KARACHI: It was a step forward in making Afghan refugees a more inclusive part of Pakistani society.
On Monday evening, Pakistan’s top models displayed stunning jewelry made by women from Afghanistan, as they took to the ramp in the seaside metropolis of Karachi.
On display were necklaces, earrings and bangles — each more unique than the other and each telling a different story.
“[These pieces tell] a story of those women who were displaced from the places they were born in...[and] suffered a lot. This is the story of refugees who have now become artisans,” Sidra Iqbal, who was the host of the show, said.
Iqbal added that the aim of the program – initiated by the United Nations High Commission for Refugees (UNHCR), in collaboration with Craft Stories and Aik Hunar Aik Nagar [One skill, one neighborhood] – was to provide a sustainable means of living to as many refugee woman as possible.
“The jewelry we saw today has been made by Afghan refugees over the last three months,” Huma Adnan, a fashion designer and head of Craft Stories, said.
She added that with “more than half of the world’s population uprooted,” the least that “we can do is to make them a part of the economic cycle via their crafts.”
Starting from a price range of Rs2,500 upwards, Adnan said that thee quality and precision of the product, along with the design details, determines the cost, with some taking more than eight months to create.
The materials used in making the jewelry include metallic silk threads, gold wires, glass micro cut beads, pearls, metal accessories, stones, and lamb suede backing.
It was 40 years ago when the first Afghan refugee stepped foot on Pakistani soil, Ruvendrini Menikdiwela, a UNHCR representative in Pakistan, told Arab News, adding that “today, four decades have passed: Four decades of isolation, dependence, and continuous struggle.”
She added that the jewelry-making skills that they’ve acquired is “a passport to come out of the vicious circle of poverty.”
“Once fully skilled and having gone back to their country, they are likely to contribute to the economic development of the war-torn state of Afghanistan,” she said.
Sara Khan, a Pakistani TV actress who walked the ramp, said she was happy to be a part of the cause. “It’s the proudest moment for me,” she told Arab News, adding that for all “women, whether they are moms raising their children or refugees going through tough times, [such opportunities] can help them prove themselves if given a chance.
“I am proud of these women,” she said.
Afghanistan is grateful
Hamidullah Tarin, the Afghan Consul General in Karachi, said he was indebted to Pakistan, the UNHCR and Adnan for directing Afghan women toward a path of self-reliance.
“The Afghan refugees are faced with serious financial hardships. The government of Pakistan has been taking care of them for the last four decades. We are thankful for this great hospitality. But this unique idea of helping them with constant and sustainable source of livelihood is great. This pilot project should be converted into a large scale program,” Tarin told Arab News.
Appreciating Prime Minister Imran Khan’s gesture to allow registered Afghan refugees to open a bank account, Tarin said by doing so, he has “also made it possible for these people to benefit his country’s economy.”
He added that there had been several incidents in the past of Afghan refugees — who had set up their own businesses but had been robbed off their money — simply because they couldn’t partake in the financial dealings through an official banking channel money.
“I am also happy to see the beautiful crafts made by Afghan women. This will show a path of progress to other Afghan women as well,” Tarin said.
One among these women is 36-year-old Shareefa Bibi, a widow who hails from Afghanistan’s southern Kandahar province.
“I will now stop cleaning dishes for other people. I have started earning enough for my children. But it is not this handsome earning that matters,” Bibi told Arab News.
Instead, Bibi is “happy to become a part of the world that looked so inaccessible in the past.”
“I am happy to learn that an independent woman can respectfully survive and live a better life,” she said, adding that despite the future looking promising, her past continued to haunt her.
“Six years ago my husband died and my son went missing. I came to know that he was in a seminary in Helmand. His captors told me that I could get him back if I paid them 300,000 Afghanis. I borrowed the amount from someone but I could not return the money. This made the moneylender come to my house and demand my 14-year-old daughter’s hand in marriage for his mentally challenged son who could not even eat his own meals. It was unacceptable, so I ran away and came to Karachi,” she said before wiping away her tears.
This did not work and the man tracked her down and appeared at her place of residence in Karachi one day. Some of her neighbors asked her to file a police complaint. However, Bibi was also mistreated by the authorities who used inappropriate language while dealing with her.
“I came home and let them take my daughter,” she sobbed. “I don’t even know how she is now. When Huma Madam took me to the stage today at the end of the show, that ugly moment flashed in front of my eyes when I knew no one who could help me.”
“For me, today is my day. Today I tell all women that they can live their lives with dignity through their hard work. I would never have let them take my innocent daughter, had I been told how to live my life.”
“Today, I have learned to stand for myself,” Bibi said.
Pakistani models walk ramp with jewelry made by Afghan refugees
Pakistani models walk ramp with jewelry made by Afghan refugees
- Collection follows training of 25 women in the craft by a fashion designer
- UNHCR representative says skills acquired are a “passport to get out of poverty”
Balad Beast to return to Jeddah with international lineup
JEDDAH: Music festival Balad Beast is set to return to Jeddah’s Al-Balad between Jan. 30 – 31 with an international lineup of performers.
The UNESCO World Heritage-listed district will play host to the likes of Grammy-winning 21 Savage, Atlanta rap star Gunna, JID, and 2020 Mercury Album of The Year winner Michael Kiwanuka on day one. Regional artists such as Disco Misr from Egypt and Saudi Arabia-based talents DISH DASH, Gazi, Saoud and Varoo will also perform on Jan. 30.
Day two will feature hip-hop icon Wiz Khalifah, producer Metro Boomin, musical duo Hats & Klaps, and Ghostly Kisses with her ethereal pop sound from Canada. All-female Saudi rock band Seera will hit the stage on Jan. 31.
The festival will also feature immersive art installations — yet-to-be-named contemporary artists and designers will reimagine Al-Balad’s historic architecture with projections, large-scale sculptures, and interactive artworks.
“We are coming back to Balad with really exciting experiences. Fresh music with new and returning acts, and as always, otherworldly immersive experiences inspired by our past, present and future,” said Ahmed Alammary, MDLBEAST’s Chief Creative Officer.
Balad Beast is part of Saudi music entertainment company MDLBEAST's lineup of annual events, including SOUNDSTORM in Riyadh and XP Music Futures in the Saudi capital.
According to MDLBEAST, the historical buildings in the area — some of which are 400 years old — will be protected from potential degradation due to sound testing and strategically placed stages “to minimize any impact on the buildings.”
The houses are made of stones, mined from Arabia Lake, separated by wooden planks to alleviate the heat of the area’s climate. One of its infamous sights that garners attention from tourists is Nassif House.
In 2024, the festival played host to a similarly high-profile list of performers, including Ty Dolla $ign, Wu-Tang Clan, Major Lazer Soundsystem, Russ, and DJ Snake.
Amina Muaddi celebrates festive milestone ahead of Beyonce show
DUBAI: Jordanian Romanian shoe designer Amina Muaddi celebrated a major fashion moment this week, taking to Instagram to share her excitement over Beyonce wearing her custom Yigit pumps in a teaser for the star’s NFL Christmas Day Halftime Show on Netflix.
Muaddi shared the video on her Instagram Stories. In the clip, the music icon can be seen wearing the satin heels in black and adorned with studs.
In the clip that Beyonce also shared on her Instagram account, the music sensation was seen holding a banjo, a stringed instrument often linked to folk, country, and bluegrass music. She wore a wide-brimmed black hat paired with sleek sunglasses, a colorful patterned cape featuring red and blue hues, and a rhinestone-adorned top. The outfit was completed with black gloves and a black skirt.
“I’m sending you big joy and love on this cowboy Christmas Eve. I’ll see y’all tomorrow, in my city HTX,” Beyonce wrote to her 313 million followers, referring to Houstan, Texas.
In another teaser posted last week, the singer also chose Amina Muaddi heels — the Begum glass pumps.
The “Texas Hold ‘Em” singer will headline the Baltimore Ravens-Houston Texans game’s halftime show on Dec. 25, after the Kansas City Chiefs play the Pittsburgh Steelers will play earlier in the day. Both games will feature a special pre-game performance of “All I Want for Christmas” by Mariah Carey.
Beyonce seems to be a fan of part-Arab designer Muaddi. During the singer’s Renaissance World Tour last year, she was spotted in Muaddi’s creations on stage on a number of occasions.
“I’m so happy to be part of this queen’s historic tour. Every time I see her on stage I’m in complete awe of her — the ultimate supernova. Grateful to @beyonce and her team of incredible creatives for these @aminamuaddiofficial moments on stage,” Muaddi wrote on Instagram at the time.
Muaddi launched her eponymous footwear line in August 2018, approximately one year after departing from her role as co-founder and creative director of luxury footwear label Oscar Tiye.
The shoemaker’s eponymous label’s distinct pumps, sling-backs, mules, boots and sandals in an array of vibrant colors and holographic designs have since garnered a loyal checklist of famous fans, including Dua Lipa, Gigi Hadid, Kylie Jenner and Hailey Bieber Baldwin.
Elyanna draws the curtain on ‘Woledto’ tour, looks forward to ‘next chapter of 2025’
DUBAI: Chilean Palestinian singer Elyanna concluded her “Woledto” (“I Am Born”) tour with a heartfelt message on Instagram, just weeks after winning Best Arab Indie Artist and Best New Artist at the inaugural Billboard Arabia Music Awards in Riyadh in December.
Elyanna launched her “Woledto” album in April and kicked off the tour in October, performing across North America and Europe. She graced stages in 30 cities, including Barcelona, Paris, London, Brussels, Berlin, Stockholm, Montreal, Toronto, Washington, Houston, and more.
“Feeling emotional and grateful of what this album and the tour has given me and given my fans,” she wrote. “It was a gathering of community to spread light and preach across each city and theater.”
She also hinted at upcoming projects, stating: “The sunrise and the rebirth of the ‘Woledto’ project is just (the) start for the next chapter of 2025. Arabic is the music of the soul and the sun. Grateful for all the talented people that believed in this project and helped with the vision to come to life this tour (sic).”
Elyanna’s debut album featured nine songs: “Woledto,” “Ganeni,” “Calling U,” “Al Sham,” “Mama Eh,” “Kon Nafsak,” “Lel Ya Lel,” “Yabn El Eh” and “Sad in Pali.”
Before releasing the album, she wrote to her Instagram followers: “This album is the embodiment of pride to be an Arab woman, to be from Nazareth, to be from the Middle East.
“This is the closest I’ve been to where I come from,” she added. “The only feature on my album is my grandfather.”
The Los Angeles-based singer’s music is a mix of Arabic and Western beats, which she attributes to her multicultural upbringing.
Elyanna has been normalizing Arabic lyrics in the Western world throughout her career, taking inspiration from artists including Lana Del Ray and Beyonce, as well as Middle Eastern legend Fayrouz.
She recently lit up New York’s Times Square when she was featured on a Spotify Arabia billboard, highlighting the streaming platform’s “Equal Arabia” playlist.
Elyanna is set to perform live with British hitmakers Coldplay when the band heads to Abu Dhabi for four shows in the UAE capital in January 2025.
Festive season’s guide to dining in Saudi Arabia
- Roasts, sweets and music on the menu for brunch, lunch and dinner in Riyadh, Jeddah and AlUla
DUBAI: Celebrate with friends and family this festive season as hotels and bakeries in Saudi Arabia host special dining events and offerings on Christmas Day.
Riyadh’s Fairmont Ramla has four packages for its festive dinner, including the “Just the Roast” offering, which features a roast turkey with traditional stuffing for SR899 ($239).
Other turkey offerings with sides include the silver package with pomegranate or orange glaze for SR1,299; the gold package with the same glaze for SR1,499; and the diamond package for SR1,599.
Fairmont Hotel Riyadh has a festive brunch from 12:30 p.m. to 5 p.m. at 365 Restaurant, offering a buffet complemented by live entertainment for SR320. The hotel is also offering a “Turkey to Go” takeaway package that serves six to eight for SR1,200 until Dec. 31.
Four Seasons Hotel Riyadh’s Obaya Lounge is offering a festive set menu on Christmas Day from 12 p.m. until 3:30 p.m. for SR380 per person.
Also, the hotel’s Cafe Boulud by Chef Daniel Boulud has a festive menu combining traditional French ingredients with a modern twist from 12:30 p.m. until 4 p.m. on Dec. 25 for SR600 per person.
Also in Riyadh, the Mandarin Oriental Al-Faisaliah is offering a festive lunch at La Brasserie from 12:30 p.m. to 4:30 p.m. on Dec. 25 for SR245 per person.
Over in AlUla and Sass — the desert outpost of the fine-dining celebrity hotspot from Monaco — launched a new menu on Dec. 24. Diners can also enjoy a festive-themed saxophone performance on Dec. 25 and 26.
To end things on a sweet note, Rosewood Jeddah’s Soleil Cafe is offering festive treats for the season, including assorted cookies, German stollen, a traditional yule log and a Raffaello ball.
Artist William Brooks seeks fresh inspiration in Saudi Arabia’s Diriyah Art Futures program
- Hub picks 12 artists for inaugural scheme
DUBAI: Saudi creative hub Diriyah Art Futures has handpicked 12 artists for its inaugural Emerging New Media Artists Program this winter, with Welsh talent William Brooks making the cut.
Set to run for one year, the newly launched program offers access to professional equipment and facilities, a production budget, learning experiences with international guest professors specializing in new media art, and mentorships.
Brooks spoke to Arab News about his artistic process and what he hopes to gain from the opportunity.
“The prospect of working in a place that is culturally and geographically far removed from my homeland offers a unique experience,” he explained.
“I anticipate that the historical significance of Diriyah, combined with the vibrant contemporary discourse on art, technology, and culture in the region, will inform new directions in my work and deepen my engagement with the concepts I explore.”
To work with a global cohort of artists, researchers and mentors is something Brooks is particularly looking forward to, and he added: “I believe a crucial aspect of being an artist is being inquisitive. This opportunity affords me the means to draw from a diverse and far-reaching wealth of knowledge.”
When it comes to his work, the multi-disciplinary artist has most recently been experimenting with the medium of installation in a bid to merge historical processes with new technologies. His most recent work, for example, “(conflates) the use of traditional etching processes on metal with digital imaging of the often overlooked but pervasive presence of digital communication.”
Brooks’ interest in digital signals and their vital role in daily modern life aims to explore and highlight how “these connections shape our interactions and identities in ways we often overlook.”
He added: “By making these digital elements visible, I aim to spark reflection on the implications of living in a world increasingly mediated by technology.”
Despite the seemingly futuristic nature of his work, the artist is keen to look back at history to inform his process.
He said: “When approaching a project, I start by immersing myself in archival materials, historical documents, or artifacts, aiming to uncover the ways in which older technologies or media forms were once used, understood, and experienced.
“This historical research is an attempt to see how these past media forms can recontextualize and critique present-day technological advancements.”
Brooks recognizes that it is no mean feat to translate such abstract concepts into physical artworks and pointed to his 2022 work “Radio Tapestry” as a piece he is particularly proud of.
He said: “This work involved translating data from wireless networks and digital devices into a visual and sonic installation of etched plates, allowing the audience to experience the otherwise invisible electromagnetic signals that we rely upon and surround us every day.
“The challenge lay in not only making the technology function smoothly, but also in creating an installation that communicated the conceptual depth of the work — highlighting how these intangible signals shape our environment.”