Dina Shihabi: The actress blazing a trail for Saudi women

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Dina Shihabi had begun her journey for film stardom, despite all the cultural obstacles she faced in the region.
Updated 17 May 2018
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Dina Shihabi: The actress blazing a trail for Saudi women

  • Dina Shihabi is the first and only Saudi woman to be accepted to both Juilliard and the Graduate Acting Program at New York University’s Tisch School for the Arts, two of the most prestigious acting programs in the US.
  • Early setbacks helped me develop a strong work ethic, says Dina Shihabi

JEDDAH: The 71st Annual Cannes Film Festival, which continues this week on the French Riviera, is a historic occasion for Saudi Arabia, as it marks the first time that the Kingdom has participated in the event.

The newly formed Saudi Film Council is debuting nine short films by young Saudi filmmakers, and hosting a pavilion where guests can network with fellow professionals and representatives of the Saudi film industry, and scout out prospective film locations within the Kingdom. After officially reintroducing movie theaters last month, and establishing an opera house and national orchestra, along with the now frequent staging of musical and sporting events, Saudi Arabia is in the midst of an entertainment overhaul.

But long before any of these reforms began taking place in the Kingdom, a young Saudi actress by the name of Dina Shihabi was already blazing a trail for Saudi women in cinema as she began her own film journey in the face of regional and cultural obstacles. She was motivated to pursue an acting career and persist despite the challenges she faced along the way, and is now delighted to be witnessing the incredible, rapid changes for women, and the film industry, in Saudi Arabia.

Born in Riyadh to Saudi parents of Palestinian origin, Shihabi grew up in Beirut and the UAE, and started taking dance lessons at a young age. Speaking exclusively to Arab News, she recalled her first encounter with the performing arts in Dubai.

“I was 11 years old when I took Sharmila Kamte’s street-jazz class and everything changed,” she said. “I went home that night and told my parents I was going to become a dancer. And I wasn’t good at it — I could hardly move — but I was so obsessed with it that I would practice all day and night. I’d literally practice on my chair in school. Within a year I started dancing in Sharmila’s professional company and that’s what started my journey. It opened up that possibility in my mind.” 

Shihabi had her first taste of acting while attending high school in Dubai, where she frequently appeared in school plays. Her stage presence was noticed and she was encouraged to develop it further by her theater instructor, who advised her to pursue an acting career. At the age of 18, with the love of acting deep in her heart, she moved to New York City. 

“When I first auditioned for colleges to get an acting degree, I got rejected from every program I wanted,” she said. “I ended up going to a small conservatory for two years and then not getting invited back for the third year. I think about all these rejections so early on and none of it stopped me. It just made me work harder.

“I then started taking a class with an artistic director by the name of Wynn Handman, who was incredible. After studying with him for a year I got accepted to Juilliard and New York University’s graduate acting program, two of the finest acting programs in the US — far more prestigious than any acting school that I was applying to at 18.

“Rejection is a huge part of what this life is all about, and those early setbacks really helped me develop a thick skin and a strong work ethic.”

Shihabi was the first, and remains the only, Saudi woman to be accepted to both of these world-renowned acting schools. She graduated with her Master of Fine Arts in 2014 and quickly landed her first lead role in the 2014 romantic comedy film, “Amira & Sam,” in which she played Amira, an Iraqi-Muslim illegal immigrant living in a post 9/11 New York City.

Reflecting on her motivation for pursuing an acting career, a bold choice for a Saudi woman at the time, Shihabi spoke of a love of film that goes back to her childhood.

“I’ve always been a lover of movies,” she said. “I used to come home every day from school and watch one movie over and over again for a month. Everything from ‘Jurassic Park’ to ‘The Sound of Music.’ ‘Memento’ was a huge favorite of mine and started my obsession with director Christopher Nolan that has lasted to this day.

“But being an actor never came up in my mind as something possible. Growing up in Dubai, (wanting to be an actor) is not something that’s common. Then later, when I moved to New York to pursue both (dancing and acting), acting just organically won over. I feel like this life chose me. Everything happened so naturally and now I can’t imagine my life not as an actor.”

Given the rapid changes happening in Saudi society, both for women and the film industry, young Saudi women who decide to pursue an acting career may have things a little easier than Shihabi did. However, she is delighted about the sweet justice of equal rights and increased opportunities for women in the country.

“It’s so exciting,” she said. “I feel very proud of it all. I have so many female friends in Saudi Arabia who are business owners and have master’s and doctorate degrees, and I’m just so excited that the country they live in is going to better reflect the brilliant and powerful women that they are.”

This sense of shared pride is embedded in Shihabi’s identity as an Arab woman, but it was tested when she was starting out as industry professionals urged her to change her name — something many actors agree to for a variety of reasons.

“I was told to change my name because my instructors thought my Arab last name would limit my casting opportunities,” said Shihabi. “I didn’t want to. I love my true name and I’m proud of where I’m from. I grew up wishing someone who had a name like mine, and grew up where I did, was doing what I wanted to do, and so I wanted to be able to be just that.”

By insisting on keeping her given name, Shihabi is living proof that anyone with a dream can follow their passions without giving up their cultural and family heritage.

This is an exciting time for children in Saudi Arabia, who will grow up with international entertainment options that were not available to previous generations. They will spend weekends at movie theaters and not have a second thought of our 35-year cinema drought. 

For those children who become inspired to act as a result, Shihabi advises a steadfast approach. 

“Do it. It’s a challenging but such an enriching life,” she said. “And don’t just become an actor — write and tell your stories. The world needs you. I need you.”

A versatile actress who relishes taking on a wide variety of roles, Shihabi has a particular fondness for the genre of drama.

“I love acting in dramas. I love how it feels to get sucked into a world when you’re doing a drama. There’s silence around the experience. It’s hard to explain but it feels like the character and world sinks into your skin so deeply.”

Always one to look ahead, Shihabi discusses some of her acting goals: “I’ll share the first three that come to mind: I want to make my own movies and TV shows; I want to play Hamlet; and I would like to develop an artistic partnership with a director with whom I can make a series of projects with.”

Next up for Shihabi is a notable role alongside former “The Office” star John Krasinski in “Tom Clancy’s Jack Ryan,” an Amazon-produced series that will debut on its Prime streaming service August 31. 

She has also been cast in comedian Ramy Youssef’s upcoming Hulu TV show, due to premiere in 2019.


US Qatari Sophia Al-Maria wins 2025 Frieze Artist Award 

Updated 05 July 2025
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US Qatari Sophia Al-Maria wins 2025 Frieze Artist Award 

DUBAI: US Qatari artist and writer Sophia Al-Maria has been announced as the recipient of the 2025 Frieze Artist Award, one of the art world’s most highly anticipated annual commissions. 

The award is part of Frieze London, a leading international art fair that will return to Regent’s Park from Oct. 15-19, bringing together more than 280 galleries from 45 countries.

Presented in partnership with Forma, the award supports early- to mid-career artists in debuting new works. This year, Al-Maria will perform “Wall Based Work (a Trompe LOL),” a live stand-up comedy show held daily inside the fair tent.

Based in London, Al-Maria works across drawing, collage, sculpture, film and writing. (Supplied)

The work marks Al-Maria’s first attempt at stand-up, in which she will blend sharp humor with her long-standing interest in mythology, empire and pop culture.

“In partnership with Forma, we are proud to continue supporting artist-centered programming,” said Eva Langret, director of Frieze EMEA. “Al-Maria’s debut stand-up promises a collective experience exploring vulnerability, creativity, shared anxieties and LOLs.”

Sophia Al-Maria, ‘Mothership,’ 2017. (Supplied)

Meanwhile, Chris Rawcliffe, artistic director at Forma, said: “By wielding humor as a tool for survival, Al-Maria not only provokes reflection but actively reshapes the cultural conversation … Al-Maria is more than an artist and critic, she is a catalyst for change, and an indispensable voice in both the art world and the wider social landscape.” 

Al-Maria’s proposal was selected by a jury of leading industry professionals, including curator and museum consultant Lydia Yee and the artistic director of exhibitions at Ikon Gallery, Melanie Pocock, artistic director of exhibitions at Ikon Gallery, as well as Langret and Rawcliffe.

Based in London, Al-Maria works across drawing, collage, sculpture, film and writing. Her practice is unified by a focus on storytelling and mythmaking, often reimagining histories and envisioning speculative futures. Her work has been shown at major institutions and biennales, including the Gwangju Biennale, the New Museum and Whitney Museum in New York, the Venice Biennale, and Tate Britain.


Artists push the boundaries of technology in new media arts residency in Riyadh

Updated 03 July 2025
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Artists push the boundaries of technology in new media arts residency in Riyadh

  • Residency displays futuristic artwork inspired by the natural landscape and culture of the Kingdom
  • Diriyah Art Futures brings together artists from around the world, combining art, science and technology

RIYADH: Diriyah Art Futures opened a new residency displaying cutting-edge artwork in Riyadh on Wednesday evening.

The Mazra’ah Media Art Residency spring/summer 2025 open studio displays work that combines art, science and technology.

It is a three-month program designed for artists and scholars working across new media and digital art.

The theme, “High-Resolution Dreams of Sand,” explored the evolving relationships between humans, nature and technology in rapidly changing environments, informed by the distinctive contexts of Diriyah and Riyadh.

The evening’s open studio offered a behind-the-scenes look at work in progress from the spring/summer 2025 residents, alongside talks and studio discussions.

In the studios, Arab News met with various artists including Saudi Arwa Al-Neami whose creations explore themes of acceptance, identity and societal transformation.

During the residency, she undertook an artistic investigation of Saudi Arabia’s landscapes, collecting sand samples from various regions across the Kingdom.

Through nano microscopy and advanced imaging techniques, she created an immersive sensory experience that transforms microscopic grains of sand into pieces of art in the form of films, virtual reality and 3D-printed sculptures.

She told Arab News: “I am currently researching seven different areas in the Kingdom, where I’m exploring the sound of the sun using specialized sensors during sunrise and sunset. The resulting sound waves are translated into frequencies that create audible sounds.

“By analyzing the sound of the sun and the atomic structure of sands, I produce artwork that highlights the differences across various regions of Saudi Arabia.”

For 90 days, artist Dr. Stanza has been creating a whole body of work based on Saudi Arabia using real-time data including weather forecasts, pollution stats and news feeds.

Using an AI prompt, he created the series “Sons of Time” — an interactive Internet installation inspired by cybernetics and the future.

His other work, “Machine Cities,” connects 90 cities and towns across the Kingdom and tracks them in real time, presenting a visualization that the public can engage with.

The London-based artist has exhibited worldwide and earned numerous awards for his use of the Internet as an art medium.

“While I’ve been here, what I’ve really learned about Saudi Arabia is it’s a very warm and inclusive country that’s moving forward toward 2030.

“There’s a whole series of ideas about AI and agency that (are) also incorporated within my artworks. I look forward to presenting some of these works here in the future,” he told Arab News.

Indian artist Harshit Agrawal has taken his time at the residency to contemplate the juxtaposition of Diriyah’s rich heritage with its exponential development in the past few years.

Set against Diriyah’s historic farms and Riyadh’s evolving environment, the participants were encouraged to consider the impact of technology on natural and constructed landscapes.

“While I was here, I was quite fascinated, in my early days by the cultural richness, the different practices of culture, but also Diriyah as a city in transition in this beautiful time where it’s developing into something else with all these constructions and all these new things that are happening,” Agrawal told Arab News.

In “Machinic Meditations,” the artist was particularly fascinated with subhas, or prayer beads, that are commonly used in Saudi Arabia.

This prompted his research, where he also found electronic subhas. “It’s quite fascinating to move from this kind of manual device to an electronic version of it,” he said.

“I started thinking — because I work a lot with machine learning, AI data— what is the extreme scenario of that? So, I created these devices, which are motorized systems that rotate these beads autonomously, and they keep doing that continuously.

“And with each rotation, they pick up new human data to meditate on. It’s kind of the machine’s version of meditating, but on human data and climate data.”

In “Data Excavations: The New Soil,” the artist takes inspiration from construction and excavation machinery, using its mobility as a way to write out words in a choreographed manner using light strips.

“It’s been a really exciting time to be here, because it’s a great intersection between deep cultural practices that are here that I can kind of see in the city, but also really cutting-edge studios and facilities that I’ve had and (been) exposed through the material residency,” he said.

The open studio event welcomed a number of artists and prominent figures in the art scene, aiming to introduce them to the findings and research of this year’s cohort around new media arts in the region.

“Having Saudi Arabia attracting so many different cultures right now is a great thing, for artists to meet and research in the new media and technology is a great thing because they can implement their culture’s ideas in so many different ways and that’s what we see here — it’s a great cultural bridge,” visual artist Lulwah AI-Hamoud, who was attending the event, told Arab News.

DAF Director Haytham Nawar and DAF Director of Education Dr. Tegan Bristow delivered opening remarks, followed by talks from Dr. Anett Holzheid, an ZKM science and art researcher and curator, and Mizuho Yamazaki, an independent writer and scholar.

Attendees then enjoyed an open studio preview with Dr. Stanza, before a break for networking and a tour of the fabrication lab, sound lab and prototypes.

The evening concluded with studio discussions featuring Arwa Alneami, Harshit Agrawal and Reem Alnasser, all media artists.


Exhibition on animal rights in Athens spotlights Arab artists

Updated 02 July 2025
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Exhibition on animal rights in Athens spotlights Arab artists

ATHENS: An art exhibition at EMST, the National Museum of Contemporary Art in Athens, ponders a challenging yet crucial question: What are the rights of animals?

The exhibition, “Why Look at Animals? A Case for the Rights of Non-Human Lives,” curated by EMST’s artistic director Katerina Gregos, is among the most ambitious staged by a public institution on animal ethics at a time when wars rage around the world and basic human rights are in crisis.

The show presents more than 200 works by 60 contemporary artists from four continents and runs until Jan. 7, 2026.

Evocatively curated, with works unfolding in the various rooms of the museum in dialogue with the visitor and each other, the various depictions of animals prompt both philosophical and political questions.

The show evokes questions on the nature of humanity, the emotional intelligence of animals and how to confront systems of political domination, such as colonialism and rampant industrialization, that have restricted humans and animals.

From the Arab world, Egyptian artist Nabil Boutros has created “Celebrities,” a moving series of studio portraits of lambs, ewes and rams. Each image depicts not only their aesthetic beauty but seemingly also their emotional state.

Part of Nabil Boutros's 'Celebrities' series. (Supplied)

“I wanted to talk about the human condition through these works,” Boutros told Arab News. “These first portraits of (these animals) show they are different. They have different races, different attitudes and different characters, but we never look at them.”

“What is our relationship with animals? Is it just about food, about slaughtering?” he asked. “We are all part of this world and there is a whole organic structure that connects us that has been forgotten.”

Boutros’ touching portraits, exalting the personality and individuality of each animal, similar to traditional human portraiture, show us a rarely encountered world of animals and their emotional depth.

The show presents more than 200 works by 60 contemporary artists from four continents and runs until Jan. 7, 2026. (Supplied)

“They’re very expressive,” said Boutros, when discussing the moments he photographed them. “We imagine that they don’t have feelings, but that is not true.”

Algerian artist Oussama Tabti’s “Homo-Carduelis” is an installation that covers an entire wall of empty birdcages, each encompassing a speaker playing a birdsong created by human voices to imitate that of birds.

The work strives to show the connection between animals and humans. “The idea for the work came from the goldfinch, an appreciated bird in Algeria,” Tabti told Arab News.

“Born and raised in Algeria, the goldfinch was always in our daily soundscape.

“My work talks about the relation between the bird and the human because people appreciate (the goldfinch) and have it as a pet. They keep the bird in a cage and sometimes even go for a walk with it.”

Tabti finds the relationship at times “awkward and strange.” He thinks that Algerians at times “identify themselves in the birds.”

He added: “The work goes beyond the state of Algeria to reflect on the state of the human condition. Each one of us is in our own cage; it could be work, the environment or even one’s identity.

“I thought the bird in a cage would be a good metaphor for what we are today as human beings. We human beings are able to accomplish a lot but we live in a society that does not let us be completely autonomous.”

“For this installation,” said Tabti, “it was important for me that we can hear the birds, imitated by human beings, so it is like a human in a cage.”


Imaan Hammam continues to highlight Arab culture  

Updated 01 July 2025
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Imaan Hammam continues to highlight Arab culture  

DUBAI: Dutch Moroccan Egyptian model Imaan Hammam touched down in Cairo this week for an undisclosed photoshoot and shared highlights from the trip on social media, set to music by the late Egyptian singer Abdel Halim Hafiz.

Posting to her 1.7 million Instagram followers, Hammam offered a visual diary of her stay, capturing a mix of street scenes, style moments and local ambiance. 

The carousel opened with a mirror selfie in an elevator, where she wears a high-waisted printed maxi skirt paired with a black fitted top. In another shot, she appears in a more laid-back look featuring camouflage trousers, a white tank top, a grey hoodie and yellow sneakers.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Imaan Hammam (@imaanhammam)

She also shared a short video that captures her tuk-tuk ride through a narrow alley, followed by snapshots of Cairo’s street life, including a local bookstore and a rooftop view of a mosque at sunset.

Hammam’s Cairo visit reflects a growing interest in reconnecting with her roots, something that also drives her latest passion project, Ayni.

Launched earlier this year, Ayni is an archival platform dedicated to preserving and celebrating Arab artistic expression through Hammam’s perspective. 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by AYNI by IMAAN (@ayni.vault)

In a video she shared on the Ayni’s Instagram account, she said: “For me, its always been so much deeper than just fashion. It is about staying connected to my roots, telling stories that move me and shining a light on the voices that need to be heard.” 

She said her hope for Ayni is for it to grow beyond a personal vision and become a “real community.”

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by AYNI by IMAAN (@ayni.vault)

Hammam is one of the most in-demand models in the industry. She was scouted in Amsterdam’s Centraal Station before making her catwalk debut in 2013 by walking in Jean Paul Gaultier’s couture show.  

Hammam has appeared on the runway for leading fashion houses such as Burberry, Fendi, Prada, Bottega Veneta, Marc Jacobs, Moschino, Balenciaga and Carolina Herrera, to name a few, and starred in international campaigns for DKNY, Celine, Chanel, Versace, Givenchy, Giorgio Armani, Tiffany & Co. and others.


Global sculptures at open-air museum in historic Jeddah

The new sculpture installations at Al-Arbaeen Lake reimagine public spaces as platforms for cultural engagement. (SPA)
Updated 29 June 2025
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Global sculptures at open-air museum in historic Jeddah

  • The sculptures form a dynamic dialogue between the past and present, blending the site’s heritage with the language of contemporary art

JEDDAH: As part of a broader effort to revive the region’s visual identity through art, Al-Arbaeen Lake in historic Jeddah has been transformed into an open-air gallery featuring a curated collection of sculptures by international artists.

Led by the Ministry of Culture in cooperation with Jeddah Municipality, the initiative features 14 world-class artworks integrated into the city’s visual landscape, Saudi Press Agency reported.

Historic Jeddah's Visual Identity Reimagined Through Art Installations at Lake Al-Arbaeen. (SPA)

The sculptures form a dynamic dialogue between the past and present, blending the site’s heritage with the language of contemporary art.

Notable works on display include “The Illusion of the Second Cube” by Hungarian-French artist Victor Vasarely; “Rouge” and “Flexibility of Balance” by Alexander Calder; “Circular Mass” by Arnaldo Pomodoro; “The Bird” by Spanish sculptor Joan Miro; and “Giving and Receiving Love” by Lorenzo Quinn — a powerful piece that reflects human values through striking aluminium forms.

FASTFACTS

• Led by the Ministry of Culture in cooperation with Jeddah Municipality, the urban art initiative features 14 world-class artworks integrated into the city’s visual landscape.

• Notable works on display include ‘The Illusion of the Second Cube’ by Hungarian-French artist Victor Vasarely and ‘Giving and Receiving Love’ by Lorenzo Quinn.

The installations are part of a wider artistic movement that reimagines public spaces as platforms for cultural engagement.

By transforming urban environments into art experiences, the project invites both residents and visitors to explore the intersection of architectural heritage and modern creativity.

It underscores the growing role of art in shaping urban identity and fostering public appreciation for visual beauty in shared spaces of the Kingdom.