JEDDAH: Two months have passed since the official lifting of the ban on women driving in Saudi Arabia. The majority of women in Saudi Arabia are planning to drive a car. According to a new survey by YouGov, 24 percent of women have applied for a driving license since June 2018 and 61 percent of women who haven’t applied yet are willing to apply in the future.
However, there are women who are not willing to apply for a driving license. They have several concerns, most of them around safety.
The recently launched government campaign to educate women on driving and safety regulations has not helped many women to overcome their fears.
According to YouGov findings based on an online survey, one in five women do not think that they would be a good driver. And 27 percent of them feel it is dangerous, 24 percent do not know how to drive, and 23 percent believe their husbands/ family members would not allow them to drive.
Aisha Abdellateef, 23, from Jeddah, told Arab News, “I want to learn how to drive. However, I do not prefer to depend on myself totally. It is less stressful when someone else is driving.”
Although Aisha believes she will be an excellent driver, she does not see that traffic and safety regulations are well implemented in Saudi Arabia yet.
Sarah Al-Asta, 26, from Jeddah, is more optimistic: “I believe it is safe to drive, there isn’t much to worry about as we thought before the ban was lifted, probably because there aren’t many new female drivers in the streets yet.”
“However, I think I won’t apply for a driving license any time soon, I will wait until the demand on the driving school is eased, and I hope the costs to get a license decrease too.”
The lifting of the ban on women driving has opened up opportunities within the auto market; 78 percent of women who intend to drive are willing to buy a car.
According to YouGov, the majority of women say the decision of which car to buy rests in their hands.
Nahla Abu Alula, from Jeddah, received her Saudi driving license as soon as the ban was lifted, “I received my first driving license in 2013 from the US when I was a student; it was still valid so I exchanged it with a Saudi one.”
“I was concerned, and a bit afraid to drive at the beginning because of the comments I kept hearing that driving in Saudi Arabia is a challenge, but I found that it is normal,” she said.
“On the contrary, most of the male drivers I came across were welcoming, encouraging, and cooperative. sometimes they would make a thumbs-up gesture with their hands or a victory sign.”
Women drivers to transform Saudi auto market
Women drivers to transform Saudi auto market
- The lifting of the ban on women driving has opened up opportunities within the auto market
Pilgrims through the lens: How photographers document scenes of faith during Hajj
- Israel’s latest operation and weeks-long aid blockade have sparked unprecedented calls for sanctions from key Western allies
MAKKAH: Every year, the holy lands transform into a unique visual spectacle pulsing with faith and human diversity, drawing the world’s eyes to Makkah, where millions of Muslims perform the pilgrimage of Hajj.
During this period of spiritual and human momentum, photographers stand as visual historians, conveying to the world unforgettable scenes through their lenses that capture moments of worship, tears, unity, mercy, and cultural diversity.
Photographer Anas Al-Harthi said: “When I carry my camera during Hajj season, I feel that I am not just documenting an event but painting a grand canvas of faith in human colors from every continent.”
He added: “A photographer during Hajj does not just take a picture — he moves with a deep sense that this shot may remain a witness to a moment that will never be repeated in the pilgrim’s life.”
Al-Harthi pointed out that the greatest challenge is respecting the sanctity of the scene without interfering with it, which requires a high artistic sense and an appreciation of place, time and situation.
Photographer Anas Bakhsh said that the experience of photographing during Hajj places the photographer at the heart of human emotion.
“Thousands of faces pass before you, and each face carries a story, every tear bears a prayer, and every movement expresses longing and contentment. Sometimes I feel that the photo I took is an answered prayer for someone in a moment of complete submission to God.”
He said that the scene forever engraved in his memory is when crowds gather on the plain of Arafat at the same time, a majestic sight where differences between people dissolve and the sounds of Talbiyah and supplication rise.
Photographer Faisal Al-Thaqafi said that professional photography during Hajj is not only about technical skill, but also about cultural and religious awareness, and the ability to engage with the scene with the spirit of a believing photographer. “The photographer during Hajj is not just a professional holding a camera — he is an eye pulsing with faith, translating emotion into imagery.”
He added: “Sometimes you capture an image of an elderly pilgrim raising his hands to the sky, and you realize that this photo will remain in people’s hearts more than any commentary or report — because it is sincere, pure, and simple.”
The three photographers agree that the logistical challenges — crowds, heat, and problems involving mobility — do not stand in the way of their passion. Instead, they drive them to exert double the effort to document this unique event.
Bakhsh said: “Every season, I return home with thousands of photos, but I keep only one or two for myself — those images that I feel touched something inside me and perhaps touched the hearts of millions around the world.”
Al-Thaqafi said that a successful photograph during Hajj is not only one of high visual quality, but one that conveys a genuine emotion. “The strongest images are those that do not need an explanation. You see a pilgrim smiling or crying, and you feel your heart tremble.”
Al-Harthi believes that a photograph can change the world’s perception of Hajj and bring this great ritual closer to non-Muslims as well, saying: “We are not working only for documentation — we are working to build a human bridge, where the spirit of Islam is shown through an honest and professional lens.”
With these sincere lenses, the Hajj season becomes an open exhibition of spirituality, where photos tell stories that words cannot express, and bear witness to the greatest annual human gathering, where everyone is equal in attire, and united in purpose: seeking mercy and forgiveness.
Amid this visual momentum created by photographers through their lenses, the impact of these images is also felt by the pilgrims themselves and by millions of followers on social media. Syrian pilgrim Omar Al-Kadeeb, from Deir Ezzor, said: “Photos of relatives who performed the pilgrimage in the holy sites and near the Kaaba reached my family and friends within minutes and spread widely. At that moment, we felt like we were part of their spiritual journey despite the distance.” He added: “I saw images taken of pilgrims from all nationalities, and I found myself moving emotionally through the scenes — from a father crying in prayer, to a child smiling in Arafat, to a woman raising her hands to the sky in a profoundly moving moment that cannot be described.”
Al-Kadeeb said that the professional photos shared by photographers on platforms such as X, Instagram and TikTok enhance the status of Hajj in people’s hearts and make it feel more relatable and more meaningful to the viewer — even if they are not performing Hajj themselves.
“I believe every beautiful image from Hajj is an indirect invitation for people to dream of Hajj and to realize the greatness of this immense pillar,” Al-Kadeeb said.
He concluded with high praise for the photographers: “They are not just professionals — they are messengers of peace and beauty, delivering the message in today’s universal language: a photo.”
KSrelief clinics help refugees in Jordan
AMMAN: The clinics of the King Salman Humanitarian Aid and Relief Center provided healthcare services to 2,789 patients in Zaatari camp for Syrian refugees in Jordan during the first week of May.
The general medicine clinics received 778 patients, while the internal medicine clinic treated 128 patients with diabetes, high blood pressure, and asthma.
The pediatric clinics received 226 children, 131 patients visited dental clinics, and 312 women were treated by the two women’s health clinics.
The ear, nose, and throat clinic received 66 patients suffering from sinusitis, pharyngitis, tonsillitis, and middle ear infections. The ophthalmology clinic saw 37 patients.
The cardiology clinic received 15 patients, the diagnostic radiology clinic received 37 patients, and the rehabilitation medicine clinic also treated 37 patients.
A total of 3,245 laboratory tests were conducted for 284 patients, and 217 imaging procedures, including X-ray and ultrasound examinations, were performed for 184 patients.
Shanghai Film Festival: Saudi Arabia to boost cultural cooperation with China
RIYADH: The Saudi Film Commission has announced its participation in the Shanghai International Film Festival, which will be held from June 13 to 22 in Shanghai, China.
The event is the largest film festival in China and the only Chinese festival accredited by the International Federation of Film Producers Associations.
By participating, the commission aims to enhance cultural cooperation, strengthen international ties, and promote the visual and geographic richness of the Kingdom’s film locations. It also plans to explore co-production and distribution opportunities for Saudi films in the Chinese market.
The Saudi pavilion will be a platform to display the commission’s programs and initiatives, engage with industry professionals, and highlight the creative and commercial potential of the Kingdom’s film sector.
This participation underscores the commission’s commitment to supporting the Kingdom’s film industry by engaging with key international platforms, empowering local talent, and fostering global cultural exchange.
Saudi king, crown prince extend condolences to Indian president after air crash
- The Air India passenger plane bound for London with more than 240 people on board crashed and exploded after takeoff and there was only one survivor
RIYADH: Saudi Arabia’s King Salman and Crown Prince Mohammed bin Salman extended their condolences to Indian President Droupadi Murmu after a plane crashed after takeoff in India’s northwestern city of Ahmedabad on Thursday.
The Air India passenger plane bound for London with more than 240 people on board crashed and exploded after takeoff and only one person survived, officials said.
Black smoke billowed from the site where the plane crashed into a medical college hostel and burst into flames near the airport in Ahmedabad, a city of more than 5 million and the capital of Gujarat.
In separate cables, the king and crown prince extended their condolences to Murmu, the families of the deceased, and to the Indian people. They also wished the injured a speedy recovery.
The Kingdom’s Foreign Ministry also expressed its condolences to India after the incident.
Arab storytelling tradition makes region ideal for filmmaking: Katara executive
- Demand for premium Arabic content that resonates with a global audience is the main driver for production company
- Authenticity requires cultural integrity — such as maintaining dialect, accents and costumes
Riyadh: The Arab world’s roots in detailed storytelling means that the region is well suited to making movies, according to Hussein Fakhri, chief commercial officer and executive producer for Katara Studios, and the latest guest on The Mayman Show.
Founded in 2018, the Doha-based production powerhouse is behind regionally iconic projects such as the fantasy short film “The Lost Chapter of Kelileh & Demneh” and the ceremonies for the 2022 FIFA Arab Cup.
“Storytelling, I think, is in our DNA, as Arabs generally, right? We come from a long line of storytellers; it is really part of who we are,” Fakhri said. “For me, the sort of career advancement was very much evolutionary, organic, as I come from an advertising and marketing background.”
Before entering the world of filmmaking and immersive storytelling, Hussein started out in Dublin, Ireland, pioneering digital advertising in a market far from his cultural roots. Hussein left the marketing agency life and now leads Katara’s mission to produce bold, meaningful stories that resonate with a global audience with an unapologetically Arab perspective.
“I had my own advertising agency, and we had so much work that I had to found a film production company to be able to shoot our TV commercials,” Fakhri said. “I would hire filmmakers, and we started doing short films, more brand films and documentaries, and that just sort of evolved. I just love the craft, although I’m not a filmmaker myself, but I just love the business of it.”
Part of the work was instrumental in what eventually evolved into Katara Studios, founded by a group of talented filmmakers, he said. “Watching them work and watching the kind of stuff that they do — just the love for it grew, to be honest.”
The need for premium Arabic content that resonates with a global audience is the main driver for what Katara does creatively, he said.
“We have a huge audience. We have 500 million Arabic speakers. And we have very little premium content for them. There was a gap there that was spotted and an opportunity to be able to create premium content for this primary audience.”
The demand for premium Arabic content and the interest in Arabic culture made for a great recipe for success, he said.
“We also have a lot of people around the world that are very interested in our culture, are very interested in our part of the world. And I don’t think we’ve given them enough content to engage with us, and that’s what we are trying to do, ultimately.”
With a culture as rich and layered as the Arab world’s, authenticity is not simply a goal — it is a responsibility for Katara Studios projects, he said, as they aim to bring stories to life with depth, accuracy, and heart, even when they are infused with other styles of filmmaking.
Katara Studios is producing a fantasy Bedouin Western, and according to Fakhri, a balance for this genre experimentation and cultural authenticity is critical to telling a good story and being innovative without losing its Arab essence.
Asked how Bedouin storytelling could be showcased with this approach to experimental filmmaking, Fakhri said: “You know, I’m so glad you brought up that word because authenticity is the foundation for everything that we try to do. Genuinely, it has to be authentic. Because if it is not authentic — if you’re trying to please an audience just by throwing stuff in there — it shows every time.”
Authenticity required cultural integrity — such as maintaining dialect, accents, costumes and other small and important details in the presentation — and this would then reflect very positively to the film, he said.
“You get every element of it right; it really comes through in the final product. So, we’re very careful to try to be as authentic as possible. And I think we’ve done that with this project,” Fakhri said.
