What to Watch: Ramadan TV highlights

A scene from ‘Al Assouf,’ MBC’s drama examining the rapid social and economic changes in the Kingdom in the early 1970s (Courtesy of MBC)
Updated 17 May 2018
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What to Watch: Ramadan TV highlights

  • See some of the television shows that will be hitting our TV screens this Holy Month
  • Ramadan sees some of the highest viewing figures Pan-Arab TV stations experience

It’s peak TV time in the Arab world, as networks roll out their big hitters. Here, Arab News takes a look at some of the shows we’ll be following on pan-Arab networks over the Holy Month

Kalabsh

One of this Ramadan’s most hotly anticipated dramas sees the return of heroic police officer Salim Al-Ansari (played by Egyptian star Amir Karara) for the second season of this acclaimed hard-hitting suspense thriller written by Baher Dweidar and directed by Peter Mimi.

This season, Dweidar said in a statement, “the thrill, excitement and action will be even greater,” as the cop investigates a terror network in a job that puts himself and his family in harm’s way.

As our hero digs deeper, he discovers just how wide the network’s web has spread, with the story reportedly taking in Libyan extremists and Israeli spies as it progresses and Al-Ansari unearths a conspiracy that involves top officials.

Dweidar stressed that viewers need not have seen the first season to enjoy the new one.

“It’s an independent journey in conflict with different people,” he said. “I made sure to address issues that are much broader than the first (series).

We are discussing issues that don’t just concern Egyptian citizens, but Arabs in general.”

 

Al Assouf

One of MBC’s flagship shows for this month, “Al Assouf” is a Saudi Arabia-based drama set in one of the most dramatic time periods for the Kingdom: 1970-1975.

The late writer Abdul Rahman Al-Wabli examines the socio-economic impact of the oil boom, and the resultant cultural shifts, by focusing on the show’s titular family.

Saudi actor Nasser Al-Qasabi — best known for the wildly successful satirical comedy “Tash Ma Tash” — takes the lead role in a stellar cast that also features fellow “Tash Ma Tash” alumnus Reem Abdullah, Habib Al-Sanei, and Laila Al-Salman, among others.

According to Al-Qasabi, “We tried to simplify human relations and we were keen to be realistic with the events, without ignoring the political movement that goes on in the background, to give an impression of the time period we’re talking about.”

 

Tareeq

Expect plenty of buzz around this romantic drama directed by Rasha Sharbatji and featuring Syrian star Abed Fahd and Lebanese-Tunisian actress Nadine Njeim as lovers Jaber and Ameera.

Jaber, an amicable restaurant owner, is struggling to come to terms with the loss of his family in a car accident when he meets young law student Ameera. 

As their relationship develops, the pair face tough decisions about priorities and sacrifice in a series that poses some thought-provoking questions about class prejudice. Based on the novel "Al Shareeda," by Naguib Mahfouz.

Awad Aban An Jid

This time-travelling comedy, written by Saudi journalist, poet and novelist Khalaf Al-Harbi, explores the family tree of main character Awad Aban (played by Asaad Al-Zahrani, star of 2015’s “Selfie”), following six storylines from six different historical periods.

In fact, director Ouss Al-Sharqi has described the show as “six different series in one, each with its own details, sets and wardrobe.”

It’s a big moment for Zahrani, who has spoken of the “technical comedy challenge” of playing six different characters in the fantasy show, which features a cosmopolitan lineup of actors from Saudi Arabia, Kuwait, Iraq, Egypt and Syria.

 

Ma Hessat Qalam

This Khaleeji drama, written by Ali Al-Dohan, tells the story of ageing matriarch Hessa (played by Kuwaiti actress and poet Hayat Al-Fahad), who is left with serious amnesia issues after being in an accident.

Hessa begins to record everything that happens in her life using pen and paper, while many of those around her seek to manipulate the situation to their own ends.

Director Manaf Abdul was delighted to be working with Al-Fahad, whom he described as “a giant, with tremendous energy,” adding that he felt his career was “starting again” on the show.

For her part, Al-Fahd said the series “combines laughter and tears.” “Besides the tragic plot,” she said in a statement, “there is some comedy too, because her forgetfulness is funny sometimes.”

 

Tango

Levant stars Bassel Khayyat, Bassem Moughnieh, Daniella Rahme and Dana Mardini play married couples and best friends (and tango dancers!) Sami and Farah and Omar and Lina.

When a terrible car accident leaves Farah dead and Omar in a coma, it becomes apparent that the two were having an affair.

Lina and Sami must deal with the fallout of both the accident and the revelations that follow. Rami Hanna directs.

 

Secret of the Nile

Netflix’s Ramadan TV research revealed that a typical MENA viewer would clock up an extra 90 hours in front of a screen over the month, according to its press office.

So, of course, the streaming giant is doing its best to cater to that increased demand with some popular content.

Egyptian drama “Secret of the Nile” is already a proven success. It first aired on Egypt’s CBC in 2016, under the name “Grand Hotel,” and subscribers can binge on all 30 episodes of the first Egyptian series to air on Netflix.

Set in the 1950s, the series covers the journey of protagonist Ali (Amr Youssef) as he investigates the mysterious disappearance of his sister Doha (Dina El-Sherbiny) from her place of employment, the luxurious Grand Hotel.

Along the way, he uncovers a number of secrets, and falls in love.

 

Layali Eugenie

Throwbacks are big this Ramadan, it seems. This Egyptian romantic drama — directed by Hani Khalil and adapted from a Spanish original — is another period piece, this time set in Cairo and Port Said in the 1940s.

The story centers on Farid, a doctor (played by Tunisian heartthrob Dhafer L’Abidine, who’s appeared in a few Western movies, including “Sex and the City 2”), recently separated from his wife Aida.

When his sister-in-law (who happens to be a princess, played by Egyptian star Amina Khalil) is falsely accused of murdering her husband, she turns to Farid for help.

 


Saudi stars shine at Ivana Chubbuck’s Riyadh workshop

Updated 07 January 2025
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Saudi stars shine at Ivana Chubbuck’s Riyadh workshop

DUBAI: Saudi actresses Sumaya Rida, Adwa Bader and Mila Al-Zahrani participated in a workshop hosted by the California-based drama school Ivana Chubbuck Studio in Riyadh. 

The workshop is part of the Ministry of Culture and the Film Commission’s Filmmakers Program, which runs until the end of January.

Rida, known for her breakout television roles in “Another Planet” and “Boxing Girls” as well as her big-screen appearances in “Junoon” and “Roll’em” — among the first films to premiere in the Kingdom after cinemas reopened — took to Instagram to share behind-the-scenes moments from the workshop with her colleagues.

Sumaya Rida (right) took to Instagram to share behind-the-scenes moments from the workshop with Mila Al-Zahrani (left) and Adwa Bader (center). Instagram 

She also shared a clip of herself with Zahrani and later posted an Instagram Story featuring both of them, captioning it, “My scene partner.”

Ivana Chubbuck, founder and director of the studio, is a US acting coach and creator of the widely adopted Chubbuck Technique, known for its role in Oscar-winning and nominated performances. 

She heads the drama school in Los Angeles and conducts acting workshops worldwide.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Adwaء Bader (@adwaxox)

Chubbuck has worked with renowned actors such as Charlize Theron, Brad Pitt, Sylvester Stallone, Terrence Howard, James Franco, Jake Gyllenhaal, Elisabeth Shue, Catherine Keener, Halle Berry, and Jared Leto, among others. 

She is also the author of the best-selling book “The Power of the Actor,” published by Penguin Books’ Gotham division, which has been translated into 20 languages.

Chubbuck’s Riyadh workshop was also attended by Saudi actor and comedian Fahad Albutairi, who shared a carousel of images from the event on Instagram. Among the pictures was a signed note from Chubbuck that read: “Fahad, you are so talented and (I) look forward to continuing our journey together.”

The attendees received a certificate of participation after the workshop, which Albutairi also posted on his Instagram.

The Filmmakers Program collaborates with several international film universities and institutes to provide training opportunities and workshops for both amateur and professional filmmakers in the Kingdom.


Review: Palestinian poet Mosab Abu Toha writes against erasure, destruction

Updated 07 January 2025
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Review: Palestinian poet Mosab Abu Toha writes against erasure, destruction

JEDDAH: “Every child in Gaza is me,” writes Palestinian poet Mosab Abu Toha in the creed-like opening of “Forest of Noise,” setting the tone for the poems to come and establishing his profound connection to his people and Palestine.

The poems within the slim but impactful volume by the Palestine Book Award-winning poet blend personal narratives with the broader documentation of life under Israeli occupation, siege, and bombardment in Gaza.

Released amidst one of the most turbulent periods in recent Palestinian history, Abu Toha uses the art form to not only capture personal memory, but to document Israel’s atrocities committed against Palestinians and the resilience of the people living in a continuous state of emergency.

Written in clear, simple language that often evokes visceral, painful imagery, his poetry oscillates between moments of loss, destruction, and survival, and glimpses of peace that seem fantastical in their rarity.

In “Palestinian Village,” Abu Toha imagines a peaceful scene “where a canary never tires of singing” that feels like a distant memory or a dream in stark contrast to the harrowing reality on the ground. The poem, like others in the collection, is a reminder of the cultural and natural heritage that Palestinians are fighting to preserve amid what Amnesty International, as well as some regional states, have termed a genocide.

In “On Your Knees” he powerfully uses repetition of the line “on your knees!” to document the humiliating and horrifying experience of being abducted by Israeli forces as he attempted to cross the Rafah border with his family in November 2023.

Abu Toha resists physical subjugation with poetry as a form of resistance and memory — asserting the Palestinian self and narrative and highlighting the power of art to fight back against erasure.

In “After Allen Ginsberg,” the Palestinian poet draws from the American’s iconic work “Howl,” writing:

“I saw the best brains of my generation

protruding from their slashed heads.”

By adopting Ginsberg's confrontational style, Abu Toha’s unrestrained voice laments and protests Israel's ongoing assault that has claimed the lives of thousands of children, women, and men. 

The poet’s unwavering voice in “Forest of Noise” challenges readers to see Gaza not as a distant conflict but as a human tragedy that demands attention.


French Algerian actress Sofia Boutella begins year with ‘SAS Rogue Heroes’

Updated 04 January 2025
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French Algerian actress Sofia Boutella begins year with ‘SAS Rogue Heroes’

DUBAI: French Algerian actress Sofia Boutella started the new year on a high note with the premiere of season two of the BBC series “SAS Rogue Heroes.”

“Happy New … SAS season 2 is out … and Happy New Year,” she wrote on Instagram this week, sharing on-set pictures of herself and her co-stars from the military drama, which chronicles the exploits of the British Army’s special forces unit.

Series two, created by Steven Knight (“Peaky Blinders”), picks up with British troops in the spring of 1943 during World War II.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Sofia Boutella (@sofisia7)

Returning for the sequel are actors Jack O’Connell, Connor Swindells, Dominic West and Sofia Boutella, who reprises her role as French intelligence agent Eve Mansour.

Commissioned by the BBC, the show is based on Ben Macintyre’s best-selling book of the same name, with season two having been directed by Stephen Woolfenden.

Boutella most recently starred “The Killer’s Game,” which hit cinemas in September, and Netflix’s “Rebel Moon — Part 2: The Scargiver.”

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Sofia Boutella (@sofisia7)

In the sci-fi adventure — a sequel to last year’s “Rebel Moon — Part One: A Child of Fire” — a peaceful colony on the edge of a galaxy finds itself threatened by the armies of a tyrannical ruling force.

Kora, played by Boutella, has assembled a small band of warriors — outsiders, insurgents, peasants and orphans of war from different worlds.

Boutella drew on her history as an immigrant. She grew up in Algeria during its civil war and later moved to France and found herself navigating the complexities of adapting to a different culture.

“Having left Algeria young, when I go back there I don’t feel like I belong to Algeria. And then, in France, I don’t feel like I belong to France because I didn’t grow up there,” she told Arab News in a previous interview.

Boutella has learned to embrace her rootlessness, though. “I feel like I belong to this planet. I have the freedom to travel wherever I want, without any limitation,” she said. “But sometimes, I miss the proximity and attachment that people have to their country.”

Kora was not Algiers-born Boutella’s first role as a sword-wielding extraterrestrial. The actress, who at the age of 10 fled to Paris with her family during the Algerian civil war, is known for her breakout performance in the Oscar-nominated film, “Star Trek Beyond,” in which she portrayed the fierce alien warrior, Jaylah.


Iran artist’s vision for culture hub enlivens rustic district

Updated 04 January 2025
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Iran artist’s vision for culture hub enlivens rustic district

  • Arabesque patterns and relief faces carved with intricate details and painted in vivid hues of greens, pinks, blues, and purples now adorn the walls

SHIRAZ, Iran: In the winding alleys of southern Iran, artist Adel Yazdi has taken it upon himself to turn his rustic old neighborhood into a cultural and tourist hub through vibrant paintings and carved relief faces.
Narenjestan, a neighborhood characterized by crumbling, uninhabited houses, is nestled in Shiraz, a southern city celebrated for its historic architecture, lush gardens, and revered poets.
“Most of the dilapidated walls in old Shiraz have no historical value,” said Yazdi, a bushy-bearded, bespectacled 40-year-old artist who has dedicated himself to revitalizing Narenjestan.
Over the years, Yazdi has turned the long-neglected neighborhood walls into a vivid visual tapestry “telling the stories of the people living here,” he said.
Arabesque patterns and relief faces carved with intricate details and painted in vivid hues of greens, pinks, blues, and purples now adorn the walls.
With its striking designs and bright colors, Yazdi’s art can be reminiscent of Surrealism. It often comes across as surprising, showcasing a different side of Iran’s artistic heritage that goes beyond the conventional focus on traditional architecture.
The artwork includes the face of Scheherazade, Yazdi said, referencing the legendary storyteller from the “One Thousand and One Nights” collection of folktales.
Yazdi’s work stands out in Shiraz, where graffiti and murals are rare, and it has become a social media sensation and a tourist attraction.
Yazdi said he drew inspiration from the Pompidou Center in Paris, a cultural hub that transformed the heart of the French capital in the 1970s. He hopes his efforts can turn Shiraz’s alleyways into a more vibrant cultural center.

At his residence, visitors are particularly drawn to what Yazdi calls “the Finger Room.”
Inside, he installed around 14,000 finger sculptures on the ceiling, all pointing downward.
“The room is inspired by the legend of an angel that counts raindrops with thousands of fingers,” he said, referring to a religious fable.
“These fingers constantly remind us that the present moment is precious and that we must seize it.”

 


REVIEW: ‘Squid Game’ enters a holding pattern 

Updated 03 January 2025
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REVIEW: ‘Squid Game’ enters a holding pattern 

  • Second season of the hit Netflix show feels tentative, ahead of its upcoming finale 

LONDON: The success of “Squid Game” in 2021 made a second season an inevitability, rather than a mere possibility proffered by a hopeful epilogue scene. But because this smash-hit show came out of South Korea, there was also an optimistic air to its steadily approaching release — could this addictively bleak dystopian thriller sidestep a lot of the Hollywood pitfalls and deliver a second season that was at least the equal of the first? 

Although it’s a sidestep of its own, the answer is… we’re not sure yet. And that’s because, although it’s billed as season two, these seven new episodes were shot back-to-back with season three (coming in 2025 and confirmed to be the last). So what you’re essentially getting here is the setup for the big finale still to come. That perhaps explains why, though the first season dropped viewers into the murderous titular competition pretty quickly, the actual ‘game’ of the second season of “Squid Game” doesn’t start until midway through the third episode. Before that, we’re reintroduced to main protagonist Seong Gi-hun (Lee Jung-Jae, still far and away the best thing about the show). Having won the first season’s brutal series of children’s games (for which the losers’ penalty is death), Gi-hun is spending his reward money trying to bring down the organizers of the competition, teaming up with season one detective Hwang Jun-ho (Wi Ha-joon) in an attempt to topple the shady cartel that is pressganging cash-strapped Koreans into murdering each other for money. When his plan to catch the game’s Front Man fails, he instead joins the latest intake, intent on helping the contestants escape with their lives. 

It’s an odd choice to spend so long building up to the competition — and even dallying on whether it can be proved it even exists — when that’s what viewers are here for. Once the games get going, “Squid Game” is as breathless and shocking as ever, and with a new cast of characters, there are fresh backstories to mine and some pretty pointed social commentary on greed, capitalism and social care (Korean commentators have suggested that the subtitles miss a few of the nuances of the script, which may be why some of the satire seems a little on the nose). Perhaps acknowledging what audiences will remember, there’s also a few decent twists that deserve to remain a surprise.  

But while season two of “Squid Game” is still great television, there’s no small amount of bloat here — and a sense of treading water for the final round still to come.