Saudi Arabia’s bold Amaala development will set new standards in luxury holidays, conservation

The coastline of the Red Sea in Saudi Arabia, above, and its coral reef, bottom. In 2019, work is set to begin on turning a stretch of undeveloped coastline in the northwest, below, into the “Riviera of the Middle East.” (Shutterstock; SPA)
Updated 30 September 2018
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Saudi Arabia’s bold Amaala development will set new standards in luxury holidays, conservation

  • Unveiled this week, Amaala is the latest project aimed at creating a fully-fledged tourism industry in Saudi Arabia
  • Amaala will awaken the world’s imagination by rephrasing the current concept of the luxury tourism experience

LONDON: Picture the scene: A pristine white beach, crystal-clear waters with a yacht or two bobbing in the middle distance. 

The days are filled with exploring a rich landscape filled with natural and archaeological wonders or relaxing in complete tranquility, the evenings spent savoring the finest foods and artistic entertainment, and all set against a backdrop of spectacular scenery.

Where is this paradise on earth? South Africa, perhaps? Or somewhere in the South Seas?

Wrong and wrong. It is in fact somewhere far closer to home. Amaala is the name of what is promised to be the ultimate ultra-luxe tourism destination. It is on the Red Sea coast of Saudi Arabia and, if all goes to plan, in just two years’ time it will begin welcoming guests from all over the world.

In 2019, building is set to begin on turning a stretch of undeveloped coastline in the northwest of Saudi Arabia into the “Riviera of the Middle East.”

Unveiled this week, Amaala is the latest project aimed at creating a fully-fledged tourism industry in Saudi Arabia. Funded initially by the Public Investment Fund (PIF) of Saudi Arabia, it is certainly ambitious, promising to cater to all tastes and desires with bespoke holidays. Adventure, culture, history, sports, relaxation, shopping — Amaala will have them all, with a special focus on “wellness, healthy living and meditation,” as well as its own dedicated airport for “seamless” transfers. 

“Amaala will awaken the world’s imagination by rephrasing the current concept of the luxury tourism experience,” said Nicholas Naples, the newly appointed CEO, who will lead development and operations. “Our concept will provide a rich service offering that exceeds customers’ expectations by providing a comprehensive suite of services not commonly found in one location, that is unique by all measures.”

More specifically, that means “extraordinary architecture” in both the hotels on site offering 2,500 rooms and the private villas and apartments that will be available for purchase. 

Galleries, atelier workshops and an art academy will showcase the work of young artists and artisans from Saudi Arabia and the wider Gulf region. There will be a marina for year-round mooring for yachts and other vessels offering “boutique luxury cruises” and diving trips to coral reefs which, unlike many others in the world, are still undamaged.

And for those who simply want to recharge, there will be a wellness retreat with full medical facilities. 

Amaala will also host cultural events and conferences. The top priority throughout will be care for the natural environment.

Amaala is part of Vision 2030, the program of reforms steered by Crown Prince Mohammed bin Salman and the development will be sited within the nature reserve that bears his name.

The target for all this largesse is “the world’s top” 2.5 million leisure travelers. But will they come?

Absolutely, said former hotelier Gaurav Sinha, founder of the Dubai-based Insignia, a company that advises some of the world’s top brands on marketing. 

As well as the wonders of nature and superlative standards of service, Amaala offers something far more appealing: The thrill of discovery and the cachet of being among the first to experience a place that is little-known and even less understood.

“This is for what I call ‘culture purists’ — people with an element of the intrepid traveler,” said Sinha. “You have a world heritage
archaeological site on the doorstep in Al-Ula, lovely weather, protected nature — this is the new Shangri La.

“It will also appeal to the intelligentsia — people who are looking to enrich their life experience.”

April Hutchinson, luxury specialist at Travel Trade Gazette, said that tourists in search of the unusual would be drawn to Saudi Arabia. 

“A couple of companies have already started looking at Saudi Arabia as somewhere that appeals to those with more refined tastes. It’s the lure of the unknown. In marketing terms, does it offer something different in the region and worldwide? In that respect, it ticks a lot of boxes,” she said. “It’s not Dubai and it doesn’t want
to be.”

While initial funding for Amaala will come from the PIF, there will be opportunities for private investment later and much will depend on which companies are brought in, said Sinha.

“The right brands have to be brought in to operate the assets,” he said. “Positioning the luxury is actually less relevant. What the right name gives is a sense of assurance. The sort of traveler this is aimed at expects a certain standard of service.”

Tourism development expert John Podaras, of Hotel Development Resources, has explored Saudi Arabia’s Red Sea region and pronounces it “stunningly beautiful.”

“The sort of traveler who will come will be well-off but they are not bothered about being pampered. They expect very good service but what they’re after is an authentic experience,” he said.

With that in mind, how far will Saudi Arabia have to go in reconciling its own codes of behavior with the more laissez-faire attitudes of the West?

“Do you expect visitors to change their behavior or do you create a city within a city, ring-fenced within a wall with its own laws and its own little culture to keep visitors apart from the rest of the country? And if you do that, it is hardly giving them the authentic experience,” Podaras said. He predicts “a significant change” in legislation will be necessary.

However, it would be wrong to assume all potential tourists are coming from Europe or the US. 

“Millions of people come to Saudi Arabia every year from Indonesia and other Muslim countries for Hajj. They would love to explore more of the country after the pilgrimage,” said Sinha.

Podaras said that the success of online operators such as halalbooking.com shows that Muslims living in the West are a growing sector of the market. “They might be second or third generation migrants to Western Europe and they want things that make them feel more comfortable, like women-only beaches and alcohol-free hotels,” he said.

Hutchinson believes Amaala is likely to make allowances for non-Muslim visitors. “So many people from the Middle East have been exposed to European
ways through travel so I think they are more used to us,” she said.

However, the experts agreed that Saudi Arabia cannot make any meaningful progress unless it becomes easier — much easier — for visitors to enter the country. Some changes are already on the way; from December, foreigners attending some sporting and cultural
events in the Kingdom will automatically get an electronic visa with their ticket. But whether that will extend to holiday bookings is not clear.

What is clear, however, is that the tourists — and especially those of the caliber that will be drawn to Amaala — are keen on sustainability.

“They want to be sure that everything is being done in a sustainable way. They don’t want to feel they are contributing to damage to the environment. They want to be sure it’s protected and that there is some benefit to the local community,” said Hutchinson. “Saudi Arabia is building from a blank slate which is a great opportunity.”

“There is a certain spirit of audaciousness in this project,” said Sinha. “It’s a beautiful new frontier which requires a tremendous amount of optimism and progressive thinking. The Riviera is not just for Europe.”


Saudi men weave a kaleidoscope of dreams

Updated 6 min 15 sec ago
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Saudi men weave a kaleidoscope of dreams

  • Bassam Al-Khalifi, Saud Al-Rasheed master the art of tufting rugs

RIYADH: In the wake of the pandemic Bassam Al-Khalifi and Saud Al-Rasheed transformed their isolation into creativity, leading to the birth of Ghazlah Studio — a hub for unique, hand-tufted rugs.

The Saudi men’s story is not just about artistry but a testament to how challenging times can inspire innovation and passion.

Al-Khalifi’s journey began when he sought to decorate his room. Frustrated by the lack of appealing rugs in the market, he decided to create his own.

Saudi duo Bassam Al-Khalifi and Saud Al-Rasheed’s story is not just about artistry but a testament to how challenging times can inspire innovation and passion. (Supplied)

“I wanted something different, so I ordered the equipment and dedicated a year to learning how to tuft,” he told Arab News. What started as a personal project quickly evolved into a larger vision.

Initially, neither Al-Khalifi, an artist and designer, nor Al-Rasheed, an avid art collector, had any experience in weaving. They faced a steep learning curve but were undeterred.

“We took six months to learn how to conceive designs, source materials, and weave the rugs,” Al-Khalifi explained.  

HIGHLIGHTS

• The journey of Ghazlah Studio began when Bassam Al-Khalifi, frustrated by the lack of appealing rugs in the market, decided to create his own.

• Their debut collection titled ‘Color as a Scene’ evokes a range of emotions, reflecting the complex sentiments many experienced during the pandemic.

They experimented with various techniques, ultimately settling on a “cut and loop” method using 100 percent acrylic yarn. This approach stands in contrast to traditional Arabian carpet-making methods which often utilize wool and time-honored designs.

The duo’s success can also be attributed to their innovative marketing strategies. (Supplied)

Their learning process was filled with challenges, but their determination pushed them forward.

Al-Khalifi pored over tutorials, consulted with experts, and practiced tirelessly. Al-Rasheed, with his keen eye for aesthetics, contributed by curating color palettes and design concepts.  

What started as a hobby soon blossomed into a commercial venture. With their rugs gaining traction, Al-Khalifi and Al-Rasheed launched Ghazlah, featuring a debut collection titled “Color as a Scene.”

The duo’s success can also be attributed to their innovative marketing strategies. (Supplied)

The collection evokes a range of emotions, reflecting the complex sentiments many experienced during the pandemic. “I wanted to splash all these emotions on the piece itself,” Al-Khalifi said. The vibrant tapestries of feelings capture the essence of joy, nostalgia, and hope.

The vibrance of their work makes a statement piece in any room. Each piece is unique, with some featuring Saudi themes that enhance their significance and appeal. The artists also draw inspiration from their heritage, incorporating traditional motifs and modern designs, creating a fusion that resonates with a broad audience.

In Ghazlah’s Riyadh workshop, the atmosphere is filled with creativity and energy. The walls are lined with neatly organized shelves filled with spools of yarn in every imaginable color. There are some of Al-Khalifi’s paintings and rugs still in progress, showcasing their journey.

The duo’s success can also be attributed to their innovative marketing strategies. (Supplied)

Al-Rasheed gestured around the space, saying: “This place is full of rugs that we made but decided not to sell. Why? Because we love them. I’m trying to push Al-Khalifi to sell them, but he won’t.”

Ghazlah Studio has made a notable impact in Riyadh, showcasing creations in three galleries. Their work has garnered attention not just locally but also from international platforms, leading to collaborations with major brands such as Vogue and Sephora.

These partnerships have elevated their profile and allowed them to reach a wider audience with which they can share their artistry and craftsmanship.

The duo’s success can also be attributed to their innovative marketing strategies. They leverage social media to share their creative process, engage with customers, and build a community around their brand.

By showcasing behind-the-scenes footage, they invite their audience into their world, allowing them to witness the transformation of raw materials into stunning art pieces.

As they continue to grow, Al-Khalifi and Al-Rasheed are committed to exploring new design possibilities, as well as looking into creating home decor items. They plan to expand their collections, experimenting with different textures, materials, and techniques.

From a simple idea born during quarantine to a noteworthy business, Ghazlah Studio continues to make waves in the art scene, proving that even in isolation, inspiration can thrive.

As they weave their stories into every rug, Al-Khalifi and Al-Rasheed invite us all to find beauty and meaning in our own creative pursuits.

 


Hail governor inaugurates Middle East’s largest salmon production center

Updated 6 sec ago
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Hail governor inaugurates Middle East’s largest salmon production center

  • The 10,000-square-meter facility features the latest marine technology

HAIL: Prince Abdulaziz bin Saad bin Abdulaziz, the governor of Hail, inaugurated the Excellence Center for Salmon Production on Saturday, the largest facility of its kind in the Middle East.

A collaboration between the Ministry of Environment, Water, and Agriculture and King Abdulaziz University, the center aims to produce 100,000 tons of salmon annually, bolstering Saudi Arabia’s food security and aquaculture sector, the Saudi Press Agency reported.

The 10,000-square-meter facility features the latest marine technology, including recirculating aquaculture systems and aquaponics units, which integrate fish and vegetable production.

It is designed to reduce the Kingdom’s reliance on salmon imports, currently at 23,000 tons per year.

Prince Abdulaziz hailed the project as a cornerstone of Vision 2030, promoting sustainable development and economic diversification, while attending officials highlighted its potential to enhance innovation, create jobs, and serve as a model for sustainable aquaculture in the region, SPA added.


Islamic minister highlights Saudi Arabia’s role in promoting peace

The group, comprising 250 European pilgrims, participated in various cultural and entertainment activities. (SPA)
Updated 8 min 55 sec ago
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Islamic minister highlights Saudi Arabia’s role in promoting peace

  • European guests praise Saudi Arabia’s hospitality, cultural outreach efforts

JEDDAH: Saudi Arabia’s Ministry of Islamic Affairs hosted a cultural event for the second group of Guests of the Custodian of the Two Holy Mosques’ Program for Umrah and Visit, featuring various cultural and entertainment activities.

The group comprised 250 pilgrims from 14 European countries, the Saudi Press Agency reported.

Sheikh Abdullatif Al-Asheikh, Minister of Islamic Affairs

They expressed their gratitude to the leadership and the ministry for hosting them, allowing them to perform Umrah rituals and visit historic sites in Madinah and Makkah.

Minister of Islamic Affairs Sheikh Abdullatif Al-Asheikh said Saudi Arabia, under the leadership of King Salman and Crown Prince Mohammed bin Salman, was committed to being a beacon of goodness and moderation.

HIGHLIGHT

The minister also highlighted the Kingdom’s commitment to providing humanitarian aid to those in need around the world, in line with Islam’s core values of promoting compassion and support.

During a reception for the guests, he said the Kingdom would continue to serve Islam and Muslims, and promote tolerance, coexistence and understanding worldwide.

Al-Asheikh, who is also the general supervisor of the program, met the guests, conveyed the greetings of the Saudi leadership and along with members of the program’s working committees reviewed the services provided and received a briefing on their work.

Under its leadership, the Kingdom strove to offer top-tier services to the visitors of the Two Holy Mosques from around the world, he said.

The guests commended the Kingdom on its efforts to promote Islam’s message of tolerance and foster appreciation for its historical and spiritual legacy. They also praised the new projects and expansions at the holy mosques and sites, which align with Saudi Vision 2030.

Al-Khamar Al-Baqari, head of imams in the Netherlands, expressed his gratitude to Saudi Arabia, its government and its people for their hospitality.

Sheikh Ali Al-Zughaibi, the program’s executive director, said that since its launch in 2014 it had provided the opportunity for 4,500 men and women from around the world to perform Umrah and visit the Prophet’s Mosque.

Al-Asheikh also highlighted the Kingdom’s unwavering commitment to providing humanitarian aid to those in need around the world, in line with Islam’s core values of promoting compassion and support.

 


Art, animals take center stage at Riyadh camel festival

Saudi craftsman Abdulrahman Al-Zahem is best known for his depictions of camels and traditional tools. (SPA)
Updated 10 min 22 sec ago
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Art, animals take center stage at Riyadh camel festival

  • The combination of arts and animals makes the event an appealing option for visitors and supports the economic and cultural growth of the Kingdom

RIYADH: The works of a renowned local sculptor are among the creative highlights of this year’s King Abdulaziz Camel Festival, which celebrates not only ships of the desert but arts and crafts from around the Kingdom.

Abdulrahman Al-Zahem is best known for his depictions of camels and traditional tools. Each of his pieces serves as a symbol of the Kingdom’s heritage and connection to the land, the Saudi Press Agency reported.

FASTFACT

The combination of arts and animals makes the King Abdulaziz Camel Festival an appealing option for visitors and supports the economic and cultural growth of the Kingdom.

As well as creating his own works, Al-Zahem spends much of his time helping to nurture the next generation of artists, including his own daughter.

Besides providing a global hub for all things camel, the festival in Al-Sayahid, northeast of Riyadh, is an important platform for the arts, offering an opportunity for artists to showcase their work to a global audience.

The combination of arts and animals also makes the event an appealing option for visitors and supports the economic and cultural growth of the Kingdom. 

The festival ends on Tuesday.

 


Riyadh’s Souq Al-Awaleen celebrates Saudi traditions

Riyadh Season runs until March 2025, and has already been attended by more than 12 million people. (SPA)
Updated 10 min 38 sec ago
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Riyadh’s Souq Al-Awaleen celebrates Saudi traditions

  • Souq Al-Awaleen features handicrafts, folk art, and live performances reflecting the Kingdom’s cultural heritage and providing a platform for local artisans to showcase their work and revive traditional crafts

RIYADH: Souq Al-Awaleen, a part of Riyadh Season, offers a “captivating journey through Saudi traditions,” according to a recent Saudi Press Agency report.

The souq, entry to which is free, “blends traditional elements with modern touches, creating a vibrant cultural hub,” the SPA continued.

Souq Al-Awaleen features handicrafts, folk art, and live performances reflecting the Kingdom’s cultural heritage and providing a platform for local artisans to showcase their work and revive traditional crafts. Visitors can also participate in workshops focused on Sadu weaving and pottery.

Sufrat Al-Deira, meanwhile, offers “a taste of authentic Saudi cuisine,” the SPA reported, adding that the “atmosphere evokes a bygone era, with activities like cooking demonstrations and cultural performances enriching the experience.”

Riyadh Season runs until March 2025, and has already been attended by more than 12 million people, according to the SPA.