JEDDAH: Two months have passed since the official lifting of the ban on women driving in Saudi Arabia. The majority of women in Saudi Arabia are planning to drive a car. According to a new survey by YouGov, 24 percent of women have applied for a driving license since June 2018 and 61 percent of women who haven’t applied yet are willing to apply in the future.
However, there are women who are not willing to apply for a driving license. They have several concerns, most of them around safety.
The recently launched government campaign to educate women on driving and safety regulations has not helped many women to overcome their fears.
According to YouGov findings based on an online survey, one in five women do not think that they would be a good driver. And 27 percent of them feel it is dangerous, 24 percent do not know how to drive, and 23 percent believe their husbands/ family members would not allow them to drive.
Aisha Abdellateef, 23, from Jeddah, told Arab News, “I want to learn how to drive. However, I do not prefer to depend on myself totally. It is less stressful when someone else is driving.”
Although Aisha believes she will be an excellent driver, she does not see that traffic and safety regulations are well implemented in Saudi Arabia yet.
Sarah Al-Asta, 26, from Jeddah, is more optimistic: “I believe it is safe to drive, there isn’t much to worry about as we thought before the ban was lifted, probably because there aren’t many new female drivers in the streets yet.”
“However, I think I won’t apply for a driving license any time soon, I will wait until the demand on the driving school is eased, and I hope the costs to get a license decrease too.”
The lifting of the ban on women driving has opened up opportunities within the auto market; 78 percent of women who intend to drive are willing to buy a car.
According to YouGov, the majority of women say the decision of which car to buy rests in their hands.
Nahla Abu Alula, from Jeddah, received her Saudi driving license as soon as the ban was lifted, “I received my first driving license in 2013 from the US when I was a student; it was still valid so I exchanged it with a Saudi one.”
“I was concerned, and a bit afraid to drive at the beginning because of the comments I kept hearing that driving in Saudi Arabia is a challenge, but I found that it is normal,” she said.
“On the contrary, most of the male drivers I came across were welcoming, encouraging, and cooperative. sometimes they would make a thumbs-up gesture with their hands or a victory sign.”
Women drivers to transform Saudi auto market
Women drivers to transform Saudi auto market
- The lifting of the ban on women driving has opened up opportunities within the auto market
Saudi Arabia welcomes US-brokered peace agreement between Rwanda and DR Congo
- Saudi Ministry of Foreign Affairs: Kingdom hopes accord would meet “the hopes and aspirations of two peoples for development and prosperity”
RIYADH: Saudi Arabia has welcomed the signing of a peace agreement between Rwanda and the Democratic Republic of the Congo, in a deal facilitated by the United States with support from Qatar, the Saudi Press Agency reported.
In a statement issued on Saturday, the Saudi Ministry of Foreign Affairs said the Kingdom hoped the accord would meet “the hopes and aspirations of the two peoples for development and prosperity,” and contribute to “regional and international security and peace.”
The ministry also praised “the diplomatic efforts and constructive role played by the United States of America and the State of Qatar in this regard.”
The agreement, finalized on Friday, aims to de-escalate long-running tensions between Rwanda and the DRC, which have intensified in recent years over accusations of mutual support for armed rebel groups operating along their shared border.
The most prominent of these is the M23 militia, which Kinshasa has accused Rwanda of backing — a charge Kigali denies.
Efforts to mediate between the two neighbours have gained urgency amid a worsening humanitarian crisis in eastern DRC, where conflict has displaced more than seven million people.
The US and Qatar have played key roles in recent months in bringing the two sides to the table for talks, culminating in the formal agreement to ease hostilities and commit to renewed dialogue.
Jeddah exhibition gives internet cafes an artistic reboot
- Local artists revive communal, quirky, deeply human qualities of early web era
JEDDAH: Internet cafes in Jeddah were once popular spots with pay-by-the-hour internet access; they have now provided the inspiration for the city’s latest exhibition.
In a collaboration between Kham Space and Estiraha, 17 artists and collectives have had their work on display at “Internet Cafe,” an eight-day exhibition which explored the concept of connection and intimacy in the digital age.
Abeer Sultan, who curated the exhibition alongside Mbarak Madhi and Fai Ahmed, spoke to Arab News about the early process in contemplating the theme.
The idea for the exhibition, which concluded on Saturday, stemmed from an exasperation over incessant scrolling, and the deluge of information that has usurped our daily lives.
HIGHLIGHTS
• The idea for the Jeddah exhibition stemmed from an exasperation over incessant scrolling, and the deluge of information that has usurped our daily lives.
• Some of the works were meant to act as ‘hyperlinks’ to connect ideas, as well as creating a communal space and mimicking the social space of a cafe.
She said: “We wanted to do something that is about us now, and maybe the future as well; not only going back to things for nostalgia or the good old days, as they say.
“Maybe it has something that we can use today, especially now that there’s a movement of people trying to slow down, using dumbified devices throughout the internet.”
Instead of creating a literal internet cafe, the curators focused more on the nuances a cybercafe used to have.
Their approach to the space was categorized into three themes: “Disconnected Understanding, Linked Source,” “In the Shadow of a Doubt, Light My Screen,” and “Whirling Algorithms of a Distant Dream.”
Artist Zahiyah Alraddadi, who usually paints works focusing on the significance of the mundane, took oil to canvas to paint “Closed Eyes Under a Sunny Sky I” and “Familiar Features.”
Her work feels meditative and was intended to slow visitors down as they walked through the space — much like the feel of a buffering screen page.
Some of the works were meant to act as “hyperlinks” to connect ideas, as well as creating a communal space and mimicking the social space of a cafe.
Anhar Salem’s work “After Now” was a curtain imprinted with thumbnails of YouTube videos. The artist conducted a survey asking people between the ages of 18 and 40 to share their YouTube video recommendations, making up a curtain of information overload.
Next to that, Tara O‛Conal’s video installation was a film sequence — but the catch is, nothing really happened. The film continued to load, glitch, and reload, perhaps suggesting commentary on our constant yearning for contact.
“Compared to Anhar’s work, (Tara’s) feels like a pond, in a way, to look at,” Sultan said.
Some works were inspired by computer graphics. Asaad Badawi paid tribute to early programmer culture via telephone-book-inspired art, and his father, who is a programmer.
Studio bin Hattan, which is led by artist Elham Dawsari, displayed “Cultural Override,” derived from her father’s archives from the 1980s. Madhawi Al-Gwaiz paints in a style that echoes digital graphics from the early 2000s.
Others took a more distanced approach. ThirdSpace’s “Untitled Table” was a physical object, but the research behind it was about keyboards that then shifted to Hijazi architecture, drawing on the iconography and architectural languages across the history of the region.
Hayfa Al-Gwaiz’s “Long Distance” was a painted form of facetime video calls. The work explored digital intimacy by showcasing not the callers’ faces, but the ceilings above them — a scene that’s familiar to anyone who has taken up a long-winded video call with a loved one and set down the phone to cater to life’s more immediate demands.
While the exhibition tackled the digital boom personified through cybercafes, it notably avoided artificial intelligence.
Sultan explained: “It is the idea of being fast and efficient, which is what we are resisting with AI … It’s dominating the internet in a weird way, and we wanted a space where people customized things manually, going back to montadayat (domains) where people had to do things by themselves. There’s no template.”
The last piece was by Ahaad Alamoudi, and “Land of Dreams” took a humorous approach to directing audiences to their dreams. As you walked toward the work, in an outdoor area outside the confines of the exhibition space, visitors were met with vinyl boards of the iconic Emirati singer Ahlam.
Sultan said: “The work accentuates the fact that the dream land is a subjective experience or idea, and everyone would have their own imagination of what that is, whether it's Ahlam or something else.”
The “Internet Cafe” was a love letter to a new digital age — one that is sustainable, communal, and deliberately slow.
“This is our way of keeping in touch with other people. An exhibition space is also a space where people meet, even if it’s for a moment, to have these conversations together, which is really important,” Sultan said.
Rooted in earth: Rafha’s mud structures tell a story of sustainability
- The buildings were constructed using indigenous methods and natural materials including mud, stone, wood, and palm fronds
RIYADH: In the heart of northern Saudi Arabia, the mud buildings of Rafha stand as “a vibrant narrative of traditional architecture, reflecting authenticity, creativity, and cultural identity,” the Saudi Press Agency said in an article on Saturday.
These structures tell the story of an ancient past, “embodying traditional architectural ingenuity that connects people to the land.”
Located along one of the Kingdom’s most significant tourist routes, the buildings “integrate cultural heritage with the natural environment,” the SPA wrote, and “serve as living records of generational memory, preserved through architectural details.”
This makes them an appealing destination for anyone interested in history, heritage, and traditional craftsmanship.
FASTFACTS
• The buildings in Rafha were constructed using indigenous methods and natural materials including mud, stone, wood, and palm fronds.
• Local authorities are making efforts to restore and maintain these mud structures, preserving their historical and cultural value.
The buildings were constructed using indigenous methods and natural materials including mud, stone, wood, and palm fronds. Their design responds to the local environment, maintaining balanced indoor temperatures during scorching summers and cooler winters. Most feature an inner courtyard, surrounded by rooms arranged in a circular layout, reflecting a strong sense of community.
These mud buildings illustrate “a deep harmony between humans and their environment,” the SPA wrote, adding that they also “reflect sustainable building principles that long predate modern green architecture.”
Local authorities are making efforts to restore and maintain these mud structures, preserving their historical and cultural value while promoting them as distinct parts of the Saudi tourism landscape.
Malaysia grants Saudi Hajj minister Al-Rabiah 'Hijra Personality of the Year' award
- Tawfiq Al-Rabiah Al-Rabiah was presented with his award by Malaysian King Sultan Ibrahim
KUALA LUMPUR: Saudi Arabia’s Minister of Hajj and Umrah Tawfiq Al-Rabiah received the International Tokoh Ma’al Hijrah 2025 award in Malaysia on Friday, the Saudi Press Agency reported.
Malaysia grants the award — the name of which translates to Person of the Year for Hijrah — annually to an influential Muslim personality to recognize their contributions to Islamic causes.
Al-Rabiah won the award for his efforts in developing systems designed to make Hajj and Umrah run safely and smoothly for pilgrims.
Al-Rabiah was presented with his award by Malaysian King Sultan Ibrahim. Malaysian Prime Minister Anwar Ibrahim and Minister of Religious Affairs Mohammed Naeem bin Mukhtar were present at the ceremony.
The event was held in Kuala Lumpur on the occasion of Hijri New Year.
Muslim World League condemns Israeli attacks on civilians in Gaza, West Bank
- Organization describes actions as part of wider pattern of settler aggression
RIYADH: The Muslim World League on Saturday strongly condemned recent Israeli attacks on civilian shelters and ongoing violence against Palestinians in the Gaza Strip and the West Bank, the Saudi Press Agency reported.
The MWL has described the actions as part of a wider pattern of settler aggression carried out with impunity under the protection of the Israeli occupation forces, the SPA added.
The MWL’s Secretary-General Dr. Mohammed bin Abdulkarim Al-Issa, who also chairs the Organization of Muslim Scholars, denounced in a statement issued by the MWL’s General Secretariat what he called “heinous crimes” committed against unarmed civilians, including recent attacks by settlers on the village of Kafr Malik, east of Ramallah.
He added that the “brutal assaults” were a “blatant violation of all human values as well as international laws and norms.”
He urged the international community to uphold its legal and moral responsibilities and take decisive action against what he described as the occupation government’s ongoing disregard for the rights and dignity of the Palestinian people.
Al-Issa also called for the immediate activation of international mechanisms to halt the violence and ensure accountability for those responsible for what he termed “horrific massacres.”
His comments came after Saudi Arabia’s Foreign Ministry issued a statement on Friday condemning the violence, denouncing “the continued violence perpetrated by Israeli settlers, under the protection of the occupation forces, against Palestinian civilians, including the attacks in the village of Kafr Malik.”
