Singer R. Kelly, facing sex abuse charges, gets $1 million bail

This booking photo obtained from the Chicago Police Department on February 23, 2019, shows singer R. Kelly. (AFP)
Updated 24 February 2019
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Singer R. Kelly, facing sex abuse charges, gets $1 million bail

  • Two women who had previously publicly accused him of abuse came to court to observe the proceedings

CHICAGO: A US judge set $1 million bail for R&B superstar R. Kelly on Saturday after prosecutors laid out graphic details of charges that he sexually abused four victims, three of them minors.
Kelly, known for hits like “I Believe I Can Fly,” surrendered to police late Friday after decades of allegations of sexual abuse, especially of underage girls, led to the first sexual assault charges against him.
Kelly was acquitted in a child porn trial more than a decade ago, and had maintained a steady fan base and continued to perform.
But his fortunes changed after a docuseries last month led Chicago prosecutors to publicly seek out any potential victims.
A Chicago grand jury on Friday charged him with 10 counts of aggravated criminal sexual abuse against four females, the youngest 14 years old at the time of the alleged crimes, which spanned between 1998 and 2010.
The charges carry three to seven years of prison per count.
A grave-faced Kelly appeared in a packed courtroom in a black hooded sweatshirt with his hands handcuffed behind his back.
Two women who had previously publicly accused him of abuse came to court to observe the proceedings.
In setting bail, Cook County Judge John Fitzgerald Lyke Jr. ordered Kelly to have no contact with anyone under 18 years old, and to have no contact with any of the alleged victims or witnesses.
The singer also was required to relinquish his passport.
“He’s devastated,” Kelly’s attorney Steve Greenberg said. “Here is someone who at one point was a huge star. Now he is sitting behind bars.”

In the bail hearing, prosecutors offered new details of their case — including a shocking accusation that Kelly met one underage victim while giving autographs during his 2008 trial.
They described a video showing Kelly repeatedly having sex with a 14-year-old, DNA evidence from another victim’s shirt that they said matched Kelly’s and semen from yet another victim’s clothes that preliminary tests showed appeared to be his.
Prosecutor Kimberly Foxx told reporters that a witness, not publicly identified, had provided the video showing Kelly having oral and vaginal sex with the youngest girl sometime between 1998 and 2001, when he would have been in his early 30s.
“In the video,” the prosecutor said, “the victim repeatedly, repeatedly, says she is 14 years old.”
In 1998, Kelly allegedly met another girl at a restaurant where she was celebrating her 16th birthday party, invited her to his studio knowing her age, and had sex with her several times after that, each time giving her an envelope with “a large amount of money,” Foxx said.
In 2008, he allegedly met a girl who was under 17 years old while giving autographs during his criminal trial on child pornography charges, and had sex with her multiple times until 2010.
“At times, Robert Kelly would spit on her, slap her on her face and choke her,” the prosecution alleged in court.
Illinois outlaws sex with those under 17 when the partner is at least five years older. Kelly is now 52 and was 31 at the time of the earliest alleged abuse.
In the only case not involving minors, Kelly is accused of trying to force a 24-year-old hairdresser to provide him with oral sex in 2003. When she resisted, he “ejaculated onto the victim and spit in her face several times,” Foxx said.
DNA on the hairdresser’s shirt, tested by police, was found to match Kelly’s DNA profile, prosecutors said.

Although his bail was set at $1 million, Kelly needs to put up only a tenth that amount, or $100,000, to be let out of jail. But Kelly’s attorney was unsure when the singer would be able to pay.
“His finances are a mess,” Greenberg told the judge in court.
After the hearing, he told reporters Kelly would likely put up bail by Monday at the latest and poked holes in the prosecution’s case.
“He’s entitled to a presumption of innocence,” Greenberg said.
“He did not force anyone to have sex. He’s a rock star. He doesn’t have to have non-consensual sex.”
Kelly is next due in court Monday, at which time a trial judge will be assigned to his case. He is scheduled for a March 8 arraignment, when he will have an opportunity to enter a plea.
Allegations of child pornography, sex with minors and sexual battery have dogged Kelly for decades, yet he still managed to enjoy a successful music career.
The musician’s fortunes turned after last month’s broadcast of the docu-series “Surviving R. Kelly,” which once again brought accusations against him to the fore.
High-profile lawyer Michael Avenatti and prominent women’s rights attorney Gloria Allred are representing clients linked to Kelly.
Kelly married his protege Aaliyah in 1994, when the late R&B star was 15 and Kelly was 27. He had produced the teenage singer’s debut album titled “Age Ain’t Nothing but a Number.”
Their marriage was later annulled, and Aaliyah died in a plane crash in 2001.


A falling tree in Venice injures a dozen people, including foreign tourists

Updated 1 min 23 sec ago
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A falling tree in Venice injures a dozen people, including foreign tourists

MILAN: Foreign tourists were among a dozen people injured when a 50-year-old tree fell next to a bus stop in the Italian lagoon city of Venice on Monday, authorities said.
The oak tree fell on a group of people waiting in a shaded area at Piazzale Roma, the last stop for buses and taxis ferrying visitors to and from the lagoon city from the mainland, city officials said. It wasn’t immediately clear why the tree fell.
The most seriously injured was a 30-year-old Italian woman, who was sitting on a wall near the tree with her two small children when the tree fell, Italian media reported. The woman was in critical condition with abdominal injuries, while her children weren’t seriously injured and placed under psychological care, according to hospital officials.
Another Italian woman in her 50s also was in critical condition after suffering chest injuries.
A video from the scene showed the tree had snapped at the trunk, just above the roots.
“The tree was apparently healthy,” Francesca Zaccariotto, the city’s top public works official, told the news agency ANSA. She added that the tree was monitored along with others in the city, and there had been no signs indicating a possible collapse.
A 60-year-old American was under observation for a head injury, a 70-year-old American suffered facial injuries, and two tourists from Eastern Europe suffered multiple bruises. Four other Italians were slightly injured.


Strauss’ ‘Blue Danube’ is beamed into space as Vienna celebrates with a concert

Updated 01 June 2025
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Strauss’ ‘Blue Danube’ is beamed into space as Vienna celebrates with a concert

  • The European Space Agency’s big radio antenna in Spain beamed the waltz into the cosmos Saturday
  • Operators aimed the dish at Voyager 1, the world’s most distant spacecraft more than 24 billion kilometers away

VIENNA: Strauss’ “Blue Danube” waltz has finally made it into space, nearly a half-century after missing a ride on NASA’s twin Voyager spacecraft.
The European Space Agency’s big radio antenna in Spain beamed the waltz into the cosmos Saturday. Operators aimed the dish at Voyager 1, the world’s most distant spacecraft more than 15 billion miles (24 billion kilometers) away. Traveling at the speed of light, the music was expected to overtake Voyager 1 within 23 hours.
The Vienna Symphony Orchestra performed the “Blue Danube” during the space transmission, which actually sent up a version from rehearsal. It’s part of the yearlong celebration marking the 200th birthday of Johann Strauss II, who was born in Vienna in 1825. The Strauss space send-off also honors the 50th anniversary of ESA’s founding.
Launched in 1977 and now in interstellar space, each of the two Voyagers carries a Golden Record full of music but nothing from the waltz king. His “Blue Danube” holds special meaning for space fans: It’s featured in Stanley Kubrick’s 1968 sci-fi film “2001: A Space Odyssey.”


Bee alert: US police warn after 250 million insects escape

Updated 31 May 2025
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Bee alert: US police warn after 250 million insects escape

  • Roads in the region, which nestles the border with Canada and is just 30 miles from Vancouver, have been closed as bee experts help with the clean-up

LOS ANGELES, United States: A truck crash that set 250 million bees free has sparked warnings in the western US, with police telling people to avoid swarms of the stinging insects.
The accident happened in Washington state in the far northwest of the country, when a semi trailer carrying a load of hives overturned.
“250 million bees are now loose,” wrote Whatcom County Sheriff on its social media page.
“AVOID THE AREA due to the potential of bee escaping and swarming.”
Roads in the region, which nestles the border with Canada and is just 30 miles from Vancouver, have been closed as bee experts help with the clean-up.
While some beekeepers aim only to produce honey, many others rent out their hives to farmers who need the insects to pollinate their crops.


In Marseille, a shadow becomes art in Banksy’s latest street mural

Updated 31 May 2025
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In Marseille, a shadow becomes art in Banksy’s latest street mural

  • On Friday, the elusive British street artist confirmed the work by posting two images on his official Instagram account

MARSEILLE, France: The lighthouse appeared overnight. Painted on a wall tucked away in a quiet Marseille street, its beam aligned perfectly with the real-life shadow of a metal post on the pavement. At its center, stenciled in crisp white, are the words: “I want to be what you saw in me.”
Banksy had struck again.
On Friday, the elusive British street artist confirmed the work by posting two images on his official Instagram account — without caption or coordinates. Fans quickly identified the location as 1 Rue Félix Frégier, in the Catalans district of Marseille’s 7th arrondissement, near the sea.
Since then, crowds have gathered at the site. Tourists snap photos. Children point. Locals who usually walk past the building stop to take a closer look.
There is no official explanation for the phrase. But its emotional pull is unmistakable — a quiet plea for recognition, love or redemption. Some speculate it references a country ballad by Lonestar. Others call it a love letter. Or a lament. Or both.
The image is deceptively simple: a lone lighthouse, dark and weathered, casting a stark white beam. But what gives it power is the way it plays with light — the real and the painted, the seen and the imagined. The post in front of the wall becomes part of the piece. Reality becomes the frame.
Marseille’s mayor, Benoît Payan, was quick to react online. “Marseille x Banksy,” he wrote, adding a flame emoji. By midday, the hashtag #BanksyMarseille was trending across France, and beyond.
Though often political, Banksy’s art is just as often personal, exploring themes of loss, longing and identity. In recent years, his works have appeared on war-ravaged buildings in Ukraine, in support of migrants crossing the Mediterranean and on walls condemning capitalism, Brexit, and police brutality.
The artist, who has never confirmed his full identity, began his career spray-painting buildings in Bristol, England, and has become one of the world’s best-known artists. His mischievous and often satirical images include two male police officers kissing, armed riot police with yellow smiley faces and a chimpanzee with a sign bearing the words, “Laugh now, but one day I’ll be in charge.”
His work has sold for millions of dollars at auction, and past murals on outdoor sites have often been stolen or removed by building owners soon after going up. In December 2023, after Banksy stenciled military drones on a stop sign in south London, a man was photographed taking down the sign with bolt cutters. Police later arrested two men on suspicion of theft and criminal damage.
In March 2024, an environmentally themed work on a wall beside a tree in north London was splashed with paint, covered with plastic sheeting and fenced off within days of being created.
Despite the fame — or infamy — at least in Marseille, not everyone walking past noticed it. Some didn’t even know who Banksy was, according to the local press.
On Instagram observers say this Marseille piece feels quieter. More interior.
And yet, it is no less global. The work arrives just ahead of a major Banksy retrospective opening June 14 at the Museum of Art in nearby Toulon featuring 80 works, including rare originals. Another exhibit opens Saturday in Montpellier.
But the Marseille mural wasn’t meant for a museum. It lives in the street, exposed to weather, footsteps and time. As of Friday evening, no barriers had been erected. No glass shield installed. Just a shadow, a beam and a message that’s already circling the world.


Ex-assistant testifies Sean ‘Diddy’ Combs sexually assaulted her and used violence to get his way

Updated 30 May 2025
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Ex-assistant testifies Sean ‘Diddy’ Combs sexually assaulted her and used violence to get his way

  • “I was going to die with this. I didn’t want anyone to know ever.”

NEW YORK: Sean “Diddy” Combs ‘ former personal assistant testified Thursday that the hip-hop mogul sexually assaulted her, threw her into a swimming pool, dumped a bucket of ice on her and slammed a door against her arm during a torturous eight-year tenure.
The woman, testifying at Combs’ sex trafficking trial under the pseudonym “Mia,” said Combs put his hand up her dress and forcibly kissed her at his 40th birthday party in 2009, forced her to perform oral sex while she helped him pack for a trip and raped her in guest quarters at his Los Angeles home in 2010 after climbing into her bed.
“I couldn’t tell him ‘no’ about anything,” Mia said, telling jurors she felt “terrified and confused and ashamed and scared” when Combs raped her. The assaults, she said, were unpredictable: “always random, sporadic, so oddly spaced out where I would think they would never happen again.”
If she hadn’t been called to testify, Mia said, “I was going to die with this. I didn’t want anyone to know ever.”
Speaking slowly and haltingly, Mia portrayed Combs as a controlling taskmaster who put his desires above the wellbeing of staff and loved ones. She said Combs berated her for mistakes, even ones other employees made, and piled on so many tasks she didn’t sleep for days.
“It was chaotic. It was toxic,” said Mia, who worked for Combs from 2009 to 2017, including a stint as an executive at his film studio. “It could be exciting. The highs were really high and the lows were really low.”
Asked what determined how her days would unfold, Mia said: “Puff’s mood,” using one of his many nicknames.
Mia said employees were always on edge because Combs’ mood could change “in a split second” causing everything to go from “happy to chaotic.” She said Combs once threw a computer at her when he couldn’t get a Wi-Fi connection.
Her testimony echoed that of Combs’ other personal assistants and his longtime girlfriend Cassie, who said he was demanding, mercurial and prone to violence. She is the second of three women testifying that Combs sexually abused them.
Cassie, an R&B singer whose legal name is Casandra Ventura, testified for four days during the trial’s first week, telling jurors Combs subjected her to hundreds of “freak-offs” — drug-fueled marathons in which she said she engaged in sex acts with male sex workers while Combs watched, filmed and coached them.
A third woman, “Jane,” is expected to testify about participating in freak-offs. Judge Arun Subramanian has permitted some of Combs’ sexual abuse accusers to testify under pseudonyms for their privacy and safety.
The Associated Press does not identify people who say they’re victims of sexual abuse unless they choose to make their names public, as Cassie has done.
Combs, 55, has pleaded not guilty to sex trafficking and racketeering charges. His lawyers concede he could be violent, but he denies using threats or his clout to commit abuse.
Mia testified that she saw Combs beat Cassie numerous times, detailing a brutal assault at Cassie’s Los Angeles home in 2013 that the singer and her longtime stylist Deonte Nash also recounted in their testimony. Mia said she was terrified Combs was going to kill them all, describing the melee as “a little tornado.”
The witness recalled jumping on Combs’ back in an attempt to stop him from hurting Nash and Cassie. Mia said Combs threw her into a wall and slammed Cassie’s head into a bed corner, causing a deep, bloody gash on the singer’s forehead. Other times, she said, Combs’ abuse caused Cassie black eyes and fat lips.
Mia said Combs sometimes had her working for up to five days at a time without rest as he hopped from city to city for club appearances and other engagements, and she started relying on her ADHD medication, the stimulant Adderall, as a sleep substitute.
Combs, with residences in Miami, Los Angeles and the New York area, let Mia and other employees stay in his guest houses — but she wasn’t allowed to leave without his permission and couldn’t lock the doors, she testified.
“This is my house. No one locks my doors,” Combs said, according to Mia.
Mia didn’t appear to make eye contact with Combs, who sat back in his chair and looked forward, sometimes with his hands folded in front him, as she testified. Occasionally, he leaned over to speak with one of his lawyers or donned glasses to read exhibits. Mia kept her head down as she left the courtroom for breaks.
She testified that she remains friends with Cassie.