What We Are Reading Today: An Oral History of the Palestinian Nakba by Nahla Abdo and Nur Masalha

Updated 18 May 2018
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What We Are Reading Today: An Oral History of the Palestinian Nakba by Nahla Abdo and Nur Masalha

  • The collection gives new insights into the Palestinian experience of the Nakba and the wider dynamics of the conflict, which continue to this day

The 70th anniversary of what Palestinians call “the catastrophe” was bound to unleash a flurry of new works, of which this is one, about the mass evictions of Palestinians from lands that were taken to establish the state of Israel. 

It could be said that history not only changed for Palestinians in 1948, but ended. Still stateless seven decades on, for them the bitterness and trauma are as raw as ever.

Efforts at preserving the memory of the Nakba have resulted in an unparalleled body of oral testimony. 

The editors of this book have tapped into that rich seam to tell the story of this epochal event through the words of those who lived through it. There are contemporary accounts from 1948 and accounts related in the present day as memories. 

The collection also gives new insights into the Palestinian experience of the Nakba and the wider dynamics of the conflict, which continue to this day. 

The Nakba is the pivotal event shaping Palestinian identity and galvanizing resistance. This book shows that it is by no means consigned to the past, but an ongoing, pernicious process aimed at the erasing of Palestinian history and memory.


What We Are Reading Today: ‘On Earth We’re Briefly Gorgeous’

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Updated 42 min 51 sec ago
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What We Are Reading Today: ‘On Earth We’re Briefly Gorgeous’

  • Vuong, a celebrated poet, brings his mastery of language to this debut novel, crafting a work that is as emotionally resonant as it is stylistically daring.

Author: Ocean Vuong

Ocean Vuong’s “On Earth We’re Briefly Gorgeous” is a breathtaking and poignant exploration of identity, memory and the enduring impact of generational trauma.

Written as a letter from a son to his mother, the novel bridges the personal and the universal, weaving together themes of love, family and survival with exquisite lyricism.

Vuong, a celebrated poet, brings his mastery of language to this debut novel, crafting a work that is as emotionally resonant as it is stylistically daring.

The narrator, Little Dog, writes to his illiterate mother, recounting his experiences growing up as a Vietnamese immigrant in America. Through this deeply personal lens, Vuong delves into the complexities of their relationship, marked by both tenderness and violence, shaped by her own traumas from the Vietnam War.

Little Dog’s reflections extend beyond their dynamic to explore his own coming of age, his struggles with identity, and the weight of cultural dislocation.

What sets the novel apart is Vuong’s poetic prose, which transforms every sentence into something luminous. His language is evocative and tactile, imbuing even the smallest moments with profound significance. Whether describing the beauty of a first love or the scars left by intergenerational pain, Vuong’s words resonate with a raw honesty that cuts to the core.

At its heart, “On Earth We’re Briefly Gorgeous” is a meditation on the power of storytelling. Little Dog’s letter becomes an act of preservation — a way to make sense of his own life and honor the sacrifices of those who came before him.

Vuong examines the ways memory is shaped by trauma and love, showing how the past informs the present in both painful and redemptive ways.

The novel’s structure, non-linear and fragmented, mirrors the nature of memory itself, creating a narrative that feels both intimate and expansive. While its introspective style and heavy themes may not appeal to all readers, “On Earth We’re Briefly Gorgeous” is an unforgettable work that demands attention.

Vuong has crafted a novel of extraordinary beauty and depth, a tender and haunting reflection on what it means to be human, to love and to endure. It is a book that lingers in the heart and mind long after the final page.

 


What We Are Reading Today: The Conqueror’s Gift by Michael Maas

Updated 24 January 2025
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What We Are Reading Today: The Conqueror’s Gift by Michael Maas

Ethnography is indispensable for every empire, as important as armies, tax-collectors, or ambassadors. It helps rulers articulate cultural differences, and it lets the inhabitants of the empire, especially those who guide its course, understand themselves in the midst of enemies, allies, and friends.

In “The Conqueror’s Gift,” Michael Maas examines the ethnographic infrastructure of the Roman Empire and the transformation of Rome’s ethnographic vision during Late Antiquity. 

Drawing on a wide range of texts, Maas shows how the Romans’ ethnographic thought evolved as they attended to the business of ruling an empire on three continents.


What We Are Reading Today: ‘The Social Wasps of North America, Central America, and the Caribbean’

Updated 22 January 2025
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What We Are Reading Today: ‘The Social Wasps of North America, Central America, and the Caribbean’

Author: Chris Alice Kratzer 

Social wasps like hornets and yellowjackets use the power of teamwork to build complex societies and architectural wonders, and though they comprise only a fraction of the thousands of species in North and Central America, they are almost solely responsible for giving wasps a bad reputation.

This beautifully illustrated field guide covers all known species of social wasps from the high arctic of Greenland and Alaska to the tropical forests of Panama and Grenada.


What We Are Reading Today: ‘Dinosaur Behavior’ by Michael J. Benton

Updated 21 January 2025
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What We Are Reading Today: ‘Dinosaur Behavior’ by Michael J. Benton

Paleobiology has advanced from a speculative subject to a cutting-edge science. Today, researchers are applying the latest forensic technologies to the fossil record, revealing startling new insights into the lives of dinosaurs.

This illustrated guide explores the behavior, evolution, physiology, and extinction of dinosaurs, taking readers inside the mysterious world of these marvelous animals.

With specially commissioned illustrations by Bob Nicholls, “Dinosaur Behavior” explains how the dinosaurs lived and courted, fought and fed, signaled and interacted with each other, and much more.


What We Are Reading Today: ‘Orientalism’ by Edward Said

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Updated 21 January 2025
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What We Are Reading Today: ‘Orientalism’ by Edward Said

  • This binary framing, Said argues, has historically shaped Western attitudes and policies toward the Middle East, Asia, and North Africa, with effects that persist today

Author: Edward Said

Edward Said’s “Orientalism” is a landmark work that reshaped the understanding of how the West perceives and portrays the East.

First published in 1978, the book is a critique of the constructed image of the “Orient” as an exotic, monolithic “other,” created by the West to assert cultural and political dominance.

Through a meticulous examination of literature, art, and academic scholarship, Said reveals how this distorted portrayal served to justify colonial rule and perpetuate stereotypes.

Central to Said’s argument is the idea that orientalism is not merely a scholarly discipline but a political and cultural discourse used to reinforce Western superiority. He illustrates how this discourse characterizes the East as irrational, backward, and static, contrasting it with a rational and progressive West.

This binary framing, Said argues, has historically shaped Western attitudes and policies toward the Middle East, Asia, and North Africa, with effects that persist today.

Said’s interdisciplinary approach draws on history, literature, and politics, making “Orientalism” a rich and provocative analysis. He sets out how even seemingly objective academic studies and media representations have reinforced reductive stereotypes, showing how power shapes knowledge. By doing so, he challenges readers to critically examine the narratives they encounter about the “East.”

Although “Orientalism” is deeply rooted in historical context, its relevance endures in contemporary discussions of cultural representation and global politics. It continues to resonate in a world where stereotypes and biases influence international relations and public perception.

Said’s writing is both rigorous and accessible, blending scholarly depth with a moral clarity that makes his arguments compelling. While the book’s density may challenge some readers, its insights are invaluable for understanding how cultural narratives are constructed and used to assert dominance.

Ultimately, “Orientalism” is a profound critique of the structures that perpetuate inequality and division. It remains an essential read for anyone seeking to understand the cultural legacies of imperialism and the enduring power of representation.

Said’s work is not only an academic achievement but also a call to rethink entrenched attitudes and strive for a more equitable understanding of cultural difference.