The damage done: New film examines impact of Lebanon’s civil war

In ‘About a War,’ ex-fighters confront the legacy of the long and bloody conflict. (Supplied)
Updated 11 February 2019
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The damage done: New film examines impact of Lebanon’s civil war

  • 'About A War' is a compelling and often unsettling documentary co-directed by husband-and-wife duo Abi Weaver and Daniele Rugo
  • In ‘About a War,’ ex-fighters confront the legacy of the long and bloody conflict

DUBAI: “Everyone dirtied their hands. Everyone got involved. Everyone.” So says Ahed Bhar, a Palestinian born in Lebanon’s Shatila Refugee Camp in 1966 and a former fighter in the Popular Front for the Liberation of Palestine. He is talking about Lebanon’s disastrous civil war, which blighted the country from 1975-1990.

Bhar is one of three ex-soldiers from different factions who form the backbone of “About A War,” a compelling and often unsettling documentary co-directed by husband-and-wife duo Abi Weaver and Daniele Rugo, that sets out to examine the still-powerful impact that the war has on the country and its people.

As Rugo pointed out in his conversation with Arab News, no official account of Lebanon’s civil war has ever been laid out.

“When the war finished, they signed an agreement pardoning all crimes against civilians,” he said. “So the history of the war was really brushed under the carpet. As we delved more into trying to understand how people felt about the legacy of the war, we realized that there is quite a lot of unaddressed, unspoken trauma, and a general amnesia about the causes and the consequences. And what happened. There is no official account that is accepted by all parties in Lebanese society. There is no shared narrative. Most people will learn about the war depending on which sectarian group or political group they belong to. Or even their geographical group. They will each have their own version.

“What our film tries to do is to create a multi-perspective account, where we have three different fighters from three different groups, who lived through the war from different points of view, and the audience is asked to negotiate a position between these three,” he continued.

Those accounts, as you might expect, are often conflicting. But what comes across from all three is a sense that they were swept up in events that they didn’t really understand, but which they all believed placed them on the ‘right’ side.

“I thought everything I was doing was proper and may be ‘sanctified’ because I was doing it in the name of Christianity,” says Assad Chaftari, former head of intelligence for the Lebanese Forces in the war. Chaftari felt he had to combat what he saw as a growing Muslim influence — allied to the Palestinian cause — that threatened to create a ‘state within a state’ in Lebanon. He was 16 years old. “Now, of course, I see things very differently,” he says.

Rugo and Weaver’s film, which will screen in Lebanon this week — with shows in Beirut, Tripoli and Saida — marks one of the rare occasions when ex-fighters in the war have spoken publicly about their acts. And their documentary reveals that the scars it left are still raw.

Rugo suggested that one of the main reasons for that is precisely because the events and consequences of the war still aren’t really discussed openly.

“We discovered that there were quite a lot of people who really hadn’t addressed their trauma, and in particular the ex-fighters, because they had never spoken about what they’d done and most of them had never really started to come to terms with, or acknowledge, their roles in the combat,” he said.

Seeing that experience take place on screen — these aging men hearing themselves admit to some of the horrors they were a part of — can be hard to watch. It was, Rugo said, sometimes equally hard to film.

“Some of the interviews were very difficult,” he admitted. “We sat down with them for seven or eight hours on multiple occasions. So at the end of that, you’re drained anyway. And the material you’re recording is difficult. And you’re also going through a process where you empathize with a person and then you see him as someone who’s committed terrible deeds and been involved in a very bloody war. So you learn to (put aside) your own judgments and try and gain a deeper understanding of what motivated these people. That’s what we learned as filmmakers.

“On a more general level, we learned that unless we address the mistakes that have been made in the past, it’s very difficult to create a shared future. In particular in countries such as Lebanon, which are still marred by inequality, by sectarian divides, and whose geo-political situation is a precarious one,” he continued. “So this work on the past is really important to build a sustainable and more stable present and future.”


Saudi actress Maria Bahrawi rings in 2025 with a heartfelt message

Updated 01 January 2025
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Saudi actress Maria Bahrawi rings in 2025 with a heartfelt message

  • Bahrawi wishes family, friends, fans ‘joy, love, and endless blessings’
  • Star of ‘Norah,’ first Saudi movie to premiere at Cannes Film Festival

DUBAI: Saudi Arabia actress Maria Bahrawi, who made history starring in the first movie from the Kingdom to premiere at the Cannes Film Festival in 2024, “Norah,” welcomed the new year with a heartfelt Instagram post.

“Hello 2025, may this year bring joy, love, and endless blessings to all of us,” the rising star wrote. “Here’s to new beginnings, big dreams, and beautiful memories. Happy New Year.”

The 18-year-old actress, who was born and raised in Jeddah, also highlighted the joy of being surrounded by her sisters, posting a picture with them, but covering their faces to protect their privacy.

“I am happy to be starting 2025 with my sisters around. Your presence is the biggest blessing in my life and the best feeling,” she added.

In her Instagram Stories, she shared a short video reflecting on milestones from 2024. The clip showcased her graduation, appearances at international festivals, and red-carpet moments.

It also had billboards featuring her across city streets, film screenings, interviews, behind-the-scenes glimpses from sets and shoots, her birthday, trips to AlUla and attendance at the Red Sea Film Festival.

Bahrawi’s film “Norah,” the debut feature of Saudi Arabia filmmaker Tawfik Alzaidi, premiered in the Cannes Film Festival’s Un Certain Regard section, which highlights unique storytelling and innovative styles. The film received the Special Mention accolade, honoring its outstanding achievements.

The movie, shot entirely in AlUla, is set in 1990s Saudi Arabia when the professional pursuit of all art, including painting, was frowned upon.

Besides Bahrawi, the movie also stars Yaqoub Al-Farhan and Abdullah Al-Satian. It follows the story of Norah and failed artist Nader as they encourage each other to realize their artistic potential in rural Saudi Arabia.

The movie was backed by the Red Sea Fund — one of the Red Sea Film Foundation’s programs — and was filmed with an all-Saudi cast and a 40 percent Saudi crew.

“I’m living the dream. Inshallah, I’ll reach bigger and higher goals. I have all the opportunities in the world, now it’s up to me to take them,” Bahrawi previously told Arab News while discussing the film.


Disney’s ‘The Magic Box’ to debut in Abu Dhabi in February

Updated 01 January 2025
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Disney’s ‘The Magic Box’ to debut in Abu Dhabi in February

DUBAI: Disney fans in Abu Dhabi are in for a treat as “The Magic Box,” an innovative theatrical production celebrating a century of Disney, is set to premiere at the Etihad Arena from Feb. 6 to 15, 2025.

Created and co-written by Felipe Gamba Paredes, the show combines more than 75 Disney songs with immersive visuals and an original narrative.

The show combines more than 75 Disney songs with immersive visuals and an original narrative. (Supplied)

Gamba, a former Disney executive with over 15 years of experience, describes “The Magic Box” as a “love letter” to the timeless stories and music that have defined generations.

“In creating ‘The Magic Box,’ I wanted audiences to reconnect with their own inner child, and to do so, we chose not to tell one singular story from one single Disney film but instead blend them all into one unforgettable journey to the feelings and joy they triggered when we first saw them,” he told Arab News.

The production spans Disney’s vast musical history, featuring songs from as early as 1929 alongside contemporary hits from 2023. (Supplied)

At its core is the tale of Mara, a woman rediscovering her inner child through Disney’s evocative melodies.

The production spans Disney’s vast musical history, featuring songs from as early as 1929 alongside contemporary hits from 2023, which Gamba said was “not an easy task.”

He said: “We spent many months just combing through the catalog. We knew we wanted to curate a collage that would resonate across multiple generations so that everyone would find their emotional place inside our show. Balancing content was important.”

The production is created and co-written by Felipe Gamba Paredes. (Supplied)

The decision to debut “The Magic Box” in Abu Dhabi is based on the UAE capital’s diverse demographics.

“So, I know our show will feel right at home in Abu Dhabi, which is home to so many diverse cultures and represents such a rich tapestry of humanity,” Gamba said.


Hans Zimmer to perform in Abu Dhabi

Updated 31 December 2024
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Hans Zimmer to perform in Abu Dhabi

DUBAI: Multi-Academy Award-winning composer Hans Zimmer will perform in Abu Dhabi for the first time on May 31.

The performer will bring his “Hans Zimmer Live” concert to the UAE capital and will perform works from his most iconic soundtracks, including “Interstellar,” “The Lion King,” “Dune,” and more.

“I am very excited to be performing for the first time in the city where ‘Dune Two’ was filmed and served as the inspiration for the score.” said Hans Zimmer, referring to the Denis Villeneuve-directed blockbuster released in 2024.

Zimmer previously performed in Dubai in the summer of 2024.

Zimmer’s musical legacy, marked by the creation of memorable movie scores, secured him two Academy Awards and four Grammy Awards, along with nominations for three Emmys and a Tony.

With an impressive repertoire, he has composed the music for movies like “The Dark Knight,” “Top Gun Maverick,” “Pirates of the Caribbean,” and most recently “Dune” and “Dune: Part 2” — among other iconic movies.

 


Ali and Walaa Hennaoui embrace 2025 after Ralph Lauren campaign

Updated 31 December 2024
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Ali and Walaa Hennaoui embrace 2025 after Ralph Lauren campaign

DUBAI: Dubai-based influencer couple Ali and Walaa Hennaoui are gearing up for the new year after closing out 2024 on a high note with a Ralph Lauren campaign.

The duo shared an inspiring message on their joint Instagram account, writing: “And to 2025, we say: no matter what you hold, we are ready for you — together. Sky’s the limit, always. Dream big, live boldly, and most importantly—believe in yourself.

“Here’s to a new year, stronger hearts, and endless possibilities. Happy New Year, everyone,” they added. 

The couple, who have two children, reflected on their achievements in 2024, including their latest milestone: Starring together in a campaign for US fashion label Ralph Lauren during the festive season.

In a clip shared on their Instagram profile, they are featured aboard a yacht showcasing the brand’s latest collection, which includes clothing, accessories and perfumes. The video shows the couple preparing together on the yacht as it sails through locations such as Doha, Abu Dhabi and Dubai, with the region’s landmarks featured prominently in the background.

“Getting ready together…but this time aboard @ralphlauren yacht. Sailing through Doha, Abu Dhabi and Dubai,” the post’s caption reads.

Ali was dressed in a crisp white shirt and black trousers, with a tailored maroon knit sweater layered over his shoulders. Meanwhile, Walaa donned an off-white, full-sleeved knit sweater with a high neckline, featuring intricate patterns. She paired it with a flowing, pleated off-white maxi skirt, cinched at the waist with a statement brown leather belt that had a bold buckle.

In another image shared on their profile, Ali wore a tailored navy double-breasted blazer paired with a striped shirt and cream linen trousers, while Walaa opted for a navy blazer adorned with an embroidered crest on the chest.

The couple also took the opportunity to share heartfelt reflections on the past year.

“This year, we learned to embrace the beauty of the small things and truly understood the meaning of family first. Through every challenge and every doubt, we found strength in each other, solidifying our love, our marriage, and our smallest, most sacred circle,” they said on Instagram.

The pair share daily updates on family life on their social media feeds, including Instagram and TikTok, and have worked with fashion and homeware brands in the past. They also frequently attend runway presentations by Lebanese couturier Elie Saab, including his recent shows in Paris and Riyadh.


French Algerian animator aims to draw on experiences of peers in Saudi Arabia’s Diriyah Art Futures program

Updated 31 December 2024
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French Algerian animator aims to draw on experiences of peers in Saudi Arabia’s Diriyah Art Futures program

DUBAI: Samia Dzair, a French Algerian animator handpicked by Saudi creative hub Diriyah Art Futures for its inaugural Emerging New Media Artists Program, said she hopes to broaden her horizons as part of the initiative alongside an international cohort of artists.

The year-long program, based in the UNESCO World Heritage site of Diriyah in Riyadh, will provide the chosen participants with access to professional equipment and facilities, a production budget, the opportunity to learn from guest lecturers from around the world specializing in new media art, and mentorships.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Samia Dz (@zestain_bekerz)

Dzair told Arab News she intends to use the opportunity to “fully question the various themes I address in my artistic work, such as myths, immigration and uprooting, while at the same time having the chance to produce quality work, with a real budget.”

She will join fellow artists from Jordan, Egypt, Saudi Arabia, China, Wales and other countries who were selected for the initiative, and said this varied, international collection of up-and-coming talents was a particularly appealing aspect of the program.

“Being in a group with other artists from different backgrounds is going to be very inspiring,” Dzair said. “We’ll be able to exchange our experiences, our respective world outlooks and inspire one another.”

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Samia Dz (@zestain_bekerz)

She will be aiming develop her skills in the field of animation, specifically the 2D and stop-motion varieties, which is something she says she was drawn to as a child.

“My first encounter with art was with animated films,” she said. “I come from a social environment where institutional culture was not very accessible (and) my father used to buy me a lot of cartoons that were sold in tobacconists’ shops, except that they weren’t always animated films for children.

“That’s how I started watching a lot of animated films like ‘Ghost in the Shell,’ which weren’t for my age but which forged my aspirations and my aesthetic,” she added, referring to the 1995 anime film directed by Mamoru Oshii.

She was also attracted to the medium as a creator in part because of the relatively limited resources required for an animation project. While sculptors might require blocks of marble and a set of chisels and other tools, and painters need a studio stocked with shelves of paint and brushes, Dzair said she is able to “make a film all by myself in my room with a camera or a computer, a head full of ideas and a few scraps of paper. I love it.”

She added: “The fact that you can find a-thousand-and-one ways to give an impression of movement, to bring to life an environment, a character, an interaction or an idea is simply fascinating.”

The director graduated from the KASK School of Arts in Belgium before directing two short films — “Soufre” in 2021 and “Le Poids De La Terre En Grammes” in 2022 — and also developed a TV series titled “Blue Weddings” that explores North African lore through its depiction of the ogress Teryel, a fearsome mythological character.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Samia Dz (@zestain_bekerz)

“(The) project … began as an emotional outlet. My quest to understand my family's neuroses and traumas led me to write this project, which originally took the form of a tale. The tale of a subversive woman, an ogress, hated by all, but who symbolizes the anger of an entire land dispossessed of its culture,” Dzair explained.

“Like my protagonist, I grew up in the north of France, and was separated from the land of my elders, and also separated from my mother at a very early age, a mother who grew up during the Algerian civil war, who faced violence and lack of education. Nonetheless she was politicized by her elders and this knowledge made her rebellious and violent because she couldn’t do anything as a ‘third world’ villager and a woman.”

Dzair’s series seeks to use the story of the ogress to explore issues relating to uprooting, war, colonization and capitalism — “what particularly interests me in the tales I refer to is the figure of the angry murdered rebel ogress, which I believe perfectly sums up the resistance shown by Algeria and all formerly colonized African countries,” she said.