Telling a story of epic dimensions: How media cover Hajj

Anisa Mehdi became the first US journalist to cover the Hajj for television. (AFP)
Updated 14 August 2018
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Telling a story of epic dimensions: How media cover Hajj

  • Hajj adds up to one of the biggest gatherings of humanity on Earth
  • A big event demands a media operation on a commensurate scale

MAKKAH: The numbers alone are simply staggering — last year involving 40,000 civil servants, 17,000 civil defense personnel, eight air ambulances and 300 ambulances on the ground, 2,000 Saudi Red Crescent representatives — all with the same mission; to look after more than three million people from more than 80 countries speaking goodness knows how many different languages.
Hajj adds up to one of the biggest gatherings of humanity on Earth. By comparison, Christmas mass at the Vatican, with 11,000 in attendance, looks like an intimate occasion.
In terms of religious gatherings, only the Hindu pilgrimage, the Kumbh Mela, is bigger with about 100 million to 120 million participants. But that takes place over two months, not two weeks, and rotates around four different locations.
A big event demands a media operation on a commensurate scale. Sky News Arabia, to name but one network, is sending a team of 15, from the London, Cairo, Riyadh and Jeddah bureaus.
Some reporters will mingle with the masses in search of heart-warming stories of family reunions and dreams come true. Others will be in the air, circling overhead in police helicopters.
BBC Arabic, the British public service broadcaster's Arabic service, is sending “a small team, including a reporter and local producer.” Planning began in early June and the coverage will include digital and Facebook content.
This year the Saudi Ministry of Media said that it will be offering “state of the art facilities” to the 800 foreign journalists who are expected to descend on Makkah and its environs.

 

 There are fully equipped media centers with computers, and a new online portal will be an official source of news and information about the Hajj.
By far outnumbering the “official” journalists are the so-called “citizen journalists” — essentially people recording their Hajj experience on their mobile phone and posting it on social media, with the full blessing of the authorities.
While news outlets have to apply for permits to film or record, pilgrims taking selfies to post on Instagram face no such restrictions.
Arab-American Muslim journalist Anisa Mehdi said that Dr. Saud
Kateb, then Saudi Minister of Culture and Information, told her in 2013: “We’re all about citizen journalism now.”
In 1998, Mehdi, who is half-Iraqi, became the first US journalist to cover the Hajj for television. “It was the hardest thing I’ve ever done,” she said. “It wasn’t necessarily the government getting in my way, although I had to plead my case when I got there with only a Hajj visa and wanted permission to film. I had to explain why it was essential for the audience I was serving to dispel misconceptions and they (the Saudi authorities) understood that.
“There was simply no tradition of having journalists there so there were no facilities. There was nowhere for the cameraman to recharge the battery for the camera. He had to attach a cable to a car so I could continue an interview. There were no mobile phones so if you wanted to find someone you had to walk. It took more than four hours for me to find one subject in Mina. All I knew was that he was in Camp 19, but there were no maps and it was 110 degrees Fahrenheit.”
Mehdi returned in 2003 for National Geographic and again in 2014 for the Public Broadcasting Service (PBS) series “Sacred Journeys.” Despite having all the necessary permits, she and her crew were prevented from filming at the entrance to the plaza leading to the Haram.
The solution, which saved both time and hassle, was to distribute small cameras to Hajjis and let them capture the atmosphere in their own way. The minister approved, maintaining it was a good way to project a positive image.
“It’s not only the mainstream media. For non-Muslims it’s good to see the real Muslims,” Kateb told PBS. “Muslims are not having the right image all over the world, and I think we have a big responsibility to show who real Muslims are.”
The fact that the Hajj is a Muslim ritual does not mean that it holds no interest for non-Muslims.
“If you look at press coverage year in, year out, the main reason for interest in the Hajj outside the Muslim world is firstly that it’s perhaps the largest gathering of so many people from so many different parts of the world together in one place at one time,” said Dr. Sean McLoughlin, professor of the anthropology of Islam at Leeds University, who studies Muslim diasporas.
“Another headline issue that has featured periodically in the UK is the radical expansion of the Haram and the commercial redevelopment of Makkah in recent years, and especially the impact of this on Muslim history and heritage.
“However, beyond this focus on the infrastructural and organizational side of Hajj, the journeys of the pilgrims are also a genuine human interest story.”
McLoughlin said that US network CNN pioneered coverage from the Holy Places more than a decade ago. A 2003 documentary on Channel 4 in the UK “gave a genuine insight into pilgrims’ religious motivations an experiences of the sacred journey,” he added.
“There is a fascination too with the spiritual magnetism of perhaps the last place on Earth that non-Muslim Westerners cannot visit.”
In fact, CNN’s coverage of dates back 30 years, but the network is not sending a team this year because resources are taken up with covering other breaking news stories in the region.
The media — both mainstream and social — have an important part to play in challenging the perception of Muslims as “other,” said Dr. Chris Allen, associate professor at the Center for Hate Studies at Leicester University.
“In Britain, religion is a private matter. For Muslims, that line between the public and personal is less clear. If it’s presented well, without the element of preaching, if it focuses on the human story, then coverage of the Hajj has the potential to draw people into what, in Britain at least, is a niche subject.”
Does that mean Hajj is best explained to a Western audience by Western media?
“There is, in fact, very little of the ‘weird practices’ type of reporting,” said Allen. “Stories about people being fleeced by scam Hajj tour operators is not negative reporting, it’s legitimate consumer affairs journalism.
“Reporting on a tragedy like in 2015, when people died in a stampede, is not negative. It was newsworthy. There is an interest in Hajj, but it’s not a sinister interest.”
The influence of social media should not be dismissed, he added.
“The reach may be smaller and more localized than mainstream media, but put a lot of those smaller networks together and it adds up.”
He recounts how staff at his daughter’s workplace rearranged the rota so that a Muslim colleague was able to be at home for iftar during Ramadan.
“He was the only Muslim in the place and the reason the non-Muslims understood about Ramadan was because he had spoken about it. Small numbers can make big changes,” said Allen.
The success of the 2012 exhibition “Hajj: Journey to the Heart of Islam” at the British Museum in London demonstrated the growing appetite for better understanding of the Hajj, said Professor McLoughlin.
Several UK production companies have sought to make documentaries since then. BBC One was planning to run a two-part series following Nadiya Hussain, winner of “The Great British Bake Off,” on her Hajj.
While these projects have not all been realized, there is ample evidence that the importance of good media coverage is well-recognized.
Last year the Muslim Media Practitioners of Nigeria organized a conference in Lagos to “examine how robust media coverage can enhance the performance of the spiritual exercise.” It was attended by the Lagos State Deputy Governor, the Commissioner for Home Affairs, the National Hajj Commission of Nigeria, States Pilgrims Welfare Boards, private tour operators and airline representatives as well as the media.
McLoughlin said that the new media facilities fit into Saudi Arabia’s plan to expand Hajj and Umrah numbers significantly in the next decade to increase the role that religious tourism will play in the national economy. But there is more to it than that, he added. “Hajj has always been a focus for intra-Muslim exchange and diplomacy.”
Mehdi is now executive director of the Abraham Path Initiative, an NGO that has opened up 2,000 walking trails through Jordan, Palestine and Israel, following the journey of Ibrahim/Abraham, a figure revered by Muslims, Christians and Jews alike.
“The aim is to promote understanding and bring people together,” she said. “And that’s the point of the Hajj too.”

FASTFACTS

Hajj numbers

An estimated 2.4 million people performed Hajj last year.


Media group IMI and UAE Media Council sign deal to recruit and train local talent

Updated 14 November 2024
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Media group IMI and UAE Media Council sign deal to recruit and train local talent

  • Collaboration is part of the Media Apprenticeship Program launched last year by the Media Council and the Emirati Talent Competitiveness Council
  • It targets existing Emirati media professionals, as well as graduates and final-year students in media-related studies

DUBAI: IMI, a media group in the UAE formerly known as International Media Investments, has signed a cooperation agreement with the UAE Media Council to train and recruit local talent and develop media infrastructure in the country.

The initiative is part of the Media Apprenticeship Program, an initiative launched in May 2023 by the UAE Media Council and the Emirati Talent Competitiveness Council. It targets existing Emirati media professionals, as well as graduates and final-year students in media-related studies, with the aim of developing the next generation of talent in the nation’s media sector.

The agreement was signed at IMI’s new headquarters in Abu Dhabi by Mohammed Saeed Al-Shehhi, secretary-general of the UAE Media Council, and Rani Raad, CEO of the recently rebranded IMI Group, which owns several news outlets including Sky News Arabia, The National newspaper, Al-Ain News and CNN Business Arabic.

“We are proud to be the first global media group in the UAE to partner with the UAE Media Council on this initiative,” said Raad.

IMI Group, he added, can offer “aspiring Emirati talent unique opportunities to learn about the best media assets and standards” through its network of companies and the IMI Media Academy.

Launched in September, the IMI Media Academy employs the latest learning methodologies and offers an advanced curriculum focusing on the media industry, journalism and content creation.

Al-Shehhi highlighted the need to forge stronger partnerships with private media companies, and for cohesive country-wide efforts to develop the sector.

He said the partnership with IMI demonstrates the Media Council’s “commitment to empowering the media sector to attain global leadership by investing in the development of national skills and talents and equipping them with the latest media tools and technologies.”

It also aligns with the council’s desire “to nurture a new generation of talents capable of spearheading the sector and achieving significant accomplishments in the future,” he added.


Spotify introduces ‘Fresh Finds Saudi: Class 2k24’ residency program for emerging talent

Updated 15 November 2024
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Spotify introduces ‘Fresh Finds Saudi: Class 2k24’ residency program for emerging talent

  • Initiative covers songwriting and music production, music marketing, music rights and industry knowledge, and touring and performing
  • The Kingdom is an ‘incredibly exciting market’ for Spotify, says platform’s regional managing director

DUBAI: Spotify this month introduced Fresh Finds Saudi: Class 2k24, the first iteration of a program dedicated to the promotion and development of the emerging music scene in the Kingdom.

“We’re incredibly thrilled to launch Fresh Finds Saudi: Class 2k24 and are eager to see the impact it will have on the career growth of the selected artists,” Akshat Harbola, managing director of Spotify in the Middle East and North Africa region, told Arab News.

The program, which ran from Nov. 6 to 11, represented “a long-term investment in nurturing up-and-coming talent, starting with a residency format this year,” he added.

It brought together four local talents who feature on Spotify’s Fresh Finds Arabia playlist, a showcase of the best new music by independent artists and labels from the region: BrownMusic, known for merging Arabic and English lyrics with contemporary experimental electronic beats; hip-hop artist Grzzlee; Kali-B, a singer, songwriter and producer; and Seera, an all-female Arabic psychedelic rock band.

They were chosen by Spotify’s local editorial team as “standout talent” that had “already made an impression on our Fresh Finds Arabia playlist,” Harbola said.

Spotify seeks to showcase different musical genres through the program, he added, and so “we took special care to prioritize a diverse range of styles that highlight the new generation of creators” from Saudi Arabia. The selected artists “have proven they can connect with listeners and are ready to elevate their careers.”

The residency program provided them with support, mentorship and a host of resources aimed at accelerating their growth as artists and expanding their presence in the Saudi music industry, Spotify said.

The program’s curriculum focused on four topics: songwriting and music production; music marketing; music rights and industry knowledge; and touring and performing.

Experts such as lyricist, writer and creative director Menna El-Kiey, and musicians and producers Ntitled, El Waili, Soufiane Az and Ismail Nosrat, offered guidance to the participants on songwriting, beat-making, mixing and mastering.

Amin Kabbani, vice president of Arabic talent at entertainment company Live Nation Middle East, provided insights into planning and executing a successful tour, managing logistics and engaging with fans.

Sony Publishing MENA led the session on music rights and industry knowledge, during which the participants learned about intellectual property, and how to protect their work and navigate the business side of their art.

Spotify also worked with the artists to record new tracks at creative hub Merwas in Riyadh, and the results will be released by the end of the year. Nada Al-Tuwaijri, the CEO of Merwas, said the studio is “committed to nurturing talent and providing artists with the tools and environment they need to unlock their creative potential.”

She added: “The Fresh Finds Saudi: Class 2k24 initiative aligns perfectly with our vision of supporting emerging talent in the Kingdom, the region and beyond.”

Harbola said that the Kingdom is “an incredibly exciting market” for Spotify and although he was “unable to share specific listenership rankings, the level of engagement in Saudi Arabia is truly remarkable.”

The company is seeing a “strong surge” in the popularity of pop music, especially Egyptian pop, and Khaleeji music, “which remains central to Saudi listeners,” he added.

The platform’s focus on the Kingdom has grown in recent months through initiatives such as “Tarab,” a campaign that celebrated Khaleeji music and spotlighted Saudi-based RADAR Arabia artist Sultan Al-Murshed in New York’s Times Square.

Harbola said that the burgeoning local music scene and audience engagement on Spotify is driving the company’s efforts to introduce initiatives such as Fresh Finds Saudi: Class 2k24 and commit to them on a long-term basis

“While we don’t have set dates for future iterations (of the residency), our focus remains on curating unique experiences tailored to artists’ needs in different markets, whether through this initiative or other Spotify Music Programs across MENA,” he added.


Lebanese journalist Soukaina Mansour Kawtharani killed in Israeli strike on Joun

Updated 14 November 2024
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Lebanese journalist Soukaina Mansour Kawtharani killed in Israeli strike on Joun

  • Her death brings the toll of Lebanese media workers killed to 12

LONDON: Lebanese journalist Soukaina Mansour Kawtharani was killed alongside her two children and other family members in an Israeli airstrike on a three-story residential building in Joun, near Sidon in southern Lebanon.

Kawtharani, who worked as a correspondent for Radio Al-Nour, a station seen as close to Hezbollah, was reported dead on Wednesday by the radio station.

The airstrike targeted the building, which was housing displaced families, on Tuesday.

Joseph Qosseifi, president of the Lebanese Press Editors’ Association, condemned the attack, calling it a “crime” and urging international human rights organizations, the International Criminal Court, the General Federation of Arab Journalists and UNESCO to take action.

In a statement issued through the official National News Agency, he said: “The Israeli enemy makes no distinction between civilians and combatants in its bombardments, violates every law, charter and pact, and speaks only the language of fire and blood.”

The building, reportedly owned by the Ghosn family — relatives of Carlos Ghosn, the Brazil-born French Lebanese businessman and former automotive executive — was completely destroyed in the strike, which killed 15 people, including eight women and four children, and injured 12, according to the Health Ministry.

Kawtharani’s death brings the number of Lebanese journalists and media workers killed since the beginning of the Israeli-Hamas conflict to 12, according to the Lebanese Press Editors’ Association.


Parody news website the Onion buys Alex Jones’ Infowars out of bankruptcy

Updated 14 November 2024
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Parody news website the Onion buys Alex Jones’ Infowars out of bankruptcy

  • Families of victims of the Sandy Hook school shooting backed the Onion’s bid

NEW YORK: The parody news website the Onion bought conspiracy theorist Alex Jones’ Infowars brand and website in a bankruptcy auction, according to court documents filed on Thursday.
Jones filed for bankruptcy protection in 2022 after courts ordered him to pay $1.5 billion for defaming the families of 20 students and six staff members killed in the mass shooting at Sandy Hook Elementary School in Newtown, Connecticut. Jones, unable to pay those legal judgments, was forced to auction his assets, including Infowars, in bankruptcy.
The Connecticut families of eight victims of the school shooting backed the Onion’s bid, saying it would put “an end to the misinformation machine” that Jones operated.
The Onion said it aims to replace “Infowars’ relentless barrage of disinformation” with the Onion’s “relentless barrage of humor.” “The Onion is proud to acquire Infowars, and we look forward to continuing its storied tradition of scaring the site’s users with lies until they fork over their cold, hard cash,” the Onion CEO Ben Collins said in a statement. Everytown for Gun Safety, the largest gun violence prevention organization in the country, said it will serve as the exclusive advertiser on the new Infowars.
The Onion will acquire Infowars’ intellectual property, including its website, customer lists and inventory, certain social media accounts and the Infowars production equipment, the families said in a statement.
“They’re shutting us down,” Jones said on social media site X. “I’m going to be here until they come in here and turn the lights off.”


Bluesky has added 1 million users since the US election as people seek alternatives to X

Updated 14 November 2024
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Bluesky has added 1 million users since the US election as people seek alternatives to X

  • Bluesky said Wednesday that its total users surged to 15 million, up from roughly 13 million at the end of October
  • Championed by former Twitter CEO Jack Dorsey, Bluesky was an invitation-only space until it opened to the public in February

LOS ANGELES: Social media site Bluesky has gained 1 million new users in the week since the US election, as some X users look for an alternative platform to post their thoughts and engage with others online.
Bluesky said Wednesday that its total users surged to 15 million, up from roughly 13 million at the end of October.
Championed by former Twitter CEO Jack Dorsey, Bluesky was an invitation-only space until it opened to the public in February. That invite-only period gave the site time to build out moderation tools and other features. The platform resembles Elon Musk’s X, with a “discover” feed as well a chronological feed for accounts that users follow. Users can send direct messages and pin posts, as well as find “starter packs” that provide a curated list of people and custom feeds to follow.
The post-election uptick in users isn’t the first time that Bluesky has benefitted from people leaving X. Bluesky gained 2.6 million users in the week after X was banned in Brazil in August — 85 percent of them from Brazil, the company said. About 500,000 new users signed up in the span of one day last month, when X signaled that blocked accounts would be able to see a user’s public posts.
Despite Bluesky’s growth, X posted last week that it had “dominated the global conversation on the US election” and had set new records. The platform saw a 15.5 percent jump in new-user signups on Election Day, X said, with a record 942 million posts worldwide. Representatives for Bluesky and for X did not respond to requests for comment.
Bluesky has referenced its competitive relationship to X through tongue-in-cheeks comments, including an Election Day post on X referencing Musk watching voting results come in with President-elect Donald Trump.
“I can guarantee that no Bluesky team members will be sitting with a presidential candidate tonight and giving them direct access to control what you see online,” Bluesky said.
Across the platform, new users — among them journalists, left-leaning politicians and celebrities — have posted memes and shared that they were looking forward to using a space free from advertisements and hate speech. Some said it reminded them of the early days of X, when it was still Twitter.
On Wednesday, The Guardian said it would no longer post on X, citing “far right conspiracy theories and racism” on the site as a reason. At the same time, television journalist Don Lemon posted on X that he is leaving the platform but will continue to use other social media, including Bluesky.
Lemon said he felt X was no longer a place for “honest debate and discussion.” He noted changes to the site’s terms of service set to go into effect Friday that state lawsuits against X must be filed in the US District Court for the Northern District of Texas rather than the Western District of Texas. Musk said in July that he was moving X’s headquarters to Texas from San Francisco.
“As the Washington Post recently reported on X’s decision to change the terms, this ‘ensures that such lawsuits will be heard in courthouses that are a hub for conservatives, which experts say could make it easier for X to shield itself from litigation and punish critics,’” Lemon wrote. “I think that speaks for itself.”
Last year, advertisers such as IBM, NBCUniversal and its parent company Comcast fled X over concerns about their ads showing up next to pro-Nazi content and hate speech on the site in general, with Musk inflaming tensions with his own posts endorsing an antisemitic conspiracy theory.