Were Facebook and Twitter partners in the Christchurch massacre?

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People stand across the road from one of the targeted mosques in Christchurch. (AP)
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Tarrant livestreamed his attack from a hemet cam. (Social media)
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Brenton Tarrant's attack has sparked calls for social media platforms to take action against extremists. (Social media)
Updated 16 March 2019
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Were Facebook and Twitter partners in the Christchurch massacre?

  • Social media slammed for providing platform for New Zealand terror
  • Facebook, Twitter say they acted quickly but critics say they aren't doing enough

DUBAI: Social media giants Twitter and Facebook have responded to criticism in the wake of Friday’s mass shootings at mosques in New Zealand after the deadly terrorist attacks were live-streamed on the platforms that collectively have billions of worldwide users.

On Friday, 49 people were killed in shootings at two mosques in central Christchurch in an attack that saw one of the perpetrators filming himself firing at worshippers – and live-stream his attack in a 17-minute video on Facebook – in addition to posting a lengthy manifesto on a Twitter account detailing racial motivations for the attack.

Social media platforms scrambled to remove video of the shootings from Facebook, Twitter and Instagram in the wake of the attack, described as “an extraordinary and unprecedented act of violence” by the country’s Prime Minister Jacinda Ardern.

 A spokesperson for Twitter told Arab News that it had suspended the account in question and was “proactively working to remove the video content from the service.” Both, it said, are in violation of strict Twitter policies.

"We are deeply saddened to hear of the shootings in Christchurch,” the spokesperson said. "Twitter has rigorous processes and a dedicated team in place for managing emergency situations such as this. We will also cooperate with law enforcement to facilitate their investigations as required.”

Facebook also said in a statement it had removed the footage and was also pulling down "praise or support" posts for the shootings. It also said it alerts authorities to threats of violence or violence as soon as it becomes aware through reports or Facebook tools. The gunman who opened fire inside at one of the New Zealand mosques appeared to live-stream his attack on Facebook in a video that looked to be recorded on a helmet camera.

"New Zealand Police alerted us to a video on Facebook shortly after the live stream commenced and we removed both the shooter's Facebook account and the video," said Mia Garlick, a Facebook representative in New Zealand. "We're also removing any praise or support for the crime and the shooter or shooters as soon as we're aware. We will continue working directly with New Zealand Police as their response and investigation continues. Our hearts go out to the victims, their families and the community affected by this horrendous act." 

In a tweet sent from its official account, YouTube also committed to removing all footage. "Our hearts are broken over today's terrible tragedy in New Zealand," read the statement. "Please know we are working vigilantly to remove any violent footage."

Following the attack, New Zealand police have also warned against sharing online footage relating to the deadly shooting, saying in a Twitter post: "Police are aware there is extremely distressing footage relating to the incident in Christchurch circulating online.

"We would strongly urge that the link not be shared. We are working to have any footage removed.”

Despite the response, the video is out there, and experts say this is a chilling example of how social media sites are increasingly becoming a platform for terrorists to spread their hate-fueled ideology.   

Following the shootings, Mosharraf Zaidi, an ex-government adviser, columnist and seasoned policy analyst who works for the policy think tank Tabadlab, tweeted: “Unbelievable that both @facebook and @twitter have failed to remove (the) video of the terrorist attack in #Christchurch. Every single view of those videos is a potential contribution to future acts of violence. These platforms have a responsibility they are failing to live up to.”

While the Facebook account that posted the video was no longer available shortly after the shooting and the Twitter account of the same name was quickly suspended, Zaidi, speaking to Arab News, said social media giants need to do more to stop their sites being platforms for terrorists. 

"The quality of content filtering and management is a tricky and delicate issue. Governments routinely demand posts be taken down, which these platforms comply with. But often, when they comply, rights activists bemoan the negation of people’s freedoms. 

"One of the most complex global governance challenges confronting the international community is the norms of how social media is to be regulated – with the added complexity that the objects of such norms are no longer sovereign states, but private businesses with platforms larger than most countries by population.

"I think these platforms need to spend much more of their R&D (research and development) on harm prevention and protecting their product, which is my time and your time on their platform.” 

The terrorists’ attack, which Prime Minister Ardern said led to “one of New Zealand’s darkest days,” is the worst mass shooting in the country’s history and led to the arrest of four suspects – three men and a woman. One person was later released. Another, a man in his late 20s, has since been charged with murder. Australian prime minister Scott Morrison said one of the suspects in the “right-wing extremist attack” was an Australian-born citizen.

The director of the national Islamophobia monitoring service, Iman Atta of Tell MAMA (Measuring Anti-Muslim Attacks), condemned the attack, saying: "We are appalled to hear about the mass casualties in New Zealand. The killer appears to have put out a 'manifesto' based on white supremacist rhetoric which includes references to anti-Islamic comments. He mentions 'mass immigration' and 'an assault on our civilization' and makes repeated references to his 'white identity.’

"The killer also seems to have filmed the murders, adding a further cold ruthlessness to his actions. We have said time and time again that far-right extremism is a growing problem and we have been citing this for over six years now. That rhetoric is wrapped within anti-migrant and anti-Muslim sentiment. 

"Anti-Muslim hatred is fast-becoming a global issue and a binding factor for extremist far-right groups and individuals. It is a threat that needs to be taken seriously.”

Zahed Amanullah, a resident senior fellow at the Institute for Strategic Dialogue, said some people who see such videos “may be inspired” to commit a similar act of terrorism. 

Facebook Livestream, which the shooter appeared to use, is an “extremely difficult hole to plug,” said Amanullah. The problem with such content appearing on social media, he pointed out, is that it feeds the curiosity of online viewers. “People are curious and want to look at forbidden fruit; no matter the content,” said Amanullah. “Even people who are horrified are curious.”

Such terrorist acts using social media platforms have already been seen in recent years, said Amanullah.

“Look at ISIS. Groups such as these have live-streamed first-person perspectives on terrorism; such extremists are producing this type of mentality online.”

Often, social media platforms struggle to contain the content online, particularly in real time. “We work very closely with companies such as Twitter and Facebook on these issues, and we have worked with them on identifying extremist content. I think they are talking it seriously and are reacting as quick as they can. In this instance, the video was removed in minutes. The challenge here of intercepting something being live-streamed is extremely difficult, where it is a terrorist attack, or other incidents we have seen such as suicides.”

While people “want the bad guys and extremists offline,” Amanullah said, at present, the only way to completely prevent history repeating itself is to step up surveillance.

“This is a product of a social media age where it is so easy to broadcast what you are doing – and we might have to accept this will happen again.”


What is Bluesky, the fast-growing social platform welcoming fleeing X users?

Updated 16 November 2024
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What is Bluesky, the fast-growing social platform welcoming fleeing X users?

  • Bluesky said in mid-November that its total users surged to 15 million, up from roughly 13 million at the end of October, as some X users look for an alternative platform to post their thoughts and talk to others online

SAN FRANCISCO: Disgruntled X users are again flocking to Bluesky, a newer social media platform that grew out of the former Twitter before billionaire Elon Musk took it over in 2022. While it remains small compared to established online spaces such as X, it has emerged as an alternative for those looking for a different mood, lighter and friendlier and less influenced by Musk.
What is Bluesky?
Championed by former Twitter CEO Jack Dorsey, Bluesky was an invitation-only space until it opened to the public in February. That invite-only period gave the site time to build out moderation tools and other features. The platform resembles Musk’s X, with a “discover” feed and a chronological feed for accounts that users follow. Users can send direct messages and pin posts, as well as find “starter packs” that provide a curated list of people and custom feeds to follow.
Why is Bluesky growing?
Bluesky said in mid-November that its total users surged to 15 million, up from roughly 13 million at the end of October, as some X users look for an alternative platform to post their thoughts and talk to others online. The post-election uptick in users isn’t the first time Bluesky has benefited from people leaving X. The platform gained 2.6 million users in the week after X was banned in Brazil in August — 85 percent of them from Brazil, the company said. About 500,000 new users signed up in one day in October, when X signaled that blocked accounts would be able to see a user’s public posts.
Across the platform, new users — among them journalists, left-leaning politicians and celebrities — have posted memes and shared that they were looking forward to using a space free from advertisements and hate speech. Some said it reminded them of the early days of Twitter more than a decade ago.
Despite Bluesky’s growth, X posted after the election that it had “dominated the global conversation on the US election” and had set new records.
Beyond social networking
Bluesky, though, has bigger ambitions than to supplant X. Beyond the platform itself, it is building a technical foundation — what it calls “a protocol for public conversation” — that could make social networks work across different platforms — also known as interoperability — like email, blogs or phone numbers.
Currently, you can’t cross between social platforms to leave a comment on someone’s account. Twitter users must stay on Twitter and TikTok users must stay on TikTok if they want to interact with accounts on those services. Big Tech companies have largely built moats around their online properties, which helps serve their advertising-focused business models.
Bluesky is trying to reimagine all of this and working toward interoperability.

 


Media group IMI and UAE Media Council sign deal to recruit and train local talent

Updated 14 November 2024
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Media group IMI and UAE Media Council sign deal to recruit and train local talent

  • Collaboration is part of the Media Apprenticeship Program launched last year by the Media Council and the Emirati Talent Competitiveness Council
  • It targets existing Emirati media professionals, as well as graduates and final-year students in media-related studies

DUBAI: IMI, a media group in the UAE formerly known as International Media Investments, has signed a cooperation agreement with the UAE Media Council to train and recruit local talent and develop media infrastructure in the country.

The initiative is part of the Media Apprenticeship Program, an initiative launched in May 2023 by the UAE Media Council and the Emirati Talent Competitiveness Council. It targets existing Emirati media professionals, as well as graduates and final-year students in media-related studies, with the aim of developing the next generation of talent in the nation’s media sector.

The agreement was signed at IMI’s new headquarters in Abu Dhabi by Mohammed Saeed Al-Shehhi, secretary-general of the UAE Media Council, and Rani Raad, CEO of the recently rebranded IMI Group, which owns several news outlets including Sky News Arabia, The National newspaper, Al-Ain News and CNN Business Arabic.

“We are proud to be the first global media group in the UAE to partner with the UAE Media Council on this initiative,” said Raad.

IMI Group, he added, can offer “aspiring Emirati talent unique opportunities to learn about the best media assets and standards” through its network of companies and the IMI Media Academy.

Launched in September, the IMI Media Academy employs the latest learning methodologies and offers an advanced curriculum focusing on the media industry, journalism and content creation.

Al-Shehhi highlighted the need to forge stronger partnerships with private media companies, and for cohesive country-wide efforts to develop the sector.

He said the partnership with IMI demonstrates the Media Council’s “commitment to empowering the media sector to attain global leadership by investing in the development of national skills and talents and equipping them with the latest media tools and technologies.”

It also aligns with the council’s desire “to nurture a new generation of talents capable of spearheading the sector and achieving significant accomplishments in the future,” he added.


Spotify introduces ‘Fresh Finds Saudi: Class 2k24’ residency program for emerging talent

Updated 15 November 2024
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Spotify introduces ‘Fresh Finds Saudi: Class 2k24’ residency program for emerging talent

  • Initiative covers songwriting and music production, music marketing, music rights and industry knowledge, and touring and performing
  • The Kingdom is an ‘incredibly exciting market’ for Spotify, says platform’s regional managing director

DUBAI: Spotify this month introduced Fresh Finds Saudi: Class 2k24, the first iteration of a program dedicated to the promotion and development of the emerging music scene in the Kingdom.

“We’re incredibly thrilled to launch Fresh Finds Saudi: Class 2k24 and are eager to see the impact it will have on the career growth of the selected artists,” Akshat Harbola, managing director of Spotify in the Middle East and North Africa region, told Arab News.

The program, which ran from Nov. 6 to 11, represented “a long-term investment in nurturing up-and-coming talent, starting with a residency format this year,” he added.

It brought together four local talents who feature on Spotify’s Fresh Finds Arabia playlist, a showcase of the best new music by independent artists and labels from the region: BrownMusic, known for merging Arabic and English lyrics with contemporary experimental electronic beats; hip-hop artist Grzzlee; Kali-B, a singer, songwriter and producer; and Seera, an all-female Arabic psychedelic rock band.

They were chosen by Spotify’s local editorial team as “standout talent” that had “already made an impression on our Fresh Finds Arabia playlist,” Harbola said.

Spotify seeks to showcase different musical genres through the program, he added, and so “we took special care to prioritize a diverse range of styles that highlight the new generation of creators” from Saudi Arabia. The selected artists “have proven they can connect with listeners and are ready to elevate their careers.”

The residency program provided them with support, mentorship and a host of resources aimed at accelerating their growth as artists and expanding their presence in the Saudi music industry, Spotify said.

The program’s curriculum focused on four topics: songwriting and music production; music marketing; music rights and industry knowledge; and touring and performing.

Experts such as lyricist, writer and creative director Menna El-Kiey, and musicians and producers Ntitled, El Waili, Soufiane Az and Ismail Nosrat, offered guidance to the participants on songwriting, beat-making, mixing and mastering.

Amin Kabbani, vice president of Arabic talent at entertainment company Live Nation Middle East, provided insights into planning and executing a successful tour, managing logistics and engaging with fans.

Sony Publishing MENA led the session on music rights and industry knowledge, during which the participants learned about intellectual property, and how to protect their work and navigate the business side of their art.

Spotify also worked with the artists to record new tracks at creative hub Merwas in Riyadh, and the results will be released by the end of the year. Nada Al-Tuwaijri, the CEO of Merwas, said the studio is “committed to nurturing talent and providing artists with the tools and environment they need to unlock their creative potential.”

She added: “The Fresh Finds Saudi: Class 2k24 initiative aligns perfectly with our vision of supporting emerging talent in the Kingdom, the region and beyond.”

Harbola said that the Kingdom is “an incredibly exciting market” for Spotify and although he was “unable to share specific listenership rankings, the level of engagement in Saudi Arabia is truly remarkable.”

The company is seeing a “strong surge” in the popularity of pop music, especially Egyptian pop, and Khaleeji music, “which remains central to Saudi listeners,” he added.

The platform’s focus on the Kingdom has grown in recent months through initiatives such as “Tarab,” a campaign that celebrated Khaleeji music and spotlighted Saudi-based RADAR Arabia artist Sultan Al-Murshed in New York’s Times Square.

Harbola said that the burgeoning local music scene and audience engagement on Spotify is driving the company’s efforts to introduce initiatives such as Fresh Finds Saudi: Class 2k24 and commit to them on a long-term basis

“While we don’t have set dates for future iterations (of the residency), our focus remains on curating unique experiences tailored to artists’ needs in different markets, whether through this initiative or other Spotify Music Programs across MENA,” he added.


Lebanese journalist Soukaina Mansour Kawtharani killed in Israeli strike on Joun

Updated 14 November 2024
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Lebanese journalist Soukaina Mansour Kawtharani killed in Israeli strike on Joun

  • Her death brings the toll of Lebanese media workers killed to 12

LONDON: Lebanese journalist Soukaina Mansour Kawtharani was killed alongside her two children and other family members in an Israeli airstrike on a three-story residential building in Joun, near Sidon in southern Lebanon.

Kawtharani, who worked as a correspondent for Radio Al-Nour, a station seen as close to Hezbollah, was reported dead on Wednesday by the radio station.

The airstrike targeted the building, which was housing displaced families, on Tuesday.

Joseph Qosseifi, president of the Lebanese Press Editors’ Association, condemned the attack, calling it a “crime” and urging international human rights organizations, the International Criminal Court, the General Federation of Arab Journalists and UNESCO to take action.

In a statement issued through the official National News Agency, he said: “The Israeli enemy makes no distinction between civilians and combatants in its bombardments, violates every law, charter and pact, and speaks only the language of fire and blood.”

The building, reportedly owned by the Ghosn family — relatives of Carlos Ghosn, the Brazil-born French Lebanese businessman and former automotive executive — was completely destroyed in the strike, which killed 15 people, including eight women and four children, and injured 12, according to the Health Ministry.

Kawtharani’s death brings the number of Lebanese journalists and media workers killed since the beginning of the Israeli-Hamas conflict to 12, according to the Lebanese Press Editors’ Association.


Parody news website the Onion buys Alex Jones’ Infowars out of bankruptcy

Updated 14 November 2024
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Parody news website the Onion buys Alex Jones’ Infowars out of bankruptcy

  • Families of victims of the Sandy Hook school shooting backed the Onion’s bid

NEW YORK: The parody news website the Onion bought conspiracy theorist Alex Jones’ Infowars brand and website in a bankruptcy auction, according to court documents filed on Thursday.
Jones filed for bankruptcy protection in 2022 after courts ordered him to pay $1.5 billion for defaming the families of 20 students and six staff members killed in the mass shooting at Sandy Hook Elementary School in Newtown, Connecticut. Jones, unable to pay those legal judgments, was forced to auction his assets, including Infowars, in bankruptcy.
The Connecticut families of eight victims of the school shooting backed the Onion’s bid, saying it would put “an end to the misinformation machine” that Jones operated.
The Onion said it aims to replace “Infowars’ relentless barrage of disinformation” with the Onion’s “relentless barrage of humor.” “The Onion is proud to acquire Infowars, and we look forward to continuing its storied tradition of scaring the site’s users with lies until they fork over their cold, hard cash,” the Onion CEO Ben Collins said in a statement. Everytown for Gun Safety, the largest gun violence prevention organization in the country, said it will serve as the exclusive advertiser on the new Infowars.
The Onion will acquire Infowars’ intellectual property, including its website, customer lists and inventory, certain social media accounts and the Infowars production equipment, the families said in a statement.
“They’re shutting us down,” Jones said on social media site X. “I’m going to be here until they come in here and turn the lights off.”