors

BEIRUT: “Van Gogh and the Seasons” by Sjraar Heugten is based on an exhibition held at the National Gallery of Victoria in Australia and celebrates the artist’s connection with the natural world throughout his career.
The sumptuous coffee table book is a work of art in and of itself, but it is not light on text. Rather, the book features excerpts from the artist’s prolific correspondence. The Dutch post-Impressionist artist is one of the most famous painters in the world, but he was also a gifted letter writer as the book shows.
Readers can expect picturesque scenes of Arles, a town in the south of France, which Van Gogh described in a letter to his sister as boasting “a landscape (that) takes on tons of gold of every shade — green-gold, yellow-gold, red-gold, ditto bronze, copper. In short, from lemon-yellow to the full yellow.”
Speaking of yellow, it would be near impossible to collect together Van Gogh’s work without a nod to his iconic sunflowers. The artist painted several versions of his famous vase of subjects, the most well-known of which depicts yellow flowers in a yellow jug against a yellow wall — a fountain of colors brimming with ochres, golds and shades of corn.
This fascinating book explores Van Gogh’s captivation with nature and seasonal changes and takes the reader on an educational journey into why the master painter worked the way he did and what inspired him.
“I even work in the wheat fields at midday, in the full heat of the sun without any shade whatever. And there, I revel in it like a cicada,” he wrote in a letter in the summer of 1888.
According to the book, he took great joy in working out in the elements and did so until his death on July 29, 1890. He was 37-years-old and had sold just one painting, a far cry from the fame he was to gain posthumously.
This beautifully presented book allows the reader to explore a subject that has not yet been dealt with in the world of mainstream publishing — the impact of nature on the work of one of the greatest painters of the 19th century.


What We Are Reading Today: A Guide to the Anolis Lizards (Anoles) of Mainland Central and South America

Updated 26 November 2024
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What We Are Reading Today: A Guide to the Anolis Lizards (Anoles) of Mainland Central and South America

Author: Steven Poe 

Anoles are highly visible and aesthetically pleasing lizards that are abundant throughout Central and South America.

The subjects of countless evolutionary and ecological studies that have advanced our understanding of basic principles in biology, these colorful reptiles are notoriously difficult to identify, and species names are often confusing and inconsistent. 

“A Guide to the Anolis Lizards (Anoles) of Mainland Central and South America” is the first book to enable the identification of all known species of anole in the region while establishing baseline knowledge for further research.


REVIEW: ‘Dead Rising Deluxe Remaster’ offers reanimated chaos in 4K

Updated 26 November 2024
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REVIEW: ‘Dead Rising Deluxe Remaster’ offers reanimated chaos in 4K

LONDON; The “Dead Rising Deluxe Remaster” has arrived, breathing new life into Capcom’s iconic open-world zombie classic.

Almost 20 years after the original’s release, this version strikes a fine balance between a remake and a remaster, modernizing visuals, controls and gameplay while retaining its chaotic charm. With 4K resolution, smoother frame rates and gameplay improvements, “Dead Rising’s” latest iteration has, in a sense, grown up with its audience — although “grown up” might not be the best description for a game where a cactus can be a weapon.

The remaster brings you back to Willamette, Colorado, where you play as the cocky, wise-cracking photojournalist Frank West. His mission? Survive a 72-hour real-time, in-game clock ticking down inside a mall overrun by zombies, with missions to complete, bosses to fight, and absurd items to wield.

The day-night cycle brings shifting challenges and horror-movie ambiance that change the feel of each hour. You’ll often find yourself toggling between planning missions and impulsively grabbing whatever is in sight to fend off the undead. The remaster’s refined graphics and 60fps frame rate make both these approaches more fluid, whether you’re grappling with zombies or sneaking a killer snapshot.

And yes, Frank’s camera skills still matter. In addition to navigating an endless crowd of brain-hungry zombies, the game rewards you for snapping high-quality photos, encouraging you to capture the grotesque and hilarious. This adds an amusing layer of strategy and humor to the game, which doesn’t take itself too seriously. The absurd world of Dead Rising still allows you to dress Frank up in a range of ridiculous costumes, turning him from a somber zombie slayer into a comical hero fighting against the cathedral of consumerism — the mall itself.

As you progress, Frank’s skills evolve, allowing you to transform him into a near-indestructible wrestler, body-slamming zombies and crowd-surfing his way to safety. Missions often involve rescuing NPCs and escorting them to safety, and a roster of larger-than-life “Psychopath” bosses keeps the action intense. Beneath the mindless zombie slaying lies a satirical critique of American consumerism that resonates more with time; the remaster’s updated look adds to the commentary, making the mall’s neon lights and cluttered shelves all the more biting.

Of course, not all issues have been exorcised in this remaster. Some glitches linger, like the odd lift button bug that can render what should be a deadly encounter into an easy escape. Plus, it’s a shame that Capcom didn’t implement a co-op mode — a feature that could have elevated the chaotic fun to new heights.

Ultimately, “Dead Rising Deluxe Remaster” is as humorous as it is brutal, blending laughs with thrilling tension. The game continues to draw players into Frank West’s absurdly dangerous world, now rendered in beautifully gruesome detail. It’s a fantastic journey back to a familiar, zombie-filled playground — ideal for longtime fans and newcomers alike who are ready to face the horde.


What We Are Reading Today: ‘Algorithms for the People’ by Josh Simons

Updated 25 November 2024
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What We Are Reading Today: ‘Algorithms for the People’ by Josh Simons

Artificial intelligence and machine learning are reshaping our world. Police forces use them to decide where to send police officers, judges to decide whom to release on bail, welfare agencies to decide which children are at risk of abuse, and Facebook and Google to rank content and distribute ads.

In these spheres, and many others, powerful prediction tools are changing how decisions are made, narrowing opportunities for the exercise of judgment, empathy, and creativity. 

In “Algorithms for the People,” Josh Simons flips the narrative about how we govern these technologies. 


What We Are Reading Today: ‘The Physical Nature of Information’

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Updated 24 November 2024
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What We Are Reading Today: ‘The Physical Nature of Information’

Author: Gregory Falkovich

Applications of information theory span a broad range of disciplines today.
It teaches the tools universally used by physicists working on quantum computers and black holes, engineers designing self-driving cars, traders perfecting market strategies, chemists playing with molecules, biologists studying cells and living beings, linguists analyzing languages, and neuroscientists figuring out how the brain works.

No matter what area of science you specialize in, “The Physical Nature of Information” unlocks the power of information theory to test the limits imposed by uncertainty.

 


What We Are Reading Today: ‘The Organic Line’

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Updated 23 November 2024
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What We Are Reading Today: ‘The Organic Line’

  • Once recognized, however, the line has seismic repercussions for rethinking foundational concepts such as mark, limit, surface, and edge

Author: IRENE SMALL

What would it mean to treat an interval of space as a line, thus drawing an empty void into a constellation of art and meaning-laden things? In this book, Irene Small elucidates the signal discovery of the Brazilian artist Lygia Clark in 1954: a fissure of space between material elements that Clark called “the organic line.”

For much of the history of art, Clark’s discovery, much like the organic line, has escaped legibility. Once recognized, however, the line has seismic repercussions for rethinking foundational concepts such as mark, limit, surface, and edge.