The Saudi filmmakers who made a splash at Cannes

Updated 14 April 2019
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The Saudi filmmakers who made a splash at Cannes

  • Hadi Ghandour takes a look at the nine Saudi entrants for this year’s Cannes Film Festival

‘Is Sumiyati Going to Hell?’
Meshal Aljaser
Actor, writer and director Meshal Aljaser’s “Is Sumiyati Going To Hell?” is a funny but biting story with a strong visual style told from the perspective of a child who witnesses her family’s inhuman treatment of their maid. 
“It was inspired by my five-year-old nephew, who asked my sister if his Christian maid is going to hell,” Aljaser explained. “And my sister didn’t answer him. I thought, ‘Why would a five year old think like this? You just started living! Why would you assume that this caring nice lady who takes care of you everyday is going to hell?’”
The daring film certainly tests boundaries, but Aljaser stressed it comes from good intentions: “I like to present what I feel and what I know is real. I’m really not aiming to make anyone angry, especially not the people who, in the end, I want to represent in a good way, like my government and my culture. I’m trying to express issues so we can face them and fix them."

‘Alkaif’
Seba Alluqmani
“Alkaif” is a delightful documentary about coffee’s important social role in Saudi Arabia. “I wanted to make it because I’ve been living abroad for seven years and noticed that whenever I smell Arabian coffee I remember home, I remember gathering, and it’s in every single house on all occasions whether good or bad,” said Riyadh-based filmmaker Seba Alluqmani. “And so it’s something that we grow up noticing and knowing and drinking, but we don’t see it outside of its context.”
Alluqmani is particularly excited about the Saudi presence at Cannes this year: “I keep saying (Saudi is) the Kingdom of opportunities. Filmmakers are here, opportunities are here… the Kingdom is open for people to come and film and for their own talent to grow.”

‘Don’t Go Too Far’
Maram Taibah
Writer-director Maram Taibah’s gentle and sensitive film, “Don’t Go To Too Far,” is about a mentally challenged young Arab man who must find his way back home after being accidentally separated from his sister on the New York subway. It’s inspired by Taibah’s concern for her older brother, who has a mental disability: “I asked myself, how would he be able to manage in the world if he were ever left alone? What would happen?”
The low-budget short was shot over three days in New York. “The actor spent time with my brother and watched how he talked and dressed and walked and kind of emulated him,” Taibah explained. 
An avid writer since childhood, she cites Charles Dickens and JK Rowling as two of her influences: “I can see myself eventually working in fantasy. I like the bittersweet, human element in my stories. I like whimsy.”

‘Film School Musical’
Maan B. and Talha B. 
Brothers Maan and Talha Bin Abdulrahman co-directed “Film School Musical,” a film that shows Murphy’s Law in full swing. Shot in long, choreographed takes and spoken in song, it’s the story of a film-school student struggling to make a film.
“It’s a parody of old Disney films, and at the same time we critique the inner world of the film student community, those funny frustrating moments we faced,” said Talha. Maan (pictured) added, “It’s my graduation film. I specialized in producing, I know a lot about the behind-the-scenes work, and there’s more drama that goes on there than on screen.” 
Maan cited Egar Wright as a reference: “In visual storytelling, he’s the king. He doesn’t say it, he just shows it.”

‘Wasati’
Ali Alkalthami
“Wasati” is based on the true story of an extremist attack on a theatre in Riyadh during a play about moderate Islam entitled “Wasati Bela Wastiah.” Ali Alkathami’s film has a distinct visual style as he depicts the day’s events through a variety of perspectives. “It’s a dark comedy tackling organized ideologies in Saudi Arabia,” he explained. “The public space of performance art and theatre in Riyadh was going through a gradual evolution, and that event kind of screwed with it.”
One of the perspectives is a surprisingly funny account of a man who learns he’s going blind. “We thought we needed to add a comedic release story in order not to create negative arguments.” Alkalthami added. “I’ve lived in this society for a long time and I’ve seen both sides of everything. We live in fear of others, and I think the lack of cinema and good shows enable that fear. You’re not seeing (a different) point of view or discussing it.”

‘Al Qatt’
Faisal Alotaibi
Faisal Alotaibi’s illuminating account of a unique and ancient artform — exclusively practiced by women in the Asiri region of Saudi Arabia — that involves decorating interior walls. “It’s a rare and singular art, and that interested me,” Alotaibi said. “I’m always drawn to stories that are insightful, informative and artistic, and all three are found in this story.”
The film first screened at Paramount studios as part of “Saudi Film Days” and has gone on to win prizes at the Short Documentary Film Festival in Rabat and at RIGA TourFilm Festival. “I’m always interested in working on true stories,” the filmmaker said. “I’m currently in post-production on another documentary about an annual festival that celebrates a seasonal fish.”

‘Coexistence’
Musab Alamri 
“Coexistence” sensitively approaches a thorny topic: the Shia-Sunni divide. It centers on two college roommates, Nasser and Kalifa, whose bond is tested by sectarian differences. Ultimately, it’s a story about acceptance.
“I decided to make the film because, unfortunately, not many people in my country are brave enough to tackle these subjects,” said writer-director Musab Alamri. “Why are we shy about discussing our issues? We may be different, but it’s not fine if we don’t accept those differences.”
Musab has made eight short films as a director, writer and editor. “I believe as a director, if you have a vision, you must be engaged in all three.” He cited Tarantino and Spielberg as influences: “I’m a big fan of Hollywood. Let’s be honest, Hollywood is number one in the world.”

‘The Darkness is a Color’
Mujtaba Saeed
Mujtaba Saeed’s film is a moody, character-based short. On the surface, it is about a German hunter who delves into the depths of the Black Forest looking for his lost gundog. But there are layers underneath, too, which he approaches with poetic simplicity. 
“The film is more of a situation than a plot. It is ultimately about the crisis one faces when confronted with the shadow of ageing,” Saeed explained. He came up with the idea after an elderly hunter (with “racist tendencies”) took him on a trip into the forest. “He took me there from a sense of pride, to show me his kingdom and I became interested in discovering the effect of the forest on German characters.”
To achieve that, Saeed said he spent two weeks living in the Black Forest before making the movie.

‘The Scapegoat’
Talha B. 
Talha Bin Abdulrahman’s second entry is about the internal crises of a once-successful novelist who grapples with the fear of losing his creativity. American-Egyptian actor Ahmed Ahmed plays all four roles in the film: the writer and three personifications of his psyche. “My film is about writer’s block. But it’s also about the psychological process of writing,” Abdulrahman explained. “The main conflict is about a man dealing with aspects of himself, dealing with his ego. And this ego becomes manifested as people.” He listed Stephen King, Denis Villeneuve and Christopher Nolan as the main inspirations behind his own storytelling.

 


Miss Universe Bahrain Shereen Ahmed wins Voice for Change Silver award in Mexico

Updated 15 November 2024
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Miss Universe Bahrain Shereen Ahmed wins Voice for Change Silver award in Mexico

DUBAI: Miss Universe Bahrain Shereen Ahmed was announced on Thursday as one of the seven Silver winners of the Voice for Change competition at the 73rd Miss Universe beauty pageant in Mexico.

“This is for all the hardworking single moms out there,” she wrote to her followers on Instagram after the announcement was made.

Joining Ahmed as Silver winners of the Voice for Change competition were Anouk Eman of Aruba, Saran Bah of Guinea, Opal Suchata Chuangsri of Thailand, Matilda Wirtavuori of Finland, Snit Tewoldemedhin of Eritrea, and Raegan Rutty of the Cayman Islands.

The award was presented after the preliminary round, which featured 126 contestants from around the world showcasing swimsuits, evening gowns, and national costumes.

The Gold winners of the competition were Juliana Barrientos of Bolivia, Ana Gabriela Villanueva of Guatemala, and Davin Prasath of Cambodia.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Logina Salah (@loginasalah)

Besides Ahmed, there are two other Arabs representing their countries: Logina Salah from Egypt and Nada Koussa from Lebanon.

For the National Costume competition, Ahmed donned a flowing green gown featuring gold embellishments and a structured shoulder cape. She also wore a gold headpiece and held a large gold incense burner prop.

Salah opted for a Cleopatra-inspired ensemble in shades of blue, gold, and bronze, designed by Simeon Cayetano. The cape featured hand-painted pyramids and the Sphinx, framed by protective wings. Hieroglyphic scripts adorned the lower portion of the cape.

Koussa wore a rich purple ensemble with intricate silver embroidery. The outfit included a tall, cylindrical, metallic headpiece and a full-length cape with pronounced shoulders, adorned with leaf-like motifs that extended down the back. The dress underneath was composed of a lighter, shimmery fabric.


Ayman Al-Zubaidi: Bringing authentic Saudi flavors to London’s culinary scene

Updated 15 November 2024
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Ayman Al-Zubaidi: Bringing authentic Saudi flavors to London’s culinary scene

  • The founder of London’s Hijazi Corner was hopeless in the kitchen, but his move abroad sparked a desire to recreate the cuisine of his homeland 

LONDON: Ayman Al-Zubaidi — the acclaimed chef behind Hijazi Corner, London’s first Saudi Arabian restaurant — has cooked for dignitaries, diplomats, celebrities and even the Kingdom’s royal family. But his most discerning critics were waiting for him much closer to home. 

In 2021, after several years living in London, Al-Zubaidi came home to Jeddah. But instead of the football shirt his family had pictured him wearing after his UK studies in sports science, he returned in chef whites. It was a transformation that no one saw coming — least of all him. 

Growing up in Jeddah’s Al-Sabeel district with his sister and three brothers, Al-Zubaidi could barely boil his own water. The kitchen was strictly his mother’s territory, and his late-night culinary ventures didn’t go far beyond packets of instant noodles. But now, the tables had turned, and his mother was seated as his guest. 

Hijazi Corner is London’s first Saudi Arabian restaurant. (Supplied)

“When I first moved to the UK, I was clueless in the kitchen, so I called her for help,” Al-Zubaidi tells Arab News from his restaurant in London’s de facto Arab district of Edgware Road. It was her loving mentorship that laid the foundations for his culinary journey, shaping his path to becoming one of London’s most distinctive chefs. 

“When any chef starts to speak about food, they talk about their mum. Her chicken kabsa is a bit oily, a bit shiny and looks amazing — even just talking about it now I become hungry,” Al-Zubaidi says. “But even if I had the same ingredients and made it the same way, hers would always taste better.” 

Building on family recipes honed over decades by his ancestors in Yemen, Al Zubaidi’s Hijazi Corner is the only place in the UK capital where Saudis can find a true taste of home. 

Lined with thick carpets and ornate window paneling evoking the buildings of Jeddah’s Al-Balad historical district, its menu is full of comforting favorites drawn from across the Kingdom’s western coastal region — chicken seelag, slow-roasted lamb haneeth and delicate, flaky samboosek. 

Al-Zubaidi with Saudi Ambassador to the UK Prince Khalid and the latter's wife. (Supplied)

“From the richest person to the poorest person in Saudi Arabia, we eat the same food,” he says. “When we celebrate, when we grieve, when we are happy or sad, we get masoub (banana pudding) or motabbaq (thin layers of pastry stuffed with meat).” 

Al-Zubaidi’s path to the kitchen was anything but conventional. As a teenager eager to learn English, he set his sights on the UK, drawn by what he called “a love for the accent,” and made the leap in 2017. After completing his language course, he switched tracks to study sports. But somewhere between lectures and life abroad, homesickness hit in the form of a craving for the familiar flavors of Arabia. 

“In London, you can find plenty of Turkish, Kurdish, Indian, even Malaysian options — but nothing from Saudi,” he explains. “So I decided to make it myself.” He began recreating the comforting dishes of home in his small Clapham flat, selling them cash-in-hand to fellow Saudis in search of an authentic taste of the Kingdom. 

But the secret didn’t stay a secret for long. Soon, his passion found a new platform — Snapchat. 

Al-Zubaidi shared short videos of his cooking process, garnishing each clip with personal moments and mouth-watering close-ups of Saudi dishes. His humble videos quickly gained a loyal fanbase, and orders poured in from every corner of the city — particularly as COVID took hold in the early months of 2020. 

“People from the Saudi embassy added me, people from Aramco working in London added me. Saudis living here, working here, growing up here — plus lots of foreign people who had been to my country and tried this food before.” 

What started as a side hustle quickly evolved into a pop-up, and by 2023, into a brick-and-mortar restaurant where Londoners could finally experience the authentic flavors of Saudi Arabia. 

During the pop-up stage, Al-Zubaidi’s Snapchat followers became more than fans; they became enablers of his culinary vision, bringing a piece of Saudi Arabia to his London kitchen. Whenever one of his followers planned a trip from Saudi to the UK, they’d reach out, asking if he needed any hard-to-find ingredients. 

Al-Zubaidi’s requests were simple but essential — fragrant spices, fresh dill, and most importantly, the special pastry sheets that he just couldn’t source in London.   

“I’d say ‘I need the real pastry for samosa.’ And they’d bring it for me,” he says. 

The enthusiasm was mutual. His followers were just as eager to bring these reminders of home, knowing he’d transform them into the dishes they missed. 

Yet not everyone was as supportive. As he juggled his studies and the pop-up, criticism began to surface, especially from former friends back home. 

“They mocked me,” he recalls. “They’d say things like, ‘You went to the UK to study, and now you’re just selling food?’” 

Influencers he approached for social-media support brushed him off with dismissive remarks. But Al-Zubaidi was undeterred, finding new friends and switching his studies from sport to cooking. With a network of loyal clients and the backing of a few new investors he had met along the way, he began seriously considering a restaurant. 

One wealthy friend, who had seen the young chef’s determination, urged him to take the plunge. After months of hard work studying knife skills, mastering Saudi dishes, and learning the restaurant business inside out, Al-Zubaidi took the leap. 

Two years after opening its doors, Hijazi Corner is a definite success, becoming one of London’s top-rated Middle Eastern eateries. It’s perpetually packed with diners, and has become a go-to spot for celebrities, diplomats, and dignitaries from the Arab world and beyond, all seeking an authentic taste of Saudi Arabia. 

After showcasing Saudi cuisine at several festivals and events, on National Day this September, Al-Zubaidi received a special honor — an invitation to the Kingdom’s embassy in London. 

The recognition came after HRH Prince Khalid Bin Bandar Al-Saud, Saudi Arabia’s ambassador to the UK, visited Hijazi Corner and was so impressed that he mentioned it by name in his National Day speech. Al-Zubaidi, overcome with pride, shed tears of joy.  

“I am proud of what I’ve achieved, but I haven’t finished yet,” he says. “This is just the beginning—there’s so much more of Saudi culture I want to share with the world.” 


Saudi fashion designer and founder of Pavone Shouq Almubarak talks inspiration and innovation

Updated 15 November 2024
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Saudi fashion designer and founder of Pavone Shouq Almubarak talks inspiration and innovation

  • ‘My designs are a heartfelt expression,’ says Shouq Almubarak

RIYADH: Saudi fashion designer Shouq Almubarak is dreaming big, both for the Kingdom’s fashion industry and for her own brand, Pavone.  

“The future holds endless possibilities, and I have ambitious plans aligned with the growth of the Kingdom’s fashion industry,” Almubarak told Arab News on the sidelines of Riyadh Fashion Week in October. “I aim to continue expanding my work with larger projects that seamlessly blend authenticity with modern creativity. My ultimate vision is to reach a global audience, sharing the beauty and pride of the Saudi identity.” 

The designer also expressed her gratitude at being selected as one of the designers to represent the Kingdom on a global stage at the event, which took place from Oct. 17 to Oct. 21. 

The designer also expressed her gratitude at being selected as one of the designers to represent the Kingdom on a global stage at the event. (Supplied)

“Being part of Riyadh Fashion Week is a true honor and a moment of immense pride,” she said. “It’s not just about presenting my designs, but about contributing to the rise of Saudi fashion on the global stage. It’s an opportunity to leave my mark and help shape the future of fashion in the Kingdom.” 

Almubarak established Pavone in 2016 in the Eastern province of Saudi Arabia with the aim of creating innovative designs that “meet the ultimate beauty and spirit of modern women.” She told Arab News that much of her inspiration — aside from seeing beautiful things that spark her imagination — comes from within. 

Almubarak established Pavone in 2016 in the Eastern province of Saudi Arabia. (Supplied)

“I draw from moments that leave a lasting impact — whether it’s an emotion, a scene, or just a quiet moment of reflection. I then transform these moments into tangible works of art that capture and reflect the essence of those experiences. My designs are a heartfelt expression,” she said. 

Those “artistic pieces” include her couture collection “Lina,” which she presented at last year’s Riyadh Fashion Week and which she describes as one of her greatest accomplishments as a designer. 

“This collection was a breakthrough for me, as it challenged me to explore new, unconventional ideas,” Almubarak said. “‘Lina’ is more than just a fashion line — it symbolizes the beginning of an exciting new chapter in my career, full of opportunities; a defining moment that has shaped my journey as a designer.” 

Almubarak established Pavone with the aim of creating innovative designs that “meet the ultimate beauty and spirit of modern women.” (Supplied)

The biggest challenge Almubarak has faced so far, she said, is finding partners who not only understand her vision but also share her commitment to exceptional quality. 

“Ensuring that every design was brought to life with meticulous attention to detail and delivering the level of excellence my clients deserve has always been the goal I strive to achieve,” she said. 

Discussing tips for aspiring designers, she said: “My key advice is to prioritize quality; you have to select the right factory and partners. Design isn’t just about the concept — it’s about translating creativity into a finished product with precision and craftsmanship that aligns with the customer’s expectations.” 


Highlights from the winning entries in the Hamdan bin Mohammed bin Rashid Al Maktoum International Photography Award 

Updated 15 November 2024
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Highlights from the winning entries in the Hamdan bin Mohammed bin Rashid Al Maktoum International Photography Award 

DUBAI: Here are three highlights from the winning entries in this year’s Hamdan bin Mohammed bin Rashid Al Maktoum International Photography Award.

Youmn Mohammed Almanla 

The Saudi photographer claimed second place in the ‘Color’ category of this year’s HIPA awards for this stunning image of horse riders firing rifles against a twilight sky — an example of the ancient Moroccan equestrian art known as ‘tbourida,’ which is included on UNESCO’s list of Intangible Cultural Heritage. It is, Almanla said in his statement, “a breathtaking display of skill, bravery, and the untamed spirit of the desert.” 

Liping Cao 

The Chinese photographer picked up the Grand Prize at this year’s awards (staged under the theme ‘Sustainability’) for this dramatic black-and-white shot he named “Quiet Power.” It shows an Australian wind farm. “The dry riverbed below the turbines adds depth, while serving as a reminder of the importance of sustainable practices,” a statement from HIPA reads. 

Fatma Alzahra Shbair 

The Palestinian photographer won first prize in the “Portfolio” category for a collection of scenes from the Gaza Strip taken over the months since Israel launched its assault on the enclave in October 2023. “Through telling the stories of others, the storyteller realized they were also sharing their own — an intertwined account of survival and collective suffering,” a HIPA statement reads.  


Celine Dion, Jennifer Lopez and Halle Berry hit the stage at landmark Elie Saab show in Riyadh

Updated 15 November 2024
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Celine Dion, Jennifer Lopez and Halle Berry hit the stage at landmark Elie Saab show in Riyadh

RIYADH: The only thing sparkling brighter than the stars on the red carpet and performers on stage were the dresses on the runway as Lebanese icon Elie Saab put on a spectacle on Wednesday night in Riyadh with Jennifer Lopez, Celine Dion and Halle Berry hitting the stage in addition to a runway show of his creations.

In celebration of 45 years of Elie Saab, the show displayed 300 designs under the theme “1001 Seasons of Elie Saab,” an homage to the 1001 nights collection of Middle Eastern folktales.

Celine Dion was spotted on the red carpet at the event. (AN Photo/ Jafer Alsaleh)

Former French Vogue editor Carine Roitfeld styled all the looks for the runway.

Guests were given a surprise when stars Lopez, Camila Cabello, Nancy Ajram, Amr Diab, and the legendary Celine Dion took to the stage in celebration of Elie Saab.

Oscar-winner Halle Berry hit the stage. (AN Photo/ Jafer Alsaleh)

Opening the show was none other than Hollywood actress Berry wearing the same Elie Saab gown she wore when she won her first Oscar in 2002, making her the first Black woman to win the award for Best Actress.

Prior to the show, Berry was seen on the red carpet talking about how this was her first time meeting Saab in person, “That was the highlight of this trip for me to finally meet this man who I have been inextricably connected to for 22 years, and to give him a hug and tell him thank you.”

Pop icon Jennifer Lopez performed at the event. (AN Photo/ Jafer Alsaleh)

Celebrity stylist Law Roach, known for styling Hollywood A-listers like Zendaya, Anya Taylor Joy, Bella Hadid, and Celine Dion, talked to Arab News about Elie Saab’s ability to transcend eras.

“Elie Saab is one of the few couturiers whose clothes can be passed down to generations and generations and be reinterpreted.”

Models gather on stage at the Elie Saab show in Riyadh. (AN Photo/ Jafer Alsaleh)

“Maybe someone got married in it (a dress), and maybe generations down the granddaughter of someone gets married in the same dress, it has that possibility of just being timeless and forever,” he said.

Saudi French model Amira Al-Zuhair was spotted on the runway. (AN Photo/ Jafer Alsaleh)

The spectacle began with a performance by Lopez, a frequent wearer of Saab’s creations. The first designs exhibited an array of black-and-white dresses adorned in classic crystals, a signature touch in most of his designs.

Next up was “an ode to the female figure”, where dresses in different shades of pink and green were lit up on stage with the help of singer-songwriter Camila Cabello. This section of the show featured what looked like a garden theme, detailing the beauty of the natural world as it interconnects with the beauty of women.

The tale continued into a silver and blue chapter, where the audience was given a touch of Arab culture with Lebanese singing icon Nancy Ajram, a nod to Elie Saab’s Lebanese heritage as well, followed by Egyptian star Amr Diab.

The show featured 300 looks. (AN Photo/ Jafer Alsaleh)

“Elie Saab, the name introduces itself. When we say Elie Saab we say elegance… when I wear Elie Saab I look at myself in the mirror more often and find myself more beautiful,” Ajram stated before her performance.

“I am also happy that a Lebanese creative deserves to be honored, is very successful, and we all see ourselves in him.”

In celebration of 45 years of Elie Saab, the show displayed 300 designs under the theme “1001 Seasons of Elie Saab.” (AN Photo/ Jafer Alsaleh)

The show concluded with a showcase by Dion, who gave an emotional and empowering performance that had the entire audience on their feet.

The show featured 300 looks. (AN Photo/ Jafer Alsaleh)

“Being here (in Riyadh) for the first time is kind of a dream come true,” Dion said.

“His (Elie Saab’s) generosity, his talent, he has been singing with me because I have been wearing his dresses, his talent, for many, many, years.”

In celebration of 45 years of Elie Saab, the show displayed 300 designs under the theme “1001 Seasons of Elie Saab.” (AN Photo/ Jafer Alsaleh)

Elie Saab Jr., CEO of Elie Saab, said: “We have been thinking a lot about how to create an international event in high fashion in the heart of Riyadh. And I believe it is a one of a kind event, not just for Riyadh, but for the whole world and the whole fashion industry.”

The evening was attended by more than 1,000 guests, including Egyptian actress Youssra; Italian star Monica Bellucci; British models Rosie Huntington-Whiteley, Poppy Delevingne  and Jourdan Dunn, supermodels Adriana Lima, Candice Swanepoel and Helena Christensen, and Arab actresses Nadine Njeim, Cyrine Abdel Nour, and Tara Emad.

Lebanese superstar Nancy Ajram on stage. (Supplied)

Mustafa Sammak, COO of Ohana Development, which collaborated with Elie Saab on the Waterfront Tower in Abu Dhabi, told Arab News at the event that the showcase “powerfully reflects Middle Eastern artistry and heritage, drawing global attention to the region’s luxury landscape and creative depth. It reminds us that design — whether in fashion or real estate — has the ability to tell stories and bridge cultures.”