Film review: ‘Mirrors of Diaspora’ tells the story of artists exiled from a land lost to war
Updated 09 October 2018
MATT SMITH
MALMO: Iraq’s tragic recent history has created a diaspora that’s among the largest globally, and the fate of seven Iraqi artists who left their homeland in the 1970s is the subject of veteran documentary maker Kasim Abid’s latest film, “Mirrors of Diaspora.”
Melancholy and reflective, the movie revisits the same painters and sculptors featured in Abid’s 1991 documentary “Amid the Alien Corn.” Having gone to Italy to master their craft, the artists became exiles after Saddam Hussein tightened his murderous grip on power and attacked Iran.
They still hoped to return permanently when Abid first encountered them, but a further quarter-century of devastation has ended the artists’ dreams of making Iraq their home again, and this sense of loss is a recurring theme in a film that’s overlong but always engaging.
Viewers meet Basra-born Afifa Aleiby, who eventually settled in the Netherlands, where her paintings found a rapt audience. Other artists featured include Florence-based Fuad Aziz, a sculptor and much-loved children’s author and illustrator; painter Jaber Alwan; and Baldin Ahmed, who still grieves for a brother murdered by Saddam’s forces in 1969.
Abid, too, is an Iraqi in exile, having lived in London since 1982, and so holds similar feelings. The somber score adds to the film’s resigned tone as the artists contemplate their mortality and dwell on their homeland’s ruin.
Interspersing new footage with archival scenes from “Alien Corn,” Abid shows how some of the artists went from painting caricatures for tourists to creating artwork of staggering beauty.
All seven remain professional artists, exhibiting in galleries worldwide, but these accomplishments cannot mute their longing for Iraq –- or at least the Iraq of their youth, with the country’s flawed democracy failing to convince them to return to a land wrecked by war and destruction.
The film examines memory and the notion of home, taking the viewer through the artists’ decades of exile. Their warmth shines through as Abid skilfully shows their stories, his careful camerawork and understated style creating a powerful testament to the creativity and compassion of a remarkable generation of Iraqi artists.
Immersive installation takes center stage at Quoz Arts Fest with ENESS’s ‘Forest Dancer’
Updated 26 January 2025
Hams Saleh
DUBAI: As part of this year’s Quoz Arts Fest in Dubai, ENESS, the Australian-based creative studio, will debut an immersive light and sound installation titled “Forest Dancer and the Path to Pure Creation” at Concrete in Alserkal Avenue on Jan. 25-26.
ENESS founder Nimrod Wies said that the installation symbolized “freedom and joy through creativity.”
“The artwork promotes the idea that embracing your creative gifts positively impacts those around you and inspires you to find your place in humanity through art,” he said. “We hope that visitors experience joy and playfulness in our exhibition and take away from it the inspiration to fill their lives with creativity and expression.”
The installation features inflatables packed with computers controlling sound, lightplay and motion-tracking LED eyes. “The biggest challenge is that we arrive from the other side of the world and we work all hours to create a completely immersive artwork that takes over any space that it occupies,” Wies said.
“The most rewarding part of my journey has been to exhibit all over the world and see different people respond to the artworks. I love seeing the appreciation audiences feel and experience, and hearing their joyful feedback.”
Speaking about the festival’s appeal, Wies said: “Working with Quoz Arts Fest suits the ENESS vision because we love to be involved in local cultures and bring our work to thriving areas with all-ages audiences who are open to new ideas. We think that the Alserkal neighborhood is the coolest place in Dubai.”
Wies said that public art created opportunities for alternate behavior and emotion. “Public spaces are generally relatively codified with clear designations for what sort of behavior is undertaken where. However, the introduction of public art can reconfigure a space visually, emotionally and behaviorally.”
Looking ahead, Wies said: “We have works coming up all around the world. We are looking forward to our next experience in Saudi Arabia.”
Rare Vatican artifacts on show at Islamic Arts Biennale in Jeddah
More than 500 historic items, contemporary artworks on display
1685 Nile map’s journey to Jeddah a ‘cultural milestone’
Updated 25 January 2025
Jasmine Bager
JEDDAH: A six-meter map of the Nile believed to be more than 300 years old has left its home in the Vatican archives for the first time to become the centerpiece of the second Islamic Arts Biennale launched in Jeddah on Saturday.
Visitors to Jeddah’s Western Hajj Terminal, the biennale venue, can see the map along with 10 other artifacts from the Vatican Library.
The historic chart, drawn with watercolor ink on Venetian paper and depicting historic sites along the Nile, has been dated to around 1685.
Display space is divided into several sections, each blending Islamic cultural heritage with contemporary interpretations. (Supplied)
Its inclusion in the biennale marks a cultural milestone, showcasing the Vatican’s commitment to interreligious and intercultural dialogue, according to Vatican archivist and librarian Angelo Vincenzo Zani.
The map underwent restoration by the Vatican before making the journey to Jeddah. It is displayed alongside a sister map of the Arabian Gulf from the National Library of Qatar.
Both maps are believed to have been acquired in the 1700s in Constantinople by Giuseppe Alemanni, a Lebanese librarian who later became the Vatican Library’s prefect.
HIGHLIGHTS
• Organized by the Diriyah Biennale Foundation, the exhibition in Jeddah explores faith by juxtaposing contemporary and newly commissioned artworks with historical objects from Islamic cultures.
• More than 30 cultural institutions have provided objects from their collections, as well as 29 newly commissioned works of art.
Zani attended the biennale’s opening ceremony and later told Arab News that the artifacts highlight a rich history of cultural exchange and shared knowledge.
The Islamic Arts Biennale features more than 500 historical artifacts and contemporary artworks, including treasures from Makkah, Madinah, and around the world. (Supplied)
“I think this Islamic Arts Biennale is very important. The concept of art is very important — to expand knowledge and creativity. Art is an emotion that we can all understand. It can cross over in a dialogue that is ‘in between’.”
The 2025 biennale’s theme, “And all that is in between,” draws from the Qur’anic verse “And God created the Heavens and the Earth and all that is in between.”
The Vatican Library is also showcasing several works from its collections in “The Art of Numbers” display at Al-Madar section of the biennale.
Display space is divided into several sections, each blending Islamic cultural heritage with contemporary interpretations. (Supplied)
Al-Madar, or “The Orbit” section, features items from 20 institutions with significant Islamic art collections worldwide.
The section examines the role of numbers in collective history, exploring their origins in natural calculations and applications across Islamic culture, mathematics, architecture, music, design, celestial and terrestrial mapping, ocean navigation, trade and geometric patterns in Qur’anic decoration.
Heather Ecker, Al-Madar’s curator, said the Vatican Library, which was established in the Middle Ages, is the oldest taking part in Al-Madar.
The Islamic Arts Biennale will run in Jeddah until may 25. (Supplied)
“The Vatican has Arabic manuscripts on virtually any subject, and has a large collection of early Qur’ans. It has early translations of the Qur’an, of which we are exhibiting several,” she said.
Ecker said the Nile map appears to have been linked to a travel log and is a visual record of a journey.
“The maps were created from the written text and from memory, apparently,” she said.
The Islamic Arts Biennale features more than 500 historical artifacts and contemporary artworks, including treasures from Makkah, Madinah, and around the world. (Supplied)
“It’s not a map as we conceive it, because it is image with text, with annotations that correspond to observations made during the voyage and notes taken. It collapses geography in a certain way, so it scrunches up the land between the Nile and the Red Sea, for example, in order to include more sites such as Jeddah.”
The map has been in the Vatican since the late 18th century, but had never been restored and was first shown in 2021, Ecker said. The Diriyah Biennale Foundation helped fund its restoration and conservation.
“It’s much brighter now,” Ecker said. “The paper is much more supple now, so it’s really vastly improved, and it’s much easier to exhibit and for people to appreciate. That was a big undertaking, and important in the field of conservation preservation.”
Organized by the Diriyah Biennale Foundation, the Jeddah exhibition explores faith by juxtaposing contemporary and newly commissioned artworks with historical objects from Islamic cultures.
The event has built on the success of the first biennale, and is bigger in scale and ambition, Aya Al-Bakree, CEO of the foundation, told Arab News.
This year, more than 30 cultural institutions have provided objects from their collections, as well as 29 newly commissioned works of art.
“The biennale is rooted in Saudi Arabia and has become a clear landmark on the international stage as well. We are excited to share this exhibition with audiences from near and far,” Al-Bakree added.
Display space is divided into several sections, each blending Islamic cultural heritage with contemporary interpretations.
The inaugural Islamic Arts Biennale in 2023 attracted more than 600,000 visitors. The 2025 edition will feature more than 500 historical artifacts and contemporary artworks, including treasures from Makkah, Madinah, and around the world.
The 2025 curatorial team is led by Julian Raby, Amin Jaffer, and Abdul Rahman Azzam, with Saudi artist Muhannad Shono as curator of contemporary art.
Oscar-winning composer Hans Zimmer wows fans in Riyadh
Updated 25 January 2025
Lojien Abdulfattah Ben Gassem
RIYADH: Renowned composer Hans Zimmer performed on Friday at the Mohammed Abdo Arena in Saudi Arabia as part of the Riyadh Season events.
The Oscar-winning composer performed a selection of compositions from films such as “Dune,” “Wonder Woman,” “Pirates of the Caribbean,” “Interstellar,” “The Lion King” and “No Time to Die.”
The concert concluded with enthusiastic applause, marking a memorable highlight of the Riyadh Season. (Supplied)
The music was accompanied by interactive visual projections and stage effects that complemented the performance and highlighted its theme.
The concert, which sold out immediately on ticket release, concluded with enthusiastic applause, marking a memorable highlight of the Riyadh Season.
Zimmer expressed his gratitude to the Riyadh Season audience in a recorded message at the end of the concert, thanking them for their enthusiasm and energy.
Turki Alalshikh, chairman of the General Entertainment Authority, revealed this week that the composer is working on a new interpretation of Saudi Arabia’s national anthem.
The post continued that the German composer was also offered the chance to create the soundtrack for the upcoming Saudi Arabia film, “The Battle of Yarmouk.”
Zimmer attended the Kingdom’s Joy Awards on Jan. 18, which honors the achievements of artists in the Arab world.
DUBAI: US pop star Gwen Stefani is set to perform in Abu Dhabi on Feb. 21 as part of the city’s Saadiyat Nights, marking her first-ever performance in the UAE capital.
The triple Grammy Award winner will take the stage just 24 hours before legendary US singer Lionel Richie closes the event on Feb. 22.
The three-month open-air music series will also feature performances by Egyptian composer Omar Khairat on Feb. 1, British musician Sting on Feb. 3, Lebanese music icon Magida El-Roumi on Feb. 10 and US pop star Christina Aguilera on Feb. 15.
Artists who have already performed include Grammy-winning Michael Buble, Russian band Leningrad, US R&B group Boyz II Men, British singer Robbie Williams and Iranian singer Ebi.
Stefani has achieved global recognition as a songwriter, performer, and frontwoman of the US rock band No Doubt, and as a multi-platinum solo artist. Over the course of her career, she has received numerous awards, including four MTV Video Music Awards, two Billboard Awards, an American Music Award and a Brit Award.
Stefani has sold over 60 million records worldwide, combining her success with No Doubt and her solo career. Her 2004 debut solo album, “Love. Angel. Music. Baby.,” achieved multi-platinum status and included chart-topping hits like “Hollaback Girl,” which became the first digital download to sell over 1 million copies in the US.
Stefani is no stranger to Emirati culture. In 2019, she performed in Dubai at the Dubai World Cup. During her visit, the singer immersed herself in Emirati culture, embracing the quintessential tourist experience by taking a desert safari, dining in a desert tent, watching a falcon show, riding a camel, covering her face and hair with a headscarf, shopping at the perfume souk, and visiting the iconic Burj Khalifa, the world’s tallest building.
Saadiyat Nights is part of the Abu Dhabi Calendar’s year-round schedule of events, which includes music, sports, comedy, family-friendly shows, cultural festivals and art exhibitions.
Held on Saadiyat Island, the concert series is set against the backdrop of the Saadiyat Cultural District, pristine beaches, and luxurious resorts.
The inaugural edition of Saadiyat Nights, which ran from January to March 2024, featured a lineup of artists, including American stars Mariah Carey, John Legend, and Alicia Keys, Iranian singer Googoosh, and Italian tenor Andrea Bocelli.
Queen Rania, the princess’s mother, shared the news on Instagram with a photo of the couple at sunset by the beach, highlighting the mother-to-be’s baby bump. “Two is a couple, three is a blessing,” the Queen captioned the image.
This will be the second grandchild for Queen Rania and King Abdullah II. Their first grandchild, born in August, is the daughter of Crown Prince Hussein bin Abdullah and Princess Rajwa Al-Hussein. She was named Iman in honor of her aunt.
