LONDON: From Brexit to Breitbart News and Trump’s tweets, fake news has become very real.
We’re surrounded by it. Whether it’s the size of the crowd at the US president’s inauguration, or at a teenager’s birthday party, we live in a world where exaggerations, distortions and downright lies so often go unchecked. They have almost become the norm.
Gavin Esler, former presenter of the BBC’s flagship political show “Newsnight,” is under no illusion as to the seriousness of the problem.
For him, fake news is not merely something that can skew the public’s opinion and political debates. It can be deadly.
“We’ve never had a political culture where lies being told so shamelessly don’t seem to have any consequences,” he told Arab News in an interview.
“That may have something to do with the technology, but this is people lying to your face and not being punished for it.”
In the Internet age fake news spreads like wildfire — but it is not, of course, a new problem.
Esler — who is now an author and chancellor of the University of Kent in his native UK — points to a controversy that dates back to the 1990s involving a fraudulent medical paper that claimed that the measles, mumps and rubella (MMR) vaccine could lead to autism. The claim was widely reported by the media but eventually discredited — yet led to a drop in vaccination rates and inevitable deaths.
“We are actually talking about children’s lives here,” said Esler. “Fake news can kill people, and I think that’s really really worrying.”
Fake news may take the form of skewed stories in the mainstream media, false posts by dodgy websites, or messages spread between people.
In India, for example, numerous deaths have been attributed to rumors spread among people via WhatsApp. The sharing of gruesome videos and photos of strangers has created mass hysteria in some villages, with mobs having attacked, and sometimes killed, people they do not recognize.
This is an extreme example of what Esler calls the “awful echo chamber of phony news.”
One of Esler’s particular bugbears is the fake news epidemic around the Brexit debate in the UK. Those in favor of leaving the EU famously — yet falsely — claimed that the move would allow additional funding of £350 million ($460 million) a week to the National Health Service.
“I accepted the vote, until I realized just how deceitful the ‘leave’ campaign had been — there were lies, they cheated, the money was used illegally according to the Electoral Commission.
“Brexit is turning out to be a really really bad meal. We ordered steak and chips and we’ve now got some raw chicken that smells bad. And I’m not going to swallow it — and I don’t think other people are going to swallow it either.”
So what can the mainstream media do to fight the scourge of fake news around such divisive political debates?
Aside from scrutinizing the facts, editors should be more wary of bogus or partisan “experts” when seeking commentary on the issues of the day, said Esler.
“What we’ve seen in the last 20 years is a constant denigration of expertise and experts,” he said.
“There are people who appear on television who are paid for by shadowy think tanks whose financing they won’t come clean about.
“If someone appears on television and makes a comment, and we quote that comment, we are being accurate. But are we actually being sensible if we don’t know if that comment is based on any facts whatsoever? It is something that journalists have to be much more aware of.”
Social media outlets such as Facebook and Twitter also have a responsibility to fight fake news and hate speech — although it might not always be in their best interests to do so, said Esler. “If somebody is driving traffic on Twitter by saying something obnoxious, then that is actually good business for them. So their ability to limit it is limited by their ability to cut their own profits.”
Esler’s first experience as a journalist was at his university newspaper, before working at the Belfast Telegraph in Northern Ireland, and later the BBC.
So if he could turn back the clock, would he still become a journalist given the difficulties of the profession in the fake-news age? Esler said writing is in his blood — but had some words of advice for others looking to enter the media.
“What I do say to our university students who study journalism (is that) if you want to be a journalist because you want to be famous and be on television, that’s possibly not the right career for you.
“But if you are relentlessly curious about just about anything, it might possibly be.”
Former BBC presenter Gavin Esler fighting the good fight against fake news
Former BBC presenter Gavin Esler fighting the good fight against fake news
- Misleading reports and plain lies spread like wildfire in the Internet age. But veteran BBC journalist Gavin Esler wants to fight back — with facts
- Gavin Esler: Brexit is turning out to be a really really bad meal. We ordered steak and chips and we’ve now got some raw chicken that smells bad
Netflix says 50 million households worldwide tuned in for Paul-Tyson match
Netflix said on Saturday that 60 million households worldwide had tuned in for the highly anticipated boxing match between Jake Paul and Mike Tyson, and the event peaked at 65 million streams, according to a statement.
The bout between the 27-year-old social media influencer-turned-prize fighter Paul and the 58-year-old former heavyweight champion Tyson, which Paul won, was streamed live on Netflix.
Nearly 50 million households tuned in for the co-main event between Ireland’s lightweight champion Katie Taylor and Puerto Rico’s featherweight champion Amanda Serrano, according to Netflix.
“The bout is likely to be the most watched professional women’s sporting event in US history,” Netflix said in its statement.
There were some hiccups during the live-stream of the match, with over 90,000 users reporting problems on Netflix at its peak, according to outage tracking website Downdetector.
However, the streaming platform was back up on Saturday after the outage that lasted roughly 6 hours in the United States.
Renowned Lebanese journalist quits MTV over death threats by alleged Hezbollah supporters
- ‘I decided to leave MTV because of the intimidations that reached the point of death threats,’ says Dr. Eman Shweikh on X
- Samir Kassir Eyes Center reports that since Nov. 12 Shweikh had been subjected to a campaign of threats, incitement, accusations of treason
DUBAI: A renowned Lebanese journalist has taken to social media platform X to announce her departure from MTV following alleged death threats believed to have been made by supporters of Hezbollah.
Not mentioning the Iran-backed group by name, Dr. Eman Shweikh, a TV presenter at MTV, journalist and university professor, wrote: “I decided to leave MTV because of the intimidations that reached the point of death threats and the harassment that I am exposed to, which reached the point of following me home and chasing me on the road, in addition to harassing my family.”
The Samir Kassir Eyes Center reported that since Nov. 12 Shweikh had been subjected to a campaign of threats, incitement and accusations of treason due to her political opinions that she publishes on X, and because of her work for MTV.
The purported threats and harassment prompted her to leave her job at the channel.
The TV presenter added in her tweet: “The (Lebanese) state is absent, and laws are inexistent, and I do not want to expose my life and the lives of my family to danger. I want to live in safety and peace. Thank you to the Chairman of the Board of Directors of MTV Michel Murr.”
Shweikh’s tweet received thousands of likes and hundreds of retweets and comments.
Replying to her tweet, advocate Tarek Chindeb said: “The threat to kill journalist Eman Shweikh makes us believe at every moment that we cannot build a state in Lebanon in the presence of illegal weapons and militias outside accountability.”
Expressing solidarity, Chindeb hoped that the Lebanese security and judicial authorities would do their duty to protect her, and arrest the culprits.
Political analyst Magdi Khalil also replied to Shweikh’s tweet, saying: “Ideological militias do not know participation, but rather overpowering. They do not know dialogue, but rather the threat of violence.”
MTV journalist Nawal Berry and cameraman Dany Tanios were attacked in July while attempting to cover the aftermath of an Israeli airstrike on Beirut’s southern suburb, a Hezbollah stronghold.
It was not the first time Berry and her team had been assaulted by Hezbollah loyalists. During the early days of the Oct. 17 revolution in 2019, she and her team faced a violent attack and had their camera smashed.
Supporters of Hezbollah have a history of assaulting and threatening journalists. Targets have included Layal Alekhtiar, who received death threats in 2021 and faced legal action last year for interviewing an Israeli spokesperson; Dima Sadek; Ali Al-Amin; and others.
At the time of publishing, Shweikh could not be reached for comment.
What is Bluesky, the fast-growing social platform welcoming fleeing X users?
- Bluesky said in mid-November that its total users surged to 15 million, up from roughly 13 million at the end of October, as some X users look for an alternative platform to post their thoughts and talk to others online
SAN FRANCISCO: Disgruntled X users are again flocking to Bluesky, a newer social media platform that grew out of the former Twitter before billionaire Elon Musk took it over in 2022. While it remains small compared to established online spaces such as X, it has emerged as an alternative for those looking for a different mood, lighter and friendlier and less influenced by Musk.
What is Bluesky?
Championed by former Twitter CEO Jack Dorsey, Bluesky was an invitation-only space until it opened to the public in February. That invite-only period gave the site time to build out moderation tools and other features. The platform resembles Musk’s X, with a “discover” feed and a chronological feed for accounts that users follow. Users can send direct messages and pin posts, as well as find “starter packs” that provide a curated list of people and custom feeds to follow.
Why is Bluesky growing?
Bluesky said in mid-November that its total users surged to 15 million, up from roughly 13 million at the end of October, as some X users look for an alternative platform to post their thoughts and talk to others online. The post-election uptick in users isn’t the first time Bluesky has benefited from people leaving X. The platform gained 2.6 million users in the week after X was banned in Brazil in August — 85 percent of them from Brazil, the company said. About 500,000 new users signed up in one day in October, when X signaled that blocked accounts would be able to see a user’s public posts.
Across the platform, new users — among them journalists, left-leaning politicians and celebrities — have posted memes and shared that they were looking forward to using a space free from advertisements and hate speech. Some said it reminded them of the early days of Twitter more than a decade ago.
Despite Bluesky’s growth, X posted after the election that it had “dominated the global conversation on the US election” and had set new records.
Beyond social networking
Bluesky, though, has bigger ambitions than to supplant X. Beyond the platform itself, it is building a technical foundation — what it calls “a protocol for public conversation” — that could make social networks work across different platforms — also known as interoperability — like email, blogs or phone numbers.
Currently, you can’t cross between social platforms to leave a comment on someone’s account. Twitter users must stay on Twitter and TikTok users must stay on TikTok if they want to interact with accounts on those services. Big Tech companies have largely built moats around their online properties, which helps serve their advertising-focused business models.
Bluesky is trying to reimagine all of this and working toward interoperability.
Media group IMI and UAE Media Council sign deal to recruit and train local talent
- Collaboration is part of the Media Apprenticeship Program launched last year by the Media Council and the Emirati Talent Competitiveness Council
- It targets existing Emirati media professionals, as well as graduates and final-year students in media-related studies
DUBAI: IMI, a media group in the UAE formerly known as International Media Investments, has signed a cooperation agreement with the UAE Media Council to train and recruit local talent and develop media infrastructure in the country.
The initiative is part of the Media Apprenticeship Program, an initiative launched in May 2023 by the UAE Media Council and the Emirati Talent Competitiveness Council. It targets existing Emirati media professionals, as well as graduates and final-year students in media-related studies, with the aim of developing the next generation of talent in the nation’s media sector.
The agreement was signed at IMI’s new headquarters in Abu Dhabi by Mohammed Saeed Al-Shehhi, secretary-general of the UAE Media Council, and Rani Raad, CEO of the recently rebranded IMI Group, which owns several news outlets including Sky News Arabia, The National newspaper, Al-Ain News and CNN Business Arabic.
“We are proud to be the first global media group in the UAE to partner with the UAE Media Council on this initiative,” said Raad.
IMI Group, he added, can offer “aspiring Emirati talent unique opportunities to learn about the best media assets and standards” through its network of companies and the IMI Media Academy.
Launched in September, the IMI Media Academy employs the latest learning methodologies and offers an advanced curriculum focusing on the media industry, journalism and content creation.
Al-Shehhi highlighted the need to forge stronger partnerships with private media companies, and for cohesive country-wide efforts to develop the sector.
He said the partnership with IMI demonstrates the Media Council’s “commitment to empowering the media sector to attain global leadership by investing in the development of national skills and talents and equipping them with the latest media tools and technologies.”
It also aligns with the council’s desire “to nurture a new generation of talents capable of spearheading the sector and achieving significant accomplishments in the future,” he added.
Spotify introduces ‘Fresh Finds Saudi: Class 2k24’ residency program for emerging talent
- Initiative covers songwriting and music production, music marketing, music rights and industry knowledge, and touring and performing
- The Kingdom is an ‘incredibly exciting market’ for Spotify, says platform’s regional managing director
DUBAI: Spotify this month introduced Fresh Finds Saudi: Class 2k24, the first iteration of a program dedicated to the promotion and development of the emerging music scene in the Kingdom.
“We’re incredibly thrilled to launch Fresh Finds Saudi: Class 2k24 and are eager to see the impact it will have on the career growth of the selected artists,” Akshat Harbola, managing director of Spotify in the Middle East and North Africa region, told Arab News.
The program, which ran from Nov. 6 to 11, represented “a long-term investment in nurturing up-and-coming talent, starting with a residency format this year,” he added.
It brought together four local talents who feature on Spotify’s Fresh Finds Arabia playlist, a showcase of the best new music by independent artists and labels from the region: BrownMusic, known for merging Arabic and English lyrics with contemporary experimental electronic beats; hip-hop artist Grzzlee; Kali-B, a singer, songwriter and producer; and Seera, an all-female Arabic psychedelic rock band.
They were chosen by Spotify’s local editorial team as “standout talent” that had “already made an impression on our Fresh Finds Arabia playlist,” Harbola said.
Spotify seeks to showcase different musical genres through the program, he added, and so “we took special care to prioritize a diverse range of styles that highlight the new generation of creators” from Saudi Arabia. The selected artists “have proven they can connect with listeners and are ready to elevate their careers.”
The residency program provided them with support, mentorship and a host of resources aimed at accelerating their growth as artists and expanding their presence in the Saudi music industry, Spotify said.
The program’s curriculum focused on four topics: songwriting and music production; music marketing; music rights and industry knowledge; and touring and performing.
Experts such as lyricist, writer and creative director Menna El-Kiey, and musicians and producers Ntitled, El Waili, Soufiane Az and Ismail Nosrat, offered guidance to the participants on songwriting, beat-making, mixing and mastering.
Amin Kabbani, vice president of Arabic talent at entertainment company Live Nation Middle East, provided insights into planning and executing a successful tour, managing logistics and engaging with fans.
Sony Publishing MENA led the session on music rights and industry knowledge, during which the participants learned about intellectual property, and how to protect their work and navigate the business side of their art.
Spotify also worked with the artists to record new tracks at creative hub Merwas in Riyadh, and the results will be released by the end of the year. Nada Al-Tuwaijri, the CEO of Merwas, said the studio is “committed to nurturing talent and providing artists with the tools and environment they need to unlock their creative potential.”
She added: “The Fresh Finds Saudi: Class 2k24 initiative aligns perfectly with our vision of supporting emerging talent in the Kingdom, the region and beyond.”
Harbola said that the Kingdom is “an incredibly exciting market” for Spotify and although he was “unable to share specific listenership rankings, the level of engagement in Saudi Arabia is truly remarkable.”
The company is seeing a “strong surge” in the popularity of pop music, especially Egyptian pop, and Khaleeji music, “which remains central to Saudi listeners,” he added.
The platform’s focus on the Kingdom has grown in recent months through initiatives such as “Tarab,” a campaign that celebrated Khaleeji music and spotlighted Saudi-based RADAR Arabia artist Sultan Al-Murshed in New York’s Times Square.
Harbola said that the burgeoning local music scene and audience engagement on Spotify is driving the company’s efforts to introduce initiatives such as Fresh Finds Saudi: Class 2k24 and commit to them on a long-term basis
“While we don’t have set dates for future iterations (of the residency), our focus remains on curating unique experiences tailored to artists’ needs in different markets, whether through this initiative or other Spotify Music Programs across MENA,” he added.
