A powerful ode to a long-lost golden age

Updated 19 September 2018
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A powerful ode to a long-lost golden age

ABU DHABI: There’s a scene in Wael Koudaih and Randa Mirza’s audio-visual collaboration “Love & Revenge” that takes its lead from Giuseppe Tornatore’s “Cinema Paradiso.” A series of censored kisses stitched together to music, it epitomizes much of what the show tries to achieve. A sense of tenderness.   
 
“It talks to human emotions,” says Mirza of “Love & Revenge.” “It talks to people in a way that is away from political agendas. The Arab world is rich in culture, in meaning, in love. There’s happiness and human relationships. All of this is completely ignored when the Arab world is only seen through the prism of fundamentalism and politics.” 
 
An emotive and powerful ode to a long-lost golden age, Love & Revenge has been touring Europe and the Middle East for the past few years. Now it is set to make its New York University Abu Dhabi debut on Sept. 12-13, following two successful performances at the Louvre Abu Dhabi in May. 
 
A fusion of electro pop music and cinema from the Arab world, it is the first collaboration between Koudaih, a former Arabic hip-hop trailblazer, and Mirza, a Lebanese visual artist. Both live between Lebanon and France.  
 
Driven by a keen sense of nostalgia, Koudaih’s modifications of classic Arabic songs accompany Mirza’s edited film sequences. There’s Samia Gamal and Leila Mourad, Sabah and Taheyya Kariokka. “All are set,” says Koudaih, “to the patterns and aesthetics of today’s music.” 
 
In one sequence, for example, selected scenes have been taken from Hussein Kamal’s 1969 film “Abi foq Al-Shagara,” starring Egyptian actors Abdel Halim Hafez and Nadia Lutfi. As their love affair unfolds on screen, Koudaih’s remix of Mohamed Abdel Wahab’s “Ya Msafer Wahdak,” sung by Nagat Al-Saghira, is used to accentuate the emotions of Mirza’s edited scenes. 
 
“The whole idea was to try and find a concept for each song,” says Mirza, who watched more than 100 films as part of her research. “To try to understand what the music is conveying, what it is saying, and find ways for the visuals to enhance it or to let it flow. 
 
“When I watched the films I was waiting for a particular scene. A particular shot. And if I found an interesting scene I would start cutting the scenes that I liked, constructing my own sequence database. From this I would choose stuff in order to create meaning and to create a story that would run with the music. 
 
“It was a playful process. I would run a song continuously and start using my database to see how the meaning would change with the music. What emotions could I feel? When did it work? When did it click?” 
 
As well as Mirza and Koudaih, the live performances include Mehdi Haddab, an Algerian electronic oud player, and Julien Perraudeau, a French musician who has created his own set-up out of a collection of small keyboards.  
 
“The archive is crazy,” says Koudaih, who is better known by his stage name Rayess Bek. “When you dig inside these movies —  inside these songs —  it’s unbelievable. You can see and hear the society, but you can also understand the taboos, the limits of that society, and the complexity of the people. And we wanted to focus —  not only, but mainly —  on the image of the Arab woman in cinema, because it’s an important topic that’s still relevant today.” 
 
“The representation of women in these movies is very intriguing,” adds Mirza, who first met Koudaih at university in Beirut. “At first sight you have the reaction that the Arab world was freer in the 20th century – more than it is today – and what was possible in the media is not possible anymore. But if you look closer at this representation you understand that it has always been an objectifying representation. You have a lot of women in bikinis, you have a lot of women being seductive on screen, wearing very light clothes and showing their female charms in front of the camera. But the reality in these movies is that all the dancers are considered bad women.  
 
“At the end of the movies the woman who cheats on her husband, drinks, dances or sings, dies. There is not a single film in which a woman is empowered. Even the films that tried to be a bit feminist had a very limited view of feminism. A woman could choose the husband she wanted, but of course the goal of a woman should always be marriage; to be always protected by a man. And this is problematic. Very problematic, because we’re still there somehow. Women are not complete individuals, free to be whoever they want and to have as equal a role in society as men.” 
 
The title of the project takes its name from Youssef Wahbi’s 1944 film “Gharam wa Intiqam” (love and revenge), which is famous as the last movie to star the Syrian Druze princess Asmahan.

Blessed with a powerful voice and an exceptional vocal range, Asmahan’s formidable character, glamor and onscreen persona helped turn her into a cultural icon. It also ensured she was shadowed by controversy, dying in mysterious circumstances before the film was finished.

The film’s ending was subsequently changed to mirror Asmahan’s passing, with art mirroring life. It is Koudaih’s mid-tempo, beat heavy reinterpretation of Asmahan’s “Emta Hataraf” that is arguably the project’s standout track. 
 
“You know, there is one thing that has really fascinated me with this project,” says Koudaih. “At the end of our shows we always ask the crowd to come on stage and dance. In London and in Abu Dhabi we had veiled women who came up on stage and were dancing like crazy.”
 
Maybe this is a big part of its success. The fact that it provides a happy, upbeat and danceable view of the Arab world. 
 
“We played in Tunis and the people were crazy,” says Koudaih. “We were sold out. It’s not because we are stars. We’re not. I think it’s because this area of the Arab world is missing. This golden age, this freedom, this music. People miss this.” 


Ancient Italian masterpieces arrive in AlUla for first regional exhibit at Maraya

Updated 08 November 2024
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Ancient Italian masterpieces arrive in AlUla for first regional exhibit at Maraya

DUBAI: The Royal Commission for AlUla has partnered with the National Archaeological Museum of Naples to bring ancient masterpieces from its renowned collection to Saudi Arabia and the region for the first time.

The agreement between RCU and MANN will facilitate the transport of a curated collection of artifacts from Naples to AlUla for the “Masterpieces of the National Archaeological Museum of Naples” exhibit.

Statuette of Alexander on horseback Herculaneum, 1st century BCE Bronze. (Supplied)

This exhibit, a highlight of AlUla’s 2024 Ancient Kingdoms Festival, is on display at Maraya, the world’s largest mirrored building, until Dec. 14.

Fifteen masterpieces from ancient sites such as Pompeii, Herculaneum and Rome are being presented to a regional audience for the first time, marking a historic debut outside Italy. 

The Nilotic Mosaic, displayed abroad only once before in Japan, will also be featured. 

Statue of Trajan Minturno, late 1st century CE Marble. (Supplied)

Abdulrahman Al-Suhaibani, vice president of culture at the RCU, said: “The National Archaeological Museum of Naples is a repository of masterpieces that reveal the wonders and richly interconnected stories that helped shaped the ancient world — key among them are Nabataean artifacts including alters and inscriptions dedicated to the Nabataean chief deity Dushares that show the extent of that civilization, from AlUla in northwest Arabia to the shores of southern Europe.”

“It’s a privilege for RCU to host the masterpieces of the National Archaeological Museum of Naples exhibit and to display its wonderful collection of ancient artifacts for the first time in the region as we build toward an exciting calendar of cultural events, including the AlUla World Archaeological Symposium and the Ancient Kingdom’s Festival,” he said. 


Michael Buble to perform in Abu Dhabi

Updated 08 November 2024
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Michael Buble to perform in Abu Dhabi

DUBAI: Globally acclaimed artist Michael Buble will perform in Abu Dhabi on Jan. 16, 2025, during the second edition of Saadiyat Nights.

The Canadian singer-songwriter joins an impressive lineup for the three-month outdoor concert series.

The performers include pop icon Robbie Williams on Dec. 28, Iranian music legend Ebi on Jan. 4, American vocal harmony group Boyz II Men on Jan. 25, Egypt’s renowned composer Omar Khairat on Feb. 1, and US pop sensation Christina Aguilera on Feb. 15.

Buble, celebrated for his signature blend of swing and jazz, has delighted fans around the world with hits including “Home,” “Sway,” and his rendition of “Feeling Good.”

The Grammy Award-winning artist has sold over 75 million albums globally, making his upcoming performance a highly anticipated event.

 

 


Saudi artist Fatimah Al-Nemer discusses her female-centric works and the ‘universe within’ Arab women

Updated 08 November 2024
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Saudi artist Fatimah Al-Nemer discusses her female-centric works and the ‘universe within’ Arab women

DUBAI: Saudi artist Fatimah Al-Nemer has devoted herself to depicting narratives of women through her multimedia art, which merges collage, photography and tapestry. From childhood, her life was shaped by the female presence, she says, whether that meant family members or characters in legends.  

Al-Nemer comes from Al-Qatif in the Eastern Province, one of the oldest cities in the Kingdom. “Imagine,” she says, “it’s an area that existed 600 years before Jesus.” She now lives on Tarout Island just off the coast of Al-Qatif. The island’s name is possibly derived from Ishtar, the Mesopotamian goddess of love and war — it was here that she was expelled, abandoned by her community.  

“Color of Life.” (Supplied)

Al-Nemer claims that every household in her hometown holds some form of artist within its walls. “Al-Qatif’s rich cultural history affected us all,” she says. “It was a magical city, attracting tradespeople from Persia and Anatolia. We grew up with these stories.”  

Her mother, who had an eye for design, was her earliest supporter. She provided her daughter with art materials and didn’t even scold her for painting on the walls of their family home. “She even paid for my art classes,” Al-Nemer says. “She always called me the artist of the family. If my mother wasn’t by my side, it would have been impossible for me to become an artist.”  

For the young Al-Nemer, drawing and painting was her only outlet for self-expression. “As a child, I was fearful and endured social anxiety, so I would only express myself through art,” she says. “It boosted my confidence. I used to draw on walls and on paper. If I was sad or happy, I would draw about what was making me feel that way. I was impacted by art and it became a language for me.”  

Al-Nemer with “Malak,” one of her works. (Supplied)

By the time she was 18, Al-Nemer had shifted from taking art classes to teaching them, and had already participated in some exhibitions. She also worked as a jewelry designer in a gold factory. And in 2009 she took the decision to travel abroad to further her studies. 

She went to Jordan, where she enrolled as an interior design student at the Philadelphia University in Amman, exposing herself to a cultural openness offered by the capital city.  

“In Jordan, people were highly cultured. Its environment was rich with artists and poets. You’re not just studying art there, you’re also going to the theater. I even performed there,” she says. 

In the early days of her art career, Al-Nemer experimented with oil paintings and charcoal, depicting classical, surrealistic and symbolist scenes. At one point, she was solely making self-portraits, which she says caused some issues with family members and others, particularly when they were published in magazines and newspapers.  

“Gold.” (Supplied)

“I think I was saying: ‘I am Fatimah. Accept me for who I am. I am an artist and I represent this identity and my culture and I am proud of it,’” she explains.  

Eventually, though, she expanded her focus to include women other than herself. She has been inspired by personal stories from fellow Saudi women. “I used to listen and live their stories as if I was the heroine of their tales,” she says. 

In her large, detailed, carpet-like artworks, which are full of ornamentation and native cultural symbols, she pays tribute to Saudi and Arab women, adorned in traditional attire while holding objects related to her homeland, such as a musical instrument or an incense burner. They reflect her attachment to her roots.

“Princess of the North 1.” (Supplied)

“I try to embody the Arab woman with certain admirable qualities. She is the butterfly, the mother, the sister, the doctor. She is the giver,” says Al-Nemer. “She is not just a figure; there is a universe within her. It is like a letter of appreciation for all that she stands for and has given to society.”   

She also treats these images, which she started making nearly a decade ago, as research-like documentation of traditional Saudi dress and cultural symbolism, focusing on specific areas of the Kingdom (beginning, of course, with her own hometown).  

Often, she depicts women with their mouths or eyes covered. In part, this is to encourage viewers to focus on the details surrounding the women in her portraits, but it also reflects some of the creative limitations she experienced when younger, when it was frowned upon to make figurative art in the Kingdom. Now, however, as Saudi Arabia opens up, she feels more free in her practice.  

“As artists, our lives have changed 180 degrees,” she says of the current Saudi cultural scene. “Art has become more than a profession.”  


Off the beaten track in Sri Lanka 

Updated 08 November 2024
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Off the beaten track in Sri Lanka 

  • New visa rules have made it easier than ever for Gulf tourists to visit the island nation 

TORONTO: Sri Lanka has long been a favored destination for visitors from the Gulf. Easy access, budget-friendly offerings, and diverse experiences – from cultural and historic landmarks to idyllic beach resorts and scenic treks – make it an ideal getaway destination. And now, there’s one more reason for Saudis to take a trip to the island nation. Last month, the Sri Lankan government announced that residents of Saudi Arabia, the UAE, Qatar, Oman, and 31 other countries can now visit without a visa.  

The capital, Colombo, is probably the most popular destination in Sri Lanka, along with Kandy and Ella, but the less-frequented areas in the central and southern regions of the country are well worth considering.  

The Summerville Bungalow in Hatton. (Supplied)

My Sri Lanka trip started in Hatton, in the Nuwara Eliya region. Often called “Little England,” the region is a reminder of the country’s former colonial rule, with Tudor-style architecture and sprawling tea estates named after their former British proprietors.  

The central province is home to Sri Lanka’s renowned tea highlands. Tea is an integral part of the island’s history and culture — as its former name, Ceylon, suggests. 

My encounter with Ceylon tea starts at the Dunkeld Tea Factory, owned by The Dilmah Group, a family-run business that has become a global name. The tea is single-origin — meaning it is picked, cultivated, and packed from the lush, rolling terraces of the region. The tour takes guests through the history of Ceylon tea, which actually began with coffee plantations in the 18th century. But leaf disease devastated those plantations, leading to the demise of the short-lived coffee industry in Sri Lanka. In 1867, James Taylor, a Scottish man, planted the first tea clearing in Kandy. By the late 19th century, the country had become one of the largest tea producers in the world. Guests are also invited to a tea-tasting experience, including the Orange Pekoe, the robust tea blend that is a specialty of the region. 

The terraces of a tea plantation around the Ceylon Tea Trail. (Supplied)

I stayed at Summerville, one of the five palatial bungalows once home to English plantation owners which have now been refurbished into boutique properties by the Ceylon Tea Trails Hotel under the Resplendent Ceylon Group. Perched at nearly 4,000 feet and set across 2,000 hectares, the bungalows are perfect for those seeking a slow, luxurious vacation. Guests can enjoy breathtaking panoramic views of the emerald hilltops from various vantage points or unwind in the several tranquil lounge spaces scattered throughout the bungalows. Or — with a private chef and butler on hand — choose to indulge in a five-course dinner that features the likes of a Yatawatte tea-infused roasted chicken or the Earl Gray fondant. 

The tea trails, ranging from four to 15 kilometers long, connect the various bungalows, offering scenic hikes through the valleys. For those seeking adventure, the newly-inaugurated Pekoe Trail (a 300-km route with 22 phases) allows tourists to explore the rich biodiversity of the area. This trail can be experienced on foot or by rail. 

The Wild Coast Tented Lodge in Sri Lanka. (Supplied)

The next leg of my trip was drastically different. As we were making our way down from the central region to Sri Lanka’s southern tip, the hilltops, winding roads, and cool weather gave way to palm trees, speedy tuk-tuks, and tropical weather. 

In the Hambantota district, the biggest draw is undoubtedly Yala National Park, the second largest national park of the country, and the one with the highest density of leopards. An early morning or afternoon game drive provides ample opportunities to spot wildlife, including the elusive leopard, sloth bears, and elephants.  

After the adrenaline rush of a wildlife safari, I head to our ‘glamping’ lodge — the Wild Coast Tented Lodge, another one of Resplendent Ceylon’s properties. The luxury camp is unfenced and wildlife will often wander into the premises from the park, giving guests a sometimes-gleeful, sometimes-terrifying experience.  

The lodge itself is an architectural delight, focusing on sustainable design and the use of organic materials, including bamboo. It includes 28 “cocoons” or pods scattered throughout the jungle wilderness. The interiors feature rustic touches like cooper hardware, a leopard-claw bathtub, and vintage leather furniture. 

It’s also here that the jungle meets the Indian Ocean. As I wandered along the rugged coastline or enjoyed a sundowner, I was once again reminded of the serenity that Sri Lanka has to offer. 


Best and Worst: Saudi gamer Xzit Thamer talks gaming, favorite shows

Updated 08 November 2024
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Best and Worst: Saudi gamer Xzit Thamer talks gaming, favorite shows

DUBAI: The Saudi gamer, streamer and social media personality talks gaming, favorite shows and how to have a productive day. 

Best TV show you’ve seen? 

“The Walking Dead.” They knew how to make a story about zombies and survival horror in a very good way. I've watched a lot of things related to zombies, but the story for “The Walking Dead” was perfect. 

Worst TV show you’ve seen? 

“Friends.” It felt very fake. I hate it so much. 

Best advice for an up-and-coming gamer/streamer? 

Don’t give up. Consistency is the key. I've been creating content for more than 11 years now. It took me six years to get to a million followers — it took me so many years to succeed. But I didn't give up. And I was consistent. So keep trying. Keep pushing. 

Worst advice for an up-and-coming gamer/streamer? 

To change what you’re doing. Like, I'm a gamer; if I change my content to something else that I don't love, I wouldn’t succeed. 

Best advice you've ever been given?  

Don’t overthink. You know what you know. Just get started. 

Worst advice you've ever been given? 

I was told I was wasting my time. 

Best game you’ve ever played? 

“Grand Theft Auto: San Andreas.” It has the best storyline. It’s about someone who left home to start a new life and then his mom dies and he has to come back to try and fix things. It also has cool gameplay and it’s the game that made me famous on streaming. 

Worst game you’ve ever played? 

I hate all horror games. I played “Resident Evil” when I was very young and it was so scary that I threw the disc off the top of my building. I was so traumatized. 

Best gaming console? 

The PlayStation 5. I don’t see the PS5 as a console, I see it as a family member or, like, a teacher. I learned to speak English back in the day because of the PlayStation. I kept a small dictionary with me — this was before I had the internet — so I could understand the games I was playing. Now, after all these years, I’m part of the PlayStation Playmakers team. 

Worst gaming console? 

It’s not a console but I don’t enjoy PC gaming. It’s got great graphics and everything but it’s not very comfortable for playing games. It’s not as fun. 

Best subject at school? 

Sports. I loved playing football. And, to be honest, I loved sports because then I didn’t have to be studying. 

Worst subject at school? 

I sucked at maths. Never got it. 

Best holiday destination? 

My favorite city is Dubai. I love going there. I’ve been there more than 30 times. I just can’t get enough. It’s the perfect city. 

Worst holiday destination? 

I went to Italy and I found it so boring. Plus, the food wasn’t great and, if you’re travelling, good food is a must. 

Best way to have a productive day? 

Wake up early. If I wake up late, I’m in a bad mood. I’m usually up between 5 or 6 a.m. 

Worst way to have a productive day? 

Overthinking. If you get stuck thinking about a bad interaction or incident, you know you’re going to kill your time.