In commemoration of their national day, Pakistanis join with Saudis in reflecting on their historic relations

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Main picture: Faisal Mosque, Islamabad, Pakistan, named after the Saudi King Faisal; left, Pakistanis fast at Riyadh’s Imam Turki bin Abdullah Mosque. (Getty Images/ Reuters)
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Faisal Mosque, Islamabad, Pakistan. (Supplied)
Updated 23 March 2019
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In commemoration of their national day, Pakistanis join with Saudis in reflecting on their historic relations

  • “Saudi Arabia sees Pakistan as a country with major geographical advantages, and by investing heavily in Pakistan it has further entrenched itself strategically,” said Farooqui
  • Riyadh enjoys a spiritual power as the home to Islam’s two holiest places, and Pakistan is one of the largest Muslim nations, a military power

DUBAI: Thirty-five-year-old Mushtaq Ahmed prepares a sweet rice dish called kheer in his camp on March 23 every year.
He then goes around his compound distributing it to his coworkers. That is how he has been celebrating Pakistan Day in Jeddah for more than eight years now.
“I live and work in Jeddah as an electrician. Every year on March 23 I used to miss Pakistan Day festivities in my home town,” said Ahmed, who asked not to use his real name.
When the feeling became acute, he called up his mother and asked her for the recipe of this dish.
“I decided to treat all my friends and colleagues regardless of their nationality. This is my way of celebrating my home country in an adopted country,” said Ahmed who comes from a village near Islamabad, the capital of Pakistan.
What he misses most, however, is going for Friday prayers at the Shah Faisal Mosque in Islamabad.
“That mosque is the pride of Pakistan. It was named after the late Saudi King Faisal, who loved our country,” he explained.
“I have been visiting this mosque since I was a teenager. I often prayed to Allah to get me a job in Saudi Arabia so that I can take care of my family members financially,” said Ahmed.
Working in Saudi Arabia has been a dream come true for him. “Earning a living for your family is the ultimate objective for any Pakistani here, whether it is an illiterate worker like me or a Western-educated CEO,” he said.
Ahmed is one of the 2.7 million Pakistanis who live in Saudi Arabia. In his own way, Ahmed maintains the relationship between the two countries.
He is not alone — Pakistan and Saudi Arabia are indeed connected in many ways. So to mark Pakistan Day, Arab News gathered views of experts in both the countries and asked them what the two countries mean to each other.
“Some of Pakistan’s celebrities — model-actor Fawad Khan, politician Marvi Memon and former prime minister Shaukat Aziz — have connections with Saudi Arabia, ” said Ahmed Quraishi, an Islamabad-based journalist and senior research fellow at Project for Pakistan in the 21st Century. Fawad Khan spent his childhood in Riyadh, while Marvi Memon’s father and Shaukat Aziz both worked in KSA.
Success stories of Pakistanis and Saudis connected through marriage could itself be the subject of a book as millions in Pakistan are linked to life in the Kingdom.
For Quraishi, Faisalabad (the Pakistani city named after King Faisal) is a permanent reminder of the connection, as is the Faisal Mosque.
He said that for Pakistan, Riyadh represents a force for positive change, the market economy, and peace in the Middle East.
“Riyadh is bringing in a lot of positivity to the region by promoting religious moderation, region-wide conflict resolution, and encouraging younger generations in the region to become active participants in the global economy.”
Senator Lt. Gen. Abdul Qayum was based in Saudi Arabia alongside 20,000 Pakistani army troops in 1985-87.
“I was a senior officer and as a lieutenant colonel in Khamees Mashaaikh I headed a 1,000-strong force that included pilots, engineers, artillery and defense units,” he said.
Lt. Gen. Qayum remembered those two years as among the best of his career and his personal life. “Since then, like millions of other Pakistanis, Saudi Arabia has been my second home.”
Qayum, who now heads Pakistan’s Senate Standing Committee on Defense Production, quoted Pew research to say that the most positive perception in the world of Saudi Arabia is in Pakistan. He said that faith is the main reason that connects both the countries very strongly.
“Millions of Pakistanis visit Makkah and Madinah for Hajj and Umrah. Our Hajj quota is the second largest in the world,” he said.
Qayum noted that millions of Pakistanis living in the Kingdom further the strong connection that exists between the two countries.
“These expatriates, whether blue-collar or white-collar, send millions worth of remittances to our country, which gives strength to our economy. And it is not just about the nation’s economy, this money also tremendously improves their personal financial conditions,” said Qayum.
It is because of income earned in Saudi Arabia that they have been able to provide quality living to their families.
Pakistan recorded a 12.2 percent increase in the inflow of remittances in the first seven months of the current fiscal year, according to official data released by the State Bank of Pakistan (SBP).
Saudi Arabia continues to be the largest source of remittances to Pakistan, the SBP report released on Monday said, with $2.97 billion recorded during the seven months of the current fiscal year.
Quraishi chooses to look at it from the prism of peace and security, and it works both ways.
“For Riyadh, Pakistan is an anchor for peace and stability in a region extending from West Asia to South Asia and Afghanistan,” Quraishi said.
On the other hand, according to Quraishi, the largest Pakistani diaspora resides in Saudi Arabia and the Gulf region, and Islamabad has important political, economic and strategic interests tied up to this region.
“The stability and security of the Arabian Sea and Arabian Gulf and the GCC states is an intrinsic Pakistani interest,” he noted.
Omar Farooqui, a Jeddah-based Saudi educator and entrepreneur, believes that Saudi Arabia and Pakistan are two forever-intertwined countries. He has his own reasons to draw that analogy.
“Saudi Arabia sees Pakistan as a country with major geographical advantages, and by investing heavily in Pakistan it has further entrenched itself strategically,” said Farooqui.
“For Saudi Arabia, having a strong, prosperous and thriving Pakistan is good for business and stability in the Muslim world and beyond,” said Farooqui, whose father migrated from Pakistan to Jeddah during the 1960s.
“From the oil boom of the 1960s, during the leadership of King Faisal, up to today under the leadership of King Salman and HRH Mohammed bin Salman, Saudi Arabia has always come to the aid of Pakistan during difficult economic times,” he said.
On the other hand, Pakistan has always provided Saudi Arabia with both tactical military services and a huge labor force for the Kingdom’s real estate and construction projects.
Omar also has numerous Pakistani friends in Saudi Arabia who have been living in the country for decades.
“They live a fabulous lifestyle and would never want to change it for any place on earth. For them, Saudi Arabia is a second home due to the fact that the treatment they get from their gracious hosts is incredibly generous,” he added.
Quraishi said that beyond people and economy the relationship is also about strategic partnership, and Riyadh and Islamabad have key roles to play to end the spread of extremism and extremist violence.
“Riyadh enjoys a spiritual power as the home to Islam’s two holiest places, and Pakistan is one of the largest Muslim nations, a military power, and a country with a long experience in countering the destructive role of groups that espouse extremism and militancy,” he said.
This is why both countries are cooperating with 38 other nations from the Muslim world in a joint effort under the banner of the Islamic Military Counter Terrorism Coalition (IMCTC).
“The objective is to curb and to end the malign influence of extremist, sectarian and violent groups that hurt the interests of Muslim peoples everywhere, and unite all Muslims in all of their schools of thought in a spirit of tolerance and acceptance,” said Quraishi.
He explained that both Pakistan and Saudi Arabia are forward-looking progressive nations that draw support and inspiration from each other and have the best interests of Muslim countries, the region, and the global community at heart.
“This is a significantly important relationship and one that many are watching closely.”


Festival in Riyadh finds Common Ground between Iraqi and Saudi cultures

Updated 6 sec ago
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Festival in Riyadh finds Common Ground between Iraqi and Saudi cultures

  • We are ‘all one culture, one society and one message,’ says Iraqi official

RIYADH: From heritage to long-standing traditions, the deep connections between Iraq and Saudi Arabia span thousands of years to the pre-Islamic era.

The second Common Ground festival, an initiative by Saudi Arabia’s Ministry of Culture, is an immersion in the bonds of the two nations through art, cuisine and performance.

Saudi poetry and handicrafts were transferred to Iraq while Iraqi literary and cultural heritage was transferred to Saudi Arabia. (AN photo)

Alataf Ebrahim, the head of the festival department at the Iraqi Ministry of Culture, Tourism and Antiquities, told Arab News: “Baghdad and all the Iraqi governorates are passionate about embracing Saudi culture. While the event is called Common Ground, with pride, we say that we are all one culture, one society and one message.

“This is a big and very important event, and the project is bold for planning and drawing joint cultural events now, and in the future. As the Ministry of Culture, this venture has been initiated for two years and we plan on having Saudi cultural nights in Baghdad as well as in 2025.”

HIGHLIGHT

Common Ground festival features an exhibition dedicated to the history of traditional clothing, musical instruments, songs, and significant cultural figures of Saudi Arabia and Iraq. 

One of the main festival attractions is Al-Mutanabbi Street, which is recreated based on the historical road in Baghdad along with its iconic main gate. The renowned hub for intellectual life hosts various bookstores, clothing stores, live painting and oud performances, and panel discussions around various cultural crossovers.  

Over 100 artworks are on display at the “Beneath the Gaze of the Palms” exhibition, which examines questions of identity and heritage in Iraq and Saudi Arabia. (AN photo)

In the heart of the bookshop district is one of Baghdad’s oldest coffee shops, Shabandar cafe, which opened its doors over a century ago and has since become a landmark in the city. The establishment has born witness to the twists and tragedies of Iraq’s tumultuous history.

“Shabandar cafe is an open corner for poets and intellectuals, and visitors as well, as they read about the latest cultural news through physical newspapers that are always on each table. This area is where the most prominent cultural activities in the capital (take place),” Ebrahim explained.

Visitors can indulge in local delicacies from both countries while enjoying the live folk music and dance performances that take place twice daily on the main stage. (AN photo)

Al-Mutanabbi’s poems are also honored through 10, 3-meter-high scrolls. The works are written in a font that has the characteristics of the 4th century in the style of Ibn Al-Bawwab, the famous calligrapher who was born about a year after Al-Mutanabbi’s death.

“We’re presenting a mini cultural week that encompasses many experiences, not just books and literature, but also extends to musical performances; and an absorption between the two cultures and deepening that relationship,” he added.  

As the Ministry of Culture, this venture has been initiated for two years and we plan on having Saudi cultural nights in Baghdad as well in 2025.

Alataf Ebrahim, Iraqi Ministry of Culture, Tourism and Antiquities official

Visitors can also indulge in local delicacies from both countries while enjoying the live folk music and dance performances that take place twice daily on the main stage.

One of the main festival attractions is Al-Mutanabbi Street, which is recreated based on the historical road in Baghdad along with its iconic main gate. (AN photo)

The festival’s concert series featured an iconic performance by Iraqi singer Kadim Alsahir on the opening day, and a joint oud performance by Saudi singer and songwriter Abadi Al-Johar and Iraqi artist Naseer Shamma on Dec. 21.

The last show of the series will be on Dec. 25, featuring Aseel Hameem and Nawaf Al-Jabarti.

Over 100 artworks are on display at the “Beneath the Gaze of the Palms” exhibition, which examines questions of identity and heritage in Iraq and Saudi Arabia. The showcase includes Islamic, Mesopotamian and contemporary art.

At the entrance of the exhibition is a large structure known as the Mudhif, which is a traditional reed house, particularly in the Al-Ahwar region of southern Iraq. It is a type of communal guesthouse or gathering space that plays a central role in the social and hospitality traditions of the region.

A large part of the exhibition highlights Darb Zubaida, one of the historical pilgrimage routes from the city of Kufa to Makkah that not only facilitated the movement of people, goods, and ideas but also played a crucial role in the cultural and religious life of the Islamic world.

“This road became a place for exchanging ideas with our communities in the Kingdom. Saudi poetry and handicrafts were transferred to Iraq while Iraqi literary and cultural heritage was transferred to Saudi Arabia.

“This is an important aspect of the exhibition, alongside the many artworks that spotlight the traditional, modern, and contemporary art and the traditional tales that are embodied by the contributions of the participating artists.”

The festival also features an exhibition dedicated to the history of traditional clothing, musical instruments, songs, and significant cultural figures of Saudi Arabia and Iraq.

The festival, which runs until Dec. 31, is being held at Mega Studio in Riyadh’s Boulevard City.

 


Creative youth collective hosts art auction in Jeddah with jazz, community spirit

Updated 35 sec ago
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Creative youth collective hosts art auction in Jeddah with jazz, community spirit

  • One of Nama’s key collaborators, Mohammad Aboalola, founder and writer at Mena Youth Magazine, expressed his admiration for the collective’s approach: “Nama and Menayouth struck a chord in terms of their values and vision

JEDDAH: Nama, a new collective dedicated to empowering young creatives, hosted its first event in Jeddah this week at the bustling Huna Alhabib.

The two-day Jazz Night and Silent Art Auction was a display of the power of collaboration and a cultural celebration.

Nama’s debut featured more than 30 pieces by artists from Saudi Arabia, Egypt, the UAE, Kuwait, Bahrain, Spain, Canada, and beyond. These works were donated specifically for the auction to bridge artistic communities across borders.

Jana Abdulaziz, Nama’s founder and director, told Arab News: “For the longest time, Nama was nothing more than an online group of about a dozen high schoolers that joined solely off the identity statement I wrote. No logo, no solid plans, just an idea.

“I remember a couple months in with next to no progress almost giving up the idea of having an event or Nama becoming anything. I reached out to potential sponsors and hundreds of local and international artists from my personal accounts as a last-ditch effort, expecting nothing ... and to my surprise, people did.”

With the participation of 15-plus local brands and businesses as vendors, the event was much more than an art exhibition. Visitors enjoyed an immersive experience complete with live jazz and blues performances, as well as an artist sketching portraits of guests.

The event seems to have resonated with artists and attendees alike. Yousef Zaini, a local artist and artwork donor, said: “As an artist, my work is intended to invoke emotions, raise questions, and offer perspectives. I borrow heavily from my readings in philosophy.

“I’m honored to work with Nama and showcase my works and share the philosophies they embody. The event organized by Nama was a great mix and I am eager to collaborate with them in the future. Much better is to come.”

French-Tunisian artist E. L. Seed donated one of his lithographs to Nama, describing it as a valuable opportunity. He said that participating in Nama was a chance to support the event and inspire young artists, emphasizing that no event is too big or small when it comes to reaching art enthusiasts, especially in Jeddah.

The idea for Nama came to Abdulaziz in late 2023. Despite initial setbacks, her determination and passion brought the project to life. The seamless blend of jazz music and visual art has created an atmosphere that elevated creativity and engagement, bringing people together to celebrate the cultural richness of the region.

Jwan Abdulhafeez, Nama’s head of media, said: “We wanted our launch event to be more than just an auction, we envisioned a true celebration of art, culture, and fun. The evening featured a carefully curated silent art auction that showcased emerging talent while creating an atmosphere of sophistication with live jazz performances.

“Through the silent art auction, we were able to connect talented artists with art enthusiasts, creating meaningful relationships within our community.”

The auction was a celebration of global perspectives and artistic diversity, featuring works from renowned artists while providing a platform for young creatives to share their stories and build connections in the art world.

One of Nama’s key collaborators, Mohammad Aboalola, founder and writer at Mena Youth Magazine, expressed his admiration for the collective’s approach: “Nama and Menayouth struck a chord in terms of their values and vision. When Nama approached Menayouth for us to help with managing media and activities, their approach to things proved that they have ultimate care for who they work with. They came up to us offering to deal with the event as if it was our own.”

 


Experts discuss transforming Saudi museums into interactive cultural spaces

The speakers stressed the importance of transforming museums into vibrant community hubs. (X @SaudiMuseum)
Updated 1 min 19 sec ago
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Experts discuss transforming Saudi museums into interactive cultural spaces

  • The speakers discussed the role of technology in enriching visitor experiences and designing engaging programs and exhibitions

RIYADH: As part of efforts to develop Saudi Arabia’s museum sector and enhance the cultural and social roles of museums, the Museums Commission recently hosted an open meeting titled “Museums and Community Engagement: How Can a Museum Become a Community Hub?”

Moderated by Eman Zidan, director of the Red Sea Museum, the event featured Noha Al-Kadhi, director of programs at the Museums Commission; Hassa Al-Sudairy, senior manager of cultural programs at the Jeddah Historic District Program; and Maria Alam, director of learning and research at Hayy Jameel.

The discussion explored the role of museums in fostering community engagement, with speakers emphasizing the need to continuously refresh programs and activities to attract visitors and offer enjoyable experiences for all age groups.

Drawing from the commission’s experience, Al-Kadhi underscored the importance of understanding audience and community needs to create museum narratives and programs that resonate with diverse visitors.

She highlighted the value of involving schools and students to build strong connections between younger generations and museums, suggesting that children and youth could become “museum ambassadors” if they enjoy their visits.

Al-Sudairy shared insights from the Jeddah Historic District Program on engaging the local community in heritage preservation through targeted awareness and educational initiatives.

She cited successful programs involving children and students, such as workshops where participants restored heritage houses using miniature 3D models — activities that deepen their understanding of and connection to heritage.

Alam emphasized the importance of creating interactive programs for children and families to strengthen connections between museums and the community.

She highlighted Hayy Jameel’s initiative of engaging the local community in decorating the neighborhood facade, fostering interaction between art, the museum, and the public. This, she said, enhances visitors’ experiences and encourages repeat visits.

The speakers also discussed the role of technology in enriching visitor experiences and designing engaging programs and exhibitions.

Al-Kadhi highlighted technology as a powerful tool for providing innovative experiences while underlining the importance of balancing modern technology with the preservation of authentic heritage.

Alam added that blending modern media with heritage enhances museums’ appeal and delivers educational and experiential value.

Addressing challenges and opportunities in the museum sector, Al-Sudairy drew from the program’s experience to discuss the complexities of preserving heritage buildings through meticulous restoration processes that meet UNESCO and Ministry of Culture standards. She commended the local community’s support in advancing these initiatives.

The speakers stressed the importance of transforming museums into vibrant community hubs. They highlighted the need for interactive spaces that meet societal needs and encourage active participation, moving beyond the traditional role of merely displaying artifacts and decribing their histories.

 


Saudi Cabinet welcomes UN request for ICJ opinion on Israel’s obligations

Updated 24 December 2024
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Saudi Cabinet welcomes UN request for ICJ opinion on Israel’s obligations

  • UN General Assembly resolution was put forward by Norway
  • Advisory opinion from ICJ will clarify Israel’s obligations under international law

RIYADH: The Saudi Cabinet welcomed on Tuesday the adoption of a UN General Assembly resolution requesting an advisory opinion from the International Court of Justice on Israel’s obligations related to the presence and activities of the UN.

Last week, UN member states requested the World Court to act urgently, with 137 countries voting in favor, 12 against and 22 abstaining.

The resolution was put forward by Norway on behalf of a core group of 13 countries, including the Kingdom.

An advisory opinion from the ICJ will clarify Israel’s obligations under international law to ensure and facilitate the work of the UN, international organizations and third states in providing life-saving humanitarian assistance and basic services to the Palestinian civilian population.

The resolution and its adoption come after Israel’s Knesset passed a law in October banning the UN Relief and Works Agency for Palestinian Refugees in the Near East from operating in Gaza, the West Bank and East Jerusalem.

The Cabinet expressed gratitude for the positive stance of the countries that supported the resolution, the Saudi Press Agency said.

The Saudi Cabinet meeting, chaired by King Salman, also discussed the recent meeting between Crown Prince Mohammed bin Salman and Iraqi Prime Minister Mohammed Shia’ Al-Sudani.

On Sudan, the Cabinet affirmed Saudi Arabia’s position to end the conflict in the country, stressing efforts to enhance humanitarian aid and seek a political future that secures Sudan’s stability, unity and sovereignty.

The Cabinet commended the hosting of the first Arab Cybersecurity Ministers Council in Riyadh this month, aimed at enhancing cooperation among Arab nations in cybersecurity and computer-related threats.

Domestically, the Cabinet recognized the progress made by government agencies in the digital transformation index for 2024 and their efforts to improve services to residents and visitors of the Kingdom.

Minister of Media Salman Al-Dossary told SPA that the Cabinet praised the success of recent economic, cultural and media conferences and events in Riyadh, strengthening the city’s position as a global hub for science, knowledge, investment and innovation.


Jeddah’s Islamic Arts Biennale to open in January

The second Islamic Arts Biennale is set to open on Jan. 25, 2025, at King Abdulaziz International Airport in Jeddah. (File/SPA)
Updated 24 December 2024
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Jeddah’s Islamic Arts Biennale to open in January

  • Over 30 artists explore cultural heritage through contemporary art

JEDDAH: The second Islamic Arts Biennale is set to open on Jan. 25, 2025, at the Western Hajj Terminal of King Abdulaziz International Airport in Jeddah.

Organized by the Diriyah Biennale Foundation, the event will showcase a blend of timeless Islamic civilization treasures and contemporary artistic creations.

The biennale will offer visitors a journey through the artistic heritage of Islam, engaging the senses, intellect, and creativity, the Saudi Press Agency reported.

Featuring contributions from over 30 artists from Saudi Arabia and beyond, the artworks will be displayed in both indoor and outdoor spaces until May 25.

Saudi artist Muhannad Shono will curate contemporary art, supported by associate curators Joanna Chevalier and Amina Diab.

Shono, along with artistic directors Julian Raby, Amin Jaffer, and Abdul Rahman Azzam, has tasked the artists with creating new works that complement historical Islamic artifacts.

The biennale’s theme, “And All That Is In-Between,” captures the essence of contemporary artworks, transcending simplistic notions to foster collective understanding, imagination, and interpretation.

The artworks, inspired by themes including space, time, and light, provide insight into preserving and nurturing culture by exploring the evolving landscape of Saudi Arabia.

The new art pieces will be displayed alongside historical artifacts, including religious relics, maps, and jewelry, in five indoor halls and various outdoor spaces beneath the Hajj Terminal canopy.

The works, also inspired by the concept of the garden in Islamic civilization, blend nature and traditional design while addressing contemporary environmental and social issues.

The Islamic Arts Biennale will be organized into seven sections — Al-Bidaya (the beginning), Al-Madar (the orbit), Al-Muqtani (homage), Al-Mathala (the canopy), Makkah Al-Mukarramah, Al-Madinah Al-Munawwarah, and Al-Musalla (the prayer hall) — spread across various galleries and outdoor areas, covering 100,000 square meters of dedicated exhibition space.