Dina Shihabi: The actress blazing a trail for Saudi women

1 / 3
Dina Shihabi had begun her journey for film stardom, despite all the cultural obstacles she faced in the region.
2 / 3
Dina Shihabi on location for Tom Clancy’s ‘Jack Ryan.’ @ShihabiDina
3 / 3
Dina Shihabi and American actor Martin Starr from her 2014 film Amira & Sam. (Photo courtesy: social media)
Updated 17 May 2018
Follow

Dina Shihabi: The actress blazing a trail for Saudi women

  • Dina Shihabi is the first and only Saudi woman to be accepted to both Juilliard and the Graduate Acting Program at New York University’s Tisch School for the Arts, two of the most prestigious acting programs in the US.
  • Early setbacks helped me develop a strong work ethic, says Dina Shihabi

JEDDAH: The 71st Annual Cannes Film Festival, which continues this week on the French Riviera, is a historic occasion for Saudi Arabia, as it marks the first time that the Kingdom has participated in the event.

The newly formed Saudi Film Council is debuting nine short films by young Saudi filmmakers, and hosting a pavilion where guests can network with fellow professionals and representatives of the Saudi film industry, and scout out prospective film locations within the Kingdom. After officially reintroducing movie theaters last month, and establishing an opera house and national orchestra, along with the now frequent staging of musical and sporting events, Saudi Arabia is in the midst of an entertainment overhaul.

But long before any of these reforms began taking place in the Kingdom, a young Saudi actress by the name of Dina Shihabi was already blazing a trail for Saudi women in cinema as she began her own film journey in the face of regional and cultural obstacles. She was motivated to pursue an acting career and persist despite the challenges she faced along the way, and is now delighted to be witnessing the incredible, rapid changes for women, and the film industry, in Saudi Arabia.

Born in Riyadh to Saudi parents of Palestinian origin, Shihabi grew up in Beirut and the UAE, and started taking dance lessons at a young age. Speaking exclusively to Arab News, she recalled her first encounter with the performing arts in Dubai.

“I was 11 years old when I took Sharmila Kamte’s street-jazz class and everything changed,” she said. “I went home that night and told my parents I was going to become a dancer. And I wasn’t good at it — I could hardly move — but I was so obsessed with it that I would practice all day and night. I’d literally practice on my chair in school. Within a year I started dancing in Sharmila’s professional company and that’s what started my journey. It opened up that possibility in my mind.” 

Shihabi had her first taste of acting while attending high school in Dubai, where she frequently appeared in school plays. Her stage presence was noticed and she was encouraged to develop it further by her theater instructor, who advised her to pursue an acting career. At the age of 18, with the love of acting deep in her heart, she moved to New York City. 

“When I first auditioned for colleges to get an acting degree, I got rejected from every program I wanted,” she said. “I ended up going to a small conservatory for two years and then not getting invited back for the third year. I think about all these rejections so early on and none of it stopped me. It just made me work harder.

“I then started taking a class with an artistic director by the name of Wynn Handman, who was incredible. After studying with him for a year I got accepted to Juilliard and New York University’s graduate acting program, two of the finest acting programs in the US — far more prestigious than any acting school that I was applying to at 18.

“Rejection is a huge part of what this life is all about, and those early setbacks really helped me develop a thick skin and a strong work ethic.”

Shihabi was the first, and remains the only, Saudi woman to be accepted to both of these world-renowned acting schools. She graduated with her Master of Fine Arts in 2014 and quickly landed her first lead role in the 2014 romantic comedy film, “Amira & Sam,” in which she played Amira, an Iraqi-Muslim illegal immigrant living in a post 9/11 New York City.

Reflecting on her motivation for pursuing an acting career, a bold choice for a Saudi woman at the time, Shihabi spoke of a love of film that goes back to her childhood.

“I’ve always been a lover of movies,” she said. “I used to come home every day from school and watch one movie over and over again for a month. Everything from ‘Jurassic Park’ to ‘The Sound of Music.’ ‘Memento’ was a huge favorite of mine and started my obsession with director Christopher Nolan that has lasted to this day.

“But being an actor never came up in my mind as something possible. Growing up in Dubai, (wanting to be an actor) is not something that’s common. Then later, when I moved to New York to pursue both (dancing and acting), acting just organically won over. I feel like this life chose me. Everything happened so naturally and now I can’t imagine my life not as an actor.”

Given the rapid changes happening in Saudi society, both for women and the film industry, young Saudi women who decide to pursue an acting career may have things a little easier than Shihabi did. However, she is delighted about the sweet justice of equal rights and increased opportunities for women in the country.

“It’s so exciting,” she said. “I feel very proud of it all. I have so many female friends in Saudi Arabia who are business owners and have master’s and doctorate degrees, and I’m just so excited that the country they live in is going to better reflect the brilliant and powerful women that they are.”

This sense of shared pride is embedded in Shihabi’s identity as an Arab woman, but it was tested when she was starting out as industry professionals urged her to change her name — something many actors agree to for a variety of reasons.

“I was told to change my name because my instructors thought my Arab last name would limit my casting opportunities,” said Shihabi. “I didn’t want to. I love my true name and I’m proud of where I’m from. I grew up wishing someone who had a name like mine, and grew up where I did, was doing what I wanted to do, and so I wanted to be able to be just that.”

By insisting on keeping her given name, Shihabi is living proof that anyone with a dream can follow their passions without giving up their cultural and family heritage.

This is an exciting time for children in Saudi Arabia, who will grow up with international entertainment options that were not available to previous generations. They will spend weekends at movie theaters and not have a second thought of our 35-year cinema drought. 

For those children who become inspired to act as a result, Shihabi advises a steadfast approach. 

“Do it. It’s a challenging but such an enriching life,” she said. “And don’t just become an actor — write and tell your stories. The world needs you. I need you.”

A versatile actress who relishes taking on a wide variety of roles, Shihabi has a particular fondness for the genre of drama.

“I love acting in dramas. I love how it feels to get sucked into a world when you’re doing a drama. There’s silence around the experience. It’s hard to explain but it feels like the character and world sinks into your skin so deeply.”

Always one to look ahead, Shihabi discusses some of her acting goals: “I’ll share the first three that come to mind: I want to make my own movies and TV shows; I want to play Hamlet; and I would like to develop an artistic partnership with a director with whom I can make a series of projects with.”

Next up for Shihabi is a notable role alongside former “The Office” star John Krasinski in “Tom Clancy’s Jack Ryan,” an Amazon-produced series that will debut on its Prime streaming service August 31. 

She has also been cast in comedian Ramy Youssef’s upcoming Hulu TV show, due to premiere in 2019.


Riyadh festival celebrates Saudi creativity, theatrical arts

Updated 14 December 2024
Follow

Riyadh festival celebrates Saudi creativity, theatrical arts

  • The Riyadh Theater Festival reflects the commission’s commitment to supporting the performing arts and Saudi talent to achieve a strong presence on the regional and international stage

RIYADH: The Theater and Performing Arts Commission will host the second Riyadh Theater Festival at Princess Nourah bint Abdulrahman University.

The commission’s CEO Sultan Al-Bazie announced details of the event, which runs from Sunday to Dec. 26, to an audience of leading figures from the theater world and the media at the Saudi Music Hub.

The festival, he said, was a cornerstone for enhancing the theatrical movement in the Kingdom and raising public awareness of the performing arts.

HIGHLIGHT

The Riyadh Theater Festival reflects the commission’s commitment to supporting the performing arts and Saudi talent to achieve a strong presence on the regional and international stage.

This year’s event would feature 20 performances, selected by a committee of experts, to reflect the diversity of theatrical arts in the Kingdom, including its intellectual and developmental programs, Al-Bazie said.

The festival will also honor the late Ahmed Al-Sabbagh, who was a notable figure in the field.

The Riyadh Theater Festival reflects the commission’s commitment to supporting the performing arts and Saudi talent to achieve a strong presence on the regional and international stage.

It will conclude with the presentation of awards to the distinguished performers.

 


Prominent artworks at Riyadh Metro stations blend daily life, creativity

Updated 03 December 2024
Follow

Prominent artworks at Riyadh Metro stations blend daily life, creativity

  • Masterpieces transform the daily commute into a celebration of art, architecture and creativity
  • Since its launch in 2019, Riyadh Art has seamlessly integrated art into the urban fabric

RIYADH: Riyadh Art, one of the world’s largest public art programs, has unveiled four monumental public artworks with the launch of the Riyadh Metro, transforming stations into cultural landmarks.

At the King Abdullah Financial District Metro Station, designed by the internationally acclaimed Zaha Hadid Architects, Alexander Calder’s “Janey Waney” takes center stage.

The lofty and colorful sculpture exemplifies Calder’s pioneering spirit in kinetic art, creating a dynamic and engaging experience for visitors.

Nearby, Robert Indiana’s “LOVE (Red Outside Blue Inside)” — one of the world’s most recognizable artworks — captivates visitors with its vibrant interplay of color and universal themes of connection and hope.

Together, these masterpieces transform the daily commute into a celebration of art, architecture and creativity.

At the Qasr Al-Hokm Downtown Metro Station, designed by the renowned architectural firm Snohetta, Ugo Rondinone’s “The Sun” makes a striking golden centerpiece, symbolizing energy and renewal.

Complementing this is Zaman Jassim’s “When the Moon is Full,” a reflective and poetic piece inspired by Riyadh’s cultural heritage.

“These permanent artworks embody our vision of transforming Riyadh into an open-air gallery that enriches the quality of life and fosters a deeper connection between people and art,” said architect Khalid Al-Hazani, executive director of Riyadh Art.

“By collaborating with some of the most creative minds of our time, we’re not just adding art to public spaces — we’re creating cultural landmarks that inspire and engage generations,” he added.

Al-Hazani told Arab News: “The beautiful thing is that there is a specialized program under Riyadh Art dedicated to installing artworks in all 85 stations that we’ve already selected, which will be produced and placed within the upcoming year.”

Led by the Royal Commission for Riyadh City, Riyadh Art is championing cultural innovation and economic diversification, and positioning the Kingdom’s capital as a global center for contemporary art and culture.

Since its launch in 2019, Riyadh Art has seamlessly integrated art into the urban fabric, displaying over 500 artworks by more than 500 local and international artists, hosting more than 6,000 community engagement activities, and engaging more than 6 million visitors.

As the program continues to expand, the number of artworks and initiatives is expected to grow significantly, fostering a sense of community, enriching the city’s identity, and elevating Riyadh’s standing as a global arts destination.


Japanese artist Takayuki Mori’s interpretation of Saudi culture on display at Noor Riyadh

Updated 03 December 2024
Follow

Japanese artist Takayuki Mori’s interpretation of Saudi culture on display at Noor Riyadh

RIYADH: Japanese visual artist Takayuki Mori pays homage to Saudi culture and heritage in his latest work, which can be seen at Noor Riyadh, the Kingdom’s annual festival of light and art. 

In “View Tracing #5 ‘LABYRINTH’,” the artist creates a visual manipulation experience featuring prominent cultural elements such as the falcon, mabkhara (incense burner), dallah (coffee pot), and an oud musical instrument mounted on large blocks and steps. 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by TMW BTR (@tmwbtr)

“I designed this with the structures based on Islamic geometrical patterns, so when people see it from the top, you see the patterns. After doing some research, I selected objects inspired by Saudi Arabia and the neighboring regions … These represent the senses — taste, smell, sound,” Mori told Arab News. 

All the objects on display are 3D-printed and lined with fluorescent thread which glows in the ultraviolet-lit room, the lines creating geometric shapes that resemble computer-generated graphics. 

Viewers cannot physically smell, taste or hear the items, but the artist creates an experience where echoic, olfactory and taste memory come into play.

Japanese visual artist Takayuki Mori. (Supplied)

As they navigate the maze-like pathways they are challenged to test their own memory, creating a unique experience of determining what we presume to be true and what really is in both virtual and physical spaces. 

“This physical sculpture and installation was made digital to explore the relationship between two and three-dimensional, the analog and digital Riyadh,” said Mori.

Previous artworks in the series use a grid pattern, but this one features triangular patterns signaling to the motifs commonly found in old houses in Diriyah, the capital of the first Saudi state. 

This is Mori’s first time visiting and exhibiting his work in the Kingdom and he expressed his optimism for the region’s art scene: “It’s very powerful and energized. I’m very excited for the future here. I’ve talked with artists from Saudi and other countries and they are very motivated, so I got some inspiration from them and I’d like to continue that in my work.”


Dutch artist Vincent Ruijter’s exploration of heritage and ethnicity on show at Noor Riyadh

Updated 03 December 2024
Follow

Dutch artist Vincent Ruijter’s exploration of heritage and ethnicity on show at Noor Riyadh

RIYADH: Dutch artist Vincent Ruijters explores themes of identity and self at the ongoing Noor Riyadh, the annual Saudi festival of light and art. The festival runs until Dec. 14.

At this year’s edition, Ruijters digs deeper into hybrid cultures through the interplay of light, shadow and fabric. “This is telling my own story from a very personal way. But by doing that, hopefully connecting to all kinds of people,” Ruijters told Arab News. 

Set in a studio in the Jax District, one of the three main festival hubs, “Selintas Selalu” is a kinetic installation. (Supplied)

Set in a studio in the Jax District, one of the three main festival hubs, “Selintas Selalu” is a kinetic installation: a steel-based structure stands at the center of the space where strips of red fabric hang off vein-like rods. A light is suspended in the center while steel light structures with sharp metal spikes frame the surrounding walls. 

The work came about after three months’ research in Indonesia, where the work was created. While he was born and is based in the Netherlands, Ruijters’ mother is a seventh-generation Indonesian, with family roots going back to China.

These multi-ethnic groups, referred to as Peranakan, demonstrate a fusion between Chinese and Indonesian culture. “They have their own arts, colors, patterns, music, and their own culture,” he said.

The Betawi people, native to Jakarta and its outskirts, blend cultures including native Indonesian, Arab, Chinese and Portuguese. 

“Actually, a lot of Chinese and Asians immigrated after the independence of Indonesia after the Second World War because the colony was over. So, they went to the Netherlands and America, and then they had children like me, but those children often do not know much about their ancestors,” Ruijters said. 

Taking ownership of his own difficult history, he decided to research the topic not just for himself but also “for my other generations of Chinese Indonesians living in the Netherlands, younger people, to show them: this is your heritage,” he said. 

Dutch artist Vincent Ruijters explores themes of identity and self at the ongoing Noor Riyadh. (Supplied)

The mix of cultures is realized in the motifs: the sun-shaped lamps on the periphery which are reminiscent of kembang kelapa decorations, the petal shapes at the structure’s base that are popular in Javanese batik dyeing techniques, and the red fabric, which is made in collaboration by Chinese and Indonesian craftsman with a special red color, associated with the Peranakan culture. This fabric was specially made in a batik house for this project.

“To make big installations, it’s never one person,” Ruijters said. “So, I was always trying to emphasize this as part of a team. I worked with an Indonesian electronic engineer, with a Dutch electronic engineer, with the batik workshop house for the fabric … I’m more like a guide to the creative process,” he said. 

The artwork branches out from the light in the center, a symbol of Ruijters’ ancestors. As time progresses, the lamp moves forward, symbolically straying from those strong roots of the past, toward the twiggier branches at the forefront, leading us to the present. 

Shadowplay is an important element, because it preserves Indonesian culture through shadows as a means of accessing an inner world. “You can feel your ancestry; you can feel the past shivering and whispering to you. And this is similar, I think, to the guiding light that is the constellation of the theme … I think shadow is a beautiful way of expressing that, because you cannot touch it. It's there, but it’s also not,” he said. 


Art under the stars: Noor Riyadh returns to dazzle Kingdom’s capital

Updated 28 November 2024
Follow

Art under the stars: Noor Riyadh returns to dazzle Kingdom’s capital

  • Fleet of drones illuminates Saudi capital for Noor Riyadh
  • 18 Saudi, 43 international talents present light artworks themed ‘Light Years Apart’

RIYADH: The courtyards of the King Abdulaziz Historical Center in central Riyadh came alive on Tuesday evening with the launch of the Noor Riyadh Festival, attended by creatives from around the world.

London-based artist collective United Visual Artists transformed the night sky into a living canvas with a preview of their drone show “Aether.”

Featuring 1,500 drones, the seven-minute performance explored the silent harmony of the stars and planets.

Noor Riyadh Festival, a key initiative of the Riyadh Art, is being held under the theme “Light Years Apart” and will continue until Dec. 14.

This year, the festival will feature artworks by over 60 artists across three hubs: King Abdulaziz Historical Center, Wadi Hanifa, and Jax district.

Architect Khalid Al-Hazani, director of the Riyadh Art Program, said Noor Riyadh is designed to transform the city into an open-air art exhibition.

Festival director Nouf Al-Moneef told Arab News: “What’s great about these three is the connection between art, heritage, culture, nature — and also contemporary creativity in Jax.

“The most important thing in Noor Riyadh is accessibility for people. Noor Riyadh is under the umbrella of Riyadh Art, whose mission is to transform the city into a gallery without walls. Wherever you go and whatever locations or hubs that you go to, you find these spectacular art pieces.”

The festival aims to enhance the quality of life in the Kingdom’s capital and contribute to fostering creativity and presenting art to the community, he added.

It serves as a platform for artistic and cultural exchange in line with Riyadh Art’s objective to nurture local talent and boost the cultural economy of the capital.

In addition to 18 Saudi artists, 43 international artists are representing countries including Australia, France, Germany, Hungary, Italy, Japan, Montenegro, the Netherlands, Poland, Russia, Slovenia, South Korea, Spain, Turkiye, the UK, the UAE, and the US.

Speaking about the theme, Al-Moneef said that “Light Years Apart” is inspired by the connection between the Earth and the sky, praising the curatorial team who came up with the idea.

The festival invites citizens, residents, and visitors to explore the city and to celebrate the deep connection between heritage and creativity.

Mohammed Al-Bahri, an Omani journalist, said what caught his attention the most during the opening ceremony was the stunning harmony between the lights and music, which created a unique and immersive sensory experience for the viewers.

In recent years, the Kingdom has witnessed cultural and artistic development, which has contributed to enhancing its position on the global art scene, he added.

“I expect that interest in artistic creativity will continue to grow in the future, especially with the increasing government support for arts and culture, as well as the growing awareness of the importance of art in people’s lives,” Al-Bahri said.

“Art will thus become an integral part of the social fabric. Moreover, the younger generation is more open and has a deeper appreciation for the arts, signaling a bright future for artistic creativity in the Kingdom,” he said.

Munirah Abdulrazaq, a Bahraini beautician, said: “The Noor Riyadh Festival is a remarkable celebration of light and art, transforming Riyadh into a luminous canvas that bridges the gap between tradition and modernity.

“The fusion of creativity, technology, and heritage enhances the cultural landscape and positions Saudi Arabia as a burgeoning hub for contemporary and public art. By celebrating local and global artists, the festival fosters a deep appreciation for artistic expression and cultural dialogue, highlighting the Kingdom’s dedication to nurturing creativity and inspiring future generations.”