Tracing the origins of Ramadan decorations

A man prepares Ramadan decorations including a lantern known as a ‘Fanous.’ AFP
Updated 02 June 2018
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Tracing the origins of Ramadan decorations

  • Celebrating the holy month in style has become an integral part of the Saudi way of life
  • The tradition of dressing modestly has developed in the last few years and become a lucrative market for fashion designers

JEDDAH: The holy month of Ramadan is no longer just about fasting, iftar and sahoor meals, and night prayers. With the passage of time, Muslims across the world have found ways to express their love for this holy month in different manners.

Using special decorations is one of the ways to celebrate the holy month. As a matter of fact, Ramadan decorations are increasingly becoming an integral part of Ramadan preparations for many families in Saudi Arabia.
There are two main elements of these Ramadan decorations: Lanterns and colorful fabric with red patterns used in various types of decorations.
The combination of these two elements gives a reddish oriental theme to Ramadan celebrations in Saudi Arabia.
A few years ago, Ramadan decorations were available only in big markets and huge stores and people had fewer options. However, the advent of the internet and the social media revolution have changed the situation with major brands and stores coming up with innovative ideas to attract customers thus changing the way we used to celebrate Ramadan in the past.
Local and international brands offer innovative Ramadan products and collections every year ranging from home accessories, items, party supplies, Ramadan pillows, mattresses, tablecloths, Ramadan jewelry, dresses, perfumes, and even Ramadan cake designs, food presentation, packaging and much more. Special prints and symbols are used in the making of these items to give them a touch of Ramadan.
The print used on all types of product is either the traditional red-themed oriental pattern, or a redesign of it, and the most recognizable symbols used on most of the Ramadan-related items are the traditional lantern and crescent.  
Contrary to popular belief, using decorations to celebrate Ramadan is not a recent phenomenon. Historians may differ over the exact origins but they do agree that the use of lanterns and the traditional red patterned fabric first began in Egypt.
It is said that lanterns were used during the Fatimid Caliphate at the end of the 10th century and at the beginning of the 11th century.
History books tell us that during the month of Ramadan in 362 AH, Caliph Al-Muizz Lideenillah Fatimi arrived in Cairo from Morocco. The Egyptians went out in large processions to greet him at night holding torches and decorated colorful lanterns to light the streets. These lanterns remained lighted until the end of Ramadan filling the streets with joy.
In that connection, Abu Bakr Al-Jassas, a Muslim scholar of the 9th century, in his book “Unanimity of Scholars” stressed that the celebration of festivals (Eids) and the month of Ramadan began in the period during which the Tolonic state was established i.e. between 868 and 905 AC. According to him, squares were lighted and streets decorated during the month of Ramadan and festivals (Eids).
Others choose to refer these Ramadan social traditions to earlier times. Ziad Sami Itani said in an article, titled “Ramadan customs: Ramadan decorations,” that the first to start celebrating the coming of Ramadan was Caliph Umar ibn Al-Khattab, who was a companion of Prophet Muhammad (peace be upon him). Itani said that Caliph Umar decorated mosques and lit them starting from the first day of Ramadan so that Muslims could perform Taraweeh prayers and other religious rituals comfortably.
The traditional red-patterned fabric originates from Al-Khayamiyya art, which means Tentmakers art. It is an authentic Egyptian art used to decorate tents and it is one of the unique Egyptian traditions.

It is said that it existed since the era of the Pharaohs, yet it indeed flourished in the Islamic era, especially during the Mamluk rule in Egypt (between 1250 and 1517).

Decorative applique
Al-Khayamiyya was associated with the Kaaba cloth embroidered in gold and silver threads, which used to be manufactured in Egypt until the 1960s. It was sent to the Hijaz in a majestic procession known as the “Mahmal.”
This craft of tentmakers is widely present in Al-Khayamiyya Street in Cairo. Al-Khayamiyya market was built in the 1600s. It is Cairo’s sole remaining medieval covered market located in a 300-meter-long street near Bab Zuwayla, Cairo’s medieval gate and the only one remaining from the 11th and 12th-century walls of Fatimid Cairo.
The market is famous for its colored fabrics used for the massive street tents set for funerals, weddings, shop openings and other gatherings.
The market includes other goods like applique works, cushions, covers, Egyptian cotton bed covers, wall hangings, car covers and traditional Egyptian “galabeyas” (long traditional dress).
Ramadan decorations had varied during the centuries, yet the most significant traditions that influenced the region and the world derived from Egypt.

Special outfits
The society’s respect for the holy month of Ramadan has indirectly developed a dress code that limits outfit choices during Ramadan, especially for women.
People dress modestly in Ramadan. In family and friends’ gatherings, they wear the “jellabiya,” which is a traditional Arab garment worn by both males and females. In Saudi Arabia, the female garment is called “jellabiya,” while its male version is called “thobe.”

 

 The tradition of dressing modestly has developed in the last few years and become a lucrative market for fashion designers. For many designers, Ramadan is a remarkable season — more exhibitions targeting female customers are organized before and during Ramadan, more designs and collections are launched every year for adults and children.
International brands have also started to launch special collections for Ramadan, targeting Muslim women in the Middle East.

What do Saudis think of Ramadan trends?
Banan Mohammed from Jeddah views Ramadan traditions as a form of social pressure.
“It is really a nice thing to make one whole month of the year a special one at all levels. But I feel, whatever  (commercialization) is happening around us, is only piling up pressure on us to make us more consumptive,” she told Arab News.
She lamented the growing irresponsible consumerism in society.
“Ramadan should serve as a spiritual journey for us to strengthen our connection with our Creator, our families and people we love, and to ourselves too,” she added “Ramadan decorations and outfits should support the goal of moral and spiritual purity. If not, then I think we are missing the whole point of Ramadan, and moving in the opposite direction.”
She said: “In my family, we make very little efforts in preparing for Ramadan, I like that we don’t overdo it, it is nice and beautiful because it is simple and it still positively influences the atmosphere at home.”
Samia Bahaziq, another Jeddah resident, takes Ramadan preparations more seriously and pays attention even to minor details and she believes she has a reason to do so. “I do that to make my kids happy and excited for Ramadan. It also helps and encourages them with their fasting,” she told Arab News.
“Preparing for Ramadan is our family custom. We always make special preparations for Ramadan so as to ensure it is not like any other month of the year. It is something etched in our minds,” she said.
“But honestly, now I see that social media platforms are promoting opulence in society, which is alarming,” Bahaziq added.

Decoder

What is Al-Khayamiyya?

It is a type of decorative applique textile developed in Egypt and historically used to decorate tents across the Middle East.


Saudi Interior Ministry confirms ban on transferring or publishing security surveillance camera recordings

Updated 06 January 2025
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Saudi Interior Ministry confirms ban on transferring or publishing security surveillance camera recordings

  • Anyone who violates the rule will be punished with a fine of SR20,000 ($5,327), interior ministry says

RIYADH: Saudi Arabia’s Interior Ministry confirmed that the provisions of the “Use of Security Surveillance Cameras” law prohibit the transfer or publication of security surveillance camera recordings.

Security surveillance camera recordings can only be transferred or published with the approval of the ministry or the Presidency of State Security, based on a judicial order, or at the request of an investigating authority.

The ministry explained that anyone who violates this rule will be punished with a fine of SR20,000 ($5,327).

This includes anyone who transfers or publishes recordings in violation of the law or damages or vandalizes security surveillance camera systems or recordings.


Saudi artist breaks from signature style with ‘W’ard’ exhibition

Updated 06 January 2025
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Saudi artist breaks from signature style with ‘W’ard’ exhibition

  • Dammam collection running until Jan. 10 features sculpture, video and imagery

DHAHRAN: Visitors are immersing themselves in a vibrant celebration of art as Hussain Alismail unveils his compelling solo exhibition, “W’ard,” at the SASCA Art Gallery in Dammam, Saudi Arabia.

Launched on Dec. 30 last year and running until Jan. 10, the exhibition is a captivating journey through the artist’s evolving vision.

‘Wa’rd’ series by Hussain Alismail showcases a rich blend of experimentation with different materials, colors and artistic techniques. (Supplied)

In the “W’ard” series, Alismail breaks free from his signature style, which often features bold continuous-line drawings in striking shades of black and red.

Instead, the collection showcases a rich blend of experimentation with different materials, colors and artistic techniques.

HIGHLIGHTS

• Primarily focused on drawing and painting, Hussain Alismail’s artworks delve into the intricate complexities of Saudi social dynamics.

• His works are a way to spark everyday conversations, encouraging viewers to think about the small details of human relationships and expressions.

Visitors can expect to encounter an array of fascinating works, from collages that fuse imagery, mixed media pieces with texture, three-dimensional sculptures, to dynamic video installations that spark imagination.

Hussain Alismail creates a new piece while visitors watch at his W’ard exhibition in Dammam. (Supplied)

At the heart of Alismail’s work lies the symbol of the rose, a timeless emblem of unity that surpasses differences, inviting connection among visitors.

He said: “For this exhibition, I selected flowers to represent the unity among Saudis from different regions, reflecting the shared appreciation for Talal Maddah’s songs that gained popularity in the late 1950s and resonated with both youth and older generations.”

This cultural reference runs throughout the exhibition, highlighting the themes in Alismail’s artwork.

For this exhibition, I selected flowers to represent the unity among Saudis from different regions, reflecting the shared appreciation for Talal Maddah’s songs that gained popularity in the late 1950s and resonated with both youth and older generations.

Hussain Alismail, Saudi artist

Through his collection, Alismail creates an artistic experience that celebrates unity in the diversity of humanity.

“I see my artwork as a reflection of who I am, but once it’s out in the world, it belongs to everyone to interpret and connect with however they choose,” he told Arab News.

Alismail is not only a gifted artist, but also a committed scholar, having recently relocated to Melbourne, Australia, to pursue a master’s degree in design innovation and technology at RMIT.

His time in academia, which he describes as research-focused, has significantly influenced his art. “I’ve found these skills super useful for my art in this exhibition and they’ll definitely play a bigger role in my upcoming projects.”

Alismail holds a bachelor’s degree in fine arts in drawing and painting from OCAD University in Toronto, Canada, as well as a bachelor’s degree in creative arts in visual effects and entertainment design from Flinders University in Adelaide, Australia.

His academic background enriches his creative practice, fueling his artistic exploration.

Primarily focused on drawing and painting, Alismail delves into the intricate complexities of Saudi social dynamics.

His works are a way to spark everyday conversations, encouraging viewers to think about the small details of human relationships and expressions.

Beyond canvas and paper, Alismail’s artistic skills include photography, videography and digital graphics, allowing him to create stories that invite exploration.

“Medium serves as a platform for discovery. I constantly challenge myself to go deeper into techniques and artistic presentations,” he said.

For the exhibition, Alismail embraced a variety of innovative mediums. “I played around with 3D design, 3D printing, AI generative imagery and various other hands-on mediums,” he said.

Additionally, he aims to create a vibrant experience, expressing his desire that viewers feel “joyful and leave with a smile on their face.”

Inspired by cultural stories around him, Alismail combines personal and community tales in his art, enhancing the diverse narratives he shares.

With an eye toward revitalizing cultural connections, his work fosters an enriched understanding of our shared human experiences.

“What my audience has seen from me before is different from what I’m creating now, and I know it’ll have even more depth down the line.”

 


Two substations opened by Diriyah Company and Saudi Electricity Company in Riyadh

Updated 06 January 2025
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Two substations opened by Diriyah Company and Saudi Electricity Company in Riyadh

  • The larger substation will support the first phase of Diriyah’s development and will be implemented through Saudi Services for Electro Mechanic Works

RIYADH: Two major electrical substations were launched at the Diriyah megaproject in Riyadh on Monday.

The substations will be operated by the Saudi Electricity Company and will speed up the development of projects in the historical area of Diriyah as well as nearby Wadi Safar.

“Today is very special to us,” Jerry Inzerillo, group CEO of Diriyah Company, told Arab News, before underlining the importance of developing infrastructure to be able to complete projects in time for Riyadh Expo 2030.

Jerry Inzerillo, Group CEO of Diriyah Company, and the CEO of Saudi Electricity Company, Khalid Alghamdi during the launch of the two substations. (Supplied)

Inzerillo further elaborated on how the project requires sustainable development because it will be serving a large number of people.

The housing project “will cater to 100,000 people who will live, work, recreate, and pray with us every day,” the CEO said. “So, you need all-new, smart-city technology that the Kingdom is leading on.”

The larger substation will support the first phase of Diriyah’s development and will be implemented through Saudi Services for Electro Mechanic Works.

HIGHLIGHT

The two substations were designed in line with Diriyah’s traditional Najdi architectural style to preserve the area’s cultural identity.

The second substation, developed by the Saudi Electricity Company through Maetel contracting company, will be one of the main power sources for Wadi Safar.

This will result in a combination of the area’s natural beauty with modern infrastructure, including hospitality assets and sports facilities such as the Royal Diriyah Equestrian and Polo Club, and Wadi Safar golf course.

Also at the event, the acting CEO of SEC, Khalid Al-Ghamdi, expressed his excitement for this significant event and milestone.

“The completion of the bulk substation and the primary substation marks a new era for Diriyah, one that combines advanced infrastructure with our shared vision of creating a sustainable, world-class city,” Al-Ghamdi said.

“We are honored to work with Diriyah Company to bring power solutions that are both reliable and in harmony with Diriyah’s architectural heritage,” he added.

Diriyah is one of Saudi Arabia’s main megaprojects, supported by the Public Investment Fund. The project will eventually have homes for 100,000 people and is aiming to host millions of visits per year by 2030.

The Diriyah project alone contributes $18.6 billion directly to Saudi Arabia’s GDP and will create 178,000 job opportunities, according to the Diriyah Company.

The two substations were designed in line with Diriyah’s traditional Najdi architectural style to preserve the area’s cultural identity.

While the city is a major part of Saudi Arabia’s Vision 2030, it also has historical importance because Diryiah is the birthplace of the Kingdom of Saudi Arabia.

 


Saudi aid agency KSrelief sends humanitarian aid to Syria by road and air

Updated 06 January 2025
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Saudi aid agency KSrelief sends humanitarian aid to Syria by road and air

  • 60 agency trucks deliver food, shelter materials and medical supplies to meet needs of the Syrian people
  • Six planes carrying aid from the Kingdom arrive at Damascus International Airport

RIYADH: Sixty trucks carrying relief supplies from Saudi Arabia crossed the Nasib Border Crossing into Syria on Monday, as part of a humanitarian effort organized by Saudi aid agency KSrelief.

The trucks contained essential supplies including food, shelter materials and medical supplies, the Saudi Press Agency reported.

Also on Monday, six planes planes carrying aid from the Kingdom arrived at Damascus International Airport.

Jordanian authorities said 600 trucks filled with aid have entered Syria through the Jordanian-Syrian Free Zone since the collapse of President Bashar Assad’s regime on Dec. 8. The director general of the zone, Irfan Khasawneh, told the Jordan News Agency that the flow of goods has remained consistent since then.

The shipments are addressing the needs of the Syrian people for essential items such as food supplies, energy equipment and spare parts for machinery, he added.

Trade is flowing smoothly, with transactions completed promptly and without delays, Khasawneh said, and staff at the zone are ready to handle larger volumes of trucks and goods in the days ahead.


Anti-extremism group Etidal helps Telegram remove 160m items of extremist content in 3 years

Updated 06 January 2025
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Anti-extremism group Etidal helps Telegram remove 160m items of extremist content in 3 years

  • Riyadh-based organization says the collaboration has had a significant effect in curbing the spread of extremist propaganda and recruitment efforts
  • Platform thanks Etidal, says partnership has been instrumental in efforts to identify and remove harmful content

RIYADH: The Global Center for Combating Extremist Ideology, also known as Etidal, said on Monday that more than 31 million items of extremist content were removed from messaging service Telegram during the final quarter of 2024.

This brought the total number of such items removed from the platform since the start of their partnership in 2021 to more than 160 million, it added.

Etidal, which is based in Riyadh, said international cooperation is important in efforts to address extremist ideologies and counter the global threat posed by terrorist organizations, and that the collaboration with Telegram has had a significant effect in curbing the spread of extremist propaganda and recruitment efforts.

The platform said it has intensified its efforts to combat extremism since 2022 and expressed its appreciation for the partnership with Etidal, saying it has proved to be instrumental in efforts to identify and remove harmful content.

“There is no place for incitement to violence or terrorist propaganda on Telegram,” it added.

Etidal said it uses advanced technologies to help monitor and analyze extremist content, and detect the deceptive propaganda and tactics used by terrorist organizations in an attempt to evade content removal. It added that its efforts form part of Saudi Arabia’s broader strategy to help safeguard societies through an integrated approach, including targeted media campaigns to raise awareness of the dangers of extremism.

In addition to its partnership with Telegram, Etidal has established strategic collaborations with other international organizations. In 2021, for example, it signed a memorandum of understanding with the UN Counter-Terrorism Center.