Baloot: The No. 1 social activity in Saudi Arabia is an integral part of the culture, and popular with people of all ages

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The screening of the Baloot Championship in Riyadh on television has illustrated the popularity of the game. (SPA)
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The screening of the Baloot Championship in Riyadh on television has illustrated the popularity of the game. (SPA)
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The screening of the Baloot Championship in Riyadh on television has illustrated the popularity of the game. (SPA)
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The screening of the Baloot Championship in Riyadh on television has illustrated the popularity of the game. (SPA)
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The screening of the Baloot Championship in Riyadh on television has illustrated the popularity of the game. (SPA)
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Updated 02 November 2018
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Baloot: The No. 1 social activity in Saudi Arabia is an integral part of the culture, and popular with people of all ages

  • With only four players and 32 cards, the objective is to outsmart and outplay your opponent.
  • Some believe the game originated in France, where it is known as “Belote,” and migrated with the Ottoman expansion

JEDDAH: The popularity of the trick-taking card game Baloot shouldn’t come as a surprise to anyone in the region, but it might to any outsider who saw the second Baloot Championship in Riyadh on television this month.

For generations, Baloot has been played exactly as it is today, and it has remained an integral part of Saudi culture. With only four players and 32 cards, the objective is to outsmart and outplay your opponent: Are you up for the challenge?

For years, Saudis have seen the male figures in their family and circle of friends lose themselves in the game, although women have been known to play too.

“I’ve been playing Baloot for over 40 years with the same people,” said engineer Esam Al-Shihry. “My friends come and go, but with this group of friends, our game plans are set, our partners are known, and we’ve been consistent for years. We’ve hardly ever missed a weekend.  Many of the guys would come and go as their jobs required them, but when they head back in town, we’d always gather in the same majlis, same teacups and same group of players.

“With this close relationship, it’s hard for your partner not to comprehend your ultimate goal in the game set, so when it does happen, let’s just say, he’ll have a hard time holding the cards for a week,” said Al-Shihry, laughing.  

“Why is that?” Arab News asked.

“Well, my child, you just can’t miss a beat.  If they do, all I could say is either run or duck.  That should teach them a lesson,” he said, clearly amused.

Some believe the game originated in France, where it is known as “Belote,” and migrated with the Ottoman expansion (it is also played in countries such as Cyprus, Armenia and Bulgaria). Others believe it migrated from India, reaching the shores of the Arabian Peninsula through trade routes.  

The rules of the Saudi version of the game are simple but strict, requiring risk-taking, strategy and skill. There are two hands to the game: Hokum and Sun, with 32 cards dealt, excluding the numbers 2-6 but including the Joker.

The dealer deals eight cards to each player counter-clockwise. The player on his left cuts the cards then the dealer starts dealing. This technique is used to ensure the dealer doesn’t cheat, and the left player divides the deck in half, places one half over the other then gives it back. Then the dealer gives away the cards, 3-2-public card-3 “only 2 for the buyer,” starting with his right in an order of  three at once, two at once then one single card is placed on the table, or floor, for the “buyer.”  Once the buyer takes the card, they set the game plan in motion by choosing Hokum or Sun. The buyer must be sure that the card he’s buying is his best bet to get as many points in the game.  

To properly claim it, the buyer, who is on the right of the dealer, must use the term “awal,” or first.  The rest of the cards are then dealt until all players have a set of eight each. If the player on the dealer’s right side refuses to buy the card, a “pass” is given and he uses the term “bas” to pass.  If the public card is refused by all, it’s replaced by another, and the same terminology is used for the second round.

There is a catch though: If the bought card is an ace of spades in the second round and the player wants to set the game as Hokum, you can’t use the strong cards with the spade: You have either the club or heart or diamond.  The buyer loses his chance to decide the game plan. It’s a game of strategy and whether you are willing to take a (non-monetary) gamble. Here’s where a player’s experience in the game discretely comes into play.

The key component in the game is to be vigilant. No speaking is allowed, and you must keep a poker face.  

Players must evaluate their cards by strength, and the public card is the key to winning as many points as possible. Whichever hand they’re given, the order of the cards is important by strength.  For Sun, the ace is the strongest, followed by a 10, K, Q, J, 9, 8, 7. As for Hokum, the J is strongest, 9, ace, 10, K, Q, 8 and 7. 

Once players organize their cards, each start throwing one card at a time in rounds, taking into account whichever they see fit for their set.  Again, teammates must stay vigilant and cautious: If your opponent catches whiff of which card set you’re playing, they’ll hamper your attempts every chance they get.

Here’s where some tempers could flare. Teammates could help each other if they catch a glimpse of their game plans. They could have secret codes or moves that would indicate the game is set and it is time to reveal their cards for the win.  Miss out? Then expect a reprimand, of course, all in the spirit of the game. If you miss your cue with a big game play, just watch your head.

Once a round is over and all cards are dealt, the score of each team is added as each card has a ranking: the game set Hokum differs from Sun in scoring. Here’s where the fun lies: The higher the score, the stronger the shock from the players.  The strength of the player in this trick-taking game is decided by how well they score. With no luck involved, it all falls to how smooth your posture is, maintaining a vigilant mind and a good eye.

Sheikha M, a 30-year-old interior designer and her 28-year old sister Noura, a nutritionist, gather weekly at their friend’s house for a night of Baloot. “We’ve been doing this for over three years now,” said Sheikha. “My sister and I are close as well as our friends, and I taught them how to play Baloot the same way my father taught me. An added extra would be getting his temper too, and I am now prohibited from having any dangerous items near me,” she said laughingly.

“We spend hours playing one round after another,” Noura said. “Conversations float from one topic to the next, and we all relax after a hectic work week. I don’t think I would prefer anything else, for that matter. It’s relaxing, you have a good crowd around you, and that’s what the game is all about, except for the flying objects Sheikha vents her frustration through.”

In this month’s Baloot championship, in which more than 2,000 people participated, first-place winners received a prize of one million Saudi riyals. Who said playing cards was a waste of time? Surely mothers will now think twice before scolding their children for playing.


How Saudi Arabia is weaving sustainable practices into its fashion industry

Updated 18 January 2025
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How Saudi Arabia is weaving sustainable practices into its fashion industry

  • Saudi Vision 2030 champions reducing, reusing, recycling, and upcycling clothing, with local designers leading the way
  • Initiatives like Riyadh’s GFX Fashion Swap promote exchanging quality garments to extend wardrobe life and cut waste

RIYADH: Thanks to the mass production and export of cheaply made clothing — a phenomenon of globalization known as “fast fashion” — consumers the world over have gained access to an almost limitless range of affordable outfits.

While this manufacturing and retail boom has stimulated growth, created jobs, and catered to consumer demand, it has also placed an immense strain on the workforces making these garments and on the environment.

In line with the sustainability goals of Saudi Arabia’s Vision 2030 reform agenda and its circular economy approach, the Kingdom is encouraging consumers and manufacturers to reduce, reuse, recycle, and upcycle clothing to help ease the environmental burden.

With more than 80 billion garments produced worldwide every year, the industry has contributed to the pollution of the environment, the excessive use of resources, and a throwaway culture that has resulted in towering heaps of waste.

Globally, one garbage truck’s worth of textiles is sent to landfill or incinerated every second, depleting natural resources and increasing greenhouse gas emissions. Experts warn the industry could account for a quarter of the world’s carbon emissions by 2050.

Textile waste account for 10 percent of greenhouse gas emissions, according to UN figures. (AFP)

One of the most polluting industries globally, fast fashion is responsible for 10 percent of greenhouse gas emissions, according to UN figures — surpassing the combined emissions from international flights and maritime shipping.

Compounding the problem, a report by the Ellen MacArthur Foundation reveals that less than 1 percent of used clothing is recycled into new garments, perpetuating a destructive cycle of resource depletion and waste.

A striking design by Khoja, highlighting modern Saudi fashion with a blend of tradition and futurism. (Instagram: moekhoja)

“Sustainability in fashion isn’t just a trend; it’s a necessity,” Mohammed Khoja, founder of Saudi clothing brand Hindamme, told Arab News.

“We focus on creating high-quality, timeless pieces designed to transcend trends. This avoids overproduction and ensures that our garments can become cherished vintage finds for future generations.”

Opinion

This section contains relevant reference points, placed in (Opinion field)

Khoja’s emphasis on “timeless design” aligns with the Kingdom’s Vision 2030 goals of reducing waste and promoting sustainable consumption.

To address the issue of waste, Saudi Arabia is investing in circular fashion — a model focused on reusing, recycling, and upcycling clothing to extend its life cycle.

The Fashion Commission, which is part of the Saudi Ministry of Culture, has launched initiatives like the GFX Fashion Swap in Riyadh, which encourages the exchange of high-quality garments while educating participants on the environmental benefits of prolonging wardrobe use.

“We don’t need to keep buying new items,” said Nasiba Hafiz, a Saudi fashion designer. “Why not use the things we already have and repurpose them? This way, we can reduce waste and become more conscious consumers.”

(Instagram: globalfashionexchange)

Hafiz collaborates with Al-Oula Women’s Charitable Society to transform surplus fabrics into new garments, reducing waste while empowering women from underprivileged backgrounds in south Jeddah.

Another significant initiative is the Sustainable Materials Research Center. Established in partnership with King Abdullah University of Science and Technology, the facility develops eco-friendly textiles for traditional garments like abayas and thobes.

By blending innovation with cultural heritage, the Kingdom advances sustainable design solutions.

Fast fashion’s impact extends beyond consumer waste, with a significant yet often overlooked toll on water resources. Factories in developing countries, where most clothing is produced, consume vast amounts of water and energy.

Efforts are being made to develop sustainable textile materials in the Kingdom. (AFP)

For instance, producing a single pair of jeans requires about 3,781 liters of water, according to the UN Environment Programme — enough to meet one person’s hydration needs for more than five years.

Textile factories also release hazardous waste that pollutes rivers and groundwater, with dyeing and treatment processes contributing heavily to water contamination.

The World Bank estimates the fashion industry generates 20 percent of global wastewater, which is often laced with toxic chemicals.

Waste from textile's factories is released to Dravyavati river in Rajasthan, India. Dyeing and treatment processes in textile factories contribute heavily to water contamination. (AFP)

In Saudi Arabia, where water is scarce, designers like Chaldene are championing sustainability. The brand incorporates eco-friendly materials, such as coconut-shell buttons, to reduce reliance on resource-heavy alternatives.

“Every detail in our collection reflects our commitment to minimizing waste and honoring nature,” Asma Al-Othaimeen and Ghada Al-Majed, the co-founders of Chaldene, told Arab News in a joint statement.

Indeed, Saudi designers are leading the Kingdom’s sustainable fashion movement, pioneering innovative approaches to reduce the industry’s environmental impact.

One such designer, Ghaydaa Majdaly, uses 3D technology to transform recycled plastic bottles into fabric, ensuring a zero-waste approach.

With 3D software programs simplifying the design process and improving product quality while reducing the environmental footprint, fashion designers are changing the way they approach their products, as well as pattern making and fittings. (Supplied)

“Technology allows us to reimagine what’s possible in fashion while addressing the environmental challenges of fast fashion,” said Majdaly.

To the same end, Nasiba Hafiz, in collaboration with Al-Oula, repurposes discarded fabrics into new garments. This partnership not only reduces waste but also provides economic support to women in south Jeddah.

“By reusing and repurposing, we can extend the life of materials and create something beautiful and meaningful,” said Hafiz.

DID YOUKNOW?

Sustainable fashion reduces waste and supports Vision 2030’s circular economy goals.

Brands like Yasmina Q and Al-Oula turn discarded materials into new garments.

Hajj ihrams are recycled into reusable garments through sterilization and repair.

Meanwhile, Hindamme creator Khoja, who focuses on timeless designs over seasonal trends, believes in creating heirloom-quality pieces meant to last generations.

“Sustainability isn’t just about the environment — it’s about preserving our cultural identity while reducing waste,” he said.

However, the shift to sustainable fashion is not just up to brands and designers. Consumers also play a key role in driving demand for eco-conscious products.

Fast fashion thrives on overconsumption, with surveys showing many garments are worn only seven times before being discarded.

Reyouf Madkhali, a Saudi model and sustainable fashion advocate, emphasized the role of consumer behavior. “Sustainable fashion is reshaping the industry by encouraging innovation and responsibility,” she said.

“As a model, I prioritize working with brands that align with these values to promote conscious consumerism to my audience.”

Saudi model and sustainable fashion advocate Reyouf Madkhali. (Supplied)

She also noted the growing interest in sustainable practices among younger generations.

“People are starting to ask questions and take ownership of their choices,” she said. “Supporting local brands is a passion of mine, and I’ve been gradually replacing pieces in my wardrobe with designs from Saudi designers.”

Saudi Arabia is proving that sustainability and cultural preservation can go hand in hand. By tackling the environmental impact of fast fashion and promoting innovative solutions, the Kingdom is forging a new path.


 


Diriyah Season launches At-Turaif District activities

Updated 17 January 2025
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Diriyah Season launches At-Turaif District activities

  • Diriyah Season 2024/25 began on Dec. 20 last year, under the theme “Entertain Your Cultural Curiosity”

DIRIYAH, Riyadh: Diriyah Season on Friday launched a new program of activities at the At-Turaif District, a UNESCO World Heritage site, offering visitors a range of cultural and historical experiences aimed at exploring Saudi Arabia’s heritage.

The program highlights key moments from the history of the first Saudi state through workshops, theatrical performances, and cultural sessions.

Visitors will engage in activities such as traditional Najdi design workshops, poetry recitations, and demonstrations of the Saudi Arda, the Kingdom’s traditional sword dance.

This year’s program also features the updated 850 Interactive Experience, named after the establishment of Diriyah in the Islamic calendar year 850 AH (1446 or 1447 AD in the Gregorian calendar).

The experience uses storytelling and puzzles to explore notable historical figures, including Imam Turki bin Abdullah, and key events from Diriyah’s history.

Workshops in traditional construction techniques, historical games, and exhibitions showcasing the district’s architecture are designed to deepen understanding of the region’s cultural significance, while live performances and discussions will further connect audiences with the stories of At-Turaif’s past, including its role in Saudi Arabia’s early statehood.

Diriyah Season 2024/25 began on Dec. 20 last year, under the theme “Entertain Your Cultural Curiosity.” The event aims to promote Diriyah as a cultural hub, combining historical education with live entertainment and creative showcases.


How ‘BookTok’ is redefining reading for a new generation of Saudis

Updated 17 January 2025
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How ‘BookTok’ is redefining reading for a new generation of Saudis

  • Popularity of books on social media app is driving publishing trends
  • Authors are adapting their work to get views, says one commenter

RIYADH: While TikTok is often criticized for minimizing attention spans with its fast-paced content, the social media platform’s “BookTok” community has sparked renewed interest in reading among young adults in Saudi Arabia and beyond.

Described by The New York Times as a “best-seller machine,” BookTok has become a global phenomenon.

The platform has emerged as a virtual book club, where readers connect to share recommendations and discuss their favorite titles — especially in genres like romance, fiction, and thrillers.

Sales in this genre increased by 8.5 percent in 2022, followed by an additional 1 percent rise in 2023. (SPA)

Arab News spoke to a number of authors and content creators who described how the social media trend is driving book sales and reshaping the local publishing industry.

Mohammed Al-Ashaari is a young reader who regularly shares book recommendations and discussions on his TikTok account.

The platform’s fast-paced nature prioritizes aesthetically pleasing content that can be shared in bite-sized clips, and Al-Ashaari spoke about how this algorithm is changing reading habits.

BookTok has brought about significant changes in how people read novels, as the reading trends within the BookTok community are constantly evolving, and with each trend, a new way or habit of reading emerges

Mohammed Al-Ashaari, TikTok user

“BookTok has brought about significant changes in how people read novels, as the reading trends within the BookTok community are constantly evolving, and with each trend, a new way or habit of reading emerges,” he said.

Al-Ashaari explained that this impact was not only limited to readers on the platform but also extended to authors, influencing how they approach their writing and adapt their work to fit the tastes and interests of the platform’s active community.

The BookTok community emerged on TikTok during the COVID-19 lockdowns, and its impact on publishing is undeniable, with authors and publishers seeing remarkable sales growth. (SPA)

He added that the most trending genres on BookTok are fantasy, science fiction, and horror: “Books that gain the most engagement tend to be in these genres, which has led many authors to shift their focus on popular categories.”

The BookTok community emerged on TikTok during the COVID-19 lockdowns, and its impact on publishing is undeniable, with authors and publishers seeing remarkable sales growth.

This impact is especially notable in how it has affected book sales and author engagement.

A report by the US-based retail tracking service Circana revealed that TikTok has significantly influenced book sales in the US, particularly in the adult fiction category.

Sales in this genre increased by 8.5 percent in 2022, followed by an additional 1 percent rise in 2023. Other genres, such as dystopian, romance, and thriller, also witnessed notable growth during this period.

Yasmina Al-Mutabagani, the Saudi author of “Beyond the Surface,” said BookTok has played a significant role in boosting the sales of her latest novel, which explores the story of two strangers who form an unexpected connection during a pandemic.

“I did paid ads multiple times on a video I posted that talked about my book; however, at that time, I didn’t think it was going to be that effective. After a while, I went to Jarir Bookstore, and the man told me it was sold out in multiple branches,” she said.

Al-Mutabagani highlighted BookTok’s broader influence on the literary world. “There’s a positive impact on literature and publishing because BookTok offers advice on writing in general, how to publish your book, how to find a literary agent, and it can be useful in promoting your book if you’re an author,” she said.

Kendah Jambi, a Saudi author of the fantasy novel “Al-Rahala,” said that many attendees at Saudi book fairs recognized her from TikTok’s BookTok.

Her novel follows a group of people called Al-Rahala, or nomads, who possess the ability to shift realities and travel through the multiverse.

Jambi emphasized the importance of building a connection between authors and readers. “Interaction between author and reader is often underrated. It’s very important for readers to be genuinely interested in the author as a person to maintain their interest in the books,” she said.

She further elaborated on the impact of BookTok, adding, “BookTok definitely helped readers express their opinions, which is valuable to the author on both an emotional and constructive level.”

 


Courchevel Boulevard World brings skiing experience to Riyadh

Updated 17 January 2025
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Courchevel Boulevard World brings skiing experience to Riyadh

  • Ski zone provides the thrill of the slopes in the heart of the city
  • Around 200 people per day visit Riyadh’s new wintry attraction

RIYADH: A new attraction is thriving in Riyadh at the Courchevel zone at Boulevard World, where visitors can indulge in an authentic skiing adventure.

This unique attraction which opened in December brings the thrill of the slopes to the heart of the city, allowing both beginners and seasoned skiers to enjoy the winter sport under the guidance of professional trainers.

Children can revel in the joy of making figures from the fresh snow, adding an extra layer of fun to their experience. (AN photo by Loai Ali)

These skilled professionals want to do more than teach. “We are here to train and help everyone learn how to ski while enjoying the experience,” said Marwan Akiki, a ski instructor from Lebanon.

The focus at Courchevel is on creating a fun environment for the entire family. “Every day, we receive approximately 200 visitors of different ages, from 7 years old to adults,” Akiki explained.

I came with my children today, and we had a great time in the snow town, especially since they haven’t seen snow before.

Salman Al-Ghamdi, Visitor

The attraction also features an enchanting igloo area designed for both children and adults. This whimsical setting allows families to feel as though they have been transported to the snowy parts of Europe.

The attraction features an enchanting igloo area designed for both children and adults. (AN photo by Loai Ali)

Children can revel in the joy of making figures from the fresh snow, adding an extra layer of fun to their experience.

Salman Al-Ghamdi recently brought his children, Mohammed and Sara, to Courchevel, and their delight was palpable.

The focus at Courchevel in Riyadh is on creating a fun environment for the entire family to indulge in an authentic skiing adventure. (AN photo by Loai Ali)

“I came with my children today, and we had a great time in the snow town, especially since they haven’t seen snow before. You should come and visit; honestly, it’s magical,” Al-Ghamdi told Arab News.  

For many, Courchevel Boulevard World represents a first encounter with snow and skiing. “This is the first time in Riyadh where we found snow and a school to teach this experience,” Akiki noted.

Visitors can unwind at the on-site restaurants after a thrilling day of skiing. (AN photo by Loai Ali)

One of the standout features of Courchevel Boulevard World is the provision of comfortable, tailored clothing for all guests so that they can enjoy their time without worrying about the cold.

“We want to make it a seamless experience for our guests, so they can focus on having fun,” Akiki explained.

After a thrilling day of skiing, visitors can unwind at the on-site restaurants, which offer a range of dining options. These eateries provide a cozy atmosphere ideal for relaxing and sharing stories about the day’s adventures.

Additionally, there is a shop offering equipment and outfits for the snow from various global brands, ensuring guests have access to high-quality gear for their skiing needs.

There are plans to have various events and competitions to further enhance the community aspect of the attraction.

 


Saudi Arabia participates in children’s rights workshop in Cairo

Updated 17 January 2025
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Saudi Arabia participates in children’s rights workshop in Cairo

  • The workshop was held to review the general framework of the component in terms of its motivations, objectives, and implementation methodology in the Arab world

CAIRO: Saudi Arabia took part in a workshop on the “Media Observatory for Arab Child Rights,” in Cairo.

The workshop was organized by the Arab Council for Childhood and Development, under the patronage of Prince Abdulaziz bin Talal bin Abdulaziz, the council’s president.

More than 25 experts participated in the workshop to discuss the implementation of a new component of the observatory’s work, titled “Arab Child and Digital Environment,” the Saudi Press Agency reported.

The workshop was held to review the general framework of the component in terms of its motivations, objectives, and implementation methodology in the Arab world, in light of the growing use of children’s applications and digital platforms.

In his speech, ACCD Secretary-General Hassan El-Bilawi said the new component of the observatory discussed in the workshop affirms children’s sustainable right to a safe media environment in all aspects of life.